Repertoire of Rhapsody Quintet

Total Page:16

File Type:pdf, Size:1020Kb

Repertoire of Rhapsody Quintet Repertoire of Rhapsody Quintet All repertoire listed below has been arranged especially for Rhapsody Quintet by the following arrangers: David Langstroth, Christopher Palmer, John Rapson, Earl Fralick, Ernest Tomlinson, Gary Ewer, Franz Waxman Jazz/Pop Bohemian Rhapsody Freddie Mercury Don’t Stop Me Now Freddie Mercury The Girl from Ipanema Antonio Carlos Jobim Caravan Duke Ellington Mack the Knife Kurt Weill Jazz Medley All Blues Miles Davis Body and Soul Johnny Green All the Things You Are Jerome Kern Moonlight Serenade Glen Miller When I Fall in Love Victor Young La Vie en Rose Louiguy (Louis Gugliemi) Heaven Can Wait Jimmy van Heusen Don’t Get Around Much Anymore Duke Ellington The Prayer David Foster Stand By Me Ben E. King Pick Yourself Up Jerome Kern Sleepers Awake / A Whiter Shade of Pale JS Bach/Keith Reid/Gary Brooker In A Sentimental Mood Duke Ellington Take Five Paul Desmond (for Dave Brubeck) Steppin’ Out Medley Irving Berlin Top Hat White Tie and Tails Change Partners Let’s Face the Music and Dance Waltz in Swing Time Jerome Kern Smoke Gets In Your Eyes Jerome Kern Simple Gifts/Lord of the Dance Quaker Hymn Tune At Last Harry Warren Isn’t It Romantic/Lover Rodgers and Hart When I Grow Too Old To Dream Sigmund Romberg So Rare Jerry Herst Girl Crazy Medley George Gershwin I’ve Got Rhythm But Not For Me Embraceable You Bidin’ My Time Wunderbar Cole Porter Alexander’s Ragtime Band Irving Berlin My Funny Valentine Richard Rodgers/Lorenz Hart Someone To Watch Over Me George Gershwin Beatles Sgt Pepper’s Lonely Hearts Club Band Lennon and McCartney With a Little Help from My Friends Lennon and McCartney Lucy in the Sky With Diamonds Lennon and McCartney Getting Better Lennon and McCartney Fixing a Hole Lennon and McCartney She’s Leaving Home Lennon and McCartney Being for the Benefit of Mr. Kite Lennon and McCartney Within You Without You George Harrison When I’m Sixty-Four Lennon and McCartney Lovely Rita Lennon and McCartney Good Morning, Good Morning Lennon and McCartney A Day in the Life Lennon and McCartney Beatles Medley arr. Chris Palmer Lennon and McCartney Musical Theatre Anne of Green Gables Medley Norman Campbell My Beautiful Lady Ivan Caryll Italian Street Song Victor Herbert Moonbeams Victor Herbert Topsy Vincenzo Billi Mattinata Francesco Paolo Tosti Kiss Me Again Victor Herbert Isn’t It Romantic Rodgers and Hart Lover Rodgers and Hart The Student Prince Medley Sigmund Romberg Original Compositions Tasha's Waltz David Langstroth The Four Seasons (of Nova Scotia) David Langstroth Nearly Winter Winter Still Winter Road Repair Season Souvenirs de Paris (Four Waltzes) Franz Waxman Movie Music My Heart Will Go On (from The Titanic) James Horner Viktor's Tale (from The Terminal) John Williams Schindler's List John Williams Selections from The Lord of the Rings Howard Shore Tangos Por Una Cabeza Carlos Gardel El Choclo (Kiss of Fire) Lester Allan/Robert Hill El Dia Que Me Quieras Carlos Gardel Corazon de Oro (Heart of Gold) Francisco Canaro Adelanta el Reloj (milonga) Antonio Benedicto Un Momento Juan Rodriguez Rio Cuarto Alberto Lopez Buchardo Milonga de Mis Amores Pedro Laurenz Desde el Alma Rosita Melo 9 de Julio Jose L. Padula La Cumparsita Matos Rodriguez Jealousy Jacob Gade Adios Nonino Astor Piazzola Oblivion Astor Piazzola Libertango Astor Piazzola Jewish/Klezmer Processional Traditional Wedding Crowning Ceremony Traditional Waltz Medley Traditional Fraylachs Traditional Sher Traditional Sunrise, Sunset Sheldon Harnick/Gerry Bock plus numerous traditional Jewish songs Miscellaneous Light Music Les Patineurs Valse (Skaters' Waltz) Emil Waldteufel Amparito Roca Jaime Texidor Waltz for a Princess Ernest Tomlinson Passepied Ernest Tomlinson A Georgian Miniature Ernest Tomlinson Gaiety Galop Ernest Tomlinson Pastorella Ernest Tomlinson Valse de la Baronnie Paul Saulnier Ellinger Polka Calixa Lavalee Tuckamore Clifford Crawley The Butter’s Spread Too Thick Clifford Crawley Blind Date Clifford Crawley Destiny Waltz Sydney Baynes Jumping Bean Robert Farnon Poupee Valsante (The Dancing Doll) Ede Poldini The Boulevardier Frederic Curzon Galavant Frederic Curzon The Violin is a Lady Frederic Curzon Serenade of a Clown Frederic Curzon Water Nymph Frederic Curzon Dance of An Ostracised Imp Frederic Curzon Aguero Jose Franco Café Chantant Percy Fletcher The Dansant Percy Fletcher Demoiselle Chic Percy Fletcher Bal Masque Percy Fletcher Fleurette d’Amour Percy Fletcher Funiculi Funicula Luigi Denza Down in Zanzibar Charles Ancliffe Fragrance Charles Ancliffe Hapheem Charles Ancliffe El Saludo Charles Ancliffe Spanish Dance No. 1 Moszkowski Spanish Dance No.2 Moszkowski La Rose Emil Ascher Aeroplane Galop Ernest Lamothe Voices of Spring Johann Strauss Joy and Delight Johann Strauss Vilia Franz Lehar Blue Tango Leroy Anderson Jamaican Rhumba Leroy Anderson Village Swallows Johann Strauss Czech Polka Johann Strauss Thunder and Lightning Johann Strauss Blue Danube Johann Strauss Csardas Monti Music with Voice Moonlight Serenade Glen Miller Fly Me To The Moon Bart Howard My Funny Valentine Rodgers and Hart Someone To Watch Over Me George Gershwin Smoke Gets in Your Eyes Jerome Kern Moonlight in Vermont Karl Suessdorf Unforgettable Irving Gordon An Die Musik, Op. 88 No.4 Franz Schubert Every Day Is Ladies Day Victor Herbert All The Things You Are Jerome Kern With A Song In My Heart Rodgers and Hart Medley from Roberta Jerome Kern Lovely to Look At I Won’t Dance The Touch of Your Hand) In The Still Of The Night Cole Porter I’m Old Fashioned Jerome Kern The Song Is You Jerome Kern It’s Delovely Cole Porter Let’s Do It Cole Porter A Couple Of Swells Irving Berlin It Only Happens When I Dance with You Irving Berlin The Song Is Ended Irving Berlin Cool Yule Steve Allen Chorus of the Hebrew Slaves Giuseppe Verdi Wunderbar Cole Porter The Music of the Night Andrew Lloyd Webber Bohemian Rhapsody Freddie Mercury Sgt Pepper’s Lonely Hearts Club Band Lennon and McCartney With a Little Help from My Friends Lennon and McCartney Lucy in the Sky With Diamonds Lennon and McCartney Getting Better Lennon and McCartney Fixing a Hole Lennon and McCartney She’s Leaving Home Lennon and McCartney Being for the Benefit of Mr. Kite Lennon and McCartney Within You Without You George Harrison When I’m Sixty-Four Lennon and McCartney Lovely Rita Lennon and McCartney Good Morning, Good Morning Lennon and McCartney A Day in the Life Lennon and McCartney .
Recommended publications
  • BWTB Nov. 13Th Dukes 2016
    1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53.
    [Show full text]
  • Annual Picnic at Ron Bingaman's Home PAUL-WESLEY BOWEN
    ************************************************************************************************************** ************************************************************************************************************** Newsletter of the NORCAL THEATRE ORGAN SOCIETY www.theatreorgans.com/norcal PO Box 625, Berkeley, CA 94701-0625 510/644-2707 June 2009 PAUL-WESLEY BOWEN Annual Picnic at San Jose Grace Baptist Church Ron Bingaman’s Home Sunday, June 14, 2009 – 1 PM NorCal’s annual picnic (with Sierra Followed by Open Console Chapter members our guests) will be held Sunday, August 23rd at Ron and orCal’s own P. W. Bowen will be at the Gay Bingaman’s beautiful home in Grass Nconsole of Grace Baptist Church’s Valley. Situated on 10 acres, the house has 3/13 Robert Morton. Originally installed a water powered Allen GW-4 with speakers in San Jose’s Liberty Theater this organ that are way above in an angled ceiling so retains its original theatre organ features. the sound comes down from above. Although a native Californian, ‘PW’ spent The festivities will start around 11 AM 30 years in Minnesota with the Dutch organ and we will eat around noon or thereafter. manufacturer, Eminent Organ Co. Known A grill will be provided for those who wish for his active hand registrations ‘PW’ is at to ‘cook out’ and coffee, tea and soft drinks home with both Theatre and Church organs. will be provided on-site. Please bring your Following the concert, members will have own dishes, silverware and food, and if 10 to 15 minute turns at open console, with desired, beer or wine. repeat turns as time permits. In addition to the organ and the on-site Grace Baptist Church is in downtown hydro-electric power house, Ron and Gay ‘P.W.’ Bowen San Jose at 484 E.
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • Wolfgang Amadeus Mozart
    Saturday, September 8 1979 Arts Guild Fair, Central Park, Northfield Overture to the Magic Flute (Wolfgang Amadeus Mozart) Finlandia (Jean Sibelius) London Suite (Eric Coates) Country Gardens (Percy Grainger) Berceuse and FInale- Firebird (Igor Stravinsky) Dance Rhythms (Wallingford Riegger) Simple Gifts (Aaron Copland) Hoedown (Aaron Copland) August 23, 1986 Carleton College Concert Hall Carneval Overture (Antonin Dvorak) Valse Triste (Jan Sibelius) Konzertstuck for Four Horns and Orchestra Wedding Day at Troldhaugen (Edvard Grieg) Highlights from Showboat (Jerome Kern/Oscar Hammerstein) Why Do I Love You? Can’t Help Lovin Dat Man You Are Love - soloist- Myrna Johnson The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) August 28, 1986 Fairbault Junior High Auditorium- 7:30 pm Carneval Overture (Antonin Dvorak) Valse Triste (jan Sibelius) Konzertstuck for Four Horns and Orchestra Prelude to Act III of Lohengrin First Movement from Violin Concerto no. 3 in G, K216 (W.A. mozart) The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) Saturday, May 14, 1994 United Methodist Church, Northfield- 2:30pm Northfield Cello Choir (Directed by Stephen Peckley): Pilgrim’s Chorus (Richard Wagner) Sarabande and Two Gavottes (J.S. Bach) Red Rose Rag (Traditional) Suite for Strings in Olden Style from Holberg’s Time, Op.40 (Edvard Grieg) Prelude: Allegro Vivace Sarabande: Andante Rigaudon: Allegro Con Brio Geraldine Casper- violin solo Paul Tarabek- viola solo Concerto in D Major for Cello and Orchestra (Josef Haydn)
    [Show full text]
  • Prof. M. J. Koncen's Quadrille Call Book and Ball-Room Guide
    Library of Congress Prof. M. J. Koncen's quadrille call book and ball-room guide ... PROF. M. J. KONCEN'S QUADRILLE CALL BOOK AND BALL ROOM GUIDE. Prof. M. J. KONCEN'S QUADRILLE CALL BOOK AND Ball Room Guide. TO WHICH IS ADDED A SENSIBLE GUIDE TO ETIQUETTE AND DEPORTMENT. IN THE BALL AND ASSEMBLY ROOM. LADIES TOILET, GENTLEMAN'S, DRESS, ETC. ETC. AND GENERAL INFORMATION FOR DANCERS. 15 9550 Containing all the Latest Novelties, together with old fashioned and Contra Dances, giving plain directions for Calling and Dancing all kinds of Square and Round Dances, including the most Popular Figures of the “GERMAN.” LIBRARY OF CONGRESS COPYRIGHT. 20 1883 No 12047-0 CITY OF WASHINGTON. ST. LOUIS: PRESS OF S. F. BREARLEY & CO., 309 Locust Street. (1883). Entered according to Act of Congress, in the year of 1883, by MATHIAS J. KONCEN. in the Office of the Librarian of Congress, at Washington, D. C CONTENTS. Preface 5–6 Etiquette of the Ball Room 7–10 Prof. M. J. Koncen's quadrille call book and ball-room guide ... http://www.loc.gov/resource/musdi.109 Library of Congress Etiquette of Private Parties 10–12 Etiquette of Introduction 12–13 Ball Room Toilets 13–14 Grand March 15–17 On Calling 17 Explanation of Quadrille Steps 17–20 Formation of Square Dances 21–22 Plain Quadrille 22–23 The Quadrille 23–25 Fancy Quadrille Figures 25–29 Ladies Own Quadrille 29–30 National Guard Quadrille 30–32 Prof. Koncen's New Caledonia Quadrille 32–33 Prairie Queen Quadrille 33–35 Prince Imperial 35–38 Irish Quadrille 39–40 London Polka Quadrille 40–42 Prof.
    [Show full text]
  • ARSC Journal
    LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC.
    [Show full text]
  • Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I Entered College
    Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I entered college a naïve 18-year-old musician. I had played guitar for roughly four years and was determined to be the next great Texas blues guitarist. However, I was now in college and taking the standard freshman music literature class. Up to this point the most I knew about music other than rock or blues was that Beethoven was deaf, Mozart composed as a child, and Chopin wrote a really cool piano sonata in B-flat minor. So, we’re sitting in class learning about Berlioz, and all of the sudden it occurred to me: are there any composers still working today? So I risked looking silly and raised my hand to ask my professor if there were composers that were still working today. His response was, “Of course!” In discussing modern composers, the one medium that continuously came up in my literature class was that of film music. It occurred to me then that I knew a lot of modern orchestral music, even though I didn’t really know it. From the time when I was a little kid, I knew the name of John Williams. Some of my earliest memories involved seeing such movies as E.T., Raiders of the Lost Ark, and The Empire Strikes Back. My father was a musician, so I always noted the music credit in the opening credits. All of those films had the same composer, John Williams. Of course, I was only eight years old at the time, so in my mind I thought that John Williams wrote all the music for the movies.
    [Show full text]
  • Observations & Questions Contexts & Consequences Meet the Beatles
    Sgt. Pepper’s Lonely Meet The Beatles Hearts Club Albums recorded 1963-1970 Band An album by the Beatles December 1966 – April 1967 “perhaps the most creative 129 days in the history of rock music” 1964 Observations & questions Producer George Martin • Song analysis models “The 5th Beatle” • Is this album a unified work of art similar to a symphony, suite or song cycle in classical music? – The invention of the “concept album” – McCartney “. like writing your novel” – Lennon disagreed – The first album to print the lyrics on the sleeve contexts & consequences ‘The Frame’ • Pop music gets its own Art Tradition • Opening (title) song (SPLHCB) • Queen – “We don’t compose songs, we compose albums” • Alter ego/distancing (dissimulation) tactic • Punk reacts against this (Metallica struggles on) • Polystylistic now, polystylistic then, but in the • The Recording is the Work future? – Before, recordings were supplements to the ‘real thing,’ live performance • 12 + 5 bar phrase lengths – gives it a chopped – Now, the live concert is the supplement to the up feel? recording – Financially, this may be reverting back, but the recording still seems to be the site of music With a Little Help . Getting Better • A “character song” (as in an opera or musical) • Optimism with one or two negative, even • Musical traits? (Simplicity of harmony seems shocking, twists in the lyrics to set up the next song) • “the album’s first track with no harmonic • Drug reference? Surrealistic verse? innovations” – Walter Everett • Rating on your personal normalcy/weirdness – (but I think that guitar spiking away on a note that chart? may or may not fit into the chords is really cool) • Falsetto “foolish rules” • Appeal to fantasies/Beatlemania? With a Little Help .
    [Show full text]
  • 191219-Mariah-Carey.Pdf
    Breaking News English.com Ready-to-Use English Lessons by Sean Banville “1,000 IDEAS & ACTIVITIES Thousands more free lessons FOR LANGUAGE TEACHERS” from Sean's other websites breakingnewsenglish.com/book.html www.freeeslmaterials.com/sean_banville_lessons.html Level 3 - 19th December, 2019 Mariah Carey Xmas hit number 1 after 25 years FREE online quizzes, mp3 listening and more for this lesson here: https://breakingnewsenglish.com/1912/191219-mariah-carey.html Contents The Article 2 Discussion (Student-Created Qs) 15 Warm-Ups 3 Language Work (Cloze) 16 Vocabulary 4 Spelling 17 Before Reading / Listening 5 Put The Text Back Together 18 Gap Fill 6 Put The Words In The Right Order 19 Match The Sentences And Listen 7 Circle The Correct Word 20 Listening Gap Fill 8 Insert The Vowels (a, e, i, o, u) 21 Comprehension Questions 9 Punctuate The Text And Add Capitals 22 Multiple Choice - Quiz 10 Put A Slash ( / ) Where The Spaces Are 23 Role Play 11 Free Writing 24 After Reading / Listening 12 Academic Writing 25 Student Survey 13 Homework 26 Discussion (20 Questions) 14 Answers 27 Please try Levels 0, 1 and 2 (they are easier). Twitter twitter.com/SeanBanville Facebook www.facebook.com/pages/BreakingNewsEnglish/155625444452176 THE ARTICLE From https://breakingnewsenglish.com/1912/191219-mariah-carey.html American singer Mariah Carey has reached number one in the U.S. music charts with her classic song "All I Want For Christmas Is You". It is not unusual for a festive song to be the best seller at Christmas, but Carey's famous song was first released 25 years ago.
    [Show full text]
  • Statistician Examines Beatles Mystery 20 September 2018, by Peter Reuell
    Statistician examines Beatles mystery 20 September 2018, by Peter Reuell But for McCartney fans saying "Wait," all hope is not lost. When the researchers separated the song's verses from the bridge—what Lennon used to call the "middle eight"—they found Something interesting. "There was some question about whether McCartney wrote the bridge," he said. "And it turns out that it's close to a 50 percent chance that the middle eight was written by him, and the rest is likely to have been written by John." To determine which Beatle wrote the song, the researchers spent "A Hard Day's Night" developing an algorithm to apply "stylometry"—the use of Credit: CC0 Public Domain statistical tools to determine authorship—to the band's catalog. "In the context of textual analysis, the way this Mark Glickman is Fixing a Hole in Beatles lore. works is we have a bunch of documents that were written by one author, and a bunch written by A senior lecturer in statistics, Glickman worked another author," Glickman explained. "The basic with Ryan Song, a former statistics student at strategy in the analysis is to examine the frequency Harvard, and Jason Brown, a professor at of certain kinds of words in those documents. In the Dalhousie University in Nova Scotia, to tackle an songwriting context … the way we're doing it is we're enduring Beatles mystery—who wrote "In My Life"? treating songs as two parallel streams of 'text' to analyze the melody line and the chords or harmonic As most Beatles fans know, John Lennon and Paul structure." McCartney disagreed over who authored the classic from the 1965 album "Rubber Soul," but Interestingly, Glickman said, when the team began mathematics seems to have finally settled the looking for the musical characteristics that could dispute.
    [Show full text]
  • Sgt. Pepper's Lonely Hearts Club Band: Lyrics
    MUSC-21600 Freeze Sgt. Pepper’s Lonely Hearts Club Band: Lyrics 1. Sgt. Pepper’s Lonely Hearts Club Band It was twenty years ago today, Sergeant Pepper taught the band to play. They’ve been going in and out of style, But they’re guaranteed to raise a smile. So may I introduce to you the act you’ve known for all these years? Sergeant Pepper’s Lonely Hearts Club Band. We’re Sergeant Pepper’s Lonely Hearts Club Band, We hope you will enjoy the show, We’re Sergeant Pepper’s Lonely Hearts Club Band, Sit back and let the evening go. Sergeant Pepper’s lonely, Sgt. Pepper’s lonely, Sergeant Pepper’s Lonely Hearts Club Band. It’s wonderful to be here. It’s certainly a thrill. You’re such a lovely audience, We’d like to take you home with us. We’d love to take you home. I don’t really want to stop the show, But I thought you might like to know That the singer’s gonna sing a song And he wants you all to sing along. So let me introduce to you, The one and only Billy Shears, And Sergeant Pepper’s Lonely Hearts Club Band, yeah. 2. With a Little Help from My Friends What would you do if I sang out of tune? Would you stand up and walk out on me? Lend me your ears and I’ll sing you a song, And I’ll try not to sing out of key. Oh, I get by with a little help from my friends.
    [Show full text]
  • TBS GCSE MUSIC A4 Revison.Indd
    GCSE Music. Comprehensive resource pack to support the popular Music area. GCSE Music. Contents. 1. Introduction 2. Learning Aims and Objectives 3. Before Sgt Pepper 4. The ‘concept album’. 5. Pop Art, Peter Blake and the importance of album art in the 60s and beyond 6. L yric Analysis: (exploring melody, harmony, structure, rhythm and meaning behind the lyrics) — Lucy in the Sky — Within You/Without You — With a Little Help from my Friends 7. Worksheets – exploring structure: With a Little Help from My Friends and Within You, Without You 8. Sgt Pepper lectures @ The Beatles Story 9. The Beatles story and Liverpool Hope Partnership 10. Booking a visit to the Beatles Story 11. L yrics: With a Little Help from My Friends, Lucy in the Sky, Within you, Without You 12. Fascinating facts about the album 13. Recommended reading list/websites 2 Introduction. Located within Liverpool’s historic Albert Dock, the Beatles Story is a unique visitor attraction that transports you on an enlightening and atmospheric journey into the life, times, culture and music of the Beatles. Since opening in 1990, the Beatles Story has continued to develop our learning resources to create a fun and educational experience for all. Our commitment to life-long learning ensures every guest has a valuable experience, whatever their age or ability. We have linked the story of the Beatles, their early lives, their fame and combined creativity to selected areas of the National Curriculum: history, literacy, art and music to actively encourage and involve pupils in their own learning. This resource pack focuses on GCSE Music in accordance with the AQA specification.
    [Show full text]