Monologues for Females
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Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness
The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness Erik R. Scott Summer 2008 Erik R. Scott is a Ph.D. candidate in the Department of History, at the University of California, Berkeley Acknowledgments I would like to thank Professor Victoria Frede and my fellow graduate students in her seminar on Imperial Russian History. Their careful reading and constructive comments were foremost in my mind as I conceptualized and wrote this paper, first for our seminar in spring 2006, now as a revised work for publication. Abstract: As Russia’s nineteenth-century Gypsy craze swept through Moscow and St. Petersburg, Gypsy musicians entertained, dined with, and in some cases married Russian noblemen, bureaucrats, poets, and artists. Because the Gypsies’ extraordinary musical abilities supposedly stemmed from their unique Gypsy nature, the effectiveness of their performance rested on the definition of their ethnic identity as separate and distinct from that of the Russian audience. Although it drew on themes deeply embedded in Russian— and European—culture, the Orientalist allure of Gypsy performance was in no small part self-created and self-perpetuated by members of Russia’s renowned Gypsy choirs. For it was only by performing their otherness that Gypsies were able to seize upon their specialized role as entertainers, which gave this group of outsiders temporary control over their elite Russian audiences even as the songs, dances, costumes, and gestures of their performance were shaped perhaps more by audience expectations than by Gypsy musical traditions. The very popularity of the Gypsy musical idiom and the way it intimately reflected the Russian host society would later bring about a crisis of authenticity that by the end of the nineteenth century threatened the magical potential of Gypsy song and dance by suggesting it was something less than the genuine article. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
GYPSY CHARACTER DESCRIPTIONS: • Momma Rose
GYPSY CHARACTER DESCRIPTIONS: • Momma Rose (age from 35 - 50) The ultimate stage mother. Lives her life vicariously through her two daughters, whom she's put into show business. She is loud, brash, pushy and single- minded, but at times can be doting and charming. She is holding down demons of her own that she is afraid to face. Her voice is the ultimate powerful Broadway belt. Minimal dance but must move well. Comic timing a must. Strong Mezzo/Alto with good low notes and belt. • Baby June (age 9-10) is a Shirley Temple-like up-and-coming vaudeville star, and Madam Rose's youngest daughter. Her onstage demeanor is sugary-sweet, cute, precocious and adorable to the nth degree. Needs to be no taller than 3', 5". An adorable character - Mama Rose's shining star. Strong child singer, strong dancer. Mezzo. • Young Louise (about 12) She should look a couple years older than Baby June. She is Madam Rose's brow-beaten oldest daughter, and has always played second fiddle to her baby sister. She is shy, awkward, a little sad and subdued; she doesn't have the confidence of her sister. Strong acting skills needed. The character always dances slightly out of step but the actress playing this part must be able to dance. Mezzo singer. • Herbie (about 45) agent for Rose's children and Rose's boyfriend and a possible husband number 4. He has a heart of gold but also has the power to defend the people he loves with strength. Minimum dance. A Baritone, sings in one group number, two duets and trio with Rose and Louise. -
Asolo Repertory Theatre Presents Fanny Brice, America's Funny Girl
For Immediate Release: April 24, 2012 Media Contact: Steph Gray, Public Relations Coordinator 941.351.9010 ext. 4800; [email protected] Asolo Repertory Theatre presents Fanny Brice, America’s Funny Girl (SARASOTA, Fla.)- Before there was a Lucy or Ethel, Gracie Allen or Imogene Coca, Fanny Brice was the female comic superstar. Fanny Brice, America's Funny Girl will be open May 23, 2012 and run until June 17, 2012. Previews begin May 20. Fanny Brice, America’s Funny Girl is a reworking of Maltz Jupiter Theatre’s 2009 hit production Fanny Brice: The Real Funny Girl. Writer and Director David H. Bell modified the script and is bringing Asolo Rep the most inspiring version yet. TCPalm raved, “Marya Grandy may not be the real Fanny Brice…but she just might be a new version of Ethel Merman. That’s with a little Patti LuPone and the emotional singing delivery al a Judy Garland tossed in for good measure”. WJTW FM said “what really brought the audience to its feet for a standing ovation however was the finale…it doesn’t get any better than that.” Born Fania Borach on the Lower East Side of New York City in 1891, Brice began her career on stage with a burlesque troupe at the age of 17. Two years later she was headlining for the Ziegfeld Follies, and by 1921 she released her signature song, “My Man.” Brice became one of the biggest comedic stars to grace the stage, yet her personal life wasn’t as successful, with heartache and betrayal followed her at every step and her three marriages all ending in divorce. -
Stephanie Mccarron
Stephanie McCarron Some fact´s at first… When and where were you born? 25 January 1982, born in Derry, North Ireland. Your height? 5 feet 4 inches What is your favourite food? Italian Food / Crisps Your favourite music? Pop Your favourite movie? „Annie“, „Wizard of Oz“ Your favourite city / place in the world, you have visited so far? China, Japan What’s the most treasured moment in your life, so far? When I danced with Michael on stage Feet of Flames. The day I stepped on stage as gypsy. About your family… Please tell us something about your parents - what do they do for their living? Do they dance as well? Yes, my Mum danced when she was younger. My mum is a loans officer and my dad is a baker. Do you have any brothers or sisters? How old are they? Do they dance, too? What do they do for their living? Yes, I have one older sister and 2 older brothers. My sister danced for a while when she was younger. My sister is a hair dresser and my 2 brothers are engineers. Is it hard for you, to be apart from your family for such a long time while touring? How often are you able to travel back home again? Yes, it does get hard some times, because we´re such a close family. We usually get home every few months for a few days or weeks. What do your family thinks of your job as a Show Dancer? Are they proud of you? How often do they visit you on tour and watch you dancing the Show? My family think my job as a show dancer is fantastic. -
Doin' It for Sugar
DOIN’ IT FOR SUGAR Hot rights, Herman and Stewart proceeded tive and drab. We all looked on in astonish - using the Fanfaren der Liebe source mate - ment and said, ‘How can you be funny on a ometimes timing is everything. If, for rial only. At that point, the show was titled One brown set. How do you get light and happy example, Sugar , a musical based on of the Girls . The time frame was moved to the on a brown set?’” And so Jo Mielziner was Sa beloved film comedy, with two great 1940s and in that version there was little re - out and Robin Wagner was in. male starring roles, directed by an amaz - sembling Some Like It Hot and Merrick was ing director/choreographer, had opened not especially annoyed and unhappy, and when The show opened, reviews were tepid, in April 1972 but in April 2001, the year an - Merrick was especially annoyed and unhappy songs came and went, characters came other musical based on a beloved film com - it was especially unpleasant to be on the cre - and went, and Champion and company edy, with two great male starring roles, ative team. Herman and Stewart resigned and worked on the show while they played the directed by an amazing director/choreog - then, magically, somehow Merrick finally show at night. At one of the rehearsals, rapher, my guess is it would have been a snagged the rights to the Ho t screenplay. Bert Michaels, who was assisting Cham - smash hit and run for a very long time. But pion, came up with the brilliant idea that The Producers had the timing and Sugar The title was changed to Nobody’s Perfect Spats Palazzo should tap like a machine didn’t. -
Meet the Company of RSVP's Spamalot!
Meet the Company of RSVP’s Production of Monty Python’s Spamalot! The Cast: Sammie Joe Baltes (Laker Girl/Frenchie) is excited to spend another summer with RSVP! She has been seen in numerous RSVP productions including Gypsy, Annie Get Your Gun, and The Sound of Music. Sammie Joe was most recently seen tapping for scholarships in Dancing with the Randolph Stars. “Many thanks and lots of love to my Squad!” Karissa Carpenter (Laker Girl/Frenchie) is an upcoming freshman and cheerleader at Catawba College with a major in theatre and psychology. She has been in various RSVP productions including A Midsummer Night’s Dream, Annie Get Your Gun, The Sound of Music, and The Wizard of Oz. She is honored to be involved with such a wonderful cast. “It has truly been an amazing experience.” Casey Daniel (Sir Robin) is so happy to be a part of Spamalot as his first production here at RSVP. He wants to thank his family, friends, and professors for pushing him to work hard. He would also like to add "Chipotle is love, Chipotle is life." Lydia Davis (Lady of the Lake) is a graduate of UNCG where she was involved in Women's Glee and the acapella group, the UNCG Sapphires. This is her first show with RSVP and she is excited about the opportunity! She thanks the cast, crew, and production staff for a wonderful and fun-filled experience! RSVP Community Theatre’s Production of MONTY PYTHON’S SPAMALOT, July-August 2015, Asheboro, NC; www.rsvptheatre.org Reagan England (Laker Girl/Frenchie), 18 years old, plans to attend UNC-Charlotte this fall. -
Issue 2 2015|2016 SEASON
2015|2016 SEASON Issue 2 TABLE OF Dear Friend, It has finally happened. It always CONTENTS seemed that Kiss Me, Kate was the perfect show for the Shakespeare 1 Title page Theatre Company to produce. It is Recipient of the 2012 Regional Theatre Tony Award® one of the wittiest musical comedies 3 Cast in the canon, featuring the finest Artistic Director Michael Kahn score Cole Porter ever wrote, Executive Director Chris Jennings 4 Director’s Word stuffed to the brim with songs romantic, hilarious, and sometimes both. It is also, not coincidentally, a landmark 8 Story, Musical Numbers adaptation of Shakespeare, a work that no less a critic than and Orchestra W.H. Auden considered greater than Shakespeare’s own The Taming of the Shrew. 9 Music Director’s Word All I can say to the multitudes who have suggested this show to me over the past 29 years is that we waited 13 About the Authors until the moment was right: until we knew we could do a production that could satisfy us, with a cast that could 14 The Taming of work wonders with this material. music and lyrics by Cole Porter the Screwball book by Samuel and Bella Spewack Also, of course, with the right director. He doesn’t need 18 It Takes Two any introduction, having directed two classic (and Performances begin November 17, 2015 classically influenced) musicals for us—2013–2014’s Opening Night November 23, 2015 (Times Two) award-winning staging of A Funny Thing Happened on the Sidney Harman Hall Way to the Forum and 2014–2015’s equally magnificent 24 Mapping the Play Man of La Mancha—but nonetheless I am very happy that STC Associate Artistic Director Alan Paul has agreed to Director Fight Director 26 Kiss Me, Kate and complete his trifecta with Kiss Me, Kate. -
PLAYNOTES Season: 43 Issue: 05
PLAYNOTES SEASON: 43 ISSUE: 05 BACKGROUND INFORMATION PORTLANDSTAGE The Theater of Maine INTERVIEWS & COMMENTARY AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. By Johnathan Tollins Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. -
Special Trip to the Brand New Museum of the American Revolution
Village of East Hills Senior Activities Committee PRESORTED 209 Harbor Hill Road May 2018 FIRST CLASS East Hills, NY 11576 U.S. POSTAGE (516) 621-2796 Newsletter PAID [email protected] ROSLYN, NY Our thanks the Mayor and the Village Trustees for PERMIT NO.4 Stanley Stern, Chairperson their Sponsorship of our Newsletter and for being so Irving Chernofsky supportive of the Senior Activities Committee (SAC) Rhoda Helman Barbara Klein Joan Perilla Eileen Reed SPECIAL TRIP TO THE BRAND NEW MUSEUM OF THE AMERICAN REVOLUTION IN PHILADELPHIA - TUESDAY, MAY 15TH BUS WILL LEAVE VILLAGE HALL AT 8:30 AM First, we will have lunch on our own at the fabulous Reading Terminal Market. Great food, wonderful shopping for all! Then we will have a private docent-led tour of the core exhibition of this wonderful brand new museum. We will see authentic objects that include manuscripts, artwork, weaponry, the actual tent used by Washington, plus personal diaries and the paper money (Continentals) that were issued. We will learn the stories of America’s founding generation including craftsmen, laborers, seamen, farmers, African Americans, women and Native people. These are the people who had to wrestle with conflicting ideals of loyalty and independence. Come join us for a truly enlightening and exciting visit to the start of our nation! Dinner at Famous Dave’s in Cherry Hill, NJ on the way home. Cost for Bus, Private tour and dinner: $80 for Residents/$90 for Non-residents SPECTACULAR MUSICAL EVENT: SINGIN’ IN THE RAIN SUNDAY, JUNE 24th 2:00 PM ENGEMAN THEATER, NORTHPORT DINNER AT ANTONETTE’S We have all seen the movie, but have you experienced the live performance of one of the greatest movies ever made? Join us as we see the glitz and glamour of Hollywood’s golden age. -
February (Gypsy)
Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, entitled Gypsy: Memoirs of America’s Most Celebrated Stripper and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." Gypsy tells the story of the dreams and efforts of one hungry, powerhouse of a woman to get her two daughters into show business. It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc. Gypsy is famous for helping launch lyricist Stephen Sondheim’s career, and features a book by Arthur Laurents that is widely considered to be one of the classic examples of a traditional “book musical.” At the heart of the musical is the gregarious Rose, whose journey made critic Frank Rich call Gypsy, “Broadway’s own brassy, unlikely answer to King Lear.” The musical features songs that have become standards of the musical theatre canon, including “Some People,” “Let Me Entertain You,” “Rose’s Turn,” and the show-stopping “Everything’s Coming Up Roses”. It is frequently considered one of the crowning achievements of the mid-twentieth century's conventional musical theatre art form. Gypsy has been referred to as the greatest American musical by numerous critics and writers, among them Ben Brantley who wrote ”what may be the greatest of all American musicals...".