Emily Chambers R&B/Soul Song List

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Emily Chambers R&B/Soul Song List TITLE ARTIST Sittin on the Dock Otis Redding I’m No Good Amy Winehouse Love is a Losing Game Amy Winehouse Stronger than Me Amy Winehouse Valerie Amy Winehouse Rehab Amy Winehouse Could’ve Been You Joss Stone Lady Joss Stone Lovin You Paolo Nutini Why Didn’t You Call Me Macy Gray Right as Rain Adele Cold Shoulder Adele I’ll Be Waiting Adele Rolling in the Deep Adele Turn Me On Norah Jones Baby I Love You Etta James Sunny Bobby Hebb What a Man Lynda Lydell/Salt & Pepa Son of A Preacher Man Dusty Springfield Livin for the City Stevie Wonder 778.855.1536 • MUSICALOCCASIONS.CA • [email protected] I Wish Stevie Wonder Signed Sealed Delivered Stevie Wonder Superstition Stevie Wonder Locked Out of Heaven Bruno Mars Treasure Bruno Mars Billie Jean MJ The Way You Make Me Feel MJ Waterfalls TLC Grapevine Marvin Gaye I Got a Woman Ray Charles Hit the Road Jack Ray Charles Turn Your Lights Down Low Bob Marley/Lauryn Hill version Doo Wop Lauryn Hill Can’t Take My Eyes off of You Lauryn Hill Ex-Factor Lauryn Hill Killing Me Softly Fugees version I Just Wanna Make Love to You Etta James At Last Etta James 7 Day Fool Etta James/Jully Black I Don’t Hurt Anymore Dinah Washington Ain’t No Sunshine Bill Withers A Change Gon Come Sam Cooke Pony Ginuwine Street Life Randy Crawford 778.855.1536 • MUSICALOCCASIONS.CA • [email protected] No Diggity Blackstreet Say My Name/Bills/Survivor Destiny’s Child Stone Cold Jimmy Barnes ft Joe Bonnamassa Let’s Take A Walk Raphael Saadiq That Girl Justin Timberlake 778.855.1536 • MUSICALOCCASIONS.CA • [email protected] .

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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
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The Fingerprints of the “5” Royales Nearly 65 Years After Forming in Winston-Salem, the “5” Royales’ Impact on Popular Music Is Evident Today
The Fingerprints of the “5” Royales Nearly 65 years after forming in Winston-Salem, the “5” Royales’ impact on popular music is evident today. Start tracing the influences of some of today’s biggest acts, then trace the influence of those acts and, in many cases, the trail winds back to the “5” Royales. — Lisa O’Donnell CLARENCE PAUL SONGS VOCALS LOWMAN “PETE” PAULING An original member of the Royal Sons, the group that became the The Royales made a seamless transition from gospel to R&B, recording The Royales explored new terrain in the 1950s, merging the raw emotion of In the mid-1950s, Pauling took over the band’s guitar duties, adding a new, “5” Royales, Clarence Paul was the younger brother of Lowman Pauling. songs that included elements of doo-wop and pop. The band’s songs, gospel with the smooth R&B harmonies that were popular then. That new explosive dimension to the Royales’ sound. With his guitar slung down to He became an executive in the early days of Motown, serving as a mentor most of which were written by Lowman Pauling, have been recorded by a sound was embraced most prominently within the black community. Some his knees, Pauling electrified crowds with his showmanship and a crackling and friend to some of the top acts in music history. diverse array of artists. Here’s the path a few of their songs took: of those early listeners grew up to put their spin on the Royales’ sound. guitar style that hinted at the instrument’s role in the coming decades.
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Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J.
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Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas
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Robert Kenneth Wright's Copeland's Song List
Robert Kenneth Wright’s Copeland’s Song List Song Artist Medium A Kiss to Build a Dream On Louis Armstrong Vocal A Lovely Day Bill Withers Vocal A Song for Mama Boyz II Men Vocal A Whole New World Disney Vocal Addicted to Love Robert Palmer Vocal All I Do Stevie Wonder Piano (WT) All of Me John Legend Vocal/Piano Anniversary Tony Toni Tone Vocal Ask of You Raphael Saadiq Vocal Autumn in New York Tony Bennett Vocal Autumn Leaves Matt Monro Vocal Bad Case of Loving You Robert Palmer Vocal Bad Moon Rising Creedence Clearwater Vocal Beat It Michael Jackson Vocal Before I Let Go Frankie Beverly/Maze Vocal Billie Jean Michael Jackson Vocal Blueberry Hill Fats Domino Vocal Brick House Commodores Vocal Brown Eyed Girl Van Morrison Vocal Buffalo Soldier Bob Marley Vocal Can’t Help Falling in Love Elvis Presley Vocal Can’t Let Go Anthony Hamilton Vocal Careless Whisper George Michael Vocal Cause I Love You Lenny Williams Vocal Celebration Kool and the Gang Vocal Change the World Eric Clapton Vocal Cheek to Cheek Fred Astaire Vocal Circle of Life Disney/Elton John Vocal Close the Door Teddy Pendergrass Vocal Cold Sweat James Brown Vocal Could You Be Loved Bob Marley Vocal Creepin’ Luther Vandross Vocal Dat Dere Tony Bennett Vocal Distant Lover Marvin Gaye Vocal Don’t Stop Believing Journey Vocal Don’t Want to Miss a Thing Aerosmith Vocal Don’t You Know That Luther Vandross Vocal Early in the Morning Gap Band Vocal End of the Road Boyz II Men Vocal Every Breath You Take The Police Vocal Feelin’ on Ya Booty R.
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Doo-Wop (That Thing)”
“Respect is just a minimum”: Self-empowerment in Lauryn Hill’s “Doo-Wop (That Thing)” Maisie Hulbert University of Cambridge 3,995 words Maisie Hulbert Self-empowerment in Lauryn Hill In his 2016 Man Booker Prize winning satirical novel The Sellout, Paul Beatty’s narrator states that “the black experience used to come with lots of bullshit, but at least there was some fucking privacy” (p. 230). The global hip-hop industry admittedly circulates images of blackness that were once silenced, but on the terms of an economically and socially dominant order. The resulting fascination with stereotypes of blackness, essentialised by those in positions of corporate power, means hip-hop becomes an increasingly complex identity- forming tool for young people worldwide. From a series of case studies exploring young black women’s relationship to hip-hop, Lauren Leigh Kelly argues that many “construct their identities in relation to media representations of blackness and femininity in hip-hop music and culture” (2015, p. 530). However, the stereotypical images of blackness which are encouraged ignore elements of choice, empowerment and re-contextualisation in hip-hop whilst meeting the widespread demand for imagery of a racial “Other”. The often negative associations with such images denies individuals the opportunity to identify their own relationship towards them, independent of media scrutiny and judgement. Lauryn Hill’s “Doo Wop (That Thing)” “sounds gender” (Bradley, 2015) through lyrics, flow, and multimedia, working to empower black femininities with self-respect. I argue that Hill’s track voices specifically black female concerns, prioritising notions of community central to black feminist thought (Collins, 2009).
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Band Song-List
SONG LIST Modern Rock, Pop & Hip-Hop Adele Bruno Mars Love Song Just The Way You Are Rolling In The Deep Locked Out Of Heaven Someone Like You Treasure Make You Feel My Love Uptown Funk 24K Magic Alicia Keys Leave The Door Open Empire State of Mind Part II Finesse Feat. Cardi B Fallin' If I Ain't Got You BTS No One Dynamite This Girl Is On Fire Capital Cities Ariana Grande Safe and Sound No Tears Left To Cry Bang, Bang Cardi B I like it like that Amy Winhouse Valerie Calvin Harris Rehab Feel So Close Back To Black This is What You Came For Avicii Carly Rae Jepsen Wake Me Up Call Me Maybe Beyonce Cee-lo Green 1 Plus 1 Forget You Crazy In Love Drunk In Love Chainsmokers If I Were a Boy Closer Love On Top Single Ladies Christina Aguilera Lady Marmalade Billie Eilish Bad Guy Christina Perri 1000 Years Black-Eyed Peas I Gotta Feeling Clean Bandit A Little Party Never Killed Nobody Rather Be Bow Wow Wow Corinne Bailey Rae I Want Candy Put your Records On Daft Punk Get Lucky Lose Yourself To Dance Justin Timberlake Darius Rucker Suit & Tie Wagon Wheel Can’t Stop The Feeling Cry Me A River David Guetta Love You Like I Love You Titanium Feat. Sia Sexy Back Drake Jay-Z and Alicia Keys Hotline Bling Empire State of Mind One Dance In My Feelings Jess Glynne Hold One We’re Going Home Hold My Hand Too Good Controlla Jessie J Bang, Bang DNCE Domino Cake By The Ocean Kygo Disclosure Higher Love Latch Katy Perry Dua Lipa Chained To the Rhythm Don’t Start Now California Gurls Levitating Firework Teenage Dream Duffy Mercy Lady Gaga Bad Romance Ed Sheeran Just Dance Shape Of You Poker Face Thinking Out loud Perfect Duet Feat.
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Grammy® and Academy Award® Winner A.R. Rahman's The
For Immediate Release: October 6, 2017 GRAMMY® AND ACADEMY AWARD® WINNER A.R. RAHMAN’S THE FLYING LOTUS RELEASED TODAY ON KM MUSIQ RECORD LABEL Photo credit: Brandon Patoc and James Holt Conductor Ricardo Averbach led the Seattle Symphony, Seattle Symphony Chorale and Seattle Girls’ Choir Prime Voci ensemble in the world premiere of The Flying Lotus commissioned by the Seattle Symphony Seattle Symphony Assistant Concertmaster Simon James featured as soloist Worldwide Release: October 6, 2017 Seattle, WA – Grammy® and Academy Award®-winning composer A.R. Rahman releases a recording of the world premiere of The Flying Lotus on October 6, 2017. Commissioned by the Seattle Symphony and recorded live in concert, The Flying Lotus is Rahman’s first composition solely for orchestra and features Seattle Symphony’s Second Assistant Concertmaster Simon James as the violin soloist. “The Flying Lotus is a musical impression of where India was and where it’s going,” says Rahman in an interview with The Seattle Times. “India is very progressive now. People are in such a very strong kind of mood. I thought I should capture musically those feelings of elation and also helplessness in a way. How can you say that musically, and also with a sense of pride in it? It’s hard to explain in words, but I thought music could communicate those emotions.” The Flying Lotus was commissioned for the Seattle Symphony’s ninth annual Celebrate Asia concert, held on May 12, 2017. This cultural celebration is now a signature event in Seattle, presented in partnership with local Asian leaders from the region’s Chinese, Filipino, Indian, Indonesian, Japanese, Korean, Thai and Vietnamese communities.
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Killer Movie (2008), Heber Holiday (2007) and Evidence (2013), Starring Stephen Moyer
‘WRITE BEFORE CHRISTMAS’ Cast Bios TORREY DEVITTO (Jessica) – Widely known for her leading role in the current NBC drama “Chicago Med,” Torrey DeVitto is a renowned actress, model and musician. “Chicago Med” hails from the same creators of “Chicago Fire” and “Chicago PD” the latest spin-off focusing on the day-to-day chaos of the team of doctors running the ER. DeVitto plays Natalie Manning, a doctor in the ER Pediatrics division. The show has become the most watched program on Wednesday nights from viewers 18-49 and the series is currently in its fifth season. In 2013, DeVitto was seen as the gorgeous Maggie Hall in the final season of Lifetime’s popular drama, “Army Wives.” She is best known for her stellar recurring roles as Melissa Hastings in the ABC Family/Freeform series “Pretty Little Liars” from 2010 to 2017, Dr. Meredith Fell in The CW fantasy drama “The Vampire Diaries” from 2012 to 2013 and as Carrie in The CW drama “One Tree Hill” from 2008 to 2009 Other notable work includes her roles as Alexandra on the MTV pilot, “Alexandra the Great,” guest-starring on the FBC pilot, “One Big Happy,” guest-starring in “The Untitled Michael Jacobs Pilot” for FBC, and guest-starring on episodes of “Scrubs” (2001), “Dawson's Creek” (1998), “Jack & Bobby (2004), “The King of Queens,” (1998), “ Drake & Josh” (2004), “CSI: Miami” (2002) and “Castle” (2009). DeVitto booked her first lead on the ABC Family series, “Beautiful People” (2005) as aspiring model Karen Kerr. Her film debut was in Starcrossed (2005), and she has appeared in the 2006 movie sequel, I'll Always Know What You Did Last Summer (2006), The Rite (2011) with Anthony Hopkins, Green Flash (2008), Killer Movie (2008), Heber Holiday (2007) and Evidence (2013), starring Stephen Moyer.
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“Evocative Original Music” – LOS ANGELES TIMES
“Evocative original music” – LOS ANGELES TIMES A composer who brings to her music feverish imagination, impeccable musicianship, complexity, versatility, unbridled joy, and fearlessness, Emmy-award winning composer Laura Karpman’s rigorous musical approach, coupled with conceptual and progressive uses of technology and recording, is that of a true 21st century American composer. Named one of the most important women in Hollywood by Variety Magazine, she is one of a handful of female composers with an active career in film and television, winning four Emmys and receiving an additional seven nominations, an Annie Award nomination and two GANG awards and a nomination for her video game music. Karpman’s concert music is widely performed in major venues internationally, and her lifelong obsession with jazz (which began with memorizing Ella Fitzgerald’s scat solos at age 11) is embedded in her uniquely creative work. Recent and upcoming commissions include a new opera Wilde Tales for The Glimmerglass Festival, her new genre-breaking work Hidden World of Girls with the Kitchen Sisters for the Cabrillo Festival, the One Ten Project for the Los Angeles Opera, Different Lanes for string quartet and two iPads, a new opera Balls! about Billie Jean King/Bobby Riggs with New York Times columnist Gail Collins for The Industry in LA (and for which she received an Opera America female composer grant), plus works for the San Francisco Gay Men’s Chorus and Pacific Symphony. Karpman's ground-breaking, two-time Grammy-Award winning score for the multi- media evening ASK YOUR MAMA, featuring Jessye Norman, The Roots, jazz vocalist de’Adre Aziza, and George Manahan conducting, premiered with the Orchestra of St.
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Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator
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Thematic Lesson: Love Songs
THEMATIC LESSON: LOVE SONGS OVERVIEW ESSENTIAL QUESTION Why is the Pop song such a common medium for expressing feelings about love, and how do individual songs relate to their historical moments? OVERVIEW The love song has been around for thousands of years and existed in virtually every culture: fragments of love songs and lyric poetry etched on papyrus and carved in stone survive from ancient Greece and Egypt. Medieval troubadours perfected the art of writing and singing about idealized love. Opera composers dramatized romance in music. Amorous parlor songs played a role in courtships. And of course, love songs are a fixture in contemporary musical culture. By most estimates, they have made up the majority of songs on the popularity charts throughout the 20th century and into the 21st. Musicians working in every major genre of American popular music—including Folk, Jazz, Pop, Country, Rhythm and Blues, and Rock and Roll — have produced songs about love. The variety of themes is similarly broad, encompassing many different aspects of and perspectives on relationships, from loss and longing to hope and dreaming. Rock and Roll love songs inherit much from their historical predecessors, but they also demonstrate how cultural ideas about love, sex, and relationships change over time. New musical styles present opportunities to approach an old subject in new ways, and the sometimes raucous sounds of Rock and Roll made entirely new types of songs about love possible. In this lesson, students will listen to examples of love songs from several musical styles and historical moments. The activities are designed to explore how music and lyrics work together to express different sentiments toward love and relationships.
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