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Tik 02:Tik 02
2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R. -
Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
Investigaciones Arqueológicas En La Región De Holmul, Peten, Guatemala
INVESTIGACIONES ARQUEOLÓGICAS EN LA REGIÓN DE HOLMUL, PETEN, GUATEMALA. INFORME PRELIMINAR DE LA TEMPORADA, 2004 Francisco Estrada-Belli (Director) Judith Valle (co-Directora) Ave sagrada de Holmul, pato aguja Dirección: Vanderbilt University Department of Anthropology Box 306050 Station B Nashville, TN 37235 Investigaciones arqueológicas en la región de la ciudad de Holmul, Petén, 2004. Introducción La temporada de 2004 fue una de las más largas y mas exitosas desde que se hayan iniciado las investigaciones arqueológicas en Holmul del Proyecto Arqueológico de Holmul en el año 2000. Este trabajo de campo se llevó a cabo desde Marzo a Julio de 2004 bajo la dirección de su servidor, Dr. Francisco Estrada-Belli y de la Licda. Judith Valle como co-directora. Tomaron parte a las labores arqueólogos y estudiantes avanzados de universidades de EEUU y Guatemala, así como expertos en varias disciplinas como Heather Hurst, el conservador Alberto Semeraro (Italia) y el Dr. Gene Ware que es un experto de fotografía digital de pinturas murales. A estos profesionales se añade el Lic. Bernard Hermes quien nos proporcionó asesoría durante el análisis cerámico. Mas de 30 laborantes de la comunidad de Melchor de Mencos completaron el equipo técnico de Holmul. En esta temporada se enfocaron tres temas principales de nuestra investigación arqueológica en esta región. Estos se identifican con: El desarrollo de la arquitectura e ideología sagrada en el Preclásico y su transición al Clásico Temprano. Este tema se enfoco con excavaciones de pozos en la plaza mayor de Cival (Grupo E), el Grupo Triádico y un muro defensivo alrededor de Cival. -
The Rulers of Palenque a Beginner’S Guide
The Rulers of Palenque A Beginner’s Guide By Joel Skidmore With illustrations by Merle Greene Robertson Citation: 2008 The Rulers of Palenque: A Beginner’s Guide. Third edition. Mesoweb: www. mesoweb.com/palenque/resources/rulers/PalenqueRulers-03.pdf. Publication history: The first edition of this work, in html format, was published in 2000. The second was published in 2007, when the revised edition of Martin and Grube’s Chronicle of the Maya Kings and Queens was still in press, and this third conforms to the final publica- tion (Martin and Grube 2008). To check for a more recent edition, see: www.mesoweb.com/palenque/resources/rulers/rulers.html. Copyright notice: All drawings by Merle Greene Robertson unless otherwise noted. Mesoweb Publications The Rulers of Palenque INTRODUCTION The unsung pioneer in the study of Palenque’s dynastic history is Heinrich Berlin, who in three seminal studies (Berlin 1959, 1965, 1968) provided the essential outline of the dynasty and explicitly identified the name glyphs and likely accession dates of the major Early and Late Classic rulers (Stuart 2005:148-149). More prominent and well deserved credit has gone to Linda Schele and Peter Mathews (1974), who summarized the rulers of Palenque’s Late Classic and gave them working names in Ch’ol Mayan (Stuart 2005:149). The present work is partly based on the transcript by Phil Wanyerka of a hieroglyphic workshop presented by Schele and Mathews at the 1993 Maya Meet- ings at Texas (Schele and Mathews 1993). Essential recourse has also been made to the insights and decipherments of David Stuart, who made his first Palenque Round Table presentation in 1978 at the age of twelve (Stuart 1979) and has recently advanced our understanding of Palenque and its rulers immeasurably (Stuart 2005). -
Canuto-Et-Al.-2018.Pdf
RESEARCH ◥ shows field systems in the low-lying wetlands RESEARCH ARTICLE SUMMARY and terraces in the upland areas. The scale of wetland systems and their association with dense populations suggest centralized planning, ARCHAEOLOGY whereas upland terraces cluster around res- idences, implying local management. Analy- Ancient lowland Maya complexity as sis identified 362 km2 of deliberately modified ◥ agricultural terrain and ON OUR WEBSITE another 952 km2 of un- revealed by airborne laser scanning Read the full article modified uplands for at http://dx.doi. potential swidden use. of northern Guatemala org/10.1126/ Approximately 106 km science.aau0137 of causeways within and .................................................. Marcello A. Canuto*†, Francisco Estrada-Belli*†, Thomas G. Garrison*†, between sites constitute Stephen D. Houston‡, Mary Jane Acuña, Milan Kováč, Damien Marken, evidence of inter- and intracommunity con- Philippe Nondédéo, Luke Auld-Thomas‡, Cyril Castanet, David Chatelain, nectivity. In contrast, sizable defensive features Carlos R. Chiriboga, Tomáš Drápela, Tibor Lieskovský, Alexandre Tokovinine, point to societal disconnection and large-scale Antolín Velasquez, Juan C. Fernández-Díaz, Ramesh Shrestha conflict. 2 CONCLUSION: The 2144 km of lidar data Downloaded from INTRODUCTION: Lowland Maya civilization scholars has provided a unique regional perspec- acquired by the PLI alter interpretations of the flourished from 1000 BCE to 1500 CE in and tive revealing substantial ancient population as ancient Maya at a regional scale. An ancient around the Yucatan Peninsula. Known for its well as complex previously unrecognized land- population in the millions was unevenly distrib- sophistication in writing, art, architecture, as- scape modifications at a grand scale throughout uted across the central lowlands, with varying tronomy, and mathematics, this civilization is the central lowlands in the Yucatan peninsula. -
Polities and Places: Tracing the Toponyms of the Snake Dynasty
Polities and Places: Tracingthe Toponymsof the Snake Dynasty SIMON MARTIN University of Pennsylvania Museum ERIK VELÁSQUEZ GARCÍA Universidad Nacional Autónoma de México One of the more intriguing and important topics to thonous ones that had at some point transferred their emerge in Maya studies of recent years has been the his- capitals or splintered, each faction laying claim to the tory of the “Snake” dynasty. Research over the past two same title. The landscape of the Classic Maya proves decades has identified mentions of its kings across the to have been a volatile one, not simply in the dynamic length and breadth of the lowlands and produced evi- interactions and imbalances of power between polities, dence that they were potent political players for almost but in the way the polities themselves were shaped by two centuries, spanning the Early Classic to Late Classic historical forces through time. periods.1 Yet this data has implications that go beyond a single case study and can be used to address issues of general relevance to Classic Maya politics. In this brief Placing Calakmul paper we use them to further explore the meaning of The distinctive Snake emblem glyphs and their connection to polities and emblem glyph is ex- places. pressed in full as K’UH- The significance of emblem glyphs—whether they ka-KAAN-la-AJAW or are indicative of cities, deities, domains, polities, or k’uhul kaanul ajaw (Fig- dynasties—has been debated since their discovery ure 1).3 It first came to (Berlin 1958). The recognition of their role as the scholarly notice as one personal epithets of kings based on the title ajaw “lord, of the “four capitals” ruler” (Lounsbury 1973) was the essential first step to listed on Copan Stela A, comprehension (Mathews and Justeson 1984; Mathews a set of cardinally affili- Figure 1. -
CATALOG Mayan Stelaes
CATALOG Mayan Stelaes Palos Mayan Collection 1 Table of Contents Aguateca 4 Ceibal 13 Dos Pilas 20 El Baúl 23 Itsimite 27 Ixlu 29 Ixtutz 31 Jimbal 33 Kaminaljuyu 35 La Amelia 37 Piedras Negras 39 Polol 41 Quirigia 43 Tikal 45 Yaxha 56 Mayan Fragments 58 Rubbings 62 Small Sculptures 65 2 About Palos Mayan Collection The Palos Mayan Collection includes 90 reproductions of pre-Columbian stone carvings originally created by the Mayan and Pipil people traced back to 879 A.D. The Palos Mayan Collection sculptures are created by master sculptor Manuel Palos from scholar Joan W. Patten’s casts and rubbings of the original artifacts in Guatemala. Patten received official permission from the Guatemalan government to create casts and rubbings of original Mayan carvings and bequeathed her replicas to collaborator Manuel Palos. Some of the originals stelae were later stolen or destroyed, leaving Patten’s castings and rubbings as their only remaining record. These fine art-quality Maya Stelae reproductions are available for purchase by museums, universities, and private collectors through Palos Studio. You are invited to book a virtual tour or an in- person tour through [email protected] 3 Aguateca Aguateca is in the southwestern part of the Department of the Peten, Guatemala, about 15 kilometers south of the village of Sayaxche, on a ridge on the western side of Late Petexbatun. AGUATECA STELA 1 (50”x85”) A.D. 741 - Late Classic Presumed to be a ruler of Aguatecas, his head is turned in an expression of innate authority, personifying the rank implied by the symbols adorning his costume. -
Zachary Nelson
FAMSI © 2008: Zachary Nelson Satellite Survey of El Zotz, Guatemala Research Year: 2007 Culture: Maya Chronology: Pre-Classic through Terminal Classic Location: Petén, Guatemala Sites: El Zotz, El Diablo, Las Palmitas, El Palmar Table of Contents Abstract Resumen Introduction Objectives Methods and Findings El Zotz Mapping Las Palmitas El Diablo El Palmar Conclusions Acknowledgments List of Figures Sources Cited Zachary Nelson Brigham Young University [email protected] -1- Abstract IKONOS satellite imagery is not a cure-all for effective canopy penetration in Petén, Guatemala. It failed to distinguish between sites and natural features at El Zotz, Guatemala. Various types of data manipulation failed to provide sufficient penetrating power. This suggests that micro-environmental factors may be at work, and a pan- Petén process is still in the future. Ground survey of the El Zotz region included mapping at subsidiary sites. Las Palmitas (North Group) has a pyramid with a standing room complete with ancient and modern graffiti. El Diablo (West Group) was mapped. El Palmar, near a cival or residual lake, is configured in an “E-Group” pattern similar to astronomical features identified at Uaxactún. Resumen Las imágenes de satélite de tipo IKONOS todavía no sirven en todo el Petén para penetrar la selva. En El Zotz, las imágenes no pudieron distinguir entre edificios y selva aun con manipulación digital. Eso quiere decir que éxito puede ser un resultado de factores micro-ambiental y todavía no hemos logrado un sistema que siempre funciona. Mapeo de pie en la región alrededor de El Zotz incluyó elaboración de mapas de sitios pequeños. -
Pero, ¿Dónde Está El Presidente Ahora?: Developing Cultural Agency in Guatemala's Age of Neoliberal Multiculturalism by Ji
Pero, ¿dónde está el presidente ahora?: Developing Cultural Agency in Guatemala’s Age of Neoliberal Multiculturalism by Jillian Lei Kite B.A. Philosophy, University of North Carolina at Chapel Hill, 2012 B.A. Romance Languages (Spanish), University of North Carolina at Chapel Hill, 2012 M.A. Women’s Studies, Florida Atlantic University, 2014 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2020 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Jillian Lei Kite It was defended on November 14, 2019 and approved by Dr. Juan Duchesne-Winter, Professor, Hispanic Languages and Literatures Dr. Aurea Sotomayor, Professor, Hispanic Languages and Literatures Dr. Maureen Porter, Professor, Education Thesis Advisor/Dissertation Director: Dr. Elizabeth Monasterios, Professor, Hispanic Languages and Literatures ii Copyright © by Jillian Lei Kite 2020 iii Pero, ¿dónde está el presidente ahora?: Developing Cultural Agency in Guatemala’s Age of Neoliberal Multiculturalism Jillian Lei Kite, Ph.D. University of Pittsburgh, 2020 Each year Guatemala hosts Rabín Ajaw—a cultural pageant, which brings young Maya women from across the nation to display “cultural authenticity” through dress and performance. Scholars denounce the pageant’s inauthenticity – both aesthetically due to shifts in indigenous weaving and the use of traditional dress, as well as in terms of avoiding recognition of Mayas’ continued social and political subjugation, even after the genocide against their communities. Further, the contestants in Rabín Ajaw, who are tasked with the most authentic presentation of “Mayan-ness,” are atypical compared to the majority of Maya women living in Guatemala. -
By ROBERT L. RANDS
SMITHSONIAN INSTITUTION Bureau of American Ethnology BuUetin 157 Anthropological Papers, No. 48 Some ManifestatioDs of Water in Mesoamerican Art By ROBERT L. RANDS 265 1 CONTENTS PAGE Introduction 27 The better established occurrences of water 273 Types of associations 273 The Maya codices 277 The Mexican codices 280 Aztec and Teotihuacdn murals, sculptures, and ceramics 285 Summary 291 The proposed identifications of water 292 Artistic approach to the identifications 292 Non-Maya murals, sculptures, and ceramics 293 Maya murals, sculptures, and ceramics 298 General considerations 298 Highest probability (A) 302 Probability B : paraphernalia and secondary associations 315 Probability B : fang, tongue, or water (?) 320 Artistic typology and miscellany 322 Water and the water lily 330 Conclusions 333 Appendix A. Nonartistic data and current reconstructions 342 Direct water associations : physiological data 342 Water from container 344 Water from mouth 348 Water from eye 348 Water from breast 350 Water from between legs 350 Water from body (pores ?) 350 Water from hand 352 Water from other object held in hand 354 Waterlike design from head 355 Glyph in water 365 Object in water 359 Tlaloc 359 Anthropomorphic Long-nosed God 359 Female water deity 369 Black god (M, B) 360 Miscellaneous anthropomorphic figures 360 Frog 360 Serpent 361 Jaguar (ocelot) 361 Bird 363 Miscellaneous animal 363 Serpentine-saurian monster 364 Detached rear head of monster 364 Other grotesque head, face 365 267 268 BUREAU OF AMERICAN ETHNOLOGY [Bull. 157 Appendix A. Nonartistic data and current reconstructions—Con. page Death, misfortune, destruction _. 365 Water descending on surface water 365 Water descending on figure 366 The bending-over rainmaker 366 The sky monster and its affiliates 366 Balanced water and vegetation 367 Summary 367 Appendix B. -
Found.1 the Two Best Known Examples Are Copan and Quirigua, and in Each Case Local Stones Were Quarried
VI. TWO UNUSUAL MAYA STELAE John A. Graham and Howel Williams As is generally known, the Maya lowlands comprise a vast province of massive limestone deposits. Since these limestones are usually exposed or only slightly buried, ready material in unlimited abundance was ordinarily available for the cutting of building stone, for reduction to lime for mortar, and for the carving of sculptures and other monuments. At a number of Maya lowland sites quarries have been observed in the sites, or their immediate vicinity, and there has been little reason to suspect the long distance transport of large and heavy stone for monuments as was characteristic of the ancient Olmec civilization in its principal sites of La Venta and San Lorenzo. For the most part it is only on the peripheries of the Maya lowlands that major non-limestone monuments and architectural constructions are found.1 The two best known examples are Copan and Quirigua, and in each case local stones were quarried. At Quirigua in the lower Motagua Valley, separated from the Maya lowlands proper by the Santa Cruz range, ignimbrites, not immediately available but probably transported from no great distance, and local sandstones were employed in monument carving as well as in archi- tecture. At Copan in the foothills of southwestern Honduras, even farther removed from the true Maya lowlands, ignimbrite from the Copan Valley was preferred to the local limestone. At Maya sites within the lowlands proper, non-limestone monuments or architectural constructions are very rare, and the major example is Altar de Sacrificios on the lower Pasion where during the Early Classic period local sandstone supplied the material for both monuments and architecture until after 9.10.0.0.0 (A.D.