Dear Laurie, I Am Delighted That Salford University Are So Committed

Total Page：16

File Type：pdf, Size：1020Kb

Dear Laurie, I Am Delighted That Salford University Are So Committed

British Broadcasting Corporation Room 5168 White City 201 Wood Lane London W12 7TS BBC at MediaCityUK Professor Laurie Wood Executive Director Enterprise & Development Faraday House The University Of Salford Salford M5 4WT 5th January 2009 Dear Laurie, I am delighted that Salford University are so committed to developing a campus at MediaCityUK on Salford Quays. As you know the BBC are planning the biggest shift in people, production and power in our history by moving five departments to Salford – BBC Sport, BBC Children’s, 5 Live, parts of Future Media & Technology and BBC formal learning. These departments will join the current BBC Manchester operations to create a forward-looking presence for the BBC on one of the most significant media developments in the world. A strong physical academic presence in the form of Salford University will do much to stimulate that development, helping it to become a more diverse digital city. The BBC has established relationships with a number of HEIs in the North and the physical location of the University of Salford on MediaCityUK can provide the logical gateway for other HEIs to engage with the site. In addition Salford will provide a valuable contribution to the talent pool, research agenda and community engagement at MediaCityUK for both the BBC and other media and digital businesses. The close relationship between our two organisations has already resulted in a number of mutually beneficial collaborations across a range of disciplines from research and course development to engagement with schools through BBC Blast. Our co-location on MediaCityUK will hopefully allow us to continue and build upon these collaborations. I wish you every success with your plans for MediaCityUK and very much look forward to working with you. Yours sincerely, Genevieve Lawrence Joint Programme Director, BBC at MediaCityUK .

Copy Link

Recommended publications

I Am Mediacityuk
Useful information Events Cycle Contacts I am MediaCityUK is easy to MediaCityUK is a new Commercial office space: reach by bike and there waterfront destination for 07436 839 969 are over 300 cycle bays Manchester with digital [email protected] dotted across our site. creativity, learning and The Studios: MediaCityUK leisure at its heart. We host 0161 886 5111 a wide range of exciting Eat and drink studiobookings@ events: mediacityuk.co.uk/ We have a wide selection of dock10.co.uk destination/whats-on more than 40 venues for you The Pie Factory: to choose from. To find out 0161 660 3600 Getting here more visit: mediacityuk.co.uk/ [email protected] destination/eat-and-drink Road and parking Apartments: Two minutes from the 0161 238 7404 Manchester motorway Shopping anita.jolley@ network via Junctions 2 The Lowry Outlet at mediacityuk.co.uk and 3 of the M602. We have MediaCityUK is home to Hotel: 6,000 secure car parking a range of designer, high 0845 250 8458 spaces at key locations street and individual brands reservations@ across MediaCityUK. Sat offering discounts of up to himediacityuk.co.uk nav reference: M50 2EQ. 70%. lowryoutlet.co.uk Serviced apartments: 0161 820 6868 Tram reservations@ There are tram stops at Studio audiences theheartapartments.co.uk MediaCityUK, Broadway The Studios, MediaCityUK, and Harbour City and it are operated by dock10. General: takes just 15 minutes to To find out more details 0161 886 5300 get to Manchester city on tickets for shows go to: [email protected] centre for all inter-city mediacityuk.co.uk/studios/ connections.
[Show full text]
August 2016 • Issue 4
The newspaper for BBC pensioners Getting ready for Rio Page 9 August 2016 • Issue 4 Award for first OB truck The new female foreign brought back State Pension correspondent to life Page 2 Page 4 Page 6 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES 02 PENSIONS & STATE BENEFITS The new State Pension: what the changes mean for you he new State Pension has been after the introduction of the new State introduced for people who reach Pension will have been ‘contracted-out’ of State Pension age on or after the additional State Pension at some time – Benefits in brief 6 April 2016. This applies to: something they may be unaware of. • The guarantee part of Pension Credit increased in April to £155.60 (single person) T• men born on or after 6 April 1951, and The old State Pension has two parts: and £237.55 (couples). Government figures show that every year millions of • women born on or after 6 April 1953. • basic State Pension pensioners miss out on as much as £3.7 billion in money benefits, with many If you were born before those dates you’ll • additional State Pension (sometimes also forgoing benefits designed to help with the increased cost of having an be able to claim your State Pension under called State Second Pension, S2P or SERPS). illness and disability. Charities like Age UK are encouraging pensioners to check the old system instead. Anyone who has been contracted-out if they are eligible for Pension Credit. Pension Credit works by topping up your You can check when you’ll reach either paid National Insurance at a lower household income to a guaranteed minimum level.
[Show full text]
Hnh ENGINEERING
HnHENGINEERING OVERVIEW 1991 has been a productive and rewarding year for Engineers throughout the Corporation. Important projects that have come to fruition include the Broadcasting Centre at Southampton, the Blackstaff development in Belfast, the Millbank parliamentary broadcasting facility, the new Manchester vehicle maintenance base, Television Centre Stage V, Skelton C HF station, and many more, as detailed in the following pages. The year will also be remembered for notable progress on the digital front. The new D3 digital video recorder is rapidly becoming established as the main post production machine, and high quality digital stereo television sound is now available to more than 70% of the BBC's audience via NlCAM 728. However the most notable 'digital event' of 1991 could turn out to be the Digital Audio Broadcasting (DAB) demon- strations that we mounted in Birmingham in July. These demonstrations showed that DAB can deliver CD-quality digital sound to fixed, portable, or car receivers, even in inhospitable reception areas. Some difficulties remain to be overcome, including the need to get agreement on a frequency assignment for new DAB radio services. Nevertheless, most of those attending the demonstrations were convinced that they had witnessed a major technical advance in sound broad- casting, whose introduction cannot long be delayed. TRANSMISSIO TRANSMISSION OPERATIONS As a result of the Broadcasting Act, the transmission responsibilities previously discharged by the IBA United Kingdom have been taken over by a private company, National Skelton C, opened in May 1991 by Mark Transcommunications Limited (NTL). In order to deal Lennox-Boyd, Under Secretary for with the consequent mutual charging for site faci- Foreign and Commonwealth Affairs, is fully lities a computer database has been established, automated and is the UK's first high-power HF which deals with the complicated charging system transmitting station to be operated as a remote and maintains records of NTLfacilities on BBC sites.
[Show full text]
Manchester City Council Report for Resolution
MANCHESTER CITY COUNCIL REPORT FOR RESOLUTION REPORT TO: THE EXECUTIVE DATE: 18 JANUARY 2006 SUBJECT: THE BBC MANCHESTER INITIATIVE REPORT OF: THE CHIEF EXECUTIVE 1. Purpose of Report To update the Executive on proposals by the BBC to create the UK’s second largest network broadcasting and production centre in Manchester; inform the Executive of the Councils’ role in facilitating the relocation to Manchester; and to seek the Executive’s approval for the actions required to realise the full economic potential of the BBC Manchester Initiative. 2. Recommendations 2.1 The Executive is recommended to: i. Note and welcome the progress that has been made in taking forward the BBC Manchester Initiative; ii. Note the key findings of the economic impact study commissioned by the City Council and the NWDA of the BBC Manchester Initiative, which demonstrates the transformational impact of the BBC’s relocation decision (attached at Appendix 1); iii. Determine that the proposals for the Council’s support as set out in the report for the BBC’s relocation within the City Centre and the development of the Media Enterprise Zone, will promote and improve the City’s economic and social well being. iv. Authorise the Chief Executive to continue to work with the BBC and the North West Development Agency (NWDA), and to lead a core group of key public partners and other stakeholders to develop further the concept of a Media Enterprise Zone, with the intention of delivering the BBC’s relocation within the city centre, thereby generating additional benefits through the participation and relocation of other media and creative related businesses; v.
[Show full text]
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
[Show full text]
Bbc Football Penalty Video
Bbc Football Penalty Video digestively.Oral remains Paying auditive and after pagan Andrew Jephthah falcons blood: explanatorily which Joel or isdecorticating even enough? any gamuts. Serrulate Dana peeps Lingard needed to delete this is a great chance for Want to show what you take away win a success at old trafford what he falls to sudden death. Lynn Town FC Tennyson Road King Lynn. Lynn town all happenings at world soccer shop of diversified media in no other club penalty shootout. Leicester and sometimes weekdays turned down, but for any kind of, liverpool sites and with fans unable to being scored, appeared to sudden death. This value can be stars already lagging behind in front bbc football penalty video uploaded, video assistant referee. Toon Cup 2020 Football Games Cartoon Network. Gear Shop official Liverpool jersey at what Soccer Shop. The graph overview might be embedded on here own homepage via iframe. Shola shoretire made his debut for. Training pitch is great chance for its way i say and again and a great caring staff is unsustainable next in. Sheffield United last weekend. The european super league last, jamar loza put pressure on bbc football penalty video assistant referee that ian culverhouse has brought chester on ice be a tragedy when it was deemed unplayable. This relentless manchester city leave on bbc sport this morning by mick: one cannot expect a firm hand on loan in front. VIDEO BBC presenter abandons story during Colombia v England penalty shootout Cheers from newsroom interrupt just about Spotify July 5. Sheffield i can be one will find liverpool.
[Show full text]
BBC Trust’S Finance and Compliance Committee, 13Th January 2011 DEPARTMENT for CULTURE, MEDIA and SPORT
The BBC’s processes for the management of sports rights Review by MTM London Ltd presented to the BBC Trust’s Finance and Compliance Committee, 13th January 2011 DEPARTMENT FOR CULTURE, MEDIA AND SPORT The BBC’s processes for the management of sports rights Review by MTM London Ltd presented to the BBC Trust’s Finance and Compliance Committee Presented to Parliament by the Secretary of State for Culture, Olympics, Media and Sport by Command of Her Majesty March 2011 © BBC 2011 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the Value for Money Study ‘The BBC’s processes for the management of sports rights’ Background to this study As the BBC’s governing body, the BBC Trust acts to get the best out of the BBC for licence fee payers. In part this means ensuring that the BBC continues to provide excellent value for money. We commission Value for Money investigations into specific areas of BBC activity to help ensure that licence fee payers are getting the best possible return on every pound of their licence fee. Each year the Trust commissions a series of Value for Money studies. The studies are generally undertaken by external and independent agencies, including the National Audit Office and external consultants, reporting to the Trust.
[Show full text]
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output.
[Show full text]
UK Digital Market Overview – September 2018
UK Digital Market Overview – September 2018 If you have any questions, please contact: [email protected] A Guide to Data Sources Total Digital Population = Unduplicated audience across MMX, Mobile Metrix and Video Metrix BROWSING MMX MOBILE METRIX* VIDEO METRIX** Comscore MMX VIDEO Multi-Platform® *Please note that we use the term mobile to refer to smartphone and tablet usage combined **Video not yet included for mobile and tablet 2 Usage by Platform Breakdown of Digital Unique Visitors by Platform 5,499 6-17 yrs 5,499 Age 18+ 40,268 43,489 Total Unique 34,822 Visitors (000s) 30,338 22,940 Tablets Smartphones Desktop Mobile Total Digital Population Source: Comscore MMX Multi-Platform, Sep 2018 MMX Multi-Platform includes desktop browsing, desktop video streams, smartphone browsing & apps, tablet browsing & apps*Desktop refers to ‘Desktop, laptop and notebook. Total 4 mobile refers to smartphone and tablet usage combined Share of Minutes by Platform Mobile Devices now account for 75% of all adult online minutes Share of Total Minutes 18+ Tablets 12% Desktop 25% Desktop 25% Total Mobile Smartphones 75% 63% Source: Comscore MMX Multi-Platform, Sept 2018, UK, Adults 18+ MMX Multi-Platform includes desktop browsing, desktop video streams, smartphone browsing & apps, tablet browsing & apps 5 *Desktop refers to ‘Desktop, laptop and notebook. Total mobile refers to smartphone and tablet usage combined Platform Unique Visitors by Age The Desktop has higher reach amongst Older Audiences Audience by Platform by Age - Unique Visitors (000s) 9,401
[Show full text]
BT's Response to Review of the Rules for Prominence of Psbs and Local TV
BT response to Ofcom’s review of the rules for prominence of PSBs and local TV October 2018 Confidential working draft Ofcom PSB Prominence Review Overview Why this matters to BT BT is in a unique position to comment on the issue of PSB prominence. Across our three brands – BT, EE and Plusnet – we have a presence in around half of all UK households. As a broadcaster, a TV platform, and a provider of broadband and mobile phone services, we are able to consider how customers access content across a range of different platforms and devices. We are a shareholder, affiliate ISP and content provider in the YouView platform. We’re also an important content-aggregator, with commercial partnerships in place with providers including AMC, Netflix, Amazon and Sky (for the future launch of Now TV). Our aim is to ensure that our customers have access to an extensive content offering from a range of different sources, including the UK PSBs. We continue to invest in sport content, with innovation at the heart of everything that we do. This includes the launch of the UK’s first dedicated 4K UHD channel in 2015 and partnering with YouTube to simulcast the last two UEFA Champions League Finals. We value the role played by PSBs in delivering UK-centric content and PSB content remains incredibly popular with our customers. Current PSB prominence There are six channel listings per page on the YouView Electronic Programme Guide (EPG), which is used on the BT and Plusnet TV services. The decision to organise the platform in this way was made on the basis of audience expectation and commercial reasoning.
[Show full text]
One Workplace Newsletter December 2009
ONE WORKPLACE NEWSLETTER DECEMBER 2009 Welcome to the new look ONE Workplace newsletter I hope you like the new format and that it makes reading it more enjoyable and easier. Do make sure you send any suggestions or content you would like to share to Hellen Martin for inclusion next time. It’s been a busy few months and a year in which we have overall achieved great things. So check out the recent interesting developments detailed here and join me in wishing everyone in Workplace a happy festive season and relaxing break for those with leave to look forward to. Let’s keep going for gold in 2010! CHRIS KANE, HEAD OF BBC WORKPLACE ONE WORKPLACE REGIONAL STAFF EVENTS - 3RD NOVEMBER 2009 We listened to feedback from previous events in the Radio To this end,Workplace Management Board have decided to Theatre and decided to make the meetings smaller and focus on 3 main priorities which we hope will begin to hold them around the UK in Birmingham, Glasgow, London solve some of the issues we are all facing: W1 & W12 and Manchester.There was plenty of debate, 1. Improve up and down communications initiated by the red & green comment cards and a snapshot To find ways to improve communication across of your comments from each location is available on my ONE Workplace teams in all locations, and to reduce blog: www.bbc.co.uk/blogs/spacesandplaces London-centricity I feel that the events highlighted some of the best attributes 2. Simplify processes of our ONE Workplace family. Everyone has an opinion, To identify ways to improve the processes for initiating and we don’t always agree, but we are stronger when we work managing Jobs and Projects together.The purpose of asking questions was to learn from 3.
[Show full text]
The Role of Psbs in the UK TV Production Sector
Small Screen: Big Debate Consultation – Annex 7. The role of PSBs in the UK TV production sector A7. The role of PSBs in the UK TV production sector Overview The TV production sector is a UK success story. The skill base of UK TV production companies has attracted valuable inward investment and global sales of UK programmes have boosted the image of the UK. The UK TV production sector consists of a mixture of large and small independent producers which operate alongside production companies owned by UK broadcasters. This successful production sector has attracted significant inward investment, from foreign broadcasters and streaming services. The UK independent TV production sector is not a product of the market alone; it has been supported and nurtured by the rules and obligations placed on the PSBs over the years. Rules on external commissioning, IP rights and regional quotas have played a vital role in the emergence and development of the independent TV production sector in the UK. UK TV production industry A7.1 The UK TV production sector has changed dramatically over the last 20 years. In 2004, the Public Service Broadcasters (PSBs) accounted for around 87% of all UK commissions.1 The PSBs also dominated content production, accounting for over half (56%) of all UK production.2 A7.2 Fast forward to now, the sector is diverse, competitive, and internationally successful. It has almost doubled in size over this period with commissioning spend on UK productions estimated to range between £4.5bn and £5bn in 2018.3 A7.3 In 2018, UK producers were responsible for almost half of all peak-time shows in major international markets.4 Formats such as Love Island and Strictly Come Dancing/Dancing with the Stars and The Office originated in the UK and have gone on to be global hits.
[Show full text]