ENEMY LINES Production Notes
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EXPLORING IDENTITY Emilio Sosa L Costume Designer Michael Griffo L
EXPLORING IDENTITY Emilio Sosa l Costume Designer Michael Griffo l Author/Educator ELA, Life Skills, Character Studies Grades l 5, 6, 7, 8, 9, 10 FEATURING EMILIO SOSA • FASHION & BROADWAY COSTUME DESIGNER EXPLORING IDENTITY BACKGROUND ARTIST INSIGHT As a Latino, I’m influenced by the bright colors that’s evident in my Latin culture. I also grew up listening to great Latin music and being surrounded by aunts and uncles in their Sunday best. I can now look back and use those influences in a modern way. I think that style comes from within, not just the clothing you wear. Style doesn’t come with a price tag; it comes from knowing yourself and what works for you. I have a strong belief that hard work and dedication are the keys to success and that talent rises to the top. Any challenges I come across I’ve been able to overcome because of my strong will to succeed. My advice to anyone who aspires to work on Broadway or in the fashion field is to gain as much knowledge as possible. Whether it’s through formal education or internships knowledge is power. —Emilio Sosa, Fashion and theatrical costumer designer ABOUT THE EXPERTS SPECIAL GUEST: Emilio Sosa is a first-generation immigrant from the Santo Domingo, Dominican Republic, and a graduate of the Pratt Institute. He discovered his passion for design when he was 14 years old and has since achieved his goal of becoming an award- winning fashion and costume designer. In 2006 he was the recipient of the TDF’s Irene Sharaff Young Master Award and named Design Virtuoso by American Theatre Magazine in 2003. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Costume Designer Costume Designer
COSTUME DESIGNER A Costume Designer creates the clothes and costumes for theatre, film, dance, concerts, television and other types of stage productions. The role of the Costume Designer in the professional theatre industry is to design garments and accessories for actors to wear in a production. In this industry the majority of designers, specialise in both set and costume design, although they often have a particular strength in one or the other. READING THE SCRIPT The first step is to read this script, which can give direction as to what the characters are wearing. The script also gives an indication through the character’s personality and behaviour. The designer should consider the time period, the location, as well as the social status of each character. The designer would then liaise with the director to determine the time period and location (as they may change this from the script) and if there is any other style or element they want to achieve. It is imperative that the costume and set design have a cohesive look. BUDGET As a designer you will need to know your budget as this has a big impact upon the design of a production. It is cheaper to produce a contemporary show, so you can op shop costumes or buy them from a retail outlet. Often actors will provide bits and pieces from their own wardrobe on smaller budget shows. Period shows are expensive as most costumes will need to be made. These costs include fabric and trims and employing people to draft patterns, cut and sew them, all of which are labour and time intensive. -
Costume Designer
Katherine Milne Costume Designer. Bio Katherine Milne is a Melbourne based costume designer and stylist with over twenty years of experience across film, television and commercials. Her design credits include Killer Elite starring Jason Statham and Robert De Niro, The Whistleblower, set in China and Africa, starring Tang Wei. Most recently she has just completed filming Liam Neeson’s latest film Blacklight, set in Washington DC. Originally from Auckland New Zealand, Katherine began her career on the cult classic TV series Xena and Hercules. Since then she has worked continuously in the film industry on numerous local and International film productions. Katherine excels at managing large scale departments and budgets. She has significant experience with executing speciality costumes and any stunt action costume requirements. Katherine thrives working in the collaborative creative ecosystem of film and television production , embraces each new design challenge and loves to create authentic characters and their worlds through costume. M: +61 (0) 404983147 E: [email protected] Katherine Milne W: katherinemilne.com Costume Designer. FILM & TV - Experience 1999-2020 BLACKLIGHT - COSTUME DESIGNER Feature Film 2020 Director Mark Williams | Producers , Mark Williams ,Myles Nestel , Paul Currie , Coco Ma | Budget: US$ 46M (est.) REEF BREAK - COSTUME DESIGNER (5 episodes) ABC T.V Series: Touchstone Productions Executive Producers: Poppy Montgomery, Steve Pearlman, Ruthanne Secunda Producer: Guy Louthan THE WHISTLEBLOWER - COSTUME DESIGNER -
RUSS 385: Russian Drama Lyudmila Parts 1 Fall 2021
RUSS 385: Russian Drama Lyudmila Parts 1 Fall 2021 RUSS 385 Prof. Lyudmila Parts 688 Sherbrooke, #332 email: [email protected] T/TH 1:05-2:25. Notice different classrooms: Tuesday SH 688, # 491 Thursday SH 688, # 391 Office hours: Tuesday 2:30-3:30 and by appointment on Zoom Russian Drama from Pushkin to Chekhov. Major topics: • The development of Russian Drama in the 19th century. Formation of dramatic canon. • Theories of drama and theater. Dramatic conventions and radical experiments with the form. • European influence and Russian context. Texts on MyCourses to be printed out by you: 1. Alexander Griboedov, The Trouble with Reason 2-5. Alexander Pushkin, Boris Godunov; Little Tragedies (3): Miserly Knight, Mozart and Salieri, The Stone Guest 6. Mikhail Lermontov, Masquerade 7. Nikolai Gogol, The Inspector General 8. Ivan Turgenev, A Month in the Country 9-10. Alexander Ostrovsky, The Storm; The Dowerless Girl 11. Maxim Gorky, The Lower Depth 12. Leo Tolstoy, The Fruits of Enlightenment 13-14. Anton Chekhov, The Seagull; Three Sisters 15. Mikhail Bulgakov, The Days of the Turbins. Requirements: Short paper (3-4 pages) - a close reading of a passage or an exploration of a theme. Topics will be posted in advance on MyCourses. Final paper (5-6 pages) - on the topic dealing with a period, author, work, theme, cultural problem, and/or theoretical issue discussed in the course. Group projects (two): I will divide the class into small groups and assign the topics for presentation and plays for performance. See MyCourses for details. For both projects, each student submits individual report and receives an individual grade. -
PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/reprisal/ Rating: Rated R for violence and language U.S. Release Date: August 31st, 2018 (In Theaters and On Demand) Run Time: 89 minutes For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] 1 REPRISAL LIONSGATE PREMIERE Publicity Materials: http://lionsgatepublicity.com/theatrical/reprisal/ Hashtag: #Reprisal Genre: Action Thriller Rating: Rated R for violence and language U.S. Release Date: August 31st, 2018 (In Theaters and On Demand) Run Time: 89 minutes Cast: Frank Grillo, Bruce Willis, Olivia Culpo, Johnathon Schaech Directed by: Brian A. Miller Written by: Bryce Hammons Produced by: Randall Emmett, p.g.a., George Furla, p.g.a., Mark Stewart, p.g.a. SYNOPSIS: Jacob (Frank Grillo), a bank manager haunted by a violent heist that took the life of a coworker, teams up with his ex-cop neighbor, James (Bruce Willis), to bring down the assailant. While the two men work together to figure out the thief’s next move, Gabriel (Johnathon Schaech), the highly-trained criminal, is one step ahead. When Gabriel kidnaps Jacob’s wife (Olivia Culpo) and daughter, Jacob barrels down a path of bloodshed that initiates an explosive counterattack and brings all three men to the breaking point. Action legend Bruce Willis (the Die Hard series), Frank Grillo (Captain America: The Winter Soldier, TV’s Kingdom) and Johnathon Schaech (TV’s Legends of Tomorrow) team up in the tense dramatic thriller REPRISAL. The film will be released in theaters and on demand by Lionsgate Premiere on August 31st, 2018. -
History and Drama: the Pan-European Tradition Abstract Booklet
History and Drama: The Pan-European Tradition Abstract Booklet International Conference, October 26-27, 2016 organised by Tatiana Korneeva, Jaša Drnovšek and Joachim Küpper DramaNet – Early Modern European Drama and the Cultural Net Freie Universität Berlin The DramaNet project is funded by the European Research Council Grant agreement no. 246603 Thursday, October 27, 2016 10.15-12.10 Panel III: Theoretical Perspectives on History and Drama History and Drama: The Pan-European Tradition Chair: Gaia Gubbini 10.15-10.50 DS Mayfield, “The Economy of Rhetorical Ventriloquism” Conference Programme 10.50-11.25 Gautam Chakrabarti, “The Cultural Dynamics of Difference: Towards a Histoire Croisée of Asian Literary Theory” 11.25-12.00 Elena Penskaya, “Farce Comedies by Henry Fielding (The Tragedy of Tragedies; or, the Life and Death of Tom Thumb the Great) and Wednesday, October 26, 2016 Ludwig Tieck (Puss in Boots, etc.) as Historical Travesty” 12.00-13.45 Lunch 14:00-14:30 Registration 14.30-14.45 Welcome and Opening Remarks 13.45-15.55 Panel IV: Mapping Dramatic Histories Chair: Jan Mosch 14.45-16.30 Panel I: Historiography and Drama 13.45-14.20 Natalia Sarana, “The Drama of ‘Bildung’: Approaches to the Study Chair: DS Mayfield of Alexander Ostrovsky’s Plays” 14.45-15.20 Joachim Küpper, “Literature and Historiography in Aristotle” 14.20-15.55 Olga Kouptsova, “Ostrovsky's Experience of the Creation of the 15.20-15.55 Gaia Gubbini, “King Arthur: History or Fiction? Investigations in European Theatrical Canon and Russian Stage Practice: Personal French Medieval Literature” Preferences and General Trends” 15.55-16.30 Pavel Sokolov and Julia Ivanova “The Tacitist Background of Pieter Corneliszoon Hooft’s Drama” 15. -
Ostrovsky's Experience of the Creation of the European Theatrical Canon
Olga Kuptsova Ostrovsky’s Experience of the Creation of the European Theatrical Canon and Russian Stage Practice Personal Preferences and General Trends Alexander Ostrovsky’s dramatic heritage has been primarily regarded as ‘slice- of-life’ plays in the Russian historico-theatrical tradition, due to the detailed descriptions of everyday life and sociopsychological characters/types it represents. The very first (and until recently the only monographic) study of Ostrovsky in a west European language was Ostrovski et son théâtre de mœurs russes (1912), by the French Slavicist Jules Patouillet,1 which gave priority to this point of view among Western historians of literature and theater, too. However, this perspective is rather one-legged and even incorrect. Studies by Russian philologists of the early twentieth century (Nikolai Kashin, Boris Varneke, Fyodor Batyushkov, Nikolai Piksanov, etc.), who emphasized that Ostrovsky’s plays were inscribed in the pan-European theatrical context, were well ahead of their time and hence consigned to oblivion.2 At the beginning of his anniversary article “Ostrovsky and World Dramaturgy,” Alexander Stein wrote: “The topic of Ostrovsky and world culture appears to be much less obligatory than Dostoevsky, Turgenev, Tolstoy, Chekhov – and world culture.”3 Meanwhile, present-day studies in this field, though largely compelling in their hypotheses 1 Jules Patouillet. Ostrovski et son théâtre de mœurs russes, 2nd edition. Paris: Plon-Nourrit et Cie., 1912. 2 See Nikolay Kashin. Etyudy ob Ostrovskom [Essays on Ostrovsky]. 2 vols. Moscow: Kushnerev & Co., Typography of the Literary Fellowship Consolidated by the Imperial Court, 1912; Nikolay Kashin. “Ostrovskiy i italyantsy” [Ostrovsky and the Italians]. -
Costume Designer for the Youth Theater Ensemble
Costume Designer for the Youth Theater Ensemble Job Title Costume Designer for TMC’s Youth Theater Ensemble Reporting to Director & Producer Stipend: $350 Hours/Schedule: Starts end of January with Director (See Rehearsal Schedule) Auditions: January 21st - 29th, 2020 Show Dates : May 1st, 2nd & 8th, 2020 The Organization: The Miracle Center's (TMC) mission is to use the performing and visual arts as a tool for personal and professional growth via self-expression for youth and adults. TMC nurtures and encourages the development of the next generation of professional artists by offering them opportunities to perform and exhibit their work. The Miracle Center is a theatre company on the border of the Logan Square and Hermosa communities. Our program is the Youth Theatre Ensemble, and we work with over 50 inner-city teens on three productions throughout the year. What we need is a costume designer is to take the choices our design teens make and compile costumes as close to that as possible.. In terms of the time commitment, we really would only need the costume designers for our initial production meetings, fittings, a few rehearsals to be with the costume students, production meetings and tech rehearsals. You are more than welcome to put more time and energy into the process as our teens could benefit from the mentorship. Job Summary: We are looking for a creative Costume Designer to create costumes and costume props for the actors on stage. As the Costume Designer, you must be very creative and well-versed in different garment types and styles. You should be talented at sketching and see creating clothes as art. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939 -
Cast Biographies
CAST BIOGRAPHIES MICHAEL SHANNON (Gary Noesner) Academy Award®, Golden Globe® and Tony Award® nominated actor Michael Shannon continues to make his mark in entertainment, working with the industry's most respected talent and treading the boards in notable theaters around the world. Shannon will next be seen in Guillermo del Toro's The Shape of Water, a love story set against the backdrop of Cold War-era America. The film co-stars Sally Hawkins, Richard Jenkins, Michael Stuhlbarg and Octavia Spencer. Fox Searchlight will release the film December 2017. In 2018, Shannon will return to Red Orchard Theatre for its 25th Anniversary to direct the world premiere of Traitor, Brett Neveu's adaption of Henrik Ibsen's Enemy of the People. Traitor will include ensemble members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West and will run from January 5, 2018 through February 25, 2018. Back on the big screen, Shannon will then be seen in the Nicolai Fuglsig’s 12 Strong opposite Chris Hemsworth. The project follows a team of CIA agents and special forces who head into Afghanistan in the aftermath of the 9/11 attacks in an attempt to dismantle the Taliban. Warner Brothers is releaseing the film in January 2018. Later next year, Shannon will also be seen in writer-director Elizabeth Chomko’s drama, What They Had, opposite Hilary Swank. The story centers on a woman who must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard and the return home forces her to confront her past, which includes her brother (Shannon). -
Costume Design: Key Questions
Costume Design: Key Questions Costume designer and architect Gabriela Yiaxis worked with Whitechapel Gallery Children's Commission 2015 artist Rivane Neuenschwander on the exhibition The Name of Fear. Gabriela is an experienced freelance costume designer who works worldwide on feature films, advertisements, TV, fashion and music. In this resource she shares key questions and the process of taking a costume from script to screen. Rivane Neuenschwander: The Name of Fear 2015 Costume Design: Key Questions Costume designer Gabriela Yiaxis shares some of her key considerations when developing costumes for feature films. Think about how all of these questions effect what you see on screen, some of these questions can also be applied to developing costume for theatre, advertising campaigns and catwalk collections. Setting What is the story about? Is the film contemporary, futuristic, epic, period? Which exactly era? Does the storyline have a fantasy or realistic approach? How does the director wants to tell the story? Funny, realistic, surreal? Will the film be shot in black and white, sepia, colour? Who is the audience for the finished product? Costume Design: Key Questions Building a character Examples of questions you should ask yourself when they are not on a script . How old are they? Is the character rich or poor? What is their social status? Aristocracy, working class, middle class? What is the characters family background? Are they from a traditional family background, alternative family background, single parent household, grew up in care? What is the characters role in the story? Banker, waitress, doctor, athlete, writer, homeless, musician, salesman, criminal? Consider how the characters personality affects the costume.