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chase atlantic phases album download free Chase Atlantic Font. Chase Atlantic is an alternative pop band from Cairns, Australia. Phases is their second studio album, released on June 28, 2019. The album title is set in a free font called Planet Kosmos. The band name uses David Berlow’s grotesque sans Titling Gothic, in Extended Black weight. The lines on the top left look like Courier. You can follow the link above to download Chase Atlantic font. Use the text generator below if you want to create text graphics with the font online. Create Text Graphics with Chase Atlantic Font. The following tool will transform your text into graphics using Chase Atlantic font, you can then save the image or click on the EMBED button to get links to embed the image on the web. If you are not satisfied with the result, you may modify it further with our image tools. Phases. Australian trio Chase Atlantic are the kind of confident cool guys who sport '90s Jesus Jones hair, layer giant, half-buttoned shirts over their skinny bare chests, and croon with a trebly, Colour Me Badd lilt without the slightest indication of shame. Out of three total bandmembers, one of them pretty much just plays jazzy tenor saxophone. And yet, somehow it all works. Showcasing the talents of lead singer Mitchel Cave, the aforementioned singer/saxophonist Clinton Cave, and singer/guitarist Christian Anthony, Chase Atlantic's mix of yearning vocals, atmospheric synths, and infectious melodic hooks most closely resemble their British contemporaries the 1975, but with a heavier, more SoundCloud rap undercurrent that's distinctly their own. It's a sound they've been honing since well before their eponymous 2017 debut, and one that comes of age on Phases. These are songs that linger in the liminal emotional spaces between hookup sex and monogamy, between friendship and love. At the core of Phases is the slow-jam anthem "Love Isn't Easy It's Hard," a delicious slice of early-'90s gospel-inflected R&B that sounds like Prince run through a Snapchat filter. Anchored to an insanely catchy chorus, the song finds singer Mitchel Cave crooning about a post-millennial relationship between friends who "fuck, but when they fall in love they're too afraid to say." Similarly rife with relationship angst, the title track is a swaggering synth ballad in which all three Chase Atlantic bandmates take turns at the mic like an emo version of Jodeci, each singing about their inability to make love work. Elsewhere, they sink into the bad love of "Her," a seductive downtempo track in which Cave opines over his rich-girl hookup who takes him into the back room at Chanel so they can "smash," right after they'd "copped Balenciagas then drew on 'em." Later, he laments that he might be falling in love ("Daddy didn't give her enough, but I can make the pain better"), but he'll probably never know as he only has one day to spend with her. It's in these moments on Phases, caught between hashtagged bluster and real-life emotional longing, that Chase Atlantic achieve something close to transcendent. ALBUM REVIEW: Chase Atlantic- 'PHASES' For more than five years, Chase Atlantic have been pushing musical boundaries and creating music that is true to them within the industry. Since their debut, the Australian band has moulded their own path, subsequently creating their own individual sound, style and identity. In one of their most daring and elaborate projects to date, 'PHASES' continues to exude the established identity of the band, as well as treating old time listeners with some refreshing new elements. Such a project once again proves why this genre-dynamic band remains so relevant within the growing alternative scene, and showcases that they certainly will not be fading away anytime soon. 'PHASES' begins with a track fittingly titled 'INTRO'. Such an inclusion reaches out to audiences, offering a taste of what is to come. A tranquil and calm tone is met with some underlying uncertainty or questioning, as shown through the many layers of instrumentals. Alongside this, it gives listeners an insight into the influence of the album. From 'INTRO', it is established that there will be inclusions from both electronic and natural instrumentals within the album, reflecting true Chase Atlantic style. After two minutes of intriguing music, the anticipation is certainly built upon within the first listen. It is now time to enter the album of 'PHASES'. Track two is titled ' ANGELS'. Transitioning gracefully from the introductory track, 'ANGELS' presents a somewhat vulnerable side of the band. Sitting among some powerful verses, the chorus remains both meaningful and catchy, skilfully creating a track that holds both of these qualities within its play. Perhaps the element that ties this whole song together is the prominent brass/saxophone sounds within the background. It was certainly included for a reason, and adds an extra dimension to the song upon listening. As this track is essentially the beginning to the album, it was interesting to initialise it by using a song that presented such vulnerability- a credit to Mitchel Cave for showcasing such emotions through his voice. I believe the track establishes the tone of the album perfectly, and accompanied by 'INTRO', is heavily relied upon to build the foundations of the sombre yet meaningful album to come. 'ANGELS' is a powerful and raw opening track, and constructs a tone that becomes prevalent within the entirety of 'PHASES'. Following is track three, the title track of the album, 'PHASES'. Picking up slightly in intensity and volume, this track presents itself as more certain and assured. Despite this, a tone of sombreness is still prominent, and flows magnificently from the previous tracks. This flow is further heightened by the inclusion of the small pieces of dialogue that were found within 'INTRO'. Although it is evident within most of their tracks, credit is due for the masterpiece that are their lyrics. Among their refreshing beats and instrumentals, Chase Atlantic's lyrics remain strong and meaningful. Within the beautiful lines, a reoccurring message is proclaimed; "I'm going through phases". Whilst tying into the narrative of the track, I take this line as a form of artist to audience communication, allowing insight upon the album. Perhaps this next phase explains the new tones and sounds that are being reflected upon the album. It may also be a forewarning to fans, in order to brace themselves for the drastic yet powerful changes that are to be faced in the rest of the album. 'PHASES' serves as an impressive title track, proving its importance to the narrative, tones and style of the album. Track four is 'LOVE IS (NOT) EASY'. Serving as one of the singles from the album of 'PHASES', this track has been incredibly well received; it is clear to see why. Within the realm of lyrics, this is not only one of the most important songs form the album, but perhaps one of the most important releases of this year. Through a powerful story depicting the important lessons of a wiser figure regarding the journey of love and what it entails, the ending tears the final heart-string; "I'm so done with love, 'cause like tears in the rain it means nothing". After following the protagonist on their journey of loving and learning, it becomes almost like watching an enticing film- with connections being built and sympathy being offered. Such a line reflects on this sense of vulnerability, and shares personal experiences and feelings about members we did not previously know. As well adding to the themes, this also communicates a trust and understanding between audience and artist, which is more than essential within the music world. Contrastingly, another line of the track proves quite fitting for alternate themes of the album; "I'm horrified of change". After the audience being introduced to a new phase of Chase Atlantic, it becomes quite raw to see a line like this. It reveals that it was not only a big leap, but one that was beyond influential and intimidating to the band. Such an insight truly demonstrates this understanding once again, and creates a track that really seems directed towards the listener. 'LOVE IS (NOT) EASY' is an extremely important track from 'PHASES' and serves as a powerful single. Following is track five, 'HER'. Proving to be yet another well received track, 'HER' shifts the pace slightly. Introducing sounds that are familiar with older Chase songs- the track holds a sense of familiarity and nostalgia. The introduction of these older sounds is certainly a reminder of the incredible journey of the band, and how their music has been shaped within their different eras. The shift in tone offers a fresh perspective upon the album, shaking up from the consistency that has been found previously. 'HER' is an exciting track, and offers a sense of familiarity within the album of 'PHASES'. The halfway point of 'PHASES' is met with track six, 'NO RAINBOWS'. To the delight of listeners like myself, the prominent brass and saxophone instrumentals return! Although it is a common occurrence within most of their tracks, it is still a layer that excites me immensely! It adds something unique- something that sets the band apart from others! Alongside this, 'NO RAINBOWS' jumps back to the sombre themes earlier created. The soft and inviting vocals perfectly melt together within the softer, electronic instrumentals, creating a track that is almost soothing to listen to. For this reason, this track is not only one of the best from 'PHASES', but is my personal favourite from the album.

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