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Ubuntu Kung Fu
Prepared exclusively for Alison Tyler Download at Boykma.Com What readers are saying about Ubuntu Kung Fu Ubuntu Kung Fu is excellent. The tips are fun and the hope of discov- ering hidden gems makes it a worthwhile task. John Southern Former editor of Linux Magazine I enjoyed Ubuntu Kung Fu and learned some new things. I would rec- ommend this book—nice tips and a lot of fun to be had. Carthik Sharma Creator of the Ubuntu Blog (http://ubuntu.wordpress.com) Wow! There are some great tips here! I have used Ubuntu since April 2005, starting with version 5.04. I found much in this book to inspire me and to teach me, and it answered lingering questions I didn’t know I had. The book is a good resource that I will gladly recommend to both newcomers and veteran users. Matthew Helmke Administrator, Ubuntu Forums Ubuntu Kung Fu is a fantastic compendium of useful, uncommon Ubuntu knowledge. Eric Hewitt Consultant, LiveLogic, LLC Prepared exclusively for Alison Tyler Download at Boykma.Com Ubuntu Kung Fu Tips, Tricks, Hints, and Hacks Keir Thomas The Pragmatic Bookshelf Raleigh, North Carolina Dallas, Texas Prepared exclusively for Alison Tyler Download at Boykma.Com Many of the designations used by manufacturers and sellers to distinguish their prod- ucts are claimed as trademarks. Where those designations appear in this book, and The Pragmatic Programmers, LLC was aware of a trademark claim, the designations have been printed in initial capital letters or in all capitals. The Pragmatic Starter Kit, The Pragmatic Programmer, Pragmatic Programming, Pragmatic Bookshelf and the linking g device are trademarks of The Pragmatic Programmers, LLC. -
Musical Notation Codes Index
Music Notation - www.music-notation.info - Copyright 1997-2019, Gerd Castan Musical notation codes Index xml ascii binary 1. MidiXML 1. PDF used as music notation 1. General information format 2. Apple GarageBand Format 2. MIDI (.band) 2. DARMS 3. QuickScore Elite file format 3. SMDL 3. GUIDO Music Notation (.qsd) Language 4. MPEG4-SMR 4. WAV audio file format (.wav) 4. abc 5. MNML - The Musical Notation 5. MP3 audio file format (.mp3) Markup Language 5. MusiXTeX, MusicTeX, MuTeX... 6. WMA audio file format (.wma) 6. MusicML 6. **kern (.krn) 7. MusicWrite file format (.mwk) 7. MHTML 7. **Hildegard 8. Overture file format (.ove) 8. MML: Music Markup Language 8. **koto 9. ScoreWriter file format (.scw) 9. Theta: Tonal Harmony 9. **bol Exploration and Tutorial Assistent 10. Copyist file format (.CP6 and 10. Musedata format (.md) .CP4) 10. ScoreML 11. LilyPond 11. Rich MIDI Tablature format - 11. JScoreML RMTF 12. Philip's Music Writer (PMW) 12. eXtensible Score Language 12. Creative Music File Format (XScore) 13. TexTab 13. Sibelius Plugin Interface 13. MusiXML: My own format 14. Mup music publication program 14. Finale Plugin Interface 14. MusicXML (.mxl, .xml) 15. NoteEdit 15. Internal format of Finale (.mus) 15. MusiqueXML 16. Liszt: The SharpEye OMR 16. XMF - eXtensible Music 16. GUIDO XML engine output file format Format 17. WEDELMUSIC 17. Drum Tab 17. NIFF 18. ChordML 18. Enigma Transportable Format 18. Internal format of Capella (ETF) (.cap) 19. ChordQL 19. CMN: Common Music 19. SASL: Simple Audio Score 20. NeumesXML Notation Language 21. MEI 20. OMNL: Open Music Notation 20. -
WYSIWYM – Integrated Visualization, Exploration and Authoring of Semantically Enriched Un-Structured Content
Semantic Web 1 (2013) 1–14 1 IOS Press WYSIWYM – Integrated Visualization, Exploration and Authoring of Semantically Enriched Un-structured Content Ali Khalili a, Sören Auer b a AKSW, Universität Leipzig, Augustusplatz 10, 04109 Leipzig, Germany [email protected] b CS/EIS, Universität Bonn, Römerstraße 164, 53117 Bonn, Germany [email protected] Abstract. The Semantic Web and Linked Data gained traction in the last years. However, the majority of information still is contained in unstructured documents. This can also not be expected to change, since text, images and videos are the natural way how humans interact with information. Semantic structuring on the other hand enables the (semi-)automatic integration, repurposing, rearrangement of information. NLP technologies and formalisms for the integrated representation of unstructured and semantic content (such as RDFa and Microdata) aim at bridging this semantic gap. However, in order for humans to truly benefit from this integration, we need ways to author, visualize and explore unstructured and semantically enriched content in an integrated manner. In this paper, we present the WYSIWYM (What You See is What You Mean) concept, which addresses this issue and formalizes the binding between semantic representation models and UI elements for authoring, visualizing and exploration. With RDFaCE and Pharmer we present and evaluate two complementary showcases implementing the WYSIWYM concept for different application domains. Keywords: Visualization, Authoring, Exploration, Semantic Web, WYSIWYM, WYSIWYG, Visual Mapping 1. Introduction more efficient and effective search interfaces, such as faceted search [29] or question answer- The Semantic Web and Linked Data movements ing [17]. with the aim of creating, publishing and interconnect- – In information presentation semantically enriched ing machine readable information have gained traction documents can be used to create more sophis- in the last years. -
Latexfür Musiker
LATEXfür Musiker Michael Enzenhofer Dezember 2016 Inhaltsverzeichnis I. Der erste Einstieg3 1. LATEX 4 1.1. Geschichte von LATEX............................4 1.2. Grundprinzip von LATEX...........................4 1.3. Finale versus LilyPond . .5 1.4. Word versus LATEX..............................7 1.5. Vorteile von LATEX..............................9 2. LATEX-Editoren 11 2.1. Die Qual der Wahl . 11 2.2. TeXShop die Wahl für Mac OSX . 11 2.3. Editor – Viewer . 12 3. Erster Umgang mit LATEX 13 3.1. Die Computertastatur . 13 3.2. LATEX-Befehle . 13 3.3. LATEX-Packages . 16 3.4. Der LATEX-Quellcode . 17 3.5. Dokumentenklasse . 19 3.6. Gliederung des Dokumententeils . 20 4. Die musikalische Notation 21 5. Zusätzliche Pakete 26 6. Weitere Befehle 28 7. Bilder einfügen 31 7.1. \includegraphics . 31 7.2. Bild-Positionierung . 36 7.3. figure-Umgebung . 37 7.4. sidecap . 38 7.5. picinpar . 39 8. Linkempfehlungen 42 2 Teil I. Der erste Einstieg 3 1. LATEX sprich: „Latech“ 1.1. Geschichte von LATEX Das Basis-Programm von LATEX ist TEX. Dieses wurde von Donald Ervin Knuth während seiner Zeit als Informatik-Professor an der Stanford University von 1977 bis 1986 entwickelt. Auf TEX aufbauend entwickelte Leslie Lamport Anfang der 1980er Jahre LATEX. Der Name LATEX ist eine Abkürzung für Lamport TEX. Lamports Entwicklung von LATEX endete gegen 1990 mit der Version 2.09. Die aktuelle Version LATEX2 wurde ab 1989 von einer größeren Zahl von Autoren um Frank Mittelbach, Chris Rowley und Rainer Schöpf entwickelt. 1.2. Grundprinzip von LATEX Im Gegensatz zu anderen herkömmlichenTextverarbeitungsprogrammen, die nach dem What-You-See-is-What-You-Get-Prinzip (WYSIWYG) funktionieren, arbeitet man in LATEX mit CODE. -
LYX for Academia
LYX for academia John R Hudson∗† 1 What is LYX? LyX is a cross-platform program which harnesses the resources of the TEX, XeTeX and LuaTeX typesetting engines and a wide variety of writing tools, including the LibreOffice dictionaries and thesauri, to enable writers, editors, copy-editors and typesetters to create superior docu- ments for web and print media. 2 TEX, LATEX and LYX TEX1, a typesetting engine written in Pascal by Donald Knuth, implements best typesetting practice as set out in the The Chicago manual of style (University of Chicago Press, 1982). Among the limitations of TEX arising from its creation before the growth of the Internet is that it does not support Unicode and offers only a limited range of typefaces. The XeTEX and LuaTEX typesetting engines seek to address these weaknesses and support for them was added in LYX 2. LATEX began as a markup language to help DEC employees to use TEX but has spawned a large number of packages to serve the diverse needs of writers, all of which are available from CTAN. No one needs them all; so selections of the most useful are distributed, notably as MacTeX for Apple computers, TexLive for Linux and MiKTeX for Windows, to which users can add whatever else they need from CTAN. LYX was created by Matthias Ettrich in 1995 as a graphical user interface for the LATEX macros. Originally, it simply hid the complexity of the most common features of LATEX so that the user could produce beautiful documents without knowing anything about LATEX. But it has gradually evolved into a flexible writing tool that can handle an increasing range of LATEX features while enabling those who understand LATEX to tweak the output in a variety of ways. -
What's in Extras
What’s In Extras 2021/09/20 1 The Extras Folder The Extras folder contains several sub-folders with: • duplicates of several GUI programs installed by the MacTEX installer for those who already have a TEX distribution; • alternates to the GUI applications installed by the MacTEX installer; and • additional software that aE T Xer might find useful. The following sub-sections describe the software contained within them. Table (1), on the next page, contains a complete list of the enclosed software, versions, supported macOS versions, licenses and URLs. Note: for 2020 MacTEX supports High Sierra, Mojave and Catalina although some software also supports earlier versions of macOS. Earlier versions of applications are no longer supplied in the Extras folder but you may find them at the supplied URL. 1.1 Bibliography Bibliography programs for building and maintaining BibTEX databases. 1.2 Browsers A program to browse symbols used with LATEX. 1.3 Editors & Front Ends Alternative Editors, Typesetters and Previewers for TEX. These range from “WYSIWYM (What You See Is What You Mean)” to a Programmer’s Editor with strong LATEX support. 1.4 Equation Editors These allow the user to create beautiful equations, etc., that may be exported for use in other appli- cations; e.g., editors, illustration and presentation software. 1.5 Previewers Separate DVI and PDF previewers for use as external viewers with other editors. 1.6 Scripts Files to integrate some external programmer’s editors with the TEX system. 1.7 Spell Checkers Alternate TEX, LATEX and ConTEXt aware spell checkers. 1.8 Utilities Utilities for managing your MacTEX distribution. -
Reproducible Research II: Sharing Files
Reproducible Research II: sharing files LPO 9951 | Fall 2015 Contents The common thread . 1 Writing . 2 Equations . 5 References . 5 Graphics . 5 Attribution . 6 Ownership . 8 Final word . 8 PURPOSE In the last lecture on reproducible research, we discussed version control through git. Git works better with some types of file formats than others (e.g., plain text vs. MS Word). Today we will discuss a few of these not only in the service of using git, but with the purpose of improving how you can collaborate with others and share your work. We’ll also discuss attributions and ownership. The common thread Despite their seemingly different approaches to structuring text, the following syntaxes share two primary characteristics: 1. They are structured and saved using plain text files 2. They follow a WYSIWYM rather than WYSIWYG philosophy Plain text The simple MS Word .doc or .docx is a single file, right? Yes and no. The reason non-PC systems sometimes have trouble with MS Word documents is (1) they are saved in a proprietary format, and (2) those files are better thought of as file systems rather than as a single file. In other words, your MS Word document isn’t simply a record of the words on your screen, but also of a large number of format and system settings. This file structure is why, if you have tried, GitHub doesn’t display Windows documents that you may have pushed to it. Git works best with plain text (ASCII) files. There are a limited number of characters available, but for most of your scripting, you’ll be fine (do you really need that umlaut in your variable names?). -
Ubuntu Kung Fu.Pdf
Prepared exclusively for J.S. Ash Beta Book Agile publishing for agile developers The book you’re reading is still under development. As part of our Beta book program, we’re releasing this copy well before we normally would. That way you’ll be able to get this content a couple of months before it’s available in finished form, and we’ll get feedback to make the book even better. The idea is that everyone wins! Be warned. The book has not had a full technical edit, so it will con- tain errors. It has not been copyedited, so it will be full of typos and other weirdness. And there’s been no effort spent doing layout, so you’ll find bad page breaks, over-long lines with little black rectan- gles, incorrect hyphenations, and all the other ugly things that you wouldn’t expect to see in a finished book. We can’t be held liable if you use this book to try to create a spiffy application and you somehow end up with a strangely shaped farm implement instead. Despite all this, we think you’ll enjoy it! Throughout this process you’ll be able to download updated PDFs from your account on http://pragprog.com. When the book is finally ready, you’ll get the final version (and subsequent updates) from the same address. In the meantime, we’d appreciate you sending us your feedback on this book at http://books.pragprog.com/titles/ktuk/errata, or by using the links at the bottom of each page. -
Using Opentype Features in Libreofiie
Using OpenType Features in LibreOfiie David J. Perry Ver. 1.2 updated August 4, 2017 Note: Part I provides background for those who have litle or no experience using OpenType. If you are already familiar with OpenType features and just want to learn how to access the in Libre# O$ce% you can go directly to Part II. tou might also need to read Part Ii if you have worked with OT features through a graphical interface rather than by using four-character codes. N.B.: names o keys on the key#oard are s"o$n in smal% capitals (enter, tab, etc.(. I. About OpenType A. Introduction )penType (ab#reviated O* herea+er( is a font te&"no%ogy t"at enab%es t"e appearance o &"aracters to be c"anged without altering the under%ying te,t. W"y wou%d one want su&" a thing? /n some languages, c"aracters may need to be res"aped depending on conte,t. In Arabi&, for instance, le0ers have diferent s"apes depending on w"ether t"ey come at the beginning o a $ord, in t"e midd%e, or at the end. Te user types a le0er and t"e appropriate s"ape is dis3 p%ayed. In languages li!e Arabi&, the operating system automati&al%y app%ies the needed O* eatures wit"out intervention by the user. Windo$s and Linu, use O* to support su&" com3 p%e, s&ripts (5ac O6 X uses a diferent te&"no%ogy for this(. /n languages t"at do not re8uire res"aping, O* provides ac&ess to many re9nements tradition3 al%y used in hig"38ua%ity typograp"y. -
Richard J. Cichelli, President Software Consulting
FOR IMMEDIATE RELEASE CONTACT: Richard J. Cichelli, President Software Consulting Services, LLC 630 Municipal Drive, Suite 420 Nazareth, PA 18064 USA Phone: 1-800-568-8006, 1-610-746-7700 Email: [email protected] www.newspapersystems.com SOFTWARE CONSULTING SERVICES ANNOUNCES ScrImLay, an importer of Layout-8000™ geometries into Scribus (an open source desktop publishing application) Nazareth, PA (March 17, 2014) – Software Consulting Services, LLC (www.newspapersystems.com), the co- inventor of QuarkXtensions, has released version 14.0.1 of the advertising dummying system Layout-8000™. One of its major new features is support for Scribus 1.4.3 and later versions on Linux, Mac OS X and Windows. SCS will provide, at no cost to its Layout-8000 customers on support, a powerful Scribus plug-in called ScrImLay ( Scri bus Im porter from Lay out), which is written in Python and licensed under the GPL. ScrImLay enables import of Layout-8000 geometry files into Scribus and offers the same functionalities as the respective plug-ins for InDesign (InLay ™) and QuarkXPress (SCS/LinX™). A comparison between the results in InDesign, QuarkXPress and Scribus can be found here: http://bit.ly/1cBVcdC Scribus is also being supported for ad building from within SCS's CAS/CDS (Community Advertising Services/Community Display Services) application. SCS will help customers to set up Scribus and walk their staff through the entire process. The Scribus Developers Team has invited SCS to submit candidate code to their development efforts. SCS will do this and further actively participate in the Scribus community by promoting Scribus to its newspaper customers. -
How to Make a Four Page Leaflet Using Scribus ‒And Learning Some Useful Things About the Technical Aspects of Computer Aided Graphic Design in the Process
How to make a four page leaflet using Scribus ‒and learning some useful things about the technical aspects of computer aided graphic design in the process by Staffan Melin [email protected] Version: 1.0 (2010-03-07) This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 2.5 Sweden License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/2.5/se/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Goal By studying this document, you will be able to create a simple leaflet using open source software on the linux platform. Using Scribus and GIMP, we will design a four page leaflet and export it as a printable (as in being able to send it to a real printing press) PDF. In the process we will discuss some useful things related to this process: fonts, image requirements and basic color management. Requirements We assume that you have a computer with the following: ▪ Linux (I'm running Ubuntu 9.1 0 on an ASUS Eee PC 901 ) ▪ Scribus (I'm running 1 .3.5.1 ) ▪ GIMP (I'm running 2.6) ▪ preferably an internet connection (we are going to download some things from the internet) HOW TO MAKE A FOUR PAGE LEAFLET USING SCRIBUS 2 Setting up the document Bleed No printing press (or printer) prints all the way to the edge of the paper. If you want images and color blocks to extend all the way to the edge of the paper, the solution is to use a sheet of paper larger than the final result, print beoynd the margins, and then cut down the paper to the final size. -
HTML – Hypertext Markup Language
HTML – Hypertext Markup Language Computer Science and Engineering n College of Engineering n The Ohio State University Lecture 9 HTML Computer Science and Engineering n The Ohio State University o Hypertext Markup Language o Key ideas: 1. Connect documents via (hyper)links o Visual point-and-click o Distributed, decentralized set of documents 2. Describe content of document, not style o Structure with semantics o Separation of concerns o Rephrasing these key ideas: 1. Hypertext 2. Markup Markup: Describing Content Computer Science and Engineering n The Ohio State University o WYSIWYG n A paragraph or bulleted list in MS Word n Benefits: o No surprises in final appearance o Quick and easy o Control: Author can use visual elements to stand in for structural elements o WYSIWYM n A paragraph or list in LaTeX n Benefits: o More information in document (visual & semantic) o Lack of Control: Author doesn't know how to apply visual elements properly for structure Abstraction vs Representation Computer Science and Engineering n The Ohio State University \section{To Do List} \begin{enumerate} \item{Study for midterm} \item{Sleep} \end{enumerate} Authors Lack Requisite Expertise Computer Science and Engineering n The Ohio State University o What's wrong with the following page? Chapter 9 Now that we have the ability to display a catalog containing all our wonderful products, it would be nice to be able to sell them. We will need to cover sessions, models, and adding a button to a view. So let's get started. Iteration D1: Finding a Cart … Evolution