Environmental Impact of Textile and Clothes Industry
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The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2012 The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Nyasha Brittany Hayes University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Hayes, Nyasha Brittany, "The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities" (2012). Theses (Historic Preservation). 541. https://repository.upenn.edu/hp_theses/541 Suggested Citation: Hayes, Nyasha Brittany (2012). The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/541 For more information, please contact [email protected]. The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Abstract The tourism industry continues to grow exponentially each year as many First and developing nations utilize its many subsets to generate commerce. Of the many types of tourism, arguably all countries employ heritage tourism as a method to protect their varying forms of cultural heritage , to establish national identities and grow their economies. As it is understood, to create a national identity a group of people will first identify what they consider to be the culturally significant eaturf es of their society that embodies their heritage. Heritage is a legacy that will be passed onto future generations that encompasses customs, expressions artifacts structures etc. This thesis will focus on the production of crafts and textiles as material culture for heritage tourism markets as a segment of cultural heritage. It will examine how the production of material culture is affected when it intersects with large scale heritage tourism. -
Energy Management in Textile Industry
ENERGY MANAGEMENT IN TEXTILE INDUSTRY SARITA SHARMA Department of fashion Technology, International College for Girls, Jaipur, India E-mail : [email protected] Abstract- Energy is one of the most important ingredients in any industrial activity. The availability is not infinite however. Energy crisis globally, as well as high cost of fuels resulted in more activities to conserve energy to maximum extent. Energy crisis globally, as well as high cost of fuels resulted in more activities to conserve energy to maximum extent. The textile industry is one of the major energy consuming industries and retains a record of the lowest efficiency in energy utilization. About 23% energy is consumed in weaving, 34% in spinning, 38% in chemical processing and another 5% for miscellaneous purposes. In general, energy in the textile industry is mostly used in the form of: electricity, as a common power source for machinery, cooling & temperature control system, lighting, equipment etc.; oil as a full for boilers which generate steam, liquefied petroleum gas, coal. And this has made pathway to conservation of energy which can be affected through process and machinery modifications and implementation of technological advancements relating to process optimization as well as development of newer methods to meet the challenge of substantial energy saving in textile wet processing. Keywords– Textile industry, spinning, electricity, wet processing. I. INTRODUCTION II. TYPES OF ENERGY USED IN THE The conservation of energy is an essential step we TEXTILE INDUSTRY can all take towards overcoming the mounting problems of the worldwide energy crisis and In general, energy in the textile industry is mostly environmental degradation. -
Entrepreneuring in Africa's Emerging Fashion Industry
Fashioning the Future Entrepreneuring in Africa’s Emerging Fashion Industry Langevang, Thilde Document Version Accepted author manuscript Published in: The European Journal of Development Research DOI: 10.1057/s41287-016-0066-z Publication date: 2017 License Unspecified Citation for published version (APA): Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. https://doi.org/10.1057/s41287-016-0066-z Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry Thilde Langevang Journal article (Accepted version*) Please cite this article as: Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. DOI: 10.1057/s41287-016-0066-z This is a post-peer-review, pre-copyedit version of an article published in The European Journal of Development Research. The final authenticated version is available online at: DOI: https://doi.org/10.1057/s41287-016-0066-z * This version of the article has been accepted for publication and undergone full peer review but has not been through the copyediting, typesetting, pagination and proofreading process, which may lead to differences between this version and the publisher’s final version AKA Version of Record. -
Looking at the Past and Current Status of Kenya's Clothing and Textiles
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2018 Looking at the Past and Current Status of Kenya’s clothing and textiles Mercy V.W. Wanduara [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Wanduara, Mercy V.W., "Looking at the Past and Current Status of Kenya’s clothing and textiles" (2018). Textile Society of America Symposium Proceedings. 1118. https://digitalcommons.unl.edu/tsaconf/1118 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Textile Society of America Symposium Proceedings 2018 Presented at Vancouver, BC, Canada; September 19 – 23, 2018 https://digitalcommons.unl.edu/tsaconf/ Copyright © by the author(s). doi 10.32873/unl.dc.tsasp.0056 Looking at the Past and Current Status of Kenya’s clothing and textiles Mercy V. W. Wanduara [email protected] Abstract This paper analyzes and documents traditional textiles and clothing of the Kenyan people before and after independence in 1963. The paper is based on desk top research and face to face interviews from senior Kenyan citizens who are familiar with Kenyan traditions. An analysis of some of the available Kenya’s indigenous textile fiber plants is made and from which a textile craft basket is made. -
Biobased Polymers Keep Textiles Green
SPECIAL REPORT GREEN AND BIOBASED MATERIALS Biobased polymers keep textiles green a 4% share by 2020, according the nova-insti- Growing demands from brand owners and consumers tute, an organisation dedicated to advancing for fibres and textiles that are more environmentally the use of renewable raw materials. The textile industry share of worldwide friendly are now creating a huge market for biobased biobased polymer production in 2013 is esti- polymers produced using renewable feedstocks mated by the group to be 18%, but expected to decline to 8% in 2020 due to more rapid growth in consumption of biobased polymers/ plastics in the packaging sector (which is attributed to the fast growth of biobased PET). In fact, nova-institute projects production capacity for PET to reach 7m tonnes/year by 2020, while production capacities for PLA and PHA will expand nearly four and tenfold, respectively, between 2013 and 2020. Examples of leading companies producing biobased polymers and fibres intended for use in the textile industry include DuPont, NatureWorks, Invista, Corbion, Kaneka and Cathay Industrial Biotech. DUPONT OFFERINGS GROW DuPont makes Sorona (polytrimethylene tere- phthalate, PTT) biobased fibres (37% renewably sourced by weight) for carpet and apparel applications via continuous polymerisation of bio-PDO (1,3-propanediol), which is made from fermented sugars, and terephthalic acid (TPA). Sorona production uses 30% less energy and releases 63% fewer greenhouse gas emis- sions compared to the production of nylon 6, according to Michael -
Green Chemistry Progression Towards Sustainable Textiles
Textiles and Chemicals • The Textile Industry and Chemical Industry have been linked together since the beginning of the Industrial Revolution Indigo Mauveine 1878 1856 © Sam Moore PhD US Chemical Industry • $720 billion : Chemicals are one of America’s largest industries, a $720 billion enterprise. • 784,000 : The business of chemistry employs 784,000 people nationwide. • Vital : The chemical products manufactured are an essential part of every facet of our nation’s economy. Over 96% of all manufactured goods are directly touched by the business of chemistry. • 10% of all USA exports are from the Chemical Industry • Without the chemical industry, there could be no modern textile industry Chemistry Industry Facts and Figures : American Chemistry Council - July 2011 © Sam Moore PhD Impacts of a Global Textile Industry • Textiles and Apparel sector of the global economy represents 3% of all merchandize trade. • 10% of Global Carbon Output is textile related • 20% of global water pollution is textile related • 68 lbs of clothing per person is discarded to landfill in USA each year • This represents 5% of US landfill capacity © Sam Moore PhD It is estimated that over 5,000 unique compounds are used in the production of textile and apparel products. © Sam Moore PhD “LIMITS TO SUCCESS” AND THE SUSTAINABILITY CHALLENGE - Human Tolerance Despair, + for Toxicity Death, Disease Developed + - Toxicity of Economy Human Health Air, Soil, Water + and Prosperity + R11 B12 + Dispersion Revenues, Industrial of Waste Economic Productivity + Growth Waste Delay + + Generation Copyright 1999, Seed Systems, Inc © Sam Moore PhD © Sam Moore PhD In the Global North • Policy drives regulations enforcing water quality criteria> Example is the USA Clean Water Act (1972) – First actions were building effective Wastewater treatment facilities. -
Reducing Uses and Releases of Chemicals of Concern, Including Pops, in the Textiles Sector
5/5/2020 WbgGefportal Project Identification Form (PIF) entry – Full Sized Project – GEF - 7 Reducing uses and releases of chemicals of concern, including POPs, in the textiles sector Part I: Project Information GEF ID 10523 Project Type FSP Type of Trust Fund GET CBIT/NGI CBIT NGI Project Title Reducing uses and releases of chemicals of concern, including POPs, in the textiles sector Countries Regional, Asia/Pacific, Bangladesh, Indonesia, Pakistan, Viet Nam Agency(ies) UNEP Other Executing Partner(s) Executing Partner Type BCRC-SCRC Indonesia. Vietnam Centre for Cleaner Production; Vietnam Center for Others Creativity and Sustainability Study and Consultancy https://gefportal2.worldbank.org 1/68 5/5/2020 WbgGefportal GEF Focal Area Chemicals and Waste Taxonomy Chemicals and Waste, Focal Areas, Persistent Organic Pollutants, New Persistent Organic Pollutants, Eco-Efficiency, Green Chemistry, Industrial Waste, Waste Management, Industrial Emissions, Best Available Technology / Best Environmental Practices, Strengthen institutional capacity and decision-making, Influencing models, Convene multi-stakeholder alliances, Beneficiaries, Stakeholders, Private Sector, SMEs, Large corporations, Civil Society, Non-Governmental Organization, Trade Unions and Workers Unions, Gender Mainstreaming, Gender Equality, Sex-disaggregated indicators, Knowledge Generation, Capacity, Knowledge and Research, Training, Knowledge Exchange, Field Visit Rio Markers Climate Change Mitigation Climate Change Mitigation 1 Climate Change Adaptation Climate Change Adaptation 0 Duration 60 In Months Agency Fee($) 840,750 Submission Date 4/7/2020 https://gefportal2.worldbank.org 2/68 5/5/2020 WbgGefportal A. Indicative Focal/Non-Focal Area Elements Programming Directions Trust Fund GEF Amount($) Co-Fin Amount($) CW-1-1 GET 8,850,000 45,000,000 Total Project Cost ($) 8,850,000 45,000,000 https://gefportal2.worldbank.org 3/68 5/5/2020 WbgGefportal B. -
The Apparel Industry in West Europe
Creativity at Work: The apparel industry in West Europe By: Jan Hilger November 2008 P Side 1 of 22 Creative Encounters Working Papers #22 Abstract The Apparel Industry was one of the first globally operating industries. Already in the early 1970ies did European fashion companies extend their manufacturing workbenches into lower cost neighbouring countries, making it one of the first industries to have a globally distributed network. In the first decade of the 21st century, the conditions for clothes manufacturing has changed considerably. The Sourcing Share of Asia increased dramatically especially since Chinas participation in the WTO in 2005 which led to the abolition of quotas. India, Vietnam, Bangladesh, Malaysia and the Philippines also play a major role in the Asian Textile and Garment Market. But even so, West Europe, the Mediterranean Rim and the East European Countries still play an important role on the global textile and apparel market, maybe no longer from the volume perspective but in terms of variety, complexity and product quality, particularly for the more demanding markets. Latin America has seen a significant decline over the last decade but is developing similar strategies like Europe to compete through quality and specialty niche rather than volume. Does this mean that the West European Apparel Industry is dead? The European Textile and Garment industry has undergone a severe decline since 1970 which nearly made it extinct in some of the EU founding economies. The labour intensive manufacturing segment which is almost not existent in Western Europe today particularly suffered. The only uncritical area where specifically one country in Western Europe is still defending its share, possibly due to changed sourcing practices and a recently increased presence on the global marketplace is the textile sector in Italy, which has even seen a rise in both volumes and employees over the last decade. -
Social Innovation Offers Five Golden Opportunities to the Apparel Industry
Social Innovation Offers Five Golden Opportunities to the Apparel Industry The global apparel industry has grown significantly in the past decade, but at a heavy environmental and social cost. Social innovation can bring healthier, more holistic future growth. Social Innovation Offers Five Golden Opportunities to the Apparel Industry 1 Clothing transcended its function as a basic need centuries ago. Today, the global textile industry is one of the most influential sectors in terms of financial power and how it shapes wider trends, attitudes, behaviors, identity, and culture. Valued at up to $3 trillion, the global textile market accounts for 3 percent of the world’s gross domestic product (GDP). If the textile industry were a country, it would be the seventh-largest based on GDP. Yet success has come at a high environmental and social cost. Water pollution, high use of pesticides and insecticides, and labor abuses, among other negative practices, will increase as the industry grows. At the same time, even as consumers enjoy “fast fashion,” they are becoming aware of fashion’s impact on the world. There is a multitude of social enterprises in the apparel industry helping to solve its complex issues. We look at some of the forward-thinking companies and social movements that are poised to take advantage of consumers’ growing social awareness as they strengthen their businesses through social innovation. We believe there are five particularly crucial social innovation opportunities for apparel and textile companies to consider as they plan their short- and long-term growth strategy. We will examine each of these opportunities and provide successful real-life examples, after taking a closer look at the industry itself. -
Business Cycles in the Fashion-Shoe Industry and the Controversies Surrounding Footwear Fashion in Switzerland (1920–1940)1 Roman Wild
Business Cycles in the Fashion-Shoe Industry and the Controversies Surrounding Footwear Fashion in Switzerland (1920–1940)1 Roman Wild In autumn 1939, several thousand Swiss cinemagoers found themselves watching a cartoon commercial entitled Frau Mode spielt auf! (Lady Fashion Performs!).2 On the screen, a woman in a red gown and a gold crown sat playing an organ [fig. i]. It was the eponymous and all-powerful Lady Fashion, busy creating fashions for clothes, shoes, and jewellery and set- ting the cycles in which they should come and go. Her harmo- nious melodies were commands, obeyed by a stream of putti who emerged from the organ pipes and began fitting out shops. Shop-window dummies in fashionable clothes and shoes sprang to life and began to bustle about. All the way down the value chain of the shoe industry, business began to boom. But suddenly the organ-playing stopped; Lady Fashion pressed the keys in vain. Her hard-working putti flew to the rescue at once, but before the organ could be fixed, the damage was done. A clumsy boot, wholly inappropriate for Lady Fashion’s [i, ii] Film stills from “Frau Mode spielt auf!”, Bern 1939 21 Roman Wild sophisticated clientele, had escaped from the organ pipes [fig. ii]. On catching sight of it, the shop-window dummies fainted, and busy shoppers shrank back. It took tremendous efforts on the part of all concerned to get things running smoothly again. After three-and-a-half minutes, this fanciful and symbolic commercial took on a concrete dimension. The cartoon figures, modelled on those of popular Walt Disney films,3 vanished from the screen; in their place, shoes appeared. -
The Clothing Industry and Human Rights Violations Consumption, Individuals and the Role of Big Players
National University of Ireland, Galway Irish Centre for Human Rights European Master’s Degree in Human Rights and Democratisation A.Y. 2017/2018 The Clothing Industry and Human Rights Violations Consumption, Individuals and the Role of Big Players Author: Julia Corradini Supervisor: Ekaterina Yahyaoui Krivenko Abstract The Clothing Industry and Human Rights Violations- Consumption, Individuals and the Role of Big Players The collapse of the Rana Plaza building in Bangladesh’s capital Dhaka on the 24th of April 2014, that led to the death of more than 1.100 workers and many more injured, is a crucial example of connection between the modern clothing business and human rights violations. Security shortcuts, non/late payment, excessive working hours, violence and abuse are frequently happening in a lot of factories and supply chains in developing countries and are the result of the Fast-Fashion Business model that emerged in the last decades. A business model where production costs tried to be kept as low as possible in order to offer more, cheaper and faster goods to the consumer in western society. The mass production of goods led to the emergence of consumerism and to the fact individuals consuming and demanding more. A cycle of endless production and consumption developed in a capitalist economic system and society. As the Guiding Principles of Business and Human Rights state, it is the duty of states to protect individuals from business violations, but in practice states are often powerless or not willing enough to take effective steps. In addition businesses often fail to respect human rights and to provide individuals with an effective remedy, since they are not legally bound by law to do so. -
Wages and Working Hours in the Textiles, Clothing, Leather and Footwear Industries
GDFTCLI/2014 Wages and Working Hours in the Textiles, Clothing, Leather and Footwear Industries Sectoral Sectoral Activities Department Activities International Labour Office (ILO) Department 4, route des Morillons CH-1211 Genève 22 Switzerland GDFTCLI/2014 INTERNATIONAL LABOUR ORGANIZATION Sectoral Activities Department Wages and working hours in the textiles, clothing, leather and footwear industries Issues Paper for discussion at the Global Dialogue Forum on Wages and Working Hours in the Textiles, Clothing, Leather and Footwear Industries (Geneva, 23–25 September 2014) Geneva, 2014 INTERNATIONAL LABOUR OFFICE, GENEVA Copyright © International Labour Organization 2014 First edition 2014 Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or translation, application should be made to ILO Publications (Rights and Permissions), International Labour Office, CH-1211 Geneva 22, Switzerland. The International Labour Office welcomes such applications. Libraries, institutions and other users registered with reproduction rights organizations may make copies in accordance with the licences issued to them for this purpose. Visit www.ifrro.org to find the reproduction rights organization in your country. Wages and working hours in the textiles, clothing, leather and footwear industries: Issues Paper for discussion at the Global Dialogue