Report on Collections Agreement 1 April 2012 - 31 March 2013
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National Programme 2017/2018 2
National Programme 2017/2018 2 National Programme 2017/2018 3 National Programme 2017/2018 National Programme 2017/2018 1 National Programme Across Scotland Through our National Strategy 2016–2020, Across Scotland, Working to Engage and Inspire, we are endeavouring to bring our collections, expertise and programmes to people, museums and communities throughout Scotland. In 2017/18 we worked in all of Scotland’s 32 local authority areas to deliver a wide-ranging programme which included touring exhibitions and loans, community engagement projects, learning and digital programmes as well as support for collections development through the National Fund for Acquisitions, expert advice from our specialist staff and skills development through our National Training Programme. As part of our drive to engage young people in STEM learning (Science, Technology, Engineering and Maths), we developed Powering Up, a national science engagement programme for schools. Funded by the ScottishPower Foundation, we delivered workshops on wind, solar and wave energy in partnership with the National Mining Museum, the Scottish Maritime Museum and New Lanark World Heritage Site. In January 2017, as part of the final phase of redevelopment of the National Museum of Scotland, we launched an ambitious national programme to support engagement with Ancient Egyptian and East Asian collections held in museums across Scotland. Funded by the National Lottery and the Esmée Fairbairn Collections Fund, the project is providing national partnership exhibitions and supporting collection reviews, skills development and new approaches to audience engagement. All of this work is contributing to our ambition to share our collections and expertise as widely as possible, ensuring that we are a truly national museum for Scotland. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
House of Lords Minute
REGISTER OF LORDS’ INTERESTS _________________ The following Members of the House of Lords have registered relevant interests under the code of conduct: ABERDARE, Lord Category 1: Directorships Director, WALTZ Programmes Limited (training for work/apprenticeships in London) Director, Twist Partnership Limited (promoting leadership through learning) Category 2: Remunerated employment, office, profession etc. Publications Consultant, Freemasons' Grand Charity (irregular employment) Category 10: Non-financial interests (c) Trustee, Berlioz Society Trustee, St John Cymru-Wales Category 10: Non-financial interests (e) Trustee, West Wycombe Charitable Trust ACTON, Lord Category 2: Remunerated employment, office, profession etc. Barrister (non-practising) ADAMS OF CRAIGIELEA, Baroness Nil No registrable interests ADDINGTON, Lord Category 7: Overseas visits Visit to India, 26 September-4 October 2009, under auspices of Liberal Democrats Friends of India; business class flights and accommodation paid for by Government of India Category 10: Non-financial interests (d) Vice President, British Dyslexia Association Category 10: Non-financial interests (e) Vice President, UK Sports Association Vice President, Lakenham Hewitt Rugby Club ADEBOWALE, Lord Category 1: Directorships Director, Leadership in Mind Ltd Non-executive Director, St Vincent Healthcare (retains 5% shares in this organisation) Category 2: Remunerated employment, office, profession etc. Chief Executive Officer, Turning Point (social care registered charity) Occasional income from broadcasting -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
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BIOLOGY CURATORS GROUP •~eo· NEWSLETTE January 1994 Vol6 No. 3 Welcome to another BCG Newsletter.This issue BEETLE DOWN LEAFLET- UPDATE containsanothermixtureofthefascinating, theessential, the tragic and the downright farcical. As claimed by BCG's stock of Beetle Down leaflets is now nearly another, less august, publication "All human life is exhausted and this is perhaps just as well consid ring there". I would like to thank all those members whose the number of changes which apply to the address list. contributions have enabled another full length issue to There are plans for a re-print of the leaflet and these can be assembled. Contributions are ofcourse sti 11 welcome only go ahead after a total revision of the list. fromanyonewhohasasnippetforgeneralconsumption Torefreshyourm m ri sth listisinclud dh rewith and I would particularly encourage the new recruits to some revisions added for NW England and Scotland. our curatorial ranks to contribute something. Please PLEASE CAN YOU CH_, K TH FOLLOWIN remember that this is not the Royal Society and all that DETAILS:- is required is that your note should be ofinterest to other 1. That you and your museum are included. members. It does not (yet) have to be extensively researched, refereed and packed full of esoteric 2. That the address and telephon number are curT nt. references. The one plea I would make (again) is that 3. That you have an * if you qualify for one. for anything other than a short note contributors send their piece on disk, preferably using Wordpetfect 5.1, 4. Anyothermus umsthaty ukn wa utar n tleft as this makes assembling an issue so much easier. -
William Crosbie Centenary Exhibition
WILLIAM CROSBIE Centenary Exhibition WILLIAM CROSBIE (1915-1999) Centenary Exhibition 7 - 31 JANUARY 2015 16 Dundas Street, Edinburgh EH3 6HZ TEL 0131 558 1200 EMAIL [email protected] www.scottish-gallery.co.uk Front cover: Music of Living - Monkey and Nude, 1988, oil on board, 71 x 91.4 cms, cat. 33 Left: Self Portrait, 1956, oil on board, 60.3 x 43.1 cms, cat. 11 2 INTRODUCTION There are many Scottish painters who have made a mark on our culture and consciousness in the last century and it is tempting to try to attach each to a school or movement. The artist has a habit of resisting any attempt at taxonomy however, wriggling free from the entomologist’s chloroform bottle and display pin, to be unruly, unpredictable and provide no favours for the art historian. Yes, we had The Glasgow Boys, a coherent group of realist painters before the beginning of the 20th Century. And then came The Scottish Colourists, our first modernists, who certainly exhibited as a group and can be understood as British post-impressionists. In the post-War years the choice seemed to be to stay in Scotland under the wing of your Art College or move to the South, like Colquhoun and MacBryde, Alan Davie, William Gear and W. Barns-Graham. Of course the complex reality denies a simple telling; for every adherent there is an opponent and many of the most powerful and individual painters of the period like James Cowie or Joan Eardley neither left nor taught in Glasgow or Edinburgh. -
Youth Travel SAMPLE ITINERARY
Youth Travel SAMPLE ITINERARY For all your travel trade needs: www.visitscotlandtraveltrade.com Day One Riverside Museum Riverside Museum is Glasgow's award-winning transport museum. With over 3,000 objects on display there's everything from skateboards to locomotives, paintings to prams and cars to a Stormtrooper. Your clients can get hands on with our interactive displays, walk through Glasgow streets and visit the shops, bar and subway. Riverside Museum Pointhouse Place, Glasgow, G3 8RS W: http://www.glasgowlife.org.uk/museums Glasgow Powerboats A unique city-centre experience. Glasgow Powerboats offer fantastic fast boat trip experiences on the River Clyde from Pacific Quay in the heart of Glasgow right outside the BBC Scotland HQ. From a 15-minute City Centre transfer to a full day down the water they can tailor trips to your itinerary. Glasgow Powerboats 50 Pacific Quay, Glasgow, G51 1EA W: https://powerboatsglasgow.com/ Glasgow Science Centre Glasgow Science Centre is one of Scotland's must-see visitor attractions. It has lots of activities to keep visitors of all ages entertained for hours. There are two acres of interactive exhibits, workshops, shows, activities, a planetarium and an IMAX cinema. Your clients can cast off in The Big Explorer and splash about in the Waterways exhibit, put on a puppet show and master the bubble wall. Located on the Pacific Quay in Glasgow City Centre just a 10-minute train journey from Glasgow Central Station. Glasgow Science Centre 50 Pacific Quay, Glasgow, G51 1EA For all your travel trade needs: www.visitscotlandtraveltrade.com W: https://www.glasgowsciencecentre.org/ Scottish Maritime Museum Based in the West of Scotland, with sites in Irvine and Dumbarton, the Scottish Maritime Museum holds an important nationally recognised collection, encompassing a variety of historic vessels, artefacts, fascinating personal items and the largest collection of shipbuilding tools and machinery in the country. -
Glasgow Boys and the Scottish Colourists
Glasgow Boys and the Scottish Colourists Start date 19 July 2019 End date 19 July 2019 Venue Madingley Hall Madingley Cambridge Tutor Dr Jan D. Cox Course code 1819NRX048 Director of Academic Centres Sarah Ormrod For further information on this Head of Academic Centre Administration, Zara Kuckelhaus course, please contact [email protected] or 01223 746204 To book See: www.ice.cam.ac.uk or telephone 01223 746262 Tutor biography Dr Jan D. Cox was awarded a PhD in History of Art from the University of Leeds in 2014, where he specialised in 19th-century Nordic art. He shares his interests between this topic and British art of the late 19th and early 20th centuries. In addition to teaching at ICE, Cambridge, Jan is a regular tutor for Oxford University weekly classes, lectures at arts organisations, including Dillington House, and tutors an online course on the Impressionists. At Oxford Brookes University, Jan was awarded the Jeanne Sheehy Memorial Prize for work on Christopher Wood, an MA at Bristol followed, where his studies focused on John Minton, Keith Vaughan and British Neo-Romanticism. Subsequently, at the University of Plymouth, he placed online Wyndham Lewis's art criticism in 'The Listener' magazine (1946-51). He has lectured extensively throughout Britain, in addition to addressing conferences in Copenhagen, Montreal, Rome, Greifswald and Oslo, and at Tate Britain and Tate St. Ives. He has researched extensively on connections between the Glasgow Boys and France and Norway. University of Cambridge Institute of Continuing Education, Madingley Hall, Cambridge, CB23 8AQ www.ice.cam.ac.uk Course programme Friday Please plan to arrive between 16:30 and 18:30. -
Annual Review 2016-2017
Review 2017 © Donald MacLeod Visitors enjoy two of the new galleries at the National Museum of Scotland: (from top) Technology by Design and Explore. Building on success This has been an exceptional year for National Museums Scotland. Across our museums we have welcomed over 2.7 million visitors, 1.84 million of these to the National Museum of Scotland making it the most popular museum outside of London and the most visited attraction in Scotland. A growing connection with our many Sharing the National Collections as All of this valuable work is only possible audiences, partners and stakeholders broadly as possible is also at the heart through the continued and loyal has been key to our success and one of our new exhibition touring strategy. support of our many donors, which we do not take for granted. We 2017 is the first year that we have supporters, partners and volunteers. are determined to sustain our ambition taken a major exhibition created We are enormously grateful for their to refresh and update our museums, in-house on a significant international generosity and encourage them to enhance our collections and enable tour. Monkey Business opened in continue to support our journey into both a broader and larger audience to Brussels in October 2017 and will travel an even more successful future. share in the enjoyment and inspiration to Australia, Spain and Finland. Nearer of the National Collections. to home, Fossil Hunters has been Finally, we would like to thank our staff. warmly received by audiences from It is their hard work, commitment, We were delighted to announce the Biggar to the Isle of Lewis, as the first enthusiasm and expertise that makes successful acquisition of the Galloway in our new programme of regular National Museums Scotland the Hoard, enabling our expert teams to exhibition tours within Scotland. -
Glasgow Museums (£52,145), City of Edinburgh Museums and Galleries (£24,250), the Hunterian (£18,329) and Aberdeen Art Gallery and Museums (£17,027)
National Fund for Acquisitions Grants Paid 2010–2011 National Fund for Acquisitions Grants Paid 2010–2011 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 email [email protected] Cover: Colour woodblock print, Kyōbashi Takegashi from Meisho Edo Hyakkei, 1857, by Utagawa Hiroshige. Acquired by The Hunterian with a grant from the National Fund for Acquisitions. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. While recognising that the financial climate is extremely difficult, National Museums Scotland was particularly dismayed to learn of a 25% cut to the NFA’s already limited funding, reducing the grant to only £150,000 in financial year 2011/12. NFA funding had remained at £200,000 per annum since 1996, a figure which in real terms has declined very considerably in value during the subsequent fifteen years. Clearly the extent of the cut means that the NFA cannot support collecting in Scotland as effectively as we would wish. -
JD Fergusson: a Dramatic Fusion of Art, Nationality and Modernism
Riach, A. (2016) JD Fergusson: A dramatic fusion of art, nationality and modernism. National, 2016, 18 March. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/150161/ Deposited on: 19 October 2017 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk J.D. Fergusson – Art and Nationality Alan Riach and Alexander Moffat (Friday 18 March 2016) [Boxed off:] While Scottish poets and writers gathered in Montrose in the 1920s, then in St Andrews and Shetland in the 1930s, an artist of an older generation, born in Leith in 1874, was to travel alongside and sometimes intersect with their work. He was one of the group known familiarly as the Scottish Colourists but his vision and purpose is seen not only in his style and subjects but also, emphatically, in his book, Modern Scottish Painting. This was and remains a manifesto for the distinctiveness of Scottish art, and of Scotland, internationally and independently. He is one of the major artists of the twentieth century, fully in touch with international Modernism in Paris before the First World War, and committed to cultural and political regeneration in Scotland after the Second World War. His name was John Duncan Fergusson. [Article begins:] J.D. Fergusson’s book, Modern Scottish Painting appeared in 1943, the same year as Hugh MacDiarmid’s autobiography Lucky Poet: A Self-Study in Literature and Political Ideas and the major breakthrough volume of modern Gaelic poetry, Sorley Maclean’s Dàin do Eimhir. -
Tayside, Central and Fife Tayside, Central and Fife
Detail of the Lower Devonian jawless, armoured fish Cephalaspis from Balruddery Den. © Perth Museum & Art Gallery, Perth & Kinross Council Review of Fossil Collections in Scotland Tayside, Central and Fife Tayside, Central and Fife Stirling Smith Art Gallery and Museum Perth Museum and Art Gallery (Culture Perth and Kinross) The McManus: Dundee’s Art Gallery and Museum (Leisure and Culture Dundee) Broughty Castle (Leisure and Culture Dundee) D’Arcy Thompson Zoology Museum and University Herbarium (University of Dundee Museum Collections) Montrose Museum (Angus Alive) Museums of the University of St Andrews Fife Collections Centre (Fife Cultural Trust) St Andrews Museum (Fife Cultural Trust) Kirkcaldy Galleries (Fife Cultural Trust) Falkirk Collections Centre (Falkirk Community Trust) 1 Stirling Smith Art Gallery and Museum Collection type: Independent Accreditation: 2016 Dumbarton Road, Stirling, FK8 2KR Contact: [email protected] Location of collections The Smith Art Gallery and Museum, formerly known as the Smith Institute, was established at the bequest of artist Thomas Stuart Smith (1815-1869) on land supplied by the Burgh of Stirling. The Institute opened in 1874. Fossils are housed onsite in one of several storerooms. Size of collections 700 fossils. Onsite records The CMS has recently been updated to Adlib (Axiel Collection); all fossils have a basic entry with additional details on MDA cards. Collection highlights 1. Fossils linked to Robert Kidston (1852-1924). 2. Silurian graptolite fossils linked to Professor Henry Alleyne Nicholson (1844-1899). 3. Dura Den fossils linked to Reverend John Anderson (1796-1864). Published information Traquair, R.H. (1900). XXXII.—Report on Fossil Fishes collected by the Geological Survey of Scotland in the Silurian Rocks of the South of Scotland.