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Nutcracker Three Hundred Sixty-Seventh Program of the 2012-13 Season ______Indiana University Ballet Theater Presents
2012/2013 Peter Ilyich Tchaikovsky NutcrackerThe Three Hundred Sixty-Seventh Program of the 2012-13 Season _______________________ Indiana University Ballet Theater presents its 54th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story, “The Nutcracker and the Mouse King” by E. T. A. Hoffmann Michael Vernon, Choreography Andrea Quinn, Conductor C. David Higgins, Set and Costume Designer Patrick Mero, Lighting Designer Gregory J. Geehern, Chorus Master The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. _________________ Musical Arts Center Friday Evening, November Thirtieth, Eight O’Clock Saturday Afternoon, December First, Two O’Clock Saturday Evening, December First, Eight O’Clock Sunday Afternoon, December Second, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Doricha Sales, Ballet Mistress Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Phillip Broomhead, Guest Coach Doricha Sales, Children’s Ballet Mistress The children in The Nutcracker are from the Jacobs School of Music’s Pre-College Ballet Program. Act I Party Scene (In order of appearance) Urchins . Chloe Dekydtspotter and David Baumann Passersby . Emily Parker with Sophie Scheiber and Azro Akimoto (Nov. 30 & Dec. 1 eve.) Maura Bell with Eve Brooks and Simon Brooks (Dec. 1 mat. & Dec. 2) Maids. .Bethany Green and Liara Lovett (Nov. 30 & Dec. 1 eve.) Carly Hammond and Melissa Meng (Dec. 1 mat. & Dec. 2) Tradesperson . Shaina Rovenstine Herr Drosselmeyer . .Matthew Rusk (Nov. 30 & Dec. 1 eve.) Gregory Tyndall (Dec. 1 mat.) Iver Johnson (Dec. -
2017 ANNUAL REPORT 2017 Annual Report Table of Contents the Michael J
Roadmaps for Progress 2017 ANNUAL REPORT 2017 Annual Report Table of Contents The Michael J. Fox Foundation is dedicated to finding a cure for 2 A Note from Michael Parkinson’s disease through an 4 Annual Letter from the CEO and the Co-Founder aggressively funded research agenda 6 Roadmaps for Progress and to ensuring the development of 8 2017 in Photos improved therapies for those living 10 2017 Donor Listing 16 Legacy Circle with Parkinson’s today. 18 Industry Partners 26 Corporate Gifts 32 Tributees 36 Recurring Gifts 39 Team Fox 40 Team Fox Lifetime MVPs 46 The MJFF Signature Series 47 Team Fox in Photos 48 Financial Highlights 54 Credits 55 Boards and Councils Milestone Markers Throughout the book, look for stories of some of the dedicated Michael J. Fox Foundation community members whose generosity and collaboration are moving us forward. 1 The Michael J. Fox Foundation 2017 Annual Report “What matters most isn’t getting diagnosed with Parkinson’s, it’s A Note from what you do next. Michael J. Fox The choices we make after we’re diagnosed Dear Friend, can open doors to One of the great gifts of my life is that I've been in a position to take my experience with Parkinson's and combine it with the perspectives and expertise of others to accelerate possibilities you’d improved treatments and a cure. never imagine.’’ In 2017, thanks to your generosity and fierce belief in our shared mission, we moved closer to this goal than ever before. For helping us put breakthroughs within reach — thank you. -
The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
Twyla Tharp Th Anniversary Tour
Friday, October 16, 2015, 8pm Saturday, October 17, 2015, 8pm Sunday, October 18, 2015, 3pm Zellerbach Hall Twyla Tharp D?th Anniversary Tour r o d a n a f A n e v u R Daniel Baker, Ramona Kelley, Nicholas Coppula, and Eva Trapp in Preludes and Fugues Choreography by Twyla Tharp Costumes and Scenics by Santo Loquasto Lighting by James F. Ingalls The Company John Selya Rika Okamoto Matthew Dibble Ron Todorowski Daniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp Savannah Lowery Reed Tankersley Kaitlyn Gilliland Eric Otto These performances are made possible, in part, by an Anonymous Patron Sponsor and by Patron Sponsors Lynn Feintech and Anthony Bernhardt, Rockridge Market Hall, and Gail and Daniel Rubinfeld. Cal Performances’ – season is sponsored by Wells Fargo. PROGRAM Twyla Tharp D?th Anniversary Tour “Simply put, Preludes and Fugues is the world as it ought to be, Yowzie as it is. The Fanfares celebrate both.”—Twyla Tharp, 2015 PROGRAM First Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers The Practical Trumpet Society Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company Antiphonal Fanfare for the Great Hall by John Zorn. Used by arrangement with Hips Road. PAUSE Preludes and Fugues Dedicated to Richard Burke (Bay Area première) Choreography Twyla Tharp Music Johann Sebastian Bach Musical Performers David Korevaar and Angela Hewitt Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company The Well-Tempered Clavier : Volume 1 recorded by MSR Records; Volume 2 recorded by Hyperi on Records Ltd. INTERMISSION PLAYBILL PROGRAM Second Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers American Brass Quintet Costumes Santo Loquasto Lighting James F. -
C Elebrating the Arts the TRADITION CONTINUES
FRIENDS’ CENTRAL \irections DSPRING 20032003 -- SPRINGSPRING 20042004 SPECIAL SECTION: FANNIE COX CENTER OPENING C elebrating the Arts THE TRADITION CONTINUES . 14th Annual Golf Classic Committee got creative to help meet the Edward E. Ford Foundation Challenge The 14th Annual Golf Classic enjoyed all the elements of a perfect day on the links: glorious weather, a record number of players, a spectacular course and a great cause. Led by Jim Goldstein, in his last year as chair of the committee, the Golf Classic Committee added a program book to their fundraising, resulting in over $100,000 raised to benefit students receiving financial aid at Friends’ Central School. 2003 Chair Jim Goldstein, 2004 Chairs Leonard Amoroso and Ed Fox Thanks to the 2003 Golf Classic Committee: Jim Goldstein, Len Amoroso, Stuart Fenkel ’90, Robert Fox ’04, Eli Goldstein ’03, Doug Phillips ’03, Jacob Cooper ’03 Ed Fox, Joe Greitzer, Andrew Hamilton ’84, Joshua Klein ’80,Tom MacFarlane, Linda McConnell and Vincent Rossi. MARK YOUR CALENDAR TODAY! \D irections 2003-2004 Board of Trustees Robert Adelson Peter Arfaa Barbara Aronson Barbara M. Cohen, Emerita Kenneth Dunn Jean Farquhar ’70 Victor Freeman Edward Grinspan Irwin Gross Karen Horikawa ’77 Deborah Hull, Clerk Laura Jackson ’65 Mitchell Klevan Frances Koblenzer Jeffrey Libson David Felsen presents Blake Emerson with Grads Jasmin Conner and Amanda Witts celebrate. Craig Lord his diploma. Richard Lytton Edward Marshall James McKey Hillard Madway Stephen Phillips FEATURES Jeffrey Purdy Marsha Rothman th Ann Satterthwaite Clayton Farraday’s 90 Birthday . 28 Joanna Haab Schoff ’51, Emerita Louise Tritton Educator, archivist and friend to so many, James Wright FCS honored Clayton Farraday ’32 on his Editor 90th birthday. -
Twyla Tharp Goes Back to the Bones
HARVARD SQUARED ture” through enchanting light displays, The 109th Annual dramatizes the true story of six-time world decorations, and botanical forms. Kids are Christmas Carol Services champion boxer Emile Griffith, from his welcome; drinks and treats will be available. www.memorialchurch.harvard.edu early days in the Virgin Islands to the piv- (November 24-December 30) The oldest such services in the country otal Madison Square Garden face-off. feature the Harvard University Choir. (November 16- Decem ber 22) Harvard Wind Ensemble Memorial Church. (December 9 and 11) https://harvardwe.fas.harvard.edu FILM The student group performs its annual Hol- The Christmas Revels Harvard Film Archive iday Concert. Lowell Lecture Hall. www.revels.org www.hcl.harvard.edu/hfa (November 30) A Finnish epic poem, The Kalevala, guides “A On Performance, and Other Cultural Nordic Celebration of the Winter Sol- Rituals: Three Films By Valeska Grise- Harvard Glee Club and Radcliffe stice.” Sanders Theatre. (December 14-29) bach. The director is considered part of Choral Society the Berlin School, a contemporary move- www.harvardgleeclub.org THEATER ment focused on intimate realities of rela- The celebrated singers join forces for Huntington Theatre Company tionships. She is on campus as a visiting art- Christmas in First Church. First Church www.huntingtontheatre.org ist to present and discuss her work. in Cambridge. (December 7) Man in the Ring, by Michael Christofer, (November 17-19) STAFF PICK:Twyla Tharp Goes music of Billy Joel), and, in 2012, the ballet based on George MacDonald’s eponymous tale The Princess and the Goblin. Back to the Bones Yet “Minimalism and Me” takes the audience back to New York City in the ‘60s and ‘70s, and the emergence of a rigor- Renowned choreographer Twyla Tharp, Ar.D. -
Graham 2 2019 New York Season May 30–June 2, 2019
Graham 2 2019 New York Season May 30–June 2, 2019 New York, NY, May 1, 2019 – Graham 2 announces its 2019 New York season featuring works by Martha Graham and a world premiere by guest choreographer Brice Mousset. Performances are May 30–June 2 (Thursday through Saturday at 7pm, and Sunday at 3pm), at the Martha Graham Studio Theater, 55 Bethune Street, 11th floor, in Manhattan. Graham 2 Director Virginie Mécène has selected a program reflecting on the Martha Graham Dance Company’s season theme, The Eve Project, which explores the many facets of womanhood. Performed by Graham 2’s exceedingly talented young dancers, the program provides ways to consider Graham’s complex, multifaceted characters through dances that evoke innocence, seduction, erotic love, empowerment, rejection, resilience, and more. The program will feature Heretic (1929), excerpts from Embattled Garden (1958) and El Penitente (1940), Conversation of Lovers from Acts of Light (1981), Appalachian Spring Suite (1944), the newly revived Secular Games (1962), and a new work by French choreographer Brice Mousset, set to the music of composer Mike Sheridan. The opening night on May 30 will be a special night for Graham 2 alumni. The troupe is now 36 years old, and the performance will include media featuring many generations of Graham 2 dancers. General tickets are $25 in advance, $30 at the door. Students $15 in advance/$20 at the door. Special alumni ticket price: $20 in advance/$25 at the door. Tickets can be purchased online at marthagraham.org/graham2. About choreographer Brice Mousset Brice Mousset is founder, artistic director, and choreographer of OUI DANSE, a New York City project-based dance company. -
MARK MORRIS DANCE GROUP and MUSIC ENSEMBLE Wed, Mar 30, 7:30 Pm Carlson Family Stage
2015 // 16 SEASON Northrop Presents MARK MORRIS DANCE GROUP AND MUSIC ENSEMBLE Wed, Mar 30, 7:30 pm Carlson Family Stage DIDO AND AENEAS Dear Friends of Northrop, Northrop at the University of Minnesota Presents I count myself lucky that I’ve been able to see a number of Mark Morris Dance Group’s performances over the years—a couple of them here at Northrop in the 90s, and many more in New York as far back as the 80s and as recently as last MARK MORRIS year. Aside from the shocking realization of how quickly time flies, I also realized that the reason I am so eager to see Mark Morris’ work is because it always leaves me with a feeling of DANCE GROUP joy and exhilaration. CHELSEA ACREE SAM BLACK DURELL R. COMEDY* RITA DONAHUE With a definite flair for the theatrical, and a marvelous ability DOMINGO ESTRADA, JR. LESLEY GARRISON LAUREN GRANT BRIAN LAWSON to tell a story through movement, Mark Morris has always AARON LOUX LAUREL LYNCH STACY MARTORANA DALLAS McMURRAY been able to make an audience laugh. While most refer to BRANDON RANDOLPH NICOLE SABELLA BILLY SMITH his “delicious wit,” others found his humor outrageous, and NOAH VINSON JENN WEDDEL MICHELLE YARD he earned a reputation as “the bad boy of modern dance.” *apprentice But, as New York Magazine points out, “Like Martha Graham, Merce Cunningham, Paul Taylor, and Twyla Tharp, Morris has Christine Tschida. Photo by Patrick O'Leary, gone from insurgent to icon.” MARK MORRIS, conductor University of Minnesota. The journey probably started when he was eight years old, MMDG MUSIC ENSEMBLE saw a performance by José Greco, and decided to become a Spanish dancer. -
The New Hampshire, Vol. 69, No. 18
,,............ ~m.pshire Volume 69 Number 18 Durham, N.H. Proposed rule change draws students'. fire By Rosalie H. Davis this for years. It has been the Student lTovernment leaders backbone of .(Student> Caucus. yesterday criticized a proposal That is the one thing that you can limiting their power to allocate point to and say 'This is what Student Activity Tax money. Caucus does,' " Beckingham said. The propQ_sal, dated Oct. 27, Bill Corson, chairman of the was submitted to student Caucus, said that the new clause organization presidents _for concerning SAT monies removes review by Jeff Onore, chairman direct jurisdiction from students of the Student Organizations and places it in administrators' Committee, and calls for SAT hands. organizations to gain approval of "But," Corson said, ' "this funding from the Student Ac proposal is just a first draft. tivities Office, and the Student J.Gregg <Sanborn) said that it Organizations Committee, two isn't cast in granite. The meeting non-student groups. on the 15th will gauge reaction to The present system allows SAT the proposal better than we can groups to have fundi~ allocated right now," he said. directly by the Student Caucus. The proposal will be discussed Jay Beckingham, Student at an open hearing that SAT Government vice president for organiz~tion presidents have commuter affairs, said he was been invited to attend on Nov. 15. insulted by the proposal's clause Both Onore and Sanborn, the (11.13(s)) which changes the director of Student Affairs, were method of approving the SAT attending a conference in Hyan funds. According to Beckingham, nis, Mass. -
Alvin Ailey American Dance Theater
Tuesday through Friday, April 10 –13, 2018, 8pm Saturday, April 14, 2018, 2pm and 8pm Sunday, April 15, 2018, 3pm Zellerbach Hall Alvin Ailey American Dance Theater Alvin Ailey, Founder Judith Jamison, Artistic Director Emerita Robert Battle , Artistic Director Masazumi Chaya, Associate Artistic Director CompAny memBeRs Hope Boykin Jacquelin Harris Akua Noni Parker Jeroboam Bozeman Collin Heyward Danica Paulos Clifton Brown Michael Jackson, Jr. Belén Pereyra-Alem Sean Aaron Carmon Megan Jakel Jamar Roberts Sarah Daley-Perdomo Yannick Lebrun Samuel Lee Roberts Ghrai DeVore Renaldo Maurice Kanji Segawa Solomon Dumas Ashley Mayeux Glenn Allen Sims Samantha Figgins Michael Francis McBride Linda Celeste Sims Vernard J. Gilmore Rachael McLaren Constance Stamatiou Jacqueline Green Chalvar Monteiro Jermaine Terry Daniel Harder Fana Tesfagiorgis Matthew Rushing, Rehearsal Director and Guest Artist Bennett Rink, Executive Director Major funding is provided by the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs; American Express; Bank of America; BET Networks; Bloomberg Philanthropies; BNY Mellon; Delta Air Lines; Diageo, North America; Doris Duke Charitable Foundation; FedEx; Ford Foundation; Howard Gilman Foundation; The William R. Kenan, Jr. Charitable Trust; The Prudential Foundation; The SHS Foundation; The Shubert Foundation; Southern Company; Target; The Wallace Foundation; and Wells Fargo. Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. pRoGRAm A k -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
SDI Repertory and Footprints Descriptions
6/11/19 2019 ADF School DESCRIPTIONS OF FOOTPRINTS AND SDI REPERTORY PIECES The following are descriptions of repertory projects whose auditions will be held during preview weekend. Read these descriptions carefully to choose which auditions to attend. If you are not cast in a piece during opening weekend – don’t fret! There will be many other performing opportunities, including the ICR concert, student concert, and faculty concert. FOOTPRINTS OVERVIEW In Footprints projects, choreographers set a work for ADF’s performance season using ADF students. It is strongly driven by its basic parameters: a work is set and performed in a short amount of time! This means that Footprints requires a serious time commitment: casts will rehearse Monday through Friday (Wednesdays included); one weekend rehearsal each week is permitted; and the last two weeks of the festival will be largely spent in tech and dress rehearsals in the theaters. There will even be one show that tours to Wilmington, NC on July 13th. In these respects, Footprints is a window into how dance gets made in the professional world. Note that if you are someone who wants to delve into all WFSS has to offer, Footprints casts will be unable to take full advantage of WFSS. Students in Footprints may not enroll in a repertory course. Due to scheduling conflicts, students in Footprints will be unable to participate in the Student Concerts or International Choreographers in Residence Concert. They may participate in the Faculty Concert. Paul Taylor/ Esplanade/ Set by Michael Trusnovec Michael Trusnovec, from Yaphank, New York, began dancing at age six, graduated from the Long Island High School for the Arts and was a 1992 YoungARTS awardee and Presidential Scholar in the Arts.