1 a Brief Study of Malgudi and Yoknapatawpha
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Malgudi”: the Leading Hero of R
Volume : 2 | Issue : 9 | Sept 2013 • ISSN No 2277 - 8160 Research Paper Literature “Malgudi”: the Leading Hero of R. K. Narayan’s Fiction Jindagiben Ph.D. Student, Pacific University, Udaipur, Rajsthan (India) Krushnakant Dave ABSTRACT Malgudi is an imaginative locale created by Rashipuram Krishnaswamy Narayan in his novels and short stories. It forms the setting for most of Narayan’s works. The attempt in this Research Paper is made to show, how “Malgudi”, a small town has become a perfect setting for R. K. Narayan’s fiction. It is a landscape, a locale, imaginative yet alive. It represents India in a subtle, minute, microscopic form. In fact, it is a genuine hero of all his literary works. Narayan has successfully portrayed Malgudi as a microcosm of our country. KEYWORDS: Fictional Locale, Indian Microcosm, Leading Character INTRODUCTION: human existence.”(Green Graham) R. K. Narayan (Rashipuram Krishnaswamy Narayan, 1906-2001) belongs to the age of Indian Freedom Struggle of 20th century.The three bright William Walsh calls Malgudi an imaginative version of Narayan’s be- stars, luminaries of Indian English literature, Mulk Raj Anand, R. K. loved Mysore, and it is as familiar to his readers as their own suburbs, Narayan and Raja Rao started writing their fiction, largely in this period and infinitely more engaging. For Iyenger, it is Narayan’s ‘Caster Bridge’ of great ferment and excitement. Some of their early works truly reflect whose inhabitants are essentially human, have their kinship with all the conditions and the problems that characterize the early decades humanity and thus Malgudi is everywhere. -
Guide to the Falkner/Faulkner Family Collection, 1770S-1980S
Guide to the Falkner/Faulkner Family Collection, 1770s-1980s Archives & Special Collections - Cheng Library William Paterson University By: Trudi Van Dyke Ed. by Robert Wolk September, 2006 Descriptive Summary: Creator: Dr. Donald Philip Duclos Donated by: Dr. Stephen Hahn, Associate Provost & Professor of English Title: Guide to the Falkner/Faulkner Family Collection Dates: 1770s- 1980s Quantity: Research-Related/Scholarly Materials: 1 Box Microfilm, Slides, Books, Framed Items: 1 Box Abstract: Collection contains items on the Falkner/Faulkner families, and scholarly materials created by Prof. Donald Duclos related to his doctoral dissertation (1961) at the University of Michigan on Colonel William C. Falkner, an author, politician, lawyer, businessman and soldier, who resided in Mississippi during the 1800s. Duclos’ dissertation, Son of Sorrow: The Life, Works and Influence of Colonel William C. Falkner, 1825-1889, was published by International Scholars Publications in 1998. The collection also contains items relating to various other members of the Falkner family, including the Colonel’s great-grandson, the Nobel Prize-winning author, William Faulkner. ________________________________________________ Biographical Sketches Falkner, William Clark, July 6, 1825-November 6, 1889 William Clark Falkner was born in Knox County, Tennessee on July 6, 1825, but lived most of his life in Mississippi, eventually becoming a long-term resident of the town of Ripley. Falkner was a prominent lawyer, politician, businessman and soldier, serving in both the Mexican War and the American Civil War, and ultimately rising to the rank of Colonel in the Confederate Army. He was also a prolific author, composing several poems, plays and novels, including The White Rose of Memphis, Rapid Ramblings in Europe and The Siege of Monterey. -
My Life with Faulkner and Brodsky
A Tribute to L. D. Brodsky: Excerpts from My Life with Faulkner and Brodsky Robert W. Hamblin On a Saturday morning in March 1978, I drove down a hallway to a conference room where we took to Farmington, Missouri, a little more than an hour’s seats at a long table. We talked for a while about our drive northwest of Cape Girardeau, to meet with Louis mutual interest in Faulkner; then he excused himself and Daniel Brodsky. L. D. had instructed me to meet him in left the room. When he returned he held a large safe- the lobby of the Mercantile Bank on the town square. I deposit box. He placed it on the table, opened it, reached arrived a little early and took a seat that offered a good inside, and lifted an object delicately wrapped in soft, view of the front door. I wondered what this Faulkner white tissue paper. I was quite impressed when he collector would look like, how old he was, whether I removed the wrapping and laid the book before me on could guess his identity when he entered the bank. the table. It was a first edition of The Sound and the I didn’t have to wait long, and I knew it was he Fury. L. D. opened the book to the title page, on which I as soon as he stepped inside the door. He was of medium saw, in small, meticulous handwriting, Faulkner’s height, muscularly built, with alert, friendly eyes and personal signature. I had never seen a first edition of long, curly brown hair. -
Finding Aid for the Faulkner Periodicals Collection (MUM00161)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Faulkner Periodicals Collection (MUM00161) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Faulkner Periodicals Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Faulkner Periodicals Collection (MUM00161) Questions? Contact us! The Faulkner Periodicals Collection is open for research. Finding Aid for the Faulkner Periodicals Collection Table of Contents Descriptive Summary Administrative Information Subject Terms Collection History Scope and Content Note User Information Related Material Arrangement Container List Descriptive Summary Title: Faulkner Periodicals Collection Dates: 1930-1997 Collector: Wynn, Douglas C. ; Wynn, Leila Clark ; University of Mississippi. Dept. of Archives and Special Collections Physical Extent: 27 full Hollinger boxes ; 6 half boxes ; 1 oversize box ; 22 cartons (35.85 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00161 Language of Material: English Abstract: Collection of magazine and newspaper articles written by or concerning William Faulkner and University of Mississippi Yearbooks referencing Faulkner. Administrative Information Processing Information Collections processed by Archives and Special Collections staff. Series III-IV, Periodicals by Faulkner and Periodicals about Faulkner, originally processed by Jill Applebee and Amanda Strickland, August-September 1999. Multiple collections combined into single finding aid and encoded by Jason Kovari, August 2009. -
William Faulkner, Legal Commentator: Humanity and Endurance in Hollywood's Yoknapatawpha
University of Florida Levin College of Law UF Law Scholarship Repository UF Law Faculty Publications Faculty Scholarship Summer 2008 William Faulkner, Legal Commentator: Humanity and Endurance in Hollywood's Yoknapatawpha Michael Allan Wolf University of Florida Levin College of Law, [email protected] Follow this and additional works at: https://scholarship.law.ufl.edu/facultypub Part of the Civil Rights and Discrimination Commons, and the Law and Society Commons Recommended Citation Michael Allan Wolf, William Faulkner, Legal Commentator: Humanity and Endurance in Hollywood's Yoknapatawpha, 77 Miss. L.J. 957 (2008), available at http://scholarship.law.ufl.edu/facultypub/406 This Article is brought to you for free and open access by the Faculty Scholarship at UF Law Scholarship Repository. It has been accepted for inclusion in UF Law Faculty Publications by an authorized administrator of UF Law Scholarship Repository. For more information, please contact [email protected]. WILLIAM FAULKNER, LEGAL COMMENTATOR: HUMANITY AND ENDURANCE IN HOLLYWOOD'S YOKNAPATAWPHA Michael Allan Wolf I. INTRODUCTION: FAULKNER IN FILM AND LAW William Faulkner's relationship with Hollywood and the film industry was as complex as Benjy's narrative in The Sound and the Fury and as tempestuous as a Snopes family reunion. The Nobel-prize winning novelist summed up the plight of the literary artist in Tinseltown, where he plied the trade of screenwriter for more than two decades, as nobody else could. He told the young southern writer, Shelby Foote, "'Always take the people seriously, but never take the work seriously. Hollywood is the only place on earth where you can get stabbed in the back while you're climbing a ladder."'1 Included among Faulkner's film credits are such forgettable titles as "Slave Ship" (1937)2 and "The Land of the Pharaohs" (1955), 3 and classics * Richard E. -
The Financial Expert Margayya's Strive to New Identity
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Institute for Science, Technology and Education (IISTE): E-Journals Research on Humanities and Social Sciences www.iiste.org ISSN 2224-5766(Paper) ISSN 2225-0484(Online) Vol.1, No.4, 2011 The Financial Expert Margayya’s Strive to New Identity: An Echo of His Own World M. M. Shariful Karim (Corresponding author) Assistant Professor, Department of English, Comilla University, Kotbari, Comilla – 3503, Bangladesh Tel: +88-01711-386420 * E-mail: [email protected] Jahidul Alam Lecturer, Department of English, Comilla University, Kotbari, Comilla – 3503, Bangladesh Tel: +88-01746-680201 E-mail: [email protected] Abstract Reading R. K. Narayan certainly leads the South-Asian readers to the home and bosom of his own country people. It sparks a sense of Indianness provided with his own taste, flavour and recognition of a rich cultural inheritance. Narayan’s presentation of Indian ways of life gets a meticulous and painstaking regard for verisimilitude. His wonderful creation, The Financial Expert, is not an exception being a veritable goldmine for anyone interested in India and its culture. At the heart of the novel is the landscape of India, the customs, conventions and lores that are the quintessence of Indianness. Building up a new nation parallels with searching and adjusting a new identity of an Indian. Narayan’s protagonist, in the book, is forced to transcend the age-old customs and traditions of the society and embrace his new identity which he cannot do without echoing his own world. -
A Rose for Emily
A Rose for Emily William Faulkner William Faulkner Alive, Miss Emily Faulkner created a saga of his had been a own, inventing a host of characters tradition, a duty, “typical of the historical growth and and a care; a sort of subsequent decadence of the South. hereditary The human drama in Faulkner’s obligation upon the town . novels is then built on the model of the actual, historical drama Born in 1897 to an old extending over almost a century and southern family, William a half. Each story and novel Faulkner grew up in Oxford, contributes to the construction of a Mississippi, where he lived for whole, which is the imaginary most of his life. He worked on Yoknapatawpha County and its his novels and short stories on inhabitants” (Nobelprize.org). his farm outside Oxford. He Faulkner was awarded the Nobel died there in 1962. Prize for Literature in 1947. A Rose for Emily Historical Context The Reconstruction after the Civil War had a profound and humbling effect on Southern society. The South‟s outdated plantation economy, based so long upon slave labor, was devastated by emancipation. Northern opportunists, known as „„carpet- baggers,‟‟ came in droves to take advantage of the economic chaos. Some Southern aristocrats found themselves working the land alongside tenant farmers and former slaves. Faulkner came from a family that once owned a plantation. The history of his family and of the South in general inspired Faulkner‟s imagination. The short stories and novels Faulkner wrote about Yoknapatawpha County combine to create an epic, mythical history of this era. -
The Inventory of the R.K. Narayan Collection #737
The Inventory of the R.K. Narayan Collection #737 Howard Gotlieb Archival Research Center \ ' I NARAYAN, R.K. Purchase August 1978 I. MANUSCRIPTS A. Novels Box l 1. THE PAINTER OF SIGNS. Viking, 1976. a. Miscellaneous draft pages. Holograph and typescript with holo. corr., ca. 200 p. on ca. 150 leaves. (#1) b. Photocopy of typescript with holo. corr., 261 p. (#2) c. Miscellaneous draft pages. Typescript photocopy with holo. corr. and typescript with holo. corr., 19 p. (#3) 2. VENDOR OF SWEETS. Viking, 1967. Carbon typescript with holo. corr., 236 p. ( #4) B. Plays 1. THE HOME OF THUNDER. Typescript, 64 p. (#5) 2. ON EVEREST. Carbon typescript, 11 p. With TLS from his agents, David Higham Associates, July 24, 1969. (#6) 3. WATCHMAN OF THE LAKE. (#7) a. Typescript with holo. corr., 10 p. (incomplete) b. Typescript with holo. corr., 20 p. c. Short Stories Box 2 1. A HORSE AND TWO GOATS. Short story collection. Viking. a. Typescript and carbon typescript, with holo. corr. and tearsheets, ca. 160 p. incl. front matter, ink and wash illustrations with proofs; layout for title page and first story. (#1) b. Page proofs. (#2) 11 11 c. Re story: A Breath of 'Lucifer • TLS from Wi 11 iam Morris Agency, Dec. 26, 1968; Memo from Viking Press, Jan. 17, 1969. (#2) NARAYAN, R.K. / Page 2. Box 2 2. "Uncle" (#3) a. Typescript with holo. corr., 63 p. in folder, marked "Discarded earlier version" b. Holograph notes, 2 p. D. Autobiography MY DAYS. Viking, 1973. l. Holograph, 32 p. on 18 leaves. -
Rk Narayan's Malgudi Days International Journal of English Language
Int. J. Eng. INTERNATIONALLang. Lit & Trans. Studies JOURNAL (ISSN:2349 OF ENGLISH-9451/2395 LANGUAGE,-2628) Vol. 4.LITERATURE Issue.1., 2017 (Jan-Mar.) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol. 4. Issue.1., 2017 (Jan-Mar.) NOVELTY IN SIMPLICITY: R.K. NARAYAN’S MALGUDI DAYS SHWETA CHAUDHARY Email:[email protected] ABSTRACT R. K Narayan stands as one of an unmatchable pillar of Indians writing in english along with Raja Rao and Mulk Raj Anand. His contribution is immense and cannot be neglected. While Mulk Raj Anand’s novels fell in the domain of societal issues Narayan’s novels surprised through their mundane portrayal. There was an essence of freshness even in his mundane exemplification. He is best known for his fictional town Malgudi where he sat the whole universe of his imagination. His characters never moved out of Malgudi. Their daily chores were sat in Malgudi itself. His town is set in south India. Graham Greene held a major role in success of Narayan’s writings. He not only recommended Narayan’s swami and friends to a publisher but also asked the latter to shorten his name in order to be more familiar with English speaking audience. This paper seeks to analyze novelty in simplicity of Narayan’s narration of Malgudi Days. There is a mark of serene beautification in his narration of human nature. Unlike Shakespeare he never dwelled on malignity, gloom, anger, revenge, jealousy of human nature. Certain warmth always swam through his characters which took residence into reader’s heart. -
Ethnic Aspects of Familial Relationships in the Select Novels of R.K.Narayan
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 25, Issue 4, Series. 4 (April. 2020) 23-27 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Ethnic Aspects of Familial Relationships in the Select Novels of R.K.Narayan Dr. R. Pushkala1, Dr. Padmasani Kannan2 1Dean, Department of English Dr. MGR Educational & Research Institute, Maduravoyal, Chennai – 600095, India Director, Literary Seminary Dr. MGR Educational & Research Institute, Maduravoyal, Chennai - - 600095, India Abstract: Today, we live in a world that is becoming increasingly globalized due to the unprecedented technological developments and economic compulsions. We call this world a „global village‟ and each one of us a „global citizen‟. In spite of this, a cursory observation would reveal the fact that people, either as individuals or as groups, have retained their „ethnic‟ character. This probably can be attributed to people‟s craving for individuality and individual identity or as a revolt against the forces of technology that is trying to create a „homogenized‟ world. Undoubtedly, „ethnicity‟ gives people a sense of pride and recognition. Sociologists also agree that it is this ethnic character of communities that makes the world an interesting place to live in. Ethnicity has been understood as “a social construct that indicates identification with a particular group which is often descended from common ancestors. Members of the group share common cultural traits such as language, religion, customs, and beliefs and are an identifiable minority within the larger nation state.(Eriksen 14)It is in this context, that the present study of aspects of ethnicity in the select novels of R K Narayan becomes relevant. -
Reflection of the Self Through Portrayal of Children in the Short Stories of R.K
ISSN: 2277-9655 [Bawa * et al., 6(10): October, 2017] Impact Factor: 4.116 IC™ Value: 3.00 CODEN: IJESS7 IJESRT INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY REFLECTION OF THE SELF THROUGH PORTRAYAL OF CHILDREN IN THE SHORT STORIES OF R.K. NARAYAN Dr Rippy Bawa* *Assistant Professor, Govt. (PG) Degree College, Udhampur DOI: 10.5281/zenodo.1012461 ABSTRACT R K Narayan is one of the best Indian writers in English sharing this status with Raja Rao and Mulkh Raj Anand. A highly acclaimed writer, master story teller, his characters and his portrayal of ‘Malgudi’ with coruscating virtuosity are testament to his enduring appeal to the readers and critics alike. He is one of the very few, writing in those times, who delved deep in the world of children to find his own childhood in them. His stories containing the child characters firmly establish his status as a writer with rare insight into child psychology. This insight, however, is rooted in Narayan’s own experiences as a child. His ouvre can be read as an autobiography of the author himself. Although the autobiographical strain invests all his writings, the present article is an attempt to study his short stories as reflection of his own personal experiences, particularly with reference to his childhood. Reading his stories give the readers a peep into his own life as a child taking into consideration the adult world as viewed by the innocent eyes of a child. The present paper also focuses on the plight of the children which generally goes unnoticed by the so called wise adult world and how the pure uncorrupt mind has to face harshness on the part of the elders in order to carve out a gentleman out of them KEYWORDS: Indian Writers in English; Malgudi; Childhood; Testament; Adult World; Plight; Autobiographical. -
Cinematic Translation of Indian English Texts: a Critical Study
ISSN 2249-4529 www.pintersociety.com THEMED SECTION VOL: 9, No.: 1, SPRING 2019 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 10 | Cinematic Translation of Indian English Texts: A Critical Study Cinematic Translation of Indian English Texts: A Critical Study Akash Raha Abstract: The paper studies cinematic adaptations of Indian English texts by re-reading cinema and translation theories. The process of adaptation to celluloid, in the age of multiplex cinema has both reprieved movie makers from economic liabilities, and at the same time bargained for sellable celluloid commodity for art. The fidelity towards the ‘original’ text, when medium and language are both translated, in all the more distanced and proportionally more. The poaching of ‘texts’ in the industry shows a utile notion of ‘art’. Keywords: Translation, Adaptation, Indian English, Indian Novels, Indian Cinema *** Historically, the film industry has always had a very close relationship with the writing fraternity. Since circa 1930’s, during the times of Anjuman Tarraqi Pasand Mussanafin-e-Hind or Progressive Writers’ Movement, literary scholars were already a part of cinematic traditions.