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Curriculum Vitae
AUDREY G. BENNETT / t: 518.301.4583 / e: [email protected] / u: www.audreygbennett.com EDUCATIONAL PREPARATION 2 PROFESSIONAL APPOINTMENTS/EMPLOYMENT 2 PROFESSIONAL ACTIVITIES 3 Publications 3 Exhibitions 7 Research Archives 10 Reviews of My Work 12 Commissions 14 Research Grants & Contracts 15 Editorial Activities 18 Professional & Public Lectures 21 Awards & Honors, Fellowships 25 Sabbatical Leaves 27 Fieldwork & IRB Protocol Approvals 27 SERVICE 28 University Service 28 Service to My Profession 30 Community & Public Service 32 Curriculum Vitae EDUCATIONAL PREPARATION Baccalaureate and graduate degrees 1997, M.F.A. in graphic design, School of Art, Yale University AWARD: College Art Association Professional Development Fellowship 1993, B.A. in studio art (honors in major), Dartmouth College AWARDS: Citation in Visual Studies (Prof. Ben F. Moss III); Dartmouth College Black Community Award for Academic Achievement; Lorraine Hansberry–James Van Der Zee Award for Excellence in Performing and Fine Arts; Class of 1960/Office of Residential Life Student Art Acquisition Program Purchase Prize; Dartmouth Black Caucus 1993 Senior Honor Roll Non–degree preparation Diploma in Spanish, Autonomous University of Querétaro, MEXICO, Winter 1991 Dartmouth Study Abroad PROFESSIONAL APPOINTMENTS/EMPLOYMENT Academic appointments • Professor, Penny W. Stamps School of Art and Design, University of Michigan, July 2018-present • Graduate Program Director, Department of Communication and Media, Rensselaer, January 2017-June 2018 • Professor, Department of Communication and Media, Rensselaer, July 2016- July 2018 • Associate Professor of Graphics, Department of Communication and Media, Rensselaer, July 2003-June 2016 • Faculty of Information Technology, Rensselaer, 2000 • Assistant Professor of Graphics, Department of Communication and Media, Rensselaer, Aug. 1997-June 2003 Teaching Assistant Experience • Teaching Assistant, Introduction to Graphic Design, Graphic Design Department, Yale University, School of Art, 1996. -
Chancellor's Message
THE ELECTRONIC NEWSLETTER FOR ALL MEMBERS OF THE AIA COLLEGE OF FELLOWS ISSUE 103 / 8 April 2013 AIA College of Fellows Executive Committee: Ronald L. Skaggs, FAIA, Chancellor, [email protected] William J. Stanley, III, FAIA, Vice-Chancellor, [email protected] Albert W. Rubeling, Jr., FAIA, Secretary, [email protected]. John R. Sorrenti, FAIA, Bursar, [email protected] College of Fellows Website: http://www.aia.org/cof Gary Desmond, FAIA, Chair, COF Regional Representatives, [email protected] Robert I. Selby, FAIA, Editor, Fellowscope, [email protected] Terri Stewart, CAE, Executive Director, College of Fellows, [email protected] Fellowscope is now available online. Go to the COF website noted above and click on Fellowscope. The purpose of the College of Fellows is to stimulate a sharing of interests among Fellows, to promote the purposes of the Institute, to advance the profession of architecture, to mentor young architects, and to be of ever- increasing service to society. Chancellor’s Message Dear Colleagues: The last few months have been highly productive relative to the 2013 and 2011 Latrobe Prizes. In mid- February the 2013 Latrobe Prize jury concluded its deliberations by selecting an excellent proposal submitted by Bemal Mendis and Joyce Hsiang, principals of Plan B Architecture and Urbanism and Yale School of Architecture critics. Their research topic, “Urban Sphere: The City of 7 Billion” will build upon previous work performed as the result of an AIA Upjohn Research Grant and a Hines Research Fund for Advanced Sustainability. Mendis and Hsiang will analyze the challenges of global urbanization creating a holistic geospatial model of the world. -
A Method for Public Interest Design in Architectural Education
Partner – Translate – Impact: A Method for Public Interest Design in Architectural Education Global financial systems, increased human mobility, and climate change are contemporary forces creating historic disparities between rich and poor, increased rural-to-urban migration, and frequent natural disas- ters. These conditions demand that architecture rethink its relationship with natural and built environments and the people who occupy them. NADIA M. ANDERSON Public Interest Design shifts architectural agency away from what Awan et al. Iowa State University describe as a closed professional loop based on exclusive knowledge used in ser- vice to an exclusive group of clients1 and toward engagement with a broad range of partners and issues. This shift requires a change in the relationship between architecture and the public from one of hierarchy to one of partnership. Design in this framework is not about delivering professional knowledge or products to a passive public but rather about working with them to create change and agency. If architecture is to become an engaged shaper of global space in partnership with a broad constituency, architectural education must acknowledge Dana Cuff’s statement in Architecture: The Story of Practice that “the production of places is a social process” and “design itself is a social process.”2 As Cuff dis- cusses, architectural schools are “where the bulk of professional ideology is developed” and are therefore the places where values can be shifted away from emphasis on individual “personality, talent, -
Social Responsibility and the Graphic Designer
DESIGNING FOR SOCIAL CHANGE. Social responsibility and the graphic designer. Daniel Scott Graphic design thesis 2012 Design and visual communication Supervisor: Anders Ljungmark K3, Malmö högskola Keywords Social change, social design, responsibility, social responsibility, corporate social responsibility, graphic design, community-based graphic design, socially conscious graphic design, propaganda. Abstract The aim of this thesis is to study social responsibility and find out what responsibilities the graphic designer may have and what they can do using their skill set as a designer to contribute in helping to better their community. Social responsibility needs to be addressed more within the design field. It needs to be introduced and taught to students at an early stage of their education, so as they fully understand the power and influence that their creations will have over society, and the role this plays in materialism, overconsumption and our modern day consumer-culture. Change needs to be made within graphic design and the urgency for this grows more and more for each day that passes. The graphic designer needs to critically reflect over the purpose of their work and answer the question of whom it stands to serve: their audience or consumer-culture. They need to move away from the creation of artificial needs and the promotion of unnecessary products, and move towards the creation of more useful and lasting communication that contributes to society. Daniel Scott - Designing for social change - 2012 Foreword Thanks to Anders Ljungmark, my supervisor, for support, encouragement and direction through the process of working with this essay. Thanks to my Mum and Dad for being supportive and offering encouragement for the most things I do. -
Building Social Building: Public Interest Design As a Catalyst for Change
Building Social Building: Public Interest Design as a Catalyst for Change Today’s most complex and variable social issues are the context within which we, as social impact architects, attempt to find a footing. This inconstant environment leaves us with more questions than answers. This paper does not offer another definition or exercise in seman- tics, but rather lessons learned about the social impact architecture field through a specific case study as a means to progress the discourse. EMILY ROUSH ELLIOTT As the field of public interest architecture struggles to define itself, parallels have Mississippi State University been drawn with the public health field and its divergence from the field of medi- cine. Should a similar division be drawn between socially impactful architecture LEAH FAULK KEMP and an otherwise defined traditional practice? The public health analogy is lim- Mississippi State University ited in its application when specialization within each field is considered. While specialization within medicine defines education, training, and professional prac- tice (the American Board of Medical Specialties currently certifies over 150 spe- cialties and subspecialties1 ), specialization in the field of architecture is gained primarily through experience. Individuals and firms develop specific or broad expertise organically over the course of a career. Branding, portfolios of work, and awards indicate specific areas of expertise within the field of architecture, rather than a regulatory body. Therefore, many of the pressures that -
Post-Convention Issue
THE ELECTRONIC NEWSLETTER FOR ALL MEMBERS OF THE AIA COLLEGE OF FELLOWS ISSUE 105 / 1 August 2013 AIA College of Fellows Executive Committee: Ronald L. Skaggs, FAIA, Chancellor, [email protected] William J. Stanley, III, FAIA, Vice-Chancellor, [email protected] Albert W. Rubeling, Jr., FAIA, Secretary, [email protected]. John R. Sorrenti, FAIA, Bursar, [email protected] College of Fellows Website: http://www.aia.org/cof Gary Desmond, FAIA, Chair, COF Regional Representatives, [email protected] Robert I. Selby, FAIA, Editor, Fellowscope, [email protected] Terri Stewart, CAE, Executive Director, College of Fellows, [email protected] Fellowscope is now available online. Go to the COF website noted above and click on Fellowscope. The purpose of the College of Fellows is to stimulate a sharing of interests among Fellows, to promote the purposes of the Institute, to advance the profession of architecture, to mentor young architects, and to be of ever- increasing service to society. Post-Convention Issue If you weren’t there, come see what you missed. 1 Chancellor’s Message Dear Colleagues: Having recently returned from this year’s annual meeting in Denver I have reflected on the numerous conventions that I have attended throughout our great country. Each year as we gather to address significant issues that confront our profession, the setting seems to be appropriate and the topic typically relevant to the time. This year is no exception. In fact it is one of the best conventions I have attended. The focus on leadership was totally on target and the involvement of young architects as presenters of the keynote speakers was not only refreshing but also illustrates the need to offer greater encouragement and support to those entering the profession. -
Architecture Activist
...not content with the way things are... ActivistAffect change in the established way of doing things. Architecture Philosophy & Practice of the Community Design Center Edited by: Dan Pitera & Craig L. Wilkins ActReflect ii Book Editors: Craig L. Wilkins, Ph.D., AIA, NOMA, ARA Instructor, University of Michigan Taubman College of Architecture + Urban Planning Former Director, Detroit Community Design Center Dan Pitera, FAIA, ACD Professor, University of Detroit Mercy School of Architecture Executive Director, Detroit Collaborative Design Center Book Design: Dan Pitera, FAIA, ACD Cover Image: DCDC Workshop Process with The Alley Project, Southwest Detroit ISBN: 978-0-9904595-3-8 © 2015 Detroit Collaborative Design Center, University of Detroit Mercy School of Architecture iii Thank You ...to all those who help expand the nature of all practices to include more people, more programs and more geographies. iv Preface You are not a profession that has distinguished itself by your social and civic contributions to the cause of civil rights. You are most distinguished by your thunderous silence and your complete irrelevance….You are employers, you are key people in the planning of our cities today. You share the responsibility for the mess we are in, in terms of the white noose around the central city. It didn’t just happen. We didn’t just suddenly get this situation. It was carefully planned….It took a great deal of skill and creativity and imagination to build the kind of situation we have, and it is going to take skill and imagination and creativity to change it. We are going to have to have people as committed to doing the right thing, to “inclusiveness,” as we have in the past to exclusiveness. -
Engaged Design and the Practice of Fashion Hacking: the Examples of Giana Gonzalez
Fashion Practice, Volume 1, Issue 2, pp. 163–186 DOI: 10.2752/175693809X469148 Reprints available directly from the Publishers. Photocopying permitted by licence only. © 2009 Berg. Engaged Design and the Practice of Fashion Hacking: The Examples of Giana Gonzalez Otto von Busch and Dale Sko Otto von Busch is a haute couture Abstract heretic, DIY-demagogue, and artistic researcher in socially engaged fashion design. He is a This article draws attention to how hacking, as a mode of practice, can researcher at the Business and be applied to fashion design processes. Hacking, originating from the Design Lab at School of Crafts and world of software programming, features characteristics that could be Design, University of Gothenburg, Sweden. More of his research of essential value when departing on participatory, engaged or sustain- projects can be found at able fashion endeavors beyond the modes of production we see com- www.selfpassage.org. mon in the industry today. Being networked and collaborative, hacking [email protected] is a constructive practice rather than subversive and can be a comple- mentary modus operandi to the workings of the traditionally hierarchi- cal fashion system. The first part of the article examines the origins 164 Otto von Busch and methods of hacking and their application outside of the computer world. The second part applies these ideas to fashion design and ex- amines two cases: Giana Gonzalez project “Hacking-Couture” and a workshop organized by the author at a shoe factory in Dale, Norway. The article finishes with a short discussion on how fashion hacking can act as a tool for empowerment and cultivation of craftsmanship among people who were once only “passive” consumers. -
2011 Faculty Scholarship Report Design and Layout Erica Macarthur
2011 Faculty Scholarship Report Design and Layout Erica MacArthur Photography A. Sue Weisler/RIT Elizabeth Torgerson-Lamark/RIT Mark Benjamin/RIT/NTID Mike Venson/Laumeier Museum Published by The Scholarly Publishing Studio https://wallacecenter.rid.edu/scholarly-publishing-studio/ © 2012 Rochester Institute of Technology TabLe oF ConTenTS 2 MeSSaGe FRoM THe PRoVoST RIT’s faculty members are must use a multi-disciplinary, both teachers and scholars; this becomes clear when teacher/scholar model pro- motes experiential learning, artistic accomplishments, ar- setting the foundation for a ticles published and research completed in 2011. These en- students and our faculty. teacher relationship, show- case RIT’s areas of excellence RIT is widely recognized as a and address real-world chal- - lenges. In conferences, pro- ucation, design, imaging sci- fessional presentations, ence and sustainable manu- exhibits or scholarly publica- facturing to name only a few. tions, our teacher/scholars It is the work of the faculty - that consistently upholds this pact on human welfare that reputation. Through the con- goes beyond the walls of RIT. tinued pursuit of excellence in scholarship, our faculty en- rich and deepen our knowl- - edge of these areas and the strength of all our academic facing our world today. Our programs. I am proud to teachers understand that present this report highlight- ing some of our noteworthy pressing issues facing our - society, our brightest minds ments during 2011. b. THoMaS GoLISano CoLLeGe oF CoMPUTInG & InFoRMaTIon SCIenCeS - Journal Paper: in Weighted Planar Graphs." The 4th Nayantara Bhatnagar, and Dana Ran- Eastern Great Lakes Theory of Com- dall. "On the Diaconis-Gangolli Mar- putation Workshop (EAGL). -
School of Architecture & Design
School of Architecture & Design 1 Architecture (http://catalog.ku.edu/ Master of Architecture (5-year) School of Architecture & architecture/architecture/) (http://catalog.ku.edu/architecture/ architecture/master-architecture- Design five-year/) Bachelor of Arts in Architectural Studies (http://catalog.ku.edu/ Introduction architecture/architecture/ba- The University of Kansas architectural-studies/) Undergraduate Certificate in The University of Kansas School of Architecture and Design has been Architecture Acoustics (http:// using interdisciplinary learning to produce pioneering leaders for more catalog.ku.edu/architecture/ than 100 years. Our experienced, diverse faculty and innovative degree architecture/architecture-acoustics- paths promote the development of creative talent that fits each student’s undergraduate-certificate/) personal interests and abilities. Students learn through the processes Master of Architecture (3-year) of designing, drawing, and making, learning to solve problems through (http://catalog.ku.edu/architecture/ design-thinking, taking advantage of a wide array of global study architecture/master-architecture- opportunities, community engagement, and collaborative research. three-year/) Master of Arts in Architecture Our courses are significantly influenced by the practical input of architects (http://catalog.ku.edu/architecture/ and designers from major firms the world over. These employers architecture/master-arts- consistently say that those who receive degrees from KU are not only architecture/) able to contribute -
Design Thinking for Social Workers: Creating a New Competency
Design Thinking for Social Workers: Creating a New Competency Rachael Dietkus, LCSW Assistant Dean for Student Affairs, School of Social Work, University of Illinois, Urbana-Champaign Senior Design Strategist for Social Innovation, Siebel Center for Design, University of Illinois at Urbana-Champaign Lisa Mercer, MFA Assistant Professor, School of Art + Design, University of Illinois at Urbana-Champaign Rachel Switzky, MFA Director, SIebel Center for Design, University of Illinois at Urbana-Champaign Rachael Dietkus, LCSW She/Her/Hers [email protected] Lisa Mercer, MFA She/Her/Hers [email protected] Rachel Switzky, MFA She/Her/Hers [email protected] WE WILL: 1. Expose and immerse attendees to the design process as a tool for innovation 2. Learn, think and act on empathy and why it's important to continuously build it 3. Use and learn how to create "How might we..." statements to test ideas. Co-Create/Co-Design: new forms of collaboration where people, experts, and governments work together to provide better public services. Design can play a transformative role in promoting this kind of change. Source: Desis Network, https://www.desisnetwork.org/wp-content/uploads/.../DESIS_PUBLIColab-Book.pdf At some point in a social worker’s career… 100% of them will encounter a problem that needs to be solved, a crisis that needs collaboration, or a dilemma that calls for creativity. Provocation #1: We cannot do our work without some form of design. What is design thinking? Human-centered Design Social Design Service Design Social Innovation Systems Thinking Systems Redesign Visual Thinking Hybrid Thinking Design Innovation Strategic Innovation Design Thinking User Experience Design Different kinds of thinking: Engineer Business Research Lean Design Social Work Thinking Thinking Thinking Thinking Thinking Thinking SOLVE OPTIMIZE ANALYZE STREAMLINE BUILD HELP your way your way your way your way your way your way forward. -
Guide to Faculty Research + Creative Practice
SCHOOL OF ARCHITECTURE & ENVIRONMENT GUIDE TO FACULTY RESEARCH + CREATIVE PRACTICE WINTER 2021 HISTORIC PRESERVATION LANDSCAPE ARCHITECTURE INTERIOR ARCHITECTURE ARCHITECTURE HISTORIC PRESERVATION JAMES BUCKLEY ASSOCIATE PROFESSOR | DEPARTMENT OF HISTORIC PRESERVATION E-mail: [email protected] Phone: 541-346-3641 Office: White Stag Block Ph.D, Architecture, UC Berkeley, 2000 MCRP, UC Berkeley, 1986 BA, Art History & American Studies, Yale University, 1982 Buckley’s academic interests center around the study of vernacular architecture and cultural landscapes. In 2015, he served as a Fulbright Senior Fellow at the Universadad Politécnica de Madrid studying new approaches for “urban regeneration” in historic neighborhoods in Spanish cities. His current research examines the use of historic preservation approaches to assist minority and low-income communities, and he recently received a major research grant for his work on the African American community in Portland through the Just Futures program of the Mellon Foundation. Buckley’s book, City of Wood: San Francisco and the Redwood Lumber Industry, 1850-1929 will be published by the University of Texas press in 2021. Other recent work includes: - “Emerging Strategies for Sustaining San Francisco’s LGBTQ Cultural Heritage,” Change Over Time, 8:2 (Fall 2018) [with Donna Graves and Gail Dubrow] - “People in Place: Local Planning to Preserve Diverse Cultures,” in Neil Silberman and Angela Labrador, eds., The Oxford Handbook of Public Heritage Theory and Practice (Oxford University, 2018) CHAD RANDL VISITING PROFESSOR | DEPARTMENT OF HISTORIC PRESERVATION E-mail: [email protected] Phone: 541-346-2687 Office: 254 Lawrence Hall MA, Historic Preservation Planning, Cornell University BA, History, University of Illinois at Urbana Champaign Randl’s research involves various aspects of US domestic architecture.