DOCSLIB.ORG

Fred Calland Collection Finding Aid (PDF)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fred Calland Collection Finding Aid (PDF) University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch ……………………………………………………………….… 2 Scope and Content ……………………………………………………………….… 3 Series Notes …………………………………………………………………………. 3 Series I: Biographical / Personal ……………………………….………………… 5 Series II: Correspondence ……………………………………………………….… 5 Series III: Radio Material ……………………………………………………….… 5 A. Broadcast Scripts ……………………………………………………….… 5 B. Reports/Studies ……………………………………………………….… 6 C. Guidebooks …………………………………………………………. 6 D. Promotional …………………………………………………………. 6 E. Programs ………………………………………………………………….. 6 F. Other ………………………………………………………………….. 6 Series IV: Opera Material …………………………………………………….…… 7 Series V: Opera Programs ………………………………………………….……… 7 A. Opera Libretti …………………………………………………….…… 7 B. General Programs …………………………………………………………. 7 C. Souvenir Programs …………………………………………………………. 8 Series VI: Miscellaneous ………………………………….……………………… 9 Series VII: Photographs ……………………………………….………………… 10 MS74-Fred Calland Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION BIOGRAPHICAL SKETCH Fred Calland was a record collector, teacher and broadcaster with a long professional background in radio music programming, and a national reputation as an opera expert. He entertained National Public Radio listeners from the inception of NPR with many of the most popular music shows broadcast by the system. Born October 25, 1923, in Columbus, Ohio, Calland began collecting records as a teenager. He served in Germany during World War II. After graduating from Ohio State University in 1949, he taught German and worked as the music director for radio stations WSCU-FM in Columbus and WFCR-FM in Amherst, Mass. At WFCR he inaugurated a daily three-hour program called “Fred Calland Presents,” which included everything from classical to bluegrass. In 1970, Calland joined National Public Radio as its only music producer. His personal collection often served as the principal resource for recorded music broadcasts. He hosted many live events including the first performances of new musical works. In1989, he retired from NPR as a senior producer. He then served as an occasional commentator on NPR and continued to host his "World of Opera" program on WETA-FM for several years. Calland also taught opera appreciation at American and George Mason universities. His musical interests and knowledge were wide ranging, but his particular love was for opera and classical vocal music. He was witty, articulate, and opinionated, but without any hint of condescension toward his listeners. He attracted a large circle of friends with his conviviality, hearty sense of humor, and passionate love of music. Calland served as President of the Association for Recorded Sound Collections and Washington Metropolitan Area Chapter in 1988-89. He was also a noted quilt designer and quilt maker, and a member of the board of the Quilters Hall of Fame. Fred Calland passed away October 22, 1999, at his home in Fairfax, Virginia. Source: Biographical information provided by Chuck Haddix and Elwood McKee. MS74-Fred Calland Collection 2 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION SCOPE AND CONTENT The Fred Calland Collection was donated to the Miller Nichols Library at the University of Missouri-Kansas City by Calland’s sister, Ann Calland, in 2000. The collection holds material related to Calland’s radio career and is divided into seven series: biographical/personal, correspondence, radio material, opera material, opera programs, miscellaneous and photographs. Sound recordings from this collection are housed separately in the Marr Sound Archives and form the heart of the donation, including tens of thousands of titles on 78, LP and tape formats. SERIES NOTES Series I: Biographical / Personal This series is contained in box 1, folder 1, and consists of biographical and personal information about or by Calland. Included are writings by Calland, a short biography, an illustration, and an event flyer for Calland’s retirement party. Series II: Correspondence This series is contained in box 1, folders 2-5, and consists of business and personal correspondence. Series III: Radio Material This series is divided into five sub-series. Sub-series: A, Broadcast Scripts; Sub-series B, Reports/Studies; Sub-series C, Guidebooks; Sub-series D, Promotional Material and Sub-series E, Programs. Series III is located in box 1, folders 6-14; box 2, folders 1-10; box 3, folders 1-12; box 4, folders 1-12 and box 5, folders 1-7. Series IV: Opera Material This series is contained in box 5, folders 8-15; box 6, folders 1-16 and box 7, folders 1-8. Material includes informational data on various operas and opera foundations. It is located in box 5, folders 8-15 Series V: Opera Programs This series is divided into three sub-series. Sub-series A, Libretti; Sub-series B, General Programs and C, Souvenir Programs. Opera Programs can be found in box 6, folders 2-16 and box 7, folders 1-8. Series VI: Miscellaneous This series is contained in box 7, folders 9-16 and box 9. Included are Misc. Drafts; photocopies; News Clippings; Artwork, etc. Series VII: Photographs This series is contained in box 8, and consists of 61 black and white images. Subject matter includes publicity images of opera performers; composers; other musical personalities; MS74-Fred Calland Collection 3 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION production stills; and portrait and candid shots of Calland and others. Some images are inscribed. Additionally, a poster board of six images and accompanying text, entitled “Fred Calland’s Many Facets…,” capturing candid moments of Calland’s professional and personal life, is housed in map drawer 23. MS74-Fred Calland Collection 4 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION Box Folder Description CONTAINER LIST SERIES I: BIOGRAPHICAL / PERSONAL Box Folder Description 1 1 Short biography; Calland’s account “A Yank in King Richard’s Court: My Brush with Greatness”; two newspaper articles written by Calland SERIES II: CORRESPONDENCE Box Folder Description 1 2 Correspondence, 1970-1995 3 Correspondence, 1956-1960 4 Correspondence, Undated 5 Correspondence, Cards/Notes SERIES III: RADIO MATERIAL Box Folder Description A: Broadcast Scripts 1 6 “Glenn Gould: The Well-Tempered Polymath” 7 Grand Piano, 8101-8112 8 Grand Piano, 8301-8314 9 Grand Piano, 8316-8326 10 Grand Piano – Listings, 1977-1983 11 World of Opera: “Crispino” 12 WFCR Evening Show, #1-20 13 WFCR Evening Show, #21-40 14 WFCR Evening Show, #41-51 2 1 WFCR Evening Show, #52-70 2 WFCR Evening Show, #71-90 3 WFCR Evening Show, #91-110 4 WFCR Evening Show, #111-130 5 WFCR Evening Show, #131-150 6 WFCR Evening Show, #151-158 7 WFCR Evening Report #1-9 8 WFCR Evening Report, October 1967 9 WFCR Evening Report, November 1967 10 WFCR Evening Report, December 1967 3 1 WFCR Evening Report, January 1968 2 WFCR Evening Report, February 1968 3 WOSU Thanksgiving Festspiel, 1961 MS74-Fred Calland Collection 5 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION Box Folder Description B: Reports/Studies 3 4 Report: The Public Radio Study, Cambridge, Mass. April 1969 [1 of 3] 5 Report: The Public Radio Study, Cambridge, Mass. April 1969 [2 of 3] 6 Report: The Public Radio Study, Cambridge, Mass. April 1969 [3 of 3] 7 CPB Technical Report, #8003: Summary of Research on Potential Educational Markets, June 1980 CPB Technical Report, #8005: Videodisc, June 1980 CPB Technical Report, #8011: Satellite Teleconferencing, 1980 8 Performance and Potentials, Cambridge, Mass. February 1970 9 Long-Range Financing for Public Broadcasting, March 9, 1973 10 Educational Broadcasting Review, Recommendation of the Public Radio Study Public Radio Programming Content by Category, Fiscal Year, 1978 One Week of Public Radio: December 9-15, 1973 11 Public Telecommunications Centers; An Evolving Concept 12 Hidden Medium: Educational Radio – NAEB Report C: Guidebooks 4 1 Handbook: Starting and Operating a Public Radio Station [1 of 2] 2 Handbook: Starting and Operating a Public Radio Station [2 of 2] 3 Low Power Television Guidebook 4 Radio Program Guide Critique How to Start a Public Broadcasting Station Public Television Satellite System Non-Broadcast Shared Use Guide 5 Electrosonic Studio Catalog D: Promotional Material 6 Sound 7 Misc. Pamphlets (4) E: Programs 8 Earplay 75 9 Earplay, 76/77 Season 10 Earplay, 77/78 Season Press Kit 11 Earplay, 77/78 Season Programs 12 WFCR-FM: Four College Radio; Amherst, Mass. (1965) 5 1 WFCR-FM: Four College Radio; Amherst, Mass. (1966) 2 WITF-FM: South Central Pennsylvania (1976) 3 WOSU Program Bulletin: Ohio State University (September 1954; September 1955) F: Other 4 Fiscal Year 1981 Budget 5 Grant Request – Drama on the Public Radio 6 Public Communications Review, March/April 1979 MS74-Fred Calland Collection 6 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION Box Folder Description 5 7 Misc. Radio: Press Releases; Dialogue; Special Report, etc. SERIES IV: OPERA MATERIAL Box Folder Description 5 7a Capriccio (Strauss) 8 Il Farnace 9 Les Huguenots 10 The Labyrinth (Menotti)
Load more

Recommended publications
  • English Translation of the German by Tom Hammond
    Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p.
    [Show full text]
  • Download Booklet
    570895bk RStrauss US:557541bk Kelemen 3+3 3/8/09 8:42 PM Page 1 Antoni Wit Staatskapelle Weimar Antoni Wit, one of the most highly regarded Polish conductors, studied conducting with Founded in 1491, the Staatskapelle Weimar is one of the oldest orchestras in the world, its reputation inextricably linked Richard Henryk Czyz˙ and composition with Krzysztof Penderecki at the Academy of Music in to some of the greatest works and musicians of all time. Franz Liszt, court music director in the mid-nineteenth Kraków, subsequently continuing his studies with Nadia Boulanger in Paris. He also century, helped the orchestra gain international recognition with premières that included Wagner’s Lohengrin in graduated in law at the Jagellonian University in Kraków. Immediately after completing 1850. As Weimar’s second music director, Richard Strauss conducted first performances of Guntram and STRAUSS his studies he was engaged as an assistant at the Warsaw Philharmonic Orchestra by Humperdinck’s Hänsel und Gretel. The orchestra was also the first to perform Strauss’s Don Juan, Macbeth and Death Witold Rowicki and was later appointed conductor of the Poznan´ Philharmonic. He and Transfiguration. After World War II Hermann Abendroth did much to restore the orchestra’s former status and Symphonia domestica collaborated with the Warsaw Grand Theatre, and from 1974 to 1977 was artistic director quality, ultimately establishing it as one of Germany’s leading orchestras. The Staatskapelle Weimar cultivates its of the Pomeranian Philharmonic, before his appointment as director of the Polish Radio historic tradition today, while exploring innovative techniques and wider repertoire, as reflected in its many recordings.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • Radio and Television Correspondents' Galleries
    RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery.
    [Show full text]
  • Report to the Community 2018
    LOCAL CONTENT AND SERVICE REPORT TO THE COMMUNITY 2018 connected. connected. ABOUT WCNY WCNY serves 19 counties throughout Central New York, the Finger Lakes, and the Mohawk Valley regions of New York State. Our five TV digital channels, WCNY, Create, GLOBAL CONNECT, WiCkNeY KIDS and How-To (cable-only) channels are available to more than 1.8 million people over-the-air or via cable, fiber and satellite services. WCNY Classic FM is one of the nation’s few remaining locally programmed classical music stations, with expert hosts making all music programming decisions. Classic FM also is an NPR affiliate, offering hourly news broadcasts. In addition to Classic FM, WCNY broadcasts 24-hour jazz and oldies on its Jazz HD and Oldies HD stations. All three stations also are available for online streaming at WCNY.org. WCNY offers a 24/7 ReadOut Radio service for the blind and visually impaired. WCNY’s state-of-the-art LEED Platinum certified Broadcast and Education Center is the gateway to the Near Westside, one of the oldest neighborhoods in Syracuse and home to an eclectic mix of nationalities from around the world. The facility is also a stop on the Connected Corridor, a pedestrian and bicycle-friendly path that links Syracuse University with downtown Syracuse. WCNY’s Mission, Vision, and Values MISSION WCNY connects with the curious of all ages through innovation, creative content, educational programs, and transformative experiences to open minds and spark change. VISION WCNY is a trusted media enterprise, constantly evolving and fully engaged with a diverse audience that shares our passion for public service.
    [Show full text]
  • Npr Fact Sheet
    NPR FACT SHEET DATE OF NPR, INC. INCORPORATION February 26, 1970 FIRST SHOW BROADCAST All Things Considered May 3, 1971 DC HEADQUARTERS 1111 North Capitol St. NE, Washington, DC 20002 President and CEO John Lansing AWARD HIGHLIGHTS Number of Employees 10291 Since 1971, NPR and its journalists and programming have won hundreds of awards including 34 Alfred News Division Staff 4401 I. duPont-Columbia University Awards, 62 George Foster Peabody Awards, 81 awards from the White Stations Broadcasting NPR Programming 1,0752 House News Photographers Association, 23 Webby and Newscasts Awards (which includes nine Webby “Peoples’ Voice” NPR Member Stations and Associate 1,0126 awards) and 20 awards from the Overseas Press Club Stations of America. 6 Non-Member Stations Airing NPR 85 ABOUT NPR Programming NPR is a nationally acclaimed, non-profit multimedia Weekly Listeners for all NPR Stations 29.1M3 organization and the leading provider of non- commercial news, information and entertainment Weekly Listeners for NPR Programming and 23.2M3 Newscasts programming to the American public. Launched in 1970 as a radio network by a group of public radio Weekly NPR.org Unique Visitors 17.8M4 stations, today NPR is among the most successful news organizations in America and a growing Weekly Visits to NPR Digital Properties 46.7M5 presence in digital media including podcasting, mobile applications and social media. Weekly Unique Users of NPR Podcasts 14.4M7 Weekly audience across platforms 60M8 INTERNATIONAL BUREAUS (17) DOMESTIC BUREAUS (18) Beijing, China
    [Show full text]
  • Der Rosenkavalier by Richard Strauss
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Octavian and the Composer: Principal Male Roles in Opera Composed for the Female Voice by Richard Strauss Melissa Lynn Garvey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC OCTAVIAN AND THE COMPOSER: PRINCIPAL MALE ROLES IN OPERA COMPOSED FOR THE FEMALE VOICE BY RICHARD STRAUSS By MELISSA LYNN GARVEY A Treatise submitted to the Department of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2010 The members of the committee approve the treatise of Melissa Lynn Garvey defended on April 5, 2010. __________________________________ Douglas Fisher Professor Directing Treatise __________________________________ Seth Beckman University Representative __________________________________ Matthew Lata Committee Member The Graduate School has verified and approved the above-named committee members. ii I’d like to dedicate this treatise to my parents, grandparents, aunt, and siblings, whose unconditional love and support has made me the person I am today. Through every attended recital and performance, and affording me every conceivable opportunity, they have encouraged and motivated me to achieve great things. It is because of them that I have reached this level of educational achievement. Thank you. I am honored to thank my phenomenal husband for always believing in me. You gave me the strength and courage to believe in myself. You are everything I could ever ask for and more. Thank you for helping to make this a reality.
    [Show full text]
  • Return of Private Foundation CT' 10 201Z '
    Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947(a)(1) Nonexempt Charitable Trust Department of the Treasury Treated as a Private Foundation Internal Revenue Service Note. The foundation may be able to use a copy of this return to satisfy state reporting requirem M11 For calendar year 20 11 or tax year beainnina . 2011. and ending . 20 Name of foundation A Employer Identification number THE PFIZER FOUNDATION, INC. 13-6083839 Number and street (or P 0 box number If mail is not delivered to street address ) Room/suite B Telephone number (see instructions) (212) 733-4250 235 EAST 42ND STREET City or town, state, and ZIP code q C If exemption application is ► pending, check here • • • • • . NEW YORK, NY 10017 G Check all that apply Initial return Initial return of a former public charity D q 1 . Foreign organizations , check here . ► Final return Amended return 2. Foreign organizations meeting the 85% test, check here and attach Address chang e Name change computation . 10. H Check type of organization' X Section 501( exempt private foundation E If private foundation status was terminated Section 4947 ( a)( 1 ) nonexem pt charitable trust Other taxable p rivate foundation q 19 under section 507(b )( 1)(A) , check here . ► Fair market value of all assets at end J Accounting method Cash X Accrual F If the foundation is in a60-month termination of year (from Part Il, col (c), line Other ( specify ) ---- -- ------ ---------- under section 507(b)(1)(B),check here , q 205, 8, 166. 16) ► $ 04 (Part 1, column (d) must be on cash basis) Analysis of Revenue and Expenses (The (d) Disbursements total of amounts in columns (b), (c), and (d) (a) Revenue and (b) Net investment (c) Adjusted net for charitable may not necessanly equal the amounts in expenses per income income Y books purposes C^7 column (a) (see instructions) .) (cash basis only) I Contribution s odt s, grants etc.
    [Show full text]
  • November 2020 Program Guide
    NOVEMBER 2020 PROGRAM GUIDE from alan Stations Help WAMC Go Green! Monthly column from Alan Chartock. You may elect to stop receiving our paper PAGE 2 WAMC, 90.3 FM, Albany, NY program guide, and view it on wamc.org. WAMC 1400 AM, Albany, NY Call us to be removed from the PROGRAM NOTES WAMK, 90.9 FM, Kingston, NY paper mailing list: 1-800-323-9262 ext. 133 What’s coming up on WAMC. WOSR, 91.7 FM, Middletown, NY PAGE 3 WCEL, 91.9 FM, Plattsburgh, NY PROGRAM SCHEDULE WCAN, 93.3 FM, Canajoharie, NY Our weekly schedule of programming. WANC, 103.9 FM, Ticonderoga, NY PAGE 4 WRUN-FM, 90.3 FM, Remsen- WAMC Staff Utica, NY WAMC Executive Staff WAMQ, 105.1 FM, Great Barrington, LIVE AT THE LINDA BROADCAST MA Alan Chartock | President and CEO WWES, 88.9 FM, Mt. Kisco, NY Joe Donahue | Roundtable Host/ SCHEDULE WANR, 88.5 FM, Brewster, NY Senior Advisor Listen to your favorite shows on air after WANZ, 90.1, Stamford, NY Stacey Rosenberry | Director of Operations they have been at The Linda. PAGE 5 and Engineering Translators Jordan Yoxall | Chief Financial Officer At the linda PAGE 5 W280DJ, 103.9 FM, Beacon, NY Management Staff W247BM, 97.3 FM, Cooperstown, Carl Blackwood | General Manager, NY The Linda program descriptions W292ES, 106.3 FM, Dover Plains, Melissa Kees | Underwriting Manager PAGE 6 NY Ashleigh Kinsey | Digital Media W243BZ, 96.5 FM, Ellenville, NY Administrator our UNDERWRITERS W271BF, 102.1 FM, Highland, NY Ian Pickus | News Director PAGE 11 W246BJ, 97.1 FM, Hudson, NY Tina Renick | Programming Director W204CJ, 88.7 FM, Lake Placid, NY Amber Sickles | Membership Director W292DX, 106.3 FM, Middletown, NY WAMC-FM broadcasts 365 days a year W215BG, 90.9 FM, Milford, PA WAMC to eastern New York and western New W299AG, 107.7 FM, Newburgh, NY Box 66600 England on 90.3 MHz.
    [Show full text]
  • 2019 Media Kit
    2019 Media Kit - 1 - ABOUT WCNY WCNY is a community-owned multi-media company that produces award-winning original content and provides local and global programming to audiences across multiple platforms, including television, radio, web, digital, social media, print, and events. WCNY, the Central New York PBS affiliate, connects with audiences of all ages through innovation, creative content, educational programs, and transformative experiences. - 2 - WHY WCNY Trust – PBS is the most-trusted institution in America for 15 years, and WCNY’s audience is loyal. When you partner with PBS, your brand gets instant trust and credibility in the market that you can’t get anywhere else; this is called the “Halo Effect.” Vast Reach – WCNY can reach 1.8 million people in 500,000 households across 19 counties in Upstate New York, nearly a third of the state and parts of Canada. In addition, WCNY reaches a global streaming audience. Integrated Programming – Unlike commercial media, WCNY delivers uninterrupted content with far fewer underwriting messages than any other station. Our multi-media platform provides partners with one- stop shopping and a single point of contact for integrated marketing. JEFFERSON LEWIS HAMILTON OSWEGO ONEIDA WAYNE ONONDAGA SENECA ONTARI O HERKIMER CAYUGA MADISO YATES N CORTLAND OTSEGO TOMPKINS SCHUYLER CHENANGO TIOGA - 3 - WHY WCNY Affluent Audience – WCNY reaches 59% of the Central New York market with a household income greater than $75,000, and 35% of the Central New York market with a household income greater than $150,000. WCNY members are highly educated, engaged and influential in the community. WCNY’s audience is informed and values quality and depth of content.
    [Show full text]
  • Listening Patterns – 2 About the Study Creating the Format Groups
    SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004.
    [Show full text]
  • Eine Alpensinfonie and Symphonia Domestica in Full Score Pdf, Epub, Ebook
    EINE ALPENSINFONIE AND SYMPHONIA DOMESTICA IN FULL SCORE PDF, EPUB, EBOOK Richard Strauss | 288 pages | 22 Oct 2009 | Dover Publications Inc. | 9780486277257 | English | New York, United States Eine Alpensinfonie and Symphonia Domestica in Full Score PDF Book Oehms Classics. Schonberg put it, Strauss would say things that would have meant being sent to a concentration camp had he not been the icon he was and the Nazi's simply "did not know exactly what to do with him. Seller Inventory M13J Subscribe to our Weekly Newsletter Want to know first what the latest reviews are that have been posted to ClassicsToday each week? As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Carlton Classics. Once started, however, he gave it his main attention for almost 40 years, producing 15 operas in that period. Salome, with its shocking, perverse sensuality, and Elektra, which goes beyond that in violence and unremitting tension, are prime examples of German expressionism in its most lurid phase. Paul Lewis , Piano. Munich: F. It was also the first opera in which Strauss collaborated with the poet Hugo von Hofmannsthal. IMP Classics Franz Konwitschny. Rosenkavalier opera Rosenkavalier , Op. In principle, however, Strauss's method remained constant. Preiser Records. Orfeo C B. Classica d'Oro There are only six works in his entire output dating from after which are for chamber ensembles, and four are arrangements of portions of his operas. AllMusic Featured Composition Noteworthy.
    [Show full text]