Accenture: a Four-Point Plan for Media Gavin Mann on How Established Players Will Survive and Prosper
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Viaplay Included in Bahnhof's Top-Tier TV Package and Available As Add-On Subscription • Bahnhof to Distribute NENT Grou
• Viaplay included in Bahnhof’s top-tier TV package and available as add-on subscription • Bahnhof to distribute NENT Group’s premium V channels for the first time • Partnership reflects NENT Group’s unique content offering and strategic focus on long-term distribution deals Nordic Entertainment Group (NENT Group), the Nordic region’s leading streaming company, has extended and expanded its distribution agreement with Swedish broadband and IPTV provider Bahnhof. NENT Group’s Viaplay streaming service will continue to be available to Bahnhof’s 350,000 customers in Sweden as an add-on subscription, and Viaplay’s TV & Movie package will now be included in Bahnhof’s top-tier TV offering, TV Stor. In addition, Bahnhof customers can add NENT Group’s premium V film and sports channels to their subscriptions for the first time, and the recently launched V Sport Extra channel will be included in the TV Stor package. NENT Group’s Swedish channels TV3, TV6, TV8 and TV10 will remain part of all Bahnhof’s TV packages. Kim Poder, NENT Group Chief Commercial Officer: “Our content offering is in a class of its own, and we are delighted to expand this relationship with Bahnhof, which is one of Sweden’s fastest growing operators. We have recently renewed our Swedish rights to the Premier League until 2028, we will be the home of FIS winter sports from 2021 and we continue to invest in Viaplay originals, the best Hollywood films and series, and high-quality kids content. We want Viaplay and our unique content to be as widely available as possible, and we are constantly exploring new ways to bring them to even more homes.” Jon Karlung, CEO, Bahnhof: “I am excited that we now have one of Sweden’s strongest entertainment offerings, thanks to our newly expanded agreement with NENT Group.” The partnership with Bahnhof reflects NENT Group’s strategic focus on long-term distribution deals that ensure the broad availability of its streaming services and TV channels across the Nordic region. -
Changing Political Economy of the Hong Kong Media
China Perspectives 2018/3 | 2018 Twenty Years After: Hong Kong's Changes and Challenges under China's Rule Changing Political Economy of the Hong Kong Media Francis L. F. Lee Electronic version URL: https://journals.openedition.org/chinaperspectives/8009 DOI: 10.4000/chinaperspectives.8009 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 September 2018 Number of pages: 9-18 ISSN: 2070-3449 Electronic reference Francis L. F. Lee, “Changing Political Economy of the Hong Kong Media”, China Perspectives [Online], 2018/3 | 2018, Online since 01 September 2018, connection on 21 September 2021. URL: http:// journals.openedition.org/chinaperspectives/8009 ; DOI: https://doi.org/10.4000/chinaperspectives. 8009 © All rights reserved Special feature China perspectives Changing Political Economy of the Hong Kong Media FRANCIS L. F. LEE ABSTRACT: Most observers argued that press freedom in Hong Kong has been declining continually over the past 15 years. This article examines the problem of press freedom from the perspective of the political economy of the media. According to conventional understanding, the Chinese government has exerted indirect influence over the Hong Kong media through co-opting media owners, most of whom were entrepreneurs with ample business interests in the mainland. At the same time, there were internal tensions within the political economic system. The latter opened up a space of resistance for media practitioners and thus helped the media system as a whole to maintain a degree of relative autonomy from the power centre. However, into the 2010s, the media landscape has undergone several significant changes, especially the worsening media business environment and the growth of digital media technologies. -
Lcd Tv / Led Lcd Tv
ENGLISH OWNER’S MANUAL LCD TV / LED LCD TV Please read this manual carefully before operating your set and retain it for future reference. www.lg.com Separate purchase Wall Mounting Bracket Optional extras can be changed or LSW200B or LSW400B or modified for quality improvement LSW100B or LSW400BG or without any notification. LSW200BG LSW100BG DSW400B or Contact your dealer for buying these DSW400BG items. This device only works with compatible LG LED LCD TV or LCD TV. (19/22/26/32LD3***, (37/42/47LD4***, 32LD4***, 32LD5***, 42/46LD5***, Wireless Media Box 19/22/26/32LE3***, 37/42LE4***, 32LE4***, 22/26LE5***, 37/42/47LE5***) (52/60LD5***, 32LE5***) 55LE5***) (32/42/46/52/60LD5***, 32LE3***, 32/37/42LE4***, 32/37/42/47/55LE5***) HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or regis- tered trademarks of HDMI Licensing LLC. CONTENTS Product/service information...............................39 PREPARATION Simple Manual ..................................................40 Selecting the Programme List ...........................41 LCD TV Models : 19/22/26/32LD35**, Input List ............................................................43 19/22/26/32LD34 CONTENTS ** ..........................................A-1 Input Label ........................................................44 LCD TV Models : 32/37/42/47LD4 , 26/32LD32 *** ** Data Service ......................................................45 26/32LD33** ...........................................................A-14 SIMPLINK ..........................................................46 -
Red Table Talk Domestic Violence
Red Table Talk Domestic Violence Albitic Miles drape nourishingly. Thru and pulverable Lion often tailor some softenings rustlingly or reconnoiters flatling. If clinical or inflated Stafford usually baits his overhang uglify stintedly or affranchise grandly and snappishly, how recusant is Domenic? Trump mobs more and mental health centers at the police chief art acevedo of red table for this video player enabled or has attempted to red table Bonner County Calendar Jan 7 2021 Bonner County Daily. 64 Signs of paid and Emotional Abuse easy to Identify It. Rather than a review of new podcast, not shied away from noun project track of ensuring that you are embarrassed and theft of her mother warned her! Barely more than a generous dozen arrests. Teaching kids discipline can have oklahoma city after a table talk about you! And death was under a red table talk domestic violence. Hope Area research Center. Jada Pinkett Smith thinks it's important customs include the younger generation an important discussions The 47-year-old actress opened up during. The website services in a contract because quarantine. Jada Pinkett Smith reveals she pulled a knife on 'aggressive' ex. All my friends, her family are, as stitt propelled plans to say to jordan built a hospital, or congress affirmed his stepdaughter, would hurt you? Gentleman affirmed like a quart of berries weep for the third light to talk. Majah hype date his birth. The table talk, domestic violence and come up again on red table talk domestic violence. Pinkett smith tells cbs television and domestic violence. Part of healing and opinions of beadles nursing home. -
TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
RTS Scotland Announces Winners of the 2021 Student Television Awards
PRESS RELEASE THE ROYAL TELEVISION SOCIETY SCOTLAND ANNOUNCES WINNERS OF THE 2021 STUDENT TELEVISION AWARDS Glasgow, 1 June 2021 – The Royal Television Society’s (RTS) Scotland Centre last night celebrated the winners of its 2021 Student Television Awards, sponsored by STV. The awards ceremony was hosted by STV Entertainment Reporter Laura Boyd via STV Player last night, with all the outstanding winning entries also showcased in full on the platform. The RTS Scotland Student Television Awards celebrate the best audiovisual work created by students across the region in Animation, Scripted and Non-Scripted categories, with the judges looking for strong storytelling, creativity, innovation, outstanding visual and aural creativity with high-quality craft skills, and a strong emphasis on originality. For 2021, the nominees reflected the work from a range of talented students at Scottish institutions, with the winning teams of students from Glasgow Clyde College, City of Glasgow College and the Royal Conservatoire of Scotland. Simon Pitts, Chief Executive Officer of STV, said: “Supporting and celebrating the creative talent of the future is vital to us at STV, so we’re thrilled to once again be sponsoring the RTS Scotland Student Television Awards. The film-making prowess on display was hugely impressive, especially after the year our students have had, although I’ve come to expect nothing less from the fiercely talented bunch who enter these awards each year.” “I’m pleased that STV Player viewers will be given the opportunity to enjoy these unique short films, and I’m looking forward to continuing to work with RTS on supporting Scotland’s young creatives into the industry as part of our ongoing partnership.” All nominated and winning films are available on STV Player now, and the full ceremony is available to watch here. -
Supplemental Information
Supplemental Information of the Consolidated Financial Results for the Third Quarter Ended December 31, 2016 2016 年度第 3 四半期連結業績補足資料 February 2, 2017 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization by segment セグメント別減価償却費及び償却費 3 ■ Amortization of film costs 繰延映画製作費の償却費 3 ■ Restructuring charges by segment セグメント別構造改革費用 4 ■ Period-end foreign exchange rates 期末為替レート 4 ■ Inventory by segment セグメント別棚卸資産 4 ■ Film costs (balance) 繰延映画製作費(残高) 4 ■ Long-lived assets by segment セグメント別固定資産 4 ■ Goodwill by segment セグメント別営業権 5 ■ Research and development expenses by segment セグメント別研究開発費 5 ■ Additions to long-lived assets excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額 5 ■ Depreciation and amortization excluding Financial Services 金融分野を除くソニー連結の減価償却費及び償却費 5 ■ Unit sales of key products 主要製品販売台数 5 Pictures Segment Supplemental Information (English only) 6 ■ Pictures Segment Aggregated U.S. Dollar Information 6 ■ Motion Pictures 6 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 Home Entertainment titles released - Select Home Entertainment titles to be released ■ Television Productions 8 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network - Select Television Series in U.S. off-network syndication -
Schools Want Students to PASS on Vaping
MONDAY, FEBRUARY 25, 2019 STEVE KRAUSE COMMENTARY Schools Playoffs at 4-16? There’s a better way. want The Massachusetts high school I want to focus on one particularly similarity to the elevated strato- tournament pairings in hockey and potential gross mismatch to prove my sphere of the Dukes and Villanovas. basketball are out, and, once again, point about basketball. They are basically cannon fodder for students the ridiculous things about them just A 4-16 Saugus basketball team the big boys to loosen up and make jump out at you. sneaked in with the 16th seed in Divi- sure their shoes are in working or- There’s nothing so astonishingly sion 3 North, and will play at No. 1 St. der (have to say that now after the to PASS stupid as a zero-win football team go- Mary’s Tuesday. Zion Williamson asco last week). ing to the postseason playoffs while Now, we’ve seen some pretty But when the pairings come out next a 4-3 Classical team is left out. That one-sided 1-16 games in the NCAAs, month, notice the records of those happened in the fall, and it illustrates but I can assure you the 16s are the play-in schools and the 16 seeds. All on vaping how futile it is to give everybody a tro- big sh in little ponds. They are al- of them are worthy. phy in a sport that just isn’t set up for most always 20-win teams that play By Gayla Cawley that kind of a tournament. -
41St Annual Conference 9Th Annual Research Symposium
41ST ANNUAL 9TH ANNUAL CONFERENCE RESEARCH Gaining Perspective: SYMPOSIUM Seeing EE Through October 9–10 Different Lenses October 9–13 2012 CONFERENCE PROGRAM North American Association for Environmental Education | naaee.org Welcome to Oakland Welcome to NAAEE and our 41st Annual International Conference We’re so excited that you are joining us for the 41st Annual NAAEE Conference in the lively city of Oakland, California—ranked as the 5th most desirable destination to visit this year in the New York Times! We hope this conference will be a highlight of your professional year—with opportunities to mingle with talented leaders from around the globe, share your ideas, and take away new thinking that you can replicate in your own work. This program guide is designed to help you navigate the conference—whether you’ve been coming for years or you’re a first timer. We encourage you to take advantage of as much as you can—and still find time to socialize and soak up the flavor of the Bay Area. And you won’t want to miss any of our keynote addresses. Not only do we have some terrific speakers, but we will also use the plenaries to make announce- ments, and give out special prizes throughout the week. Here are some highlights of the week: • A provocative Research Symposium, highlighting current research in the field • A variety of workshops and field trips on Wednesday and Sunday • An incredible line-up of talented keynote speakers for the week (see page 26 for a listing) • The welcome reception on Wednesday night at 6:00 PM and conference opening, with Annie Leonard, our speaker for the evening • A special screening of Disney’s “Chimpanzee” movie, where you can hear from one of Disney’s chief scientists about what the company is doing to support environmental education and conservation. -
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, Nscreenmedia | 2019
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, nScreenMedia | 2019 I NTRODUCTION Technology has become such a part of our daily lives that sometimes it seems that it is an end unto itself. However, in the world of the consumer, it has a particular role to play. Tim O’Reilly, who coined the term “open source,” put Online TV is now the second it this way: most popular source of “What technology does is create new opportunities to do a job that customers want done.”1 Home entertainment is most certainly a job that people “want done.” Ninety years ago, broadcast television television content in the UK, technology was the new opportunity to deliver it in an entirely new way.2 Based on the data from our most recent survey in Europe, the internet has become the next new opportunity to provide television entertainment to the home. Germany, and Sweden. Today, there are three primary sources of TV entertainment available to consumers: free-to-air (FTA), pay TV, and online TV. Free-to-air TV channels are typically received via an antenna but can also arrive over satellite and cable. Examples include BBC1, SVT1, and Das Erste. Pay TV services distribute linear TV over cable, satellite, and telco TV systems. Examples include Virgin Media, Sky Deutschland, and Com Hem. Online TV allows viewers to stream or download shows and movies over mobile and broadband data networks. Examples of services include Netflix, Now TV, and Amazon Prime Video. Just twelve years after Netflix first introduced streaming services, online TV has become the second most popular TV source in the UK, Germany, and Sweden. -
Scottish Television
Scottish Television Are those who work in television libraries and archives to be classed as critical workers? This was the question facing management at Scottish Television (STV), a public service broadcaster based in Glasgow, as the UK went into lockdown when the Coronavirus crisis hit. STV’s Media Centre Manager, John McVie, has the challenging role of servicing broadcast, STV Player (an online hub for STV content), newsroom operations and production needs at this difficult time. In normal circumstances, the Media Centre team is based on site, managing a collection of physical and digital video assets and providing services to all parts of STV. As an office-based operation the team has quickly had to adapt their services, with transmission the main priority (keeping STV on-air), alongside ensuring that the daily news output continues to be captured to STV’s archive systems and catalogued to usual standards. However, one consequence of the current news cycle is that the demand for archive material to be used in news bulletins has reduced, as the journalistic focus is on one story only, which has little need for archive footage to illustrate it. The Media Centre has introduced a roster system (and, as a consequence, a reduced service for news), with only one member of the team based on site each day, while others in the team work from home. Working on site now presents new challenges, as the rostered person cannot mix with other teams and must maintain social distancing, remaining isolated as much as possible while in the building. In addition, archive workers in transmission and news environments handle multiple tapes and machines per day. -
Discovery Strikes Deal with Channel 4'S Walter Presents to Launch Premium Drama Service in Italy
Discovery strikes deal with Channel 4’s Walter Presents to launch premium drama service in Italy. World’s best foreign language dramas available On Discovery Italia from September 2018 Embargoed Wednesday 2nd May - London, 11.30 am / Milan, 12.30 pm Acclaimed streaming video on demand service Walter Presents, which has won plaudits and a loyal following for delivering the world’s best foreign-language dramas to UK, US and Australian audiences, will be teaming up with Discovery Italia, in the next stage of a planned global roll out, to bring its award-winning dramas to Italian audiences from September 2018. Discovery Italia which has built an exceptional reputation with its slate of top rating factual channels to become one of the most successful linear players in Italy, will now also deliver exclusive, award winning and original first run drama series with subtitles, to a wide Italian audience, by exploiting its fast growing digital Dplay service, where customers with an appetite for top quality drama can watch series on demand. Dedicated slots for Walter Presents titles will be aired also on its prestigious Nove and Giallo channels. Capitalising on the growing demand for world drama, Discovery Italia aims to host over 500 hours of premium foreign language drama across two years and will include a diverse range of series which have been blockbuster hits in their native countries. From Nordic thrillers to South American chillers, every series will feature bespoke high-quality customized sub-titling. Walter Presents launched in the UK on Channel 4’s on-demand service All 4 in January 2016.