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Fight Night Round 3 (Xbox 360)
Fight Night RouNd 3 (XboX 360) WARNING Complete CoNtRols Block, punch, and dance around the ring in your pursuit of the world title by using Before playing this game, read the Xbox 360 Instruction Manual and any EA SPORTS™ Fight Night Round 3’s innovative control system. peripheral manuals for important safety and health information. Keep all manuals for future reference. For replacement manuals, see www.xbox.com/ geNeRal gameplay support or call Xbox Customer Support (see inside of back cover). Pause game Lean/Body punch Parry/Block Important Health Warning About Playing Switch stance Signature punch Video Games Clinch Camera relative Illegal blow movement Photosensitive Seizures Signature punch A very small percentage of people may experience a seizure when exposed Taunt to certain visual images, including fl ashing lights or patterns that may appear in video games. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive Total Punch Control epileptic seizures” while watching video games. (see below) These seizures may have a variety of symptoms, including lightheadedness, Note: To parry/block, pull and hold ^ + move C. altered vision, eye or face twitching, jerking or shaking of arms or legs, Note: To lean, pull and hold ] + move L. disorientation, confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from total punch CoNtRol falling down or striking nearby objects. With Total Punch Control, you direct every movement your boxer makes in the ring. Whether Immediately stop playing and consult a doctor if you experience any of attacking the body with a straight right or sneaking in a left hook before the bell, determine these symptoms. -
Aboriginal History 4:1
ABORIGINAL HISTORY 4:1 Top: Freddie Clay of Palm Island sweats on the bag, about 1950. Photograph courtesy of Alick Jackomos. Bottom: Jimmy Sharman’s tent, Sydney Show, about 1950. Sharman (holding hat) is flanked by boxer Dave Sands, and his son Jimmy Sharman Jnr. Photograph courtesy of Jimmy Sharman Jnr. 48 PROFESSIONAL ABORIGINAL BOXERS IN EASTERN AUSTRALIA 1930-1979* Richard Broome At first glance the money and prestige available to Aborigines through the sport of professional boxing suggest that boxing might have allowed Aborigines to escape the usual subordinate and outcast condition assigned to them by European-dominated Australian society. This paper attempts to examine the truth of this popular conception of boxing. It also seeks to retrieve the Aboriginal experience of the fight game, for of all sports, only football has rivalled the importance of boxing in Aboriginal community and sporting life and Aboriginal folklore. The examination of the Aboriginal experience in the world of boxing should increase our understanding of race relations in Australia. Professional boxing is a distinctive sport because fighters are in the business of inflicting bodily injury for money in potentially tough physical encounters. The professionals are even distinguished from amateur boxers, because the ‘lily-whites’ are protected from injury by rigid rules and very strict refereeing. It is this fact of institutionalized violence which is at the core of the tight-knit nature of this sporting subculture, centred as it is around inner city gymnasiums where the faithful gather to talk their own jargon and watch the hopefuls go through the rituals of shadow boxing, skipping, bag punching and sparring. -
CSAC Laws and Regulations Manual
September 2018 LAWS & REGULATIONS Guidelines and Policies for officials ///// TABLE OF CONTENTS Business and Professions code Contents CSRC WWW.DCA.CA.GOV/CSAC Business and Professions Code .......................... 1 § 18642.5. Necessity to Demonstrate Ability to Perform Prior to Licensure. SECTION 18600–18618 ....................................... 1 § 18645. Advisory Committee on Medical and Safety Standards-Members - Meetings–Term. § 18600. Boxing Act. § 18646. Amateur Boxing, Wrestling and Full Contact § 18601. Legislative Authority. Martial Arts Contests. § 18602. Membership on State Athletic Commission. § 18648. Standards for Licensure. § 18604. Authority to Remove Members. § 18653. License Required by Professional Boxers’ § 18605. Quorum–Majority Vote. Training Gymnasiums–Application and Fee. § 18606. Election of Chairperson. § 18654. Necessity to Report an Injury or Knockout of § 18607. Expenses Professional Boxer. § 18608. Designation as a Board. § 18655. No Chapter Applicability to Contests Under Federal Government Control. § 18610. Seal. § 18656. Inapplicability to Contests by or for Schools, § 18611. Adoption of Rules and Regulations. Colleges, Universities. § 18613. Executive Offcer. SECTION 18660–18679 ..................................... 6 § 18615. Inspectors’ Clinic and Training. § 18660. Contents of License Application–Fee. § 18618. Report on Promoter Assessments. § 18661. Review and Investigations of Application and SECTION 18620–18631 ...................................... 3 Appeal From Denial. § 18620. Terms Defned. -
Gary Russell, Patrick Hyland, Jose Pedraza, Stephen Smith
APRIL 16 TRAINING CAMP NOTES: GARY RUSSELL, PATRICK HYLAND, JOSE PEDRAZA, STEPHEN SMITH NEW YORK (April 7, 2016) – The boxers who will be fighting Saturday, April 16 on a SHOWTIME CHAMPIONSHIP BOXING® world title doubleheader are deep into their respective training camps as they continue preparation for their bouts at Foxwoods Resort Casino in Mashantucket, CT. In the main event, live on SHOWTIME® (11 p.m. ET/8 p.m. PT), the talented and speedy southpaw Gary Russell Jr. (26-1, 15 KOs) makes the first defense of his WBC Featherweight World Title against Irish contender Patrick Hyland (31-1, 15 KOs). In the SHOWTIME co-feature, unbeaten sniper Jose Pedraza (21-0, 12 KOs) risks his IBF 130-pound world title as he defends his title for the second time against a mandatory challenger, Stephen Smith (23-1, 13 KOs). Russell, who won the 126-pound title with a fourth-round knockout over defending champion Jhonny Gonzalez on March 28, 2015, trains in Washington, D.C. Hyland, whose only loss suffered was to WBA Super Featherweight World Champion Javier Fortuna, has been training at a gym in Dublin, Ireland, owned and operated by his trainer, Paschal Collins, whose older brother Steve was a former two-time WBO world champion. Paschal Collins also boxed as a pro but is best known for being Irish heavyweight Kevin McBride’s head trainer during his shocking knockout of Mike Tyson. The switch-hitting Pedraza, a 2012 Puerto Rican Olympian, has been working out in his native Puerto Rico. Smith, of Liverpool, England, has been training in the UK. -
Author's Notes
AUTHOR’S NOTES Jared Michael Coseglia Writer & Director Cutman: a boxing musical When we endeavored to write Cutman, I didn’t know a thing about boxing. It was the summer of ’06. Reality TV was in its prime. My best friend and co-writer, Cory Grant, called me and said, “You gotta start watching The Contender. It’s heart-breaking.” So I did, and it was. It was my first real empathetic moment for boxers. Watching these men sacrifice their lives and their bodies brutally battling for success, hoping to provide for their families when they become superstars. Ah…The American Dream. Work hard. Be great at what you do. Have success. Support your family. Live your dream. I can relate. I knew I wanted to write a play about a boxer. And if we were going to write a musical about boxing, we knew that one of us would have to learn how to box. So I started boxing. That’s when I met my Haitian Harlem trainer, JR “All-Day-Every-Day” Fiote at the PrintingHouse Gym (RIP). He is my cornerman and now one of my best friends. He saw me hitting an uppercut bag and stopped me: "You gotta hit with your knuckles...otherwise, you just slappin’ that bag." The first of many lessons. Now JR and I spar regularly at Trinity Boxing in Manhattan with the likes of the Guzman brothers, Hector and Jennifer Santiago, and the amazing Ronson Frank (16-0 (8)). I’ve been through 14 pairs of gloves. I started to learn how to box five years ago so I could write this play, and now boxing is an integral and inseparable part of who I am and who I will be for the rest of life. -
Apb Coaches Manual
APB COACHES MANUAL Supplement to AIBA COACHES MANUAL published in August 2011 FOREWORD AIBA Professional Boxing Coaches Manual is designed as an addition to AIBA Coaches Manual helping the coach understand the fundamentals of AIBA Professional Boxing. The AIBA Professional Boxing Coaches Manual assists coaches’ development and enhances the qualities in coaching providing the coach with the knowledge and personal skills to manage a successful career in AIBA Professional Boxing. AIBA Coaches Commission 2 TABLE OF CONTENTS FOREWORD ........................................................................................................................ 2 Part 1. About coaching in APB ........................................................................................... 5 1.1. Definition of Boxer in APB ....................................................................................... 5 1.2. Difference between AOB and APB , coaching aspects ........................................... 6 1.3. What is fundamental in APB ................................................................................... 7 Part 2. Coach in APB ......................................................................................................... 8 2.1. The role of the coach in APB ...................................................................................... 8 2.2. Responsibility before, during and after the competition ............................................... 8 2.2.1. Role of the coach in APB .................................................................................... -
A South African Boxer in Britain
To Write as a Boxer To Write as a Boxer: Disability and Resignification in the Text A South African Boxer in Britain By Kurt Campbell To Write as a Boxer: Disability and Resignification in the Text A South African Boxer in Britain By Kurt Campbell This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Kurt Campbell All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3096-5 ISBN (13): 978-1-5275-3096-6 Image Credit: Jules Beau. Gallica Digital Library. TABLE OF CONTENTS Abstract ............................................................................................ viii Acknowledgements ............................................................................ ix Preface to a Bout .............................................................................. xiii Notes on the Monograph ................................................................. xiv Chapter One ........................................................................................ 1 Opening Round Chapter Two ..................................................................................... 22 Locating Modalities of Textual Self-craft -
Mixed Martial Arts Rules for Amateur Competition Table of Contents 1
MIXED MARTIAL ARTS RULES FOR AMATEUR COMPETITION TABLE OF CONTENTS 1. SCOPE Page 2 2. VISION Page 2 3. WHAT IS THE IMMAF Page 2 4. What is the UMMAF Page 3 5. AUTHORITY Page 3 6. DEFINITIONS Page 3 7. AMATEUR STATUS Page 5 8. PROMOTERS & REQUIREMENTS Page 5 9. PROMOTERS INSURANCE Page 7 10. PHYSICIANS AND EMT’S Page 7 11. WEIGN-INS & WEIGHT DIVISIONS Page 8 12. COMPETITORS APPEARANCE& REQUIREMENTS Page 9 13. COMPETITOR’s MEDICAL TESTING Page 10 14. MATCHMAKING APPROVAL Page 11 15. BOUTS, CONTESTS & ROUNDS Page 11 16. SUSPENSIONS AND REST PERIODS Page 12 17. ADMINISTRATION & USE OF DRUGS Page 13 18. JURISDICTION,ROUNDS, STOPPING THE CONTEST Page 13 19. COMPETITOR’s REGISTRATION & EQUIPMENT Page 14 20. COMPETITON AREA Page 16 21. FOULS Page 17 22. FORBIDDEN TECHNIQUES Page 18 23. OFFICIALS Page 18 24. REFEREES Page 19 25. FOUL PROCEDURES Page 21 26. WARNINGS Page 21 27. STOPPING THE CONTEST Page 22 28. JUDGING TYPES OF CONTEST RESULTS Page 22 29. SCORING TECHNIQUES Page 23 30. CHANGE OF DECISION Page 24 31. ANNOUNCING THE RESULTS Page 24 32. PROTESTS Page 25 33. ADDENDUMS Page 26 PROTOCOL FOR COMPETITOR CORNERS ROLE OF THE INSPECTORS MEDICAL HISTORY ANNUAL PHYSICAL OPTHTHALMOLOGIC EXAM PROTOCOL FOR RINGSIDE EMERGENCY PERSONNEL PRE & POST –BOUT MEDICAL EXAM 1 SCOPE: Amateur Mixed Martial Arts [MMA] competition shall provide participants new to the sport of MMA the needed experience required in order to progress through to a possible career within the sport. The sole purpose of Amateur MMA is to provide the safest possible environment for amateur competitors to train and gain the required experience and knowledge under directed pathways allowing them to compete under the confines of the rules set out within this document. -
Come out Swinging
COME OUT SWINGING COME OUT SWINGING: THE CHANGING WORLD OF BOXING IN GLEASon’S GYM Lucia Trimbur PRINCETON UNIVERSITY PRESS Princeton and Oxford Copyright © 2013 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu Cover photo by Issei Nakaya All Rights Reserved Library of Congress Cataloging-in-Publication Data Trimbur, Lucia, 1975– Come out swinging : the changing world of boxing in Gleason’s gym / Lucia Trimbur. pages cm Includes bibliographical references and index. ISBN 978-0-691-15029-1 (cloth : alk. paper) 1. Boxing—New York (State) —New York— History. 2. Gymnasiums—New York (State)—New York—History. 3. Athletic clubs—New York (State) —New York—History. 4. Boxers (Sports) —New York (State) —New York— History. 5. Brooklyn (New York, N.Y.) —History. 6. Brooklyn (New York, N.Y.) —Social life and customs. I. Title. GV1125.T75 2013 796.8309747—dc23 2012049335 British Library Cataloging- in- Publication Data is available This book has been composed in Sabon LT Std Printed on acid- free paper. ∞ Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 “Boxing is a Combat, depending more on Strength than the Sword: But Art will yet bear down the Beam against it. A less Degree of Art will tell more than a considerably greater Strength. Strength is cer- tainly what the Boxer ought to fet [sic] out with, but without Art he will succeed but poorly. -
Of Cowards and True Men Order the Complete Book From
Kenny Adams survived on profanity and pugilism, turning Fort Hood into the premier military boxing outfit and coaching the controversial 1988 U.S. Olympic boxing team in South Korea. Twenty-six of his pros have won world-title belts. His amateur and professional successes are nonpareil. Here is the unapologetic and unflinching life of an American fable, and the crude, raw, and vulgar world in which he has flourished. Of Cowards and True Men Order the complete book from Booklocker.com http://www.booklocker.com/p/books/8941.html?s=pdf or from your favorite neighborhood or online bookstore. Enjoy your free excerpt below! Of Cowards and True Men Rob Miech Copyright © 2015 Rob Miech ISBN: 978-1-63490-907-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., Bradenton, Florida, U.S.A. Printed on acid-free paper. BookLocker.com, Inc. 2015 First Edition I URINE SPRAYS ALL over the black canvas. A fully loaded Italian Galesi-Brescia 6.35 pearl-handled .25-caliber pistol tumbles onto the floor of the boxing ring. Just another day in the office for Kenny Adams. Enter the accomplished trainer’s domain and expect anything. “With Kenny, you never know,” says a longtime colleague who was there the day of Kenny’s twin chagrins. First off, there’s the favorite word. Four perfectly balanced syllables, the sweet matronly beginning hammered by the sour, vulgar punctuation. -
The Old-Timer
The Old-Timer produced by www.prewarboxing.co.uk Number 1. August 2007 Sid Shields (Glasgow) – active 1911-22 This is the first issue of magazine will concentrate draw equally heavily on this The Old-Timer and it is my instead upon the lesser material in The Old-Timer. intention to produce three lights, the fighters who or four such issues per year. were idols and heroes My prewarboxing website The main purpose of the within the towns and cities was launched in 2003 and magazine is to present that produced them and who since that date I have historical information about were the backbone of the directly helped over one the many thousands of sport but who are now hundred families to learn professional boxers who almost completely more about their boxing were active between 1900 forgotten. There are many ancestors and frequently and 1950. The great thousands of these men and they have helped me to majority of these boxers are if I can do something to learn a lot more about the now dead and I would like preserve the memory of a personal lives of these to do something to ensure few of them then this boxers. One of the most that they, and their magazine will be useful aspects of this exploits, are not forgotten. worthwhile. magazine will be to I hope that in doing so I amalgamate boxing history will produce an interesting By far the most valuable with family history so that and informative magazine. resource available to the the articles and features The Old-Timer will draw modern boxing historian is contained within are made heavily on the many Boxing News magazine more interesting. -
Up Against the Ropes: Peter Jackson As ''Uncle Tom" in America
Up against the Ropes Peter Jackson As “Uncle Tom” in America Susan F. Clark When Peter Jackson, Australia’s heavyweight champion, arrived in America in 1888, he was known as “The Black Prince”; by the time he left for home, 12 years later, he was more often thought of as “Uncle Tom.” How this per- fect fighting machine came to be identified with America’s well-known sym- bol of acquiescence is a story that illuminates the cultural, social, and racial environment of late 19th-century America. It is a narrative that features the highly commercial, image-conscious worlds of boxing and theatre against a background of extreme racial prejudice. Most importantly, it is a cautionary tale that reflects the dangerous and mutable ability of popular entertainments to endow damaging stereotypes with a semblance of truth. Peter Jackson came to the United States looking for a fight. He was a de- termined, disciplined, and talented boxer who was optimistic that he could defeat America’s finest boxers. The battle that Jackson fought in America was one he was ill-equipped to fight, for it had little to do with his technical skill or physical prowess. It was a struggle against America’s long-standing racial schism, which divided Americans by the color of their skin. When Jackson, a novice to American culture, allowed his manager to convince him to be “whipped to death” nightly before packed houses as Uncle Tom in a touring production of Uncle Tom’s Cabin, his battle in America was all but over. Never again would he be taken seriously as a heavyweight contender.