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University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Oral History Interview with Ann Wilson, 2009 April 19-2010 July 12
Oral history interview with Ann Wilson, 2009 April 19-2010 July 12 Funding for this interview was provided by the Terra Foundation for American Art. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Ann Wilson on 2009 April 19-2010 July 12. The interview took place at Wilson's home in Valatie, New York, and was conducted by Jonathan Katz for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ANN WILSON: [In progress] "—happened as if it didn't come out of himself and his fixation but merged. It came to itself and is for this moment without him or her, not brought about by him or her but is itself and in this sudden seeing of itself, we make the final choice. What if it has come to be without external to us and what we read it to be then and heighten it toward that reading? If we were to leave it alone at this point of itself, our eyes aging would no longer be able to see it. External and forget the internal ordering that brought it about and without the final decision of what that ordering was about and our emphasis of it, other eyes would miss the chosen point and feel the lack of emphasis. -
Palm Beach Modern + Contemporary Kicks Off 2019 with World-Class International Art Fair for Third Edition
PALM BEACH MODERN + CONTEMPORARY KICKS OFF 2019 WITH WORLD-CLASS INTERNATIONAL ART FAIR FOR THIRD EDITION The Palm Beach Modern + Contemporary Art Fair (PBM+C), presented by Art Miami and hosted by the City of West Palm Beach, will return for its third edition in West Palm Beach City’s Tent Site (825 S Dixie th th Hwy at Okeechobee Blvd) on Thursday, January 10 through Sunday, January 13 , 2019. PBM+C is the most important fair to take place in Palm Beach during the winter season as it brings a world-class, internationally respected group of art dealers and their artists to one of the most culturally savvy and discerning collecting audiences in the world. The fair will open on Thursday evening at 5:00pm, with an exclusive VIP Preview benefiting the Ann Norton Sculpture Gardens and Joe Namath Foundation. Palm Beach Modern + Contemporary, an integral part of the prestigious Art Miami Group, which just celebrated its 29th edition of Art Miami, presents a world-class art fair in Palm Beach, which curates and offers the best investment quality works from the 20th and 21st centuries. The Fair will take place in the intimate and modern setting of a temperature controlled clear span pavilion, conveniently located behind Restoration Hardware, between CityPlace and the luxurious Hilton West Palm Beach. Collectors, art connoisseurs and art world luminaries alike will have the opportunity to acquire investment quality blue chip, modern and contemporary, and post-war works from nearly 70 top international galleries over the four days of the fair. These premier galleries come from as far as Austria, United Kingdom, France, Germany, Canada, Columbia, Venezuela and throughout the United States. -
Paul Pfeiffer Biography
P A U L A C O O P E R G A L L E R Y Paul Pfeiffer Biography Born in Honolulu, Hawaii in 1966 Lives and works in New York City Education 1997-1998 Whitney Museum of American Art Independent Study Program 1994 MFA, Hunter College, New York City 1987 BFA, San Francisco Art Institute Awards and Scholarships 2018 Teigor Mentor, Cornell University, Ithaca, NY 2016-2018 Dodd Chair Residency, The Lamar Dodd School of Art, University of Georgia, Athens, GA 2015 USA Shari D. Behnke Fellow, Visual Arts 2011 American Academy in Berlin, Fellow, Berlin, Germany 2009 The Alpert Award in the Arts, Visual Arts 2003 Artpace Residency, San Antonio, TX 2001-2002 MIT List Visual Arts Center Residency 2000 The Bucksbaum Award, Whitney Museum of American Art, New York, NY 2000 Travel Grant, Asian Cultural Council 1999-2000 The Public Art Fund 1999 World Trade Center Residency, Lower Manhattan Cultural Council, NY 1994-1995 Fulbright-Hayes Fellowship to the Philippines 1994 Project Grant, Art Matters 1993 Travel Grant Pilot, National Endowment for the Arts and Arts International One Person Exhibitions & Projects 2019 Bortolami Gallery, New York, NY (forthcoming) Vancouver Biennale, Vancouver, Canada (forthcoming) Performa 19 Biennial, New York, NY (11/1—11/24/19) Carlier | Gebauer Gallery, Berlin, Germany (3/15—4/18/19) Honolulu Biennial, Honolulu, HI (3/8—5/5/19) 2018 Paul Pfeiffer: Vitruvian Experiments, Inhotim Museu de Arte Contemporanea, Brumadinho, Brazil (9/2018—9/2020) Paul Pfeiffer: Incarnator, Outpost-Bellas Artes Projects, Manila, Philippines (7/7—9/14/18) -
Paul Mellon Centre for Studies in British Art Library: New Accessions March 2017
Paul Mellon Centre for Studies in British Art Library: New accessions March 2017 0730807886 Art Gallery Board of Claude Lorrain : Caprice with ruins of the Roman forum Adelaide: Art Gallery Board of South Australia, C1986 (44)7 CLAU South Australia (PAMPHLET) 8836633846 Schmidt, Arnika Nino Costa, 1826-1903 : transnational exchange in Milan: Silvana Editoriale, 2016 (450)7 COST(N).S European landscape painting 0854882502 Whitechapel Art William Kentridge : thick time London: Whitechapel Gallery, 2016 (63)7 KENT(W).B Gallery 0956276377 Carey, Louise Art researchers' guide to Cardiff & South Wales [London]: ARLIS UK & Ireland, 2015 026 ART D12598 Petti, Bernadette English rose : feminine beauty from Van Dyck to Sargent [Barnard Castle]: Bowes Museum, [2016] 062 BAN-BOW 0903679108 Holburne Museum of Modern British pictures from the Target collection Bath: Holburne Museum of Art, 2005 062 BAT-HOL Art D10085 Kettle's Yard Gallery Artists at war, 1914-1918 : paintings and drawings by Cambridge: Kettle's Yard Gallery, 1974 062 CAM-KET Muirhead Bone, James McBey, Francis Dodd, William Orpen, Eric Kennington, Paul Nash and C R W Nevinson D10274 Herbert Read Gallery, Surrealism in England : 1936 and after : an exhibition to Canterbury: Herbert Read Gallery, Canterbury College of Art, 1986 062 CAN-HER Canterbury College of celebrate the 50th anniversary of the First International Art Surrealist Exhibition in London in June 1936 : catalogue D12434 Crawford Art Gallery The language of dreams : dreams and the unconscious in Cork: Crawford Art Gallery, -
Donald Sultan
THE DRAWING ROOM 66H Newtown Lane, East Hampton, New York 11937 T 631 324.5016 FOR IMMEDIATE RELEASE June 2012 DONALD SULTAN Rouge Poppies April 25 2012, conté on paper, 22 ! x 30 " inches Flocked Oranges on Branches January 22 2002, charcoal and flock on paper 19 # x 25 ! inches From June 28 through July 30, The Drawing Room in East Hampton presents a selection of important drawings and a striking new painting by DONALD SULTAN. This rich collection of works on paper, punctuated by a single 2010 Lantern Flowers painting, reveals the artist’s inventive approach to his quotidian subjects which loom larger than life on paper and become transformative sculptural objects in tar and plaster. Two early drawings, Black Roses 1988 and Black Lemon 1989 set the stage for Sultan’s dramatic and masterful use of the dry, ancient medium of charcoal in the following decades. Densely wrought in the friable medium, the small, sole lemon is a signature Sultan silhouette, widely known since the Museum of Modern Art’s 1988 exhibition, Black Lemons. Several drawings selected from his powerful 2000-2002 series, Oranges on Branches, conjure memories of walking through an orchard laden with fruit. Sultan’s playful and deft balance of compressed charcoal mark making, combined with the velvet flocking of the fruit, dazzle and confound. Ever inspired by the geometry and sensuality of flowers, Sultan made a large series, Wallflowers, in April of 2007 using the French medium of gouache for its opacity of hues worthy of flower petals. In these patterns of free floating wisteria, fritillaria, bluebells, and coreopsis, and many other species, Sultan reduces and repeats the architecture of each blossom in marvelous variations of form and color across the white expanse of the page. -
BILLY SULLIVAN *1946 in New York, USA Lives and Works in New York City
BILLY SULLIVAN *1946 in New York, USA Lives and works in New York City Education Depuis 1788 1968 School of Visual Arts, New York, NY, USA 1964 High School of Art and Design, New York, NY, USA Freymond-Guth Fine Arts Riehenstrasse 90 B Teaching CH-4058 Basel T +41 (0)61 501 9020 1997 The School of Visual Arts, New York: BFA Photo Thesis offi[email protected] 2012–14 New York University: MFA Program, Studio Art, Steinhardt School of www.freymondguth.com Culture, Education, and Human Development 2003–06, New York University, Interactive Telecommunication Program 2010–14 1999 Harvard University, The Department of Visual and Environmental Studies Solo Shows (selection) 2016 Monteverdi Art Gallery, Sarteano, Tuscany, curated by Sarah McCrory kaufmann repetto, New York 2015 Ille Arts, Amagansett, NY, USA 2014 Time after Time, Freymond-Guth Fine Arts, Zurich, CH Blush, Galerie Sabine Knust, Munich, DE 2012 Bird Drawings, Glenn Horowitz Bookseller, East Hampton, NY, USA Nicole Klagsbrun Gallery, New York, NY, USA 2011 Still, Looking, Kaufmann Repetto, Milan, IT Now & Then, Baldwin Gallery, Aspen, CO, USA 2010 Susanne Hilberry Gallery, Ferndale, MI, USA East End Photographs 1973-2009, Salomon Contemporary, East Hampton, NY, USA 2009 Galerie Sabine Knust, Munich, DE Conversations, Nicole Klagsbrun Gallery, New York, NY, USA 2008 Regen Projects, Los Angeles, CA, USA Rebecca Ibel Gallery, Columbus, OH, USA Texas Gallery, Houston, TX, USA 2007 Guild Hall, East Hampton, NY, USA Galleria Francesca Kaufmann, Milan, IT 2006 New Work, Rebecca Ibel Gallery, -
Testimony of the Department of Commerce and Consumer Affairs
STATE OF HAWAII DAVID Y. IGE OFFICE OF THE DIRECTOR CATHERINE P. AWAKUNI COLÓN DIRECTOR GOVERNOR DEPARTMENT OF COMMERCE AND CONSUMER AFFAIRS JOSH GREEN JO ANN M. UCHIDA TAKEUCHI 335 MERCHANT STREET, ROOM 310 DEPUTY DIRECTOR LT. GOVERNOR P.O. BOX 541 HONOLULU, HAWAII 96809 Phone Number: 586-2850 Fax Number: 586-2856 cca.hawaii.gov Testimony of the Department of Commerce and Consumer Affairs Before the House Committee on Consumer Protection & Commerce Friday, February 5, 2021 2:00 p.m. Via Videoconference On the following measure: H.B. 489, RELATING TO LONG-TERM CARE INSURANCE WRITTEN TESTIMONY ONLY Chair Johanson and Members of the Committee: My name is Colin M. Hayashida, and I am the Insurance Commissioner of the Department of Commerce and Consumer Affairs’ (Department) Insurance Division. The Department offers comments on this bill. The purpose of this bill is to require the 30-day lapse or termination notices for long-term care policies to be sent by certified mail, priority mail, or commercial delivery service, or other method of delivery requiring proof of delivery. Hawaii Revised Statutes (HRS) chapter 431, article 10H, currently has several protections in place to ensure policyholders are notified of policy terminations or lapses, with sufficient time for policyholders to address unintentional lapses. HRS section 431:10H-208 sets forth secondary designee requirements for notices to protect against unintentional lapses, while HRS section 431:10H-209 ultimately provides for a 60-day period before policies may lapse or be terminated for nonpayment of premiums. Testimony of DCCA H.B. 489 Page 2 of 2 Further, HRS section 431:10H-210 allows for reinstatement of lapsed policies up to five months from the date of lapse under certain conditions. -
Plimack Mangold Selected Biography
1 2021 SYLVIA PLIMACK MANGOLD SELECTED BIOGRAPHY 1938 Born in New York 1956-1959 Cooper Union, New York 1959-1961 BFA, Yale University, New Haven, CT The artist lives and works in Washingtonville, NY AWARDS 1974 National Endowment for the Arts Fellowship 2006 Edwin P. Palmer Memorial Prize, National Academy Museum, New York 2009 William A. Paton Prize, National Academy Museum, New York Cooper Union President's Citation for Art, New York ONE-PERSON EXHIBITIONS 2021 Sylvia Plimack Mangold: The Pin Oak, 1985-2015, Krakow Witkin Gallery, Boston 2018 Sylvia Plimack Mangold: Winter Trees, Brooke Alexander, New York 2017 Summer and Winter, Alexander and Bonin, New York 2016 Sylvia Plimack Mangold: Floors and Rulers, 1967-76, Craig F. Starr Gallery, New York 2012-2013 Sylvia Plimack Mangold: Landscape and Trees, Norton Museum of Art, West Palm Beach, FL 2012 Recent Works, Alexander and Bonin, New York 2007 Sylvia Plimack Mangold, Alexander and Bonin, New York; Annemarie Verna Galerie, Zürich 2003 Sylvia Plimack Mangold: recent paintings and watercolors, Alexander and Bonin, New York 2000 Sylvia Plimack Mangold, Alexander and Bonin, New York 1999 Sylvia Plimack Mangold: Trees, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY 1997 New Paintings and Watercolors, Annemarie Verna Galerie, Zürich 1995 Sylvia Plimack Mangold, Paintings, 1990-1995, Brooke Alexander, New York 1994-1996 The Paintings of Sylvia Plimack Mangold, Albright-Knox Art Gallery, Buffalo, NY; Wadsworth Atheneum, Hartford, CT; Blaffer Art Museum, University of Houston; -
The Inventory Ofthe Donald Richie Collection
The Inventory ofthe Donald Richie Collection #1134 Howard Gotlieb Archival Research Center Richie, Donald, 1924- April 1994 #77A Box 1 I. MANUSCRIPT A. THE JAPAN JOURNALS. 1947-1994. Leza Lowitz editor. Photocopy of typescript. Finished Draft dated March, 1994. 411 p. Vol I. pp. 1-195, (#1) Vol I I . pp. 19 6-411, ( # 2) ., Richie, Donald Preliminary Listing 2/25/97; 2/26/97 Box2 I. Manuscripts A. Unpublished novels by DR 1. HATE ALL THE WORLD, 1944, t.s. with holograph editing, 300 p., unbound 2. AND WAS LOST, AND IS FOUND, 1949, t.s. with holograph editing, 3rd draft, 60 p., bound 3. THE WAY OF DARKNESS, 1952, carbon t.s. with holograph editing, 250 p., bound, includes newspaper tearsheets 4. MAN ON FIRE, 1963, carbon t.s. with holograph editing, 265 p, bound 5. THE DROWNED, 1983 1. T.s., 108 p. 2. T.s., p/c, with holograph editing, 108 p.; includes notes from "Dick" 6. "The Inland Sea," screenplay, 1993; t.s., 2 copies, one with holograph editing; includes correspondence and related materials II. Play/Ballet Material A. "Edward II" by Christopher Marlowe, 1968 1. Acting version for Troupe Hana, bound; t.s. stage directions with pasted dialogue lines; includes b/w photographs 2. Envelope containing "Edward II" material in Japanese 3. Eight contact sheets, Nov. 1968 B. "An Evening of Four Verse Plays," 1975 1. Director's copy script, halft.s., half pasted in 2. Related materials--posters, pamphlets, photos C. Collection of ballet publicity material-- l 980's previous box: SB 18B Richie, Donald Preliminary Listing 5/21/97 Box2 I. -
One of a Kind, Unique Artist's Books Heide
ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P. -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher.