The Following Blue Star Theatres Are Listed in Alphabetical Order. 2Nd

Total Page:16

File Type:pdf, Size:1020Kb

The Following Blue Star Theatres Are Listed in Alphabetical Order. 2Nd The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Portland Center Stage, Portland, OR Actors Theatre of Louisville, Louisville, KY Round House Theatre, Bethesda, MD Adventure Stage, Chicago, IL Roundabout Theatre Company, New York, NY Alabama Shakespeare Festival, Montgomery, AL Seattle Children’s Theatre, Seattle, WA Alley Theatre, Houston, TX Seattle Repertory Theatre, Seattle, WA Alliance Theatre, Atlanta, GA Second Stage Theatre, New York, NY American Blues Theater, Chicago, IL Signature Theatre, Arlington, VA American Conservatory Theater, South Coast Repertory, Costa Mesa, CA San Francisco, CA Stages Theatre Company, Hopkins, MN American Repertory Theater, Cambridge, MA Steppenwolf Theatre Company, Chicago, IL Arena Stage, Washington, D.C. Syracuse Stage, Syracuse, NY Arkansas Repertory Theatre, Little Rock, AR The Contemporary American Theater Festival, Artists Repertory Theatre, Cambridge, MA Shepherdstown, WV Arvada Center Theatre, Arvada, CO The Old Globe, San Diego, CA Asolo Repertory, Sarasota, FL The Repertory Theatre of St. Louis, St. Louis, MO Berkeley Repertory Theatre, Berkeley, CA The Warehouse Theatre, Greenville, NC Burning Coal Theatre Company, Raleigh, NC Theatre Aspen, Aspen, CO California Shakespeare Theatre, Orinda, CA Theater J, Washington, D.C. Center Theatre Group, Los Angeles, CA Theater Latté Da, Minneapolis, MN CENTERSTAGE, Baltimore, MD THEATREWORKS, Colorado Springs, CO Childsplay, Tempe, AZ Trinity Repertory Company, Providence, RI Cincinnati Playhouse, Cincinnati, OH Two River Theater Company, Red Bank, NJ Cleveland Play House, Cleveland, OH Virginia Stage Company, Norfolk, VA Colorado Springs Fine Arts Center, William Inge Center for the Arts, Independence, KS Colorado Springs, CO Wilma Theater, Philadelphia, PA Coterie Theatre, Kansas City, MO Woolly Mammoth, Washington, D.C. Court Theatre, Chicago, IL Yale Repertory, New Haven, CT Creede Repertory Theatre, Creede, CO Young Playwrights' Theater, Washington, D.C. Curious Theatre Company, Denver, CO Dallas Theater Center, Dallas, TX Total Participating Theatres: 80 Denver Center Theatre Company, Denver, CO Fairbanks Shakespeare Theatre, Fairbanks, AK Firehouse Theatre Project, Richmond, VA Florida Studio Theatre, Sarasota, FL Folger Theatre, Washington, D.C. Ford’s Theatre, Washington, D.C. Gamm Theatre, Pawtucket, RI Geffen Playhouse, Los Angeles, CA Geva Theatre Club, Rochester, NY Goodman Theatre, Chicago, IL Greenbrier Valley Theatre, Lewisburg, WV Hartford Stage, Hartford, CT HERE Arts Center, New York, NY Indiana Repertory Theatre, Indianapolis, IN Kansas City Repertory Theatre, Kansas City, MO La Jolla Playhouse, La Jolla, CA Lincoln Center Theater, New York, NY Lookingglass Theatre Company, Chicago, IL Manhattan Theatre Center, New York, NY McCarter Theatre, Princeton, NJ Northlight Theatre, Skokie, IL Penobscot Theatre Company, Bangor, ME People’s Light & Theatre, Malvern, PA Pittsburgh Public Theater, Pittsburgh, PA PlayMakers Repertory Company, Chapel Hill, NC Blue Star Theatres is a program of Blue Star Families and Theatre Communications Group, with support from the MetLife Foundation. .
Recommended publications
  • Smartdraw Document
    Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company
    [Show full text]
  • More- for Immediate Release CENTER THEATRE GROUP
    For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie.
    [Show full text]
  • The Following Blue Star Theatres Are Listed in Alphabetical Order
    The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • 9 Short Plays from the Longest Year of Our Lives
    LONG STORY SHORT 9 SHORT PLAYS FROM THE LONGEST YEAR OF OUR LIVES Sponsored by Linda Archer The Law Office of Steven Edward Buckingham Bob & Bev Howard Meghan Riordan & Chris Prince Debra & Tom Strange A Friend of The Warehouse Theatre THE WAREHOUSE THEATRE RECEIVES GENEROUS SUPPORT FROM THE JEAN T. AND HEYWARD G. PELHAM FOUNDATION AND THE HARRIET WYCHE ENDOWMENT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE WAREHOUSE THEATRE PRESENTS LONG STORY SHORT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRO- DUCTION OR DISTRIBUTING RECORDINGS OF ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIB- ITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FROM THE ARTISTIC DIRECTOR There have been many adjustments we’ve had to make at The Warehouse over the past 15 months.
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • The Other Side of the Stage
    The Other Side of the Stage An Honors Capstone Project 2017-2018 By Emma Harvey P a g e | 2 Table of Contents . Introduction … 3 . Management Internships … 4 o The Artistic Home … 5 o The Goodman Theatre … 6 o Milwaukee Rep Theatre … 8 o Steep Theatre … 10 o Texas Shakespeare Festival … 12 o Writers Theatre … 13 . Technical Internships … 15 o The Artistic Home … 16 o First Folio … 17 o The Goodman Theatre … 18 o Milwaukee Rep Theater … 19 o Notre Dame Shakespeare Festival … 20 o Oak Park Festival Theatre … 22 o Texas Shakespeare Festival … 23 . Performance Internships … 24 o Actors Theatre of Louisville … 25 o American Players Theatre … 26 o Canterbury Theatre … 29 o First Folio … 30 o Milwaukee Rep Theatre … 31 o Notre Dame Shakespeare Festival … 33 o Oak Park Festival Theater … 35 o Organic Theatre Company … 36 . Miscellaneous Internship Opportunities … 37 P a g e | 3 Introduction Internships. There is no disputing how vital an internship is for the career of a young professional. It provides the opportunity for students and entry-level professionals to gain valuable experience working within their specific field. Internships cultivate professional relationships, teach new skills, and apply the knowledge that students have gained in a “real world”, professional setting. It is a chance to make important connections, which may lead to future opportunities. Not to mention that it gives young theatre practitioners the chance to see if a specific career path is the best choice for them. Internships are an essential step when transitioning from university to professional life. Therefore, it is vital that students choose an internship that best suits their needs.
    [Show full text]
  • By Samuel D. Hunter Martin Benson
    50th Season • 479th Production SEGERSTROM STAGE / MARCH 28 - APRIL 27, 2014 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of REST by Samuel D. Hunter John Iacovelli Angela Balogh Calin Donna Ruzika Michael Roth SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC/SOUNDSCAPE John M. Baker Jackie S. Hill Sue Karutz* DRAMATURG PRODUCTION MANAGER STAGE MANAGER Directed by Martin Benson Mary Beth Adderley Olivia & A. Andrew Johnson Honorary Producers REST was commissioned by South Coast Repertory. Rest • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Etta .......................................................................................... Lynn Milgrim* Ken ......................................................................................... Wyatt Fenner* Gerald .................................................................................... Richard Doyle* Jeremy .......................................................................................... Rob Nagle* Ginny ............................................................................................ Libby West* Faye ........................................................................................... Sue Cremin* Tom ...................................................................................... Hal Landon Jr.* SETTING A retirement home of the outskirts of a town in northern Idaho. The present. LENGTH Approximately one hour
    [Show full text]
  • Annual Report Fiscal Year 2021
    Annual Report Fiscal Year 2021 Sara Porkalob in Dragon Mama. Produced by American Repertory Theater in 2019, virtually released in 2020. Photo by Gretjen Helene. Founded over forty years ago, Theatre Forward fosters collaboration between America’s prominent regional theatres, connects them to funding and resources on a national level, and advocates for the arts in America. The Theatre Forward cohort comprises a network of 19 leading theatres in as many separate cities, providing an efficient conduit for funders to support important cultural institutions and their communities on a national level. 505 Eighth Avenue, Suite 2504 | New York, NY 10018 | T. 212 750 6895 | www.theatreforward.org TO THEATRE FORWARD FUNDERS At this writing it has been fifteen months since the COVID-19 pandemic forced theatres across the country to close. We imagined it would be a period of weeks, or perhaps a few months, before normal operations would resume. As time passed and the severity of the pandemic became more apparent, theatre executives courageously faced the unavoidable and made difficult but necessary decisions to downsize and, in many cases, to cut salaries for remaining staff, and take programs and fundraising events online. During this dark period, Theatre Forward and its valued partner-donors remained committed to providing funds for general operating support, workforce stabilization, education programs, and the advancement of equity, diversity and inclusion (EDI) within the theatres and their communities. In May of 2020, Theatre Forward was proud to administer a $1 million COVID-19 relief grant program on behalf of the Hearst Foundations. And in the fiscal year ending June 30, 2021, grants and donations from individuals, corporations and foundations made it possible for Theatre Forward to distribute $870,000 to its member theatres.
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]
  • Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055
    Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055 ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ANNOUNCES THE 2010/11 INAUGURAL SEASON FOR NEW THREE-THEATER CAMPUS With more than 45 projects in homecoming season, Arena Stage returns to campus as a national center for the production, presentation, development and study of American theater (Washington, D.C.) Arena Stage Artistic Director Molly Smith announces the D.C.-based pioneering theater company’s 60th season filled with award-winning artists and projects to celebrate the grand opening of Arena Stage at the Mead Center for American Theater. The 2010/11 inaugural season includes eight full productions, seven presentations from the National Endowment for the Arts New Play Development Program and public readings from all 30 of Edward Albee’s works, totaling at least 45 projects produced and presented by Arena Stage in the inaugural year at the Mead Center. With the opening next fall, Arena Stage will fully become a national center for production, presentation, development and study of American theater. “The moment we have been waiting for has arrived—we are heading home,” shares Artistic Director Molly Smith. “After 11 years of planning and two and a half years of construction, the beautiful new Mead Center for American Theater will be ready to welcome audiences and artists this fall.” The new campus includes the renovation of the two existing performance spaces, the Fichandler Stage and the Kreeger Theater, and the creation of the 200-seat Arlene and Robert Kogod Cradle—a venue dedicated to cradling risk surrounding new or radically re-envisioned productions of American theater.
    [Show full text]
  • Types & Forms of Theatres
    THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them.
    [Show full text]