Overview

With a unique blend of Asian and Western influences, the Lion City is a thriving metropolis with a vibrant mix of cultures and ethnicities. From striking skyscrapers, to period shophouses and luscious CONTENTS greenery, ’s eclectic and contemporary architecture adds to its reputation as a ‘City in a Garden’, making it a one-of-a-kind place to make a film. Besides the architectural beauty, Singapore also has 350 parks including the world-famous , and the Singapore Botanic Gardens - the only tropical garden to be honoured as a UNESCO World Heritage Site.

Singapore is also one of the most wired countries in the region, rapidly growing to become a significant technology hub in . Singapore has also been a desirable place for big budget Hollywood productions such as ‘Crazy Rich Asians (2018)’, and most recently, episodes for season 3 of HBO’s ‘Westworld (2019)’.

In general, permits are not required for filming on streets and walkways in Singapore, as long as there A. ABOUT THE B. ENTERING C. CLEARING is no obstruction to vehicular or pedestrian traffic. For usage of properties and/or locations, it is best to seek approvals and permissions directly from the owners. Please also inform nearby businesses or SINGAPORE FILM SINGAPORE CUSTOMS neighbours of your filming activities at least 3 working days in advance as a form of courtesy. It is also COMMISSION good practice to ensure that there is minimal disturbance caused during filming. 05 07 04 Non-Singaporean filmmakers seeking to film in Singapore are required to submit relevant documents to the Singapore Ministry of Manpower (MOM) and the Immigration & Checkpoints Authority (ICA).

For a list of filming locations in Singapore, please refer to‘Singapore on Screen’

D. USING ARMS E. SECURING F. OTHER AND EXPLOSIVES LOCATIONS IMPORTANT DETAILS FOR FILMING 11 14 08

Grand scene from ‘Crazy Rich Asians’ that was shot in CHIJMES, Singapore

G. CONTACT DETAILS OF AGENCIES 19 ABOUT THE SINGAPORE ENTRY INFORMATION FOR A. FILM COMMISSION B. FOREIGN CAST AND CREW

The Singapore Film Commission (SFC), Visas & Professional Visit Pass part of the Infocomm Media Development Authority (IMDA), is charged with developing Foreigners who do not require visas for entry Singapore’s film industry and nurturing and are visiting Singapore as tourists are given filmmaking talent. It is advised by a committee a 14-day or 30-day social visit pass upon comprising members from the film, arts and arrival in Singapore. cultural community. Visitors would need to satisfy the following Since 1998, the SFC has supported more than basic requirements before they are able to 800 short films, scripts, feature films, as well as enter Singapore: film-related events in Singapore that showcase • Passport valid for at least 6 months; homegrown talent and works. Some notable The Singapore Film Commission (SFC) facilitates • Confirmed onward/return tickets; films by Singapore filmmakers include location filming in Singapore. While we do not ‘A Land Imagined’ (Yeo Siew Hua), ‘Ramen offer filming incentives or subsidies, nor do • Sufficient funds for their stay in Singapore; Teh’ (Eric Khoo), ‘POP AYE’ (Kirsten Tan), ‘Ilo Ilo’ we conduct location recces, we have compiled • Entry facilities, including visas, to their next (Anthony Chen), the ‘Ah Boys to Men’ series this guide which we hope will help you in destination; and (Jack Neo), and ‘881’ (Royston Tan). your filming. • Visa, if applicable (list of countries that On the sets of the film, ‘When Ghost Meets Zombie’ require visas to enter can be viewed here)

Women who are 6 months or more than 6 months pregnant and intend to enter Singapore for social visits should make a prior application through the nearest Singapore overseas mission.

The information in this section is accurate at the time of publishing i.e. 31st August 2019. For the latest information, please refer to the websites of Ministry of Manpower (MOM) at www.mom.gov.sg and Immigration & Checkpoints Authority (ICA) at www.ica.gov.sg.

04 On the sets of the film, ‘Long Long Time Ago’ 05 ENTRY INFORMATION FOR B. FOREIGN CAST AND CREW CUSTOMS C. CLEARANCE

Work Pass Exempt Activities Film & Video Equipment Exposed Films & Used Tapes

Film & video equipment for on-location If you are bringing in rushes/exposed Eligibility Making an e-Notification filming may be brought into Singapore under film, please write in to the Singapore Film Foreigners can enter Singapore and perform Foreigners performing any Work Pass these conditions: Commission at [email protected], for a certain activities for short durations (less than Exempt Activities are allowed to submit an letter to facilitate clearance at Customs. • If you are working with a local company, you 60 days) without a Work Pass. Foreigners who e-notification only after they have arrived in can use the Temporary Import Scheme. If you are exempted from Work Pass requirements Singapore and obtained a short term visit Please have the following details ready: are not working with a local company, you would include those performing activities pass. The e-notification has to be made before can use an ATA Carnet. • Name of Person carrying the footage currently exempted under the Professional Visit they start to perform the Work Pass Exempt Pass (PVP) Scheme administered by the ICA. Activities. The information required for making • Please produce your ATA Carnet upon entry/ • Passport Number The list of Work Pass Exempt Activities can be an e-notification is as follows: exit for endorsement of the documentation. • Flight Number viewed here. • Personal Particulars (i.e. Name, Date of Birth, • Date of Arrival For more information about using the ATA Sex, Nationality, Travel Document Number, • Purpose of Film/Tapes Carnet and the countries that recognise it, Travel Document Expiry Date); • Number of Reels/Tapes e-Notification for Work Pass please visit the International Chamber of • Disembarkation/Embarkation card number; Exempt Activities Commerce website. • Short term visit pass expiry date; Foreigners performing Work Pass Exempt Activities are required to submit an • Type of activity that will be performed; and e-Notification to inform MOM before engaging • Period of activity (start-date and end-date) in these activities. They can perform these activities for the duration of their short term visit passes subject to a maximum of 60 days. Beyond that, they will need to obtain a Work Pass. Those carrying out Work Pass Exempt Activities without notifying MOM can be prosecuted under the Employment of Foreign Manpower Act.

In addition, the waiver of Work Pass requirement does not exempt foreigners from having to comply with other specific legal requirements (see full list here) in Singapore.

On the sets of the film, ‘When Ghost Meets Zombie’ 06 07 USE OF ARMS AND EXPLOSIVES USE OF ARMS AND D. FOR FILMING IN SINGAPORE D. EXPLOSIVES FOR FILMING IN SINGAPORE

1. Filming with Deactivated During the importation of the deactivated Approval from PLRD must be obtained for 2. Filming with Dummy Weapons or Blank Firing Weapons weapons, the forwarding companies are each filming session where the licensed (i.e. Imitation or Toy Weapons) required to bring the weapons to PLRD for deactivated or blank firing weapons are The production company may work with an inspection. Once the deactivated or blank to be used. The production company The production company may work with a local licensed company to provide firing weapons had been inspected and shall write in to OC Licensing, Arms and local prop supplying companies or purchase deactivated or blank firing weapons approved, the forwarding companies will Explosives Division at least 7 working days the dummy weapons from local shops for filming. then be allowed to transport the weapons to before the filming session for approval. for filming. the designated storage location. Brief information on the storyline, location If the production company intends to import of filming, intended period of filming If the production company intends to import the deactivated or blank firing weapons, Licenses will be required for the import, and details of deactivated or blank firing the dummy weapons, they may write in to they must write in to the Police Licensing export and possession of deactivated or weapons to be used, are to be provided. the Police Licensing and Regulatory and Regulatory Department (PLRD) of the blank firing weapons. Licenses to import, Department (PLRD) to request for approval Singapore Police Force (SPF) to request for export and store explosives will also During filming, the applicant must put to import. The request should include the approval to import. The request should be required for the blank cartridges for up visible signage or notices at strategic type of the dummy weapons to be imported, include the type of the weapons to be blank firing weapons. The storage of the locations to warn members of the public quantity, duration of use in Singapore, imported, quantity, duration of use in weapons and blank cartridges has to be in of on-going filming activities involving the how it will be stored and how it will be Singapore, how it will be stored and how it an approved armoury (e.g. Auxiliary Police use of deactivated or blank firing weapons. brought into Singapore. An enquiry can be will be brought into Singapore. An enquiry Forces like Certis CISCO, AETOS Security). The weapons in transit must be kept out of sent to [email protected] can be sent to spf_licensing_feedback For licences to possess deactivated or blank sight in the vehicle from public view. When or via letter addressed to the following: @spf.gov.sg or via letter addressed to firing weapons and blank cartridges, the parked, the conveying vehicle carrying the the following: licensee will have to be a Singapore Citizen. weapons should not be left unattended and OC Licensing, Arms and Explosives Division there should be unobstructed line of sight to Police Licensing & Regulatory Department OC Licensing, Arms and Explosives Division SFC’s letter of facilitation for filming must be ensure that the weapons are secure. Police Cantonment Complex Police Licensing & Regulatory Department produced to PLRD during application. 391 New Bridge Road #02-701 Police Cantonment Complex Police must be informed immediately (dial Police Cantonment Complex 391 New Bridge Road #02-701 Approval from the owner of the property 999 or head to the nearest police station to Singapore 088762 Police Cantonment Complex where filming is to be carried out must be file a report) in the event of loss of weapons. Singapore 088762 obtained. The production company may engage a The licensee must be present on-site to forwarding company to import or export The production company will be required guide the use of the weapons, and to ensure the dummy weapons. The forwarding to engage a forwarding company to that only authorised personnel have access company will do the necessary inward and import or export the deactivated or blank to the weapons. If more than 4 weapons outward declaration. firing weapons. The forwarding company are used, armed escorts will be required will do the necessary inward and for the duration when the weapons are out outward declaration. of the armoury. If four or less weapons are used, no armed escorts are required but the licensee must engage sufficient manpower (minimum 1 staff to 2 weapons) to oversee 08 the security of the weapons on-site. 09 USE OF ARMS AND EXPLOSIVES D. FOR FILMING IN SINGAPORE SECURING LOCATIONS E. FOR FILMING DIAGRAM 1: OVERALL PROCESS

During the importation of the dummy 3. Processing Time weapons, the forwarding companies are DOES YOUR PRODUCTION INVOLVE THE required to bring the weapons to PLRD for The normal processing time for an SINGAPORE POLICE FORCE (SPF)? an inspection. Once the dummy weapons application for Arms and Explosives licence had been inspected and approved, the for deactivated or blank firing weapons Yes No forwarding companies will then be allowed is 7 working days from the receipt of the to transport the weapons to the designated application and the necessary supporting storage location. documents. Please visit the SPF’s website for ENGAGE AN SPF APPROVED details on the Arms and Explosives licence. FOUND YOUR PRODUCTION COORDINATOR LOCATION? Approval from the owner of the property Should there be any need for clarifications, ([email protected]) where filming is to be carried out must please contact the PLRD at +65 6835 0000 or be obtained. email [email protected]. Yes

A representative of the filming crew or the production company must inform PLRD (in WHO OWNS No DO YOU NEED A SFC writing or email) at least 7 working days THE LOCATION? FACILITATION LETTER? before the filming session. Brief information on the storyline, location of filming, intended Yes period of filming and type of dummy weapons to be used, are to be provided. GOVERNMENT SUBMIT A During the filming, it is a good practice to OWNED PROPERTY LOCATION PRIVATE put up visible signage or notices at strategic Approach relevant FACILITATION LETTER PROPERTY locations to inform members of the public government body REQUEST TO SFC Approach on the filming. ([email protected]) owner directly [refer to Diagram 2 on page 12: Government Owned Property]

SHOOT IS APPROVED

Distribute residents’ letter During filming to any residents/businesses affected by filming [refer to Section G – Important Things To Note] 3 working days in advance 10 Action scene being shot for the ‘Ah Boys to Men’ film series. 11 SECURING LOCATIONS SECURING LOCATIONS E. FOR FILMING E. FOR FILMING DIAGRAM 2: GOVERNMENT OWNED PROPERTY

9) Ministry of Defence FILMING AT (MINDEF) GOVERNMENT 1) Civil Aviation Authority 5) Urban Filming & aerial photography OWNED PROPERTY of Singapore (CAAS) Redevelopment of defence-related areas Use of airspace by civilian aircraft, Authority (URA) hot air balloon & airship Filming at URA car parks & aerial photography 10) (NParks) Filming in parks/ 2) Land Transport 6) Traffic Police park connectors Authority (LTA) Department Filming along public facilities Requests for road closures & roads and other traffic matters GOVERNMENT 11) Public Utilities BODY & Board (PUB) CORRESPONDING PURVIEW Filming at reservoirs 3) SMRT 7) Town Councils Corporation Ltd Common areas/properties in Filming in trains HDB estates, playgrounds, and stations lift lobbies & common corridors 12) Maritime & Port Authority of Singapore (MPA) Filming in port vicinity/waters 4) Housing Development 8) Singapore Land Board (HDB) Authority (SLA) Filming in HDB flats & properties, Use of state land APPROACH RELEVANT 13) HDB markets, hawker centres and buildings GOVERNMENT BODY & car parks Development [refer to Section G on page 19 Corporation – Contact Details] Filming in Sentosa

12 13 IMPORTANT THINGS IMPORTANT THINGS F. TO NOTE F. TO NOTE

1. FILMING AT AIRPORT 3. CHARGES 4. CLEANLINESS 7. IMPORT PERMITS

As operator of Changi Airport, the Changi Location charges are dependent on the The production shall ensure that all litter All enquiries regarding temporary import Airport Group (CAG) provides a one-stop respective property owner. Filmmakers may is removed immediately at the end of permits, trade documentation and service centre for all applicants who wish also like to explore the Short-Term Rental of the filming and that the location and procedures should be referred to the to apply for a permit to carry out filming/ State Properties for Filming (SRF) Program environment is kept in the same condition Singapore Customs Strategic Goods photography at Changi Airport. CAG will for suitable state properties such as former in which they were found. Control (STGC). make the following required arrangements police stations, camp sites, hospitals, on behalf of the applicant: schools etc. for use as a set or a production office. This is a joint effort by the SFC and 8. INSURANCE & RESPONSIBILITIES a. Security escort and supervision for 5. COMMUNICATIONS the Singapore Land Authority to help restricted areas of the airport filmmakers rent vacant State Properties on All matters concerning telecommunication All production companies filming in b. Security pass application and processing a short-term basis at preferential rates. and radio communication equipment such the streets must have a public liability for restricted areas Please see the SLA website for available as 1) Wireless microphones, 2) Walkie-talkie insurance policy for themselves and for c. Basic technical support (electrical only) properties (subject to changes). sets, and 3) Wireless video transmitters third parties in case of accidents and for d. Permit application and processing should be referred to the Infocomm Media damages to goods or equipment. Short-Term Rental Of State Properties Development Authority of Singapore (IMDA). The application form is available at this For Filming (SRF) Programme Precautions must be taken not to damage public property otherwise the production link. All applications should be sent to The following documents must be shall be liable for the cost of repairs on [email protected]. submitted together with the application via 6. FLAGS AND THE NATIONAL works and surfaces that might have been email to [email protected]: ANTHEM For fees, terms and conditions and other damaged during filming. a. One-page story outline/synopsis information, please refer to CAG’s Filming & Use of the Singapore Flag and/or the of project; The production shall obtain and produce Photography Application Centre website. National Anthem do not require approval b. Location breakdown (including number a copy of the relevant insurance needed by a government agency or otherwise of days per location); before shooting commences and should for their use. It is the responsibility of the be kept with the production at all times. 2. IMPORT OF FOOD, PLANTS AND c. Relevant scene descriptions; user to ensure that use of the Singapore ANIMALS d. Production budget; Flag and/or the National Anthem is in e. Production schedule (indicating adherence with the Singapore Arms and Custom formalities concerning import, pre-production, production, post Flag and National Anthem (SAFNA) export and transshipment of fish, animals, production dates); rules and relevant guidelines, set by the birds and their by-product, plants with , National Heritage Board. f. Brief profiles of production company and fruits, vegetables and endangered species producer; of fauna and flora and its derivatives are handled by the . g. Copy of Insurance Policy covering public liability (or quotation); and h. Other relevant supporting documents.

The programme is available all year round and processing time for the application is

14 between 3-5 weeks. 15 IMPORTANT THINGS IMPORTANT THINGS F. TO NOTE F. TO NOTE

9. NOISE & NUISANCE 10. PARKING & TRAFFIC 11. TECHNICAL INSTALLATIONS STUNTS, SPECIAL EFFECTS & PYROTECHNICS The production must ensure that noise be The production shall make every effort to The LTA should be informed when All stunts, special effects (including weather kept to a minimum, especially when setting find off-street parking for all facility lighting, lighting towers, scaffolding and effects and wet downs) and pyrotechnics up early in the morning or taking down in vehicles. If it is not possible, please note demountable structures are to be installed must be under the direct control of a the hours past midnight. Generators should the following: on roads and footways. The production named qualified stunt coordinator or not be switched on before 0700hrs unless must ensure that special effects operative. they are silent or if prior notification has Parking at car parks: a. All the lights above ground level and been given to (LTA) a. URA Car Parks – Contact Urban lighting stands are properly secured Approval should be sought by the building and residents/public in the affected area. Redevelopment Authority for permission b. Lighting stands placed along a footway owner if stunts involve their building in to use car parks are attended at all times concern. For stunts along public streets All members of the filming or shooting b. HDB Car Parks – Contact Housing or roads, the SPF and the LTA must crew must behave in a respectful and c. Lighting must not dazzle motor drivers Development Board for permission to be informed. responsible manner and use only places d. Lighting must not be shone directly use car parks specifically mentioned in the permit. Night towards residential properties CABLING shoots and filming are subject to prior Parking along a lane/street: The production must ensure that all cables notification to residents/businesses in the PROPS are safely laid. Cables should always be letter to residents. Applications must be made to the LTA for The production must ensure that the taped down in order to avoid any risk application to close off a lane/street or relevant authorities, i.e. the Singapore of stumbling. If cables need to be laid reservation of parking spaces. Only the Police Force (SPF), Singapore Civil Defence across a footway, they must be covered technical vehicles used for filming are Force (SCDF), etc. be informed if specific by a taped rubber mat that is visible to the allowed to park. Private vehicles are not on emergency service uniforms or vehicles public with proper lighting and markings. the list of authorised vehicles. are to be used during filming. CRANES/CAMERA CRANES Filming vehicles are not authorised to park During filming, any uniforms or vehicles if they block or disrupt the passage of The production must ensure that the LTA is resembling those used by emergency pedestrians or motor vehicles as well as informed should cranes/camera cranes services must be covered whenever emergency services. be required for filming on public roads. possible and especially between takes. Details should include the specific weight The production must ensure that and positioning of cranes/camera cranes filming does not cause any permanent and the need to maintain access. Signaling inconvenience to pedestrians. The lights must be placed around the aerial production must also ensure that it does platform or crane in times of bad visibility not impede the movements of disabled or when filming at night. people and should seek to create diversions accessible to them.

16 On the sets of the film, ‘Ramen Teh’ at Chinatown, Singapore. 17 IMPORTANT THINGS F. TO NOTE CONTACT DETAILS G. OF AGENCIES

12. AERIAL FILMING & EQUIPMENT STREET SIGNS/STREET FURNITURE/STREET Contact details of various government agencies are provided below and are LIGHTING/ROAD MARKINGS accurate at the time of publishing. For the latest information, please check against To fly an unmanned aircraft (UA) for non- The production must seek approval from the Singapore Government Directory at http://app.sgdi.gov.sg recreational/specialised service purposes, the LTA before any removal of street a UA Operator Permit (OP) and Class 1 furniture, street signs, and adjustment of CIVIL AVIATION AUTHORITY INFOCOMM MEDIA DEVELOPMENT Activity Permit (AP) are required regardless street lighting is carried out. Minor work by of the location (within indoor or outdoor), the production may be carried out but any OF SINGAPORE (CAAS) AUTHORITY OF SINGAPORE (IMDA) operating altitude, weight of the UA or damage or reinstatement costs will have to 60 Airport Boulevard 10 Road type of operations. Applications for the be met by the production company. 4th Storey, Terminal 2 #03-01 Mapletree Business City required permits can be made through Singapore Changi Airport Singapore 117438 the Civil Aviation Authority of Singapore Singapore 819643 +65 6211 0888 (CAAS) website. The average processing 13. OTHERS +65 6542 1122 [email protected] time of the OP and AP takes at least 10 www.caas.gov.sg www.imda.gov.sg working days or more depending on a. Hiring a locations manager is strongly the completeness of the submission of encouraged as it helps ease the location supporting documents and complexity of shooting process. HOUSING & DEVELOPMENT TOWN CORPORATION (JTC) the UA operations. There are chargeable BOARD (HDB) The JTC Summit b. Non-Singaporean filmmakers seeking application fees for the permit applications 8 Jurong Town Hall Road to film in Singapore must obtain relevant Public Affairs Section HDB Hub and the fees are non-refundable Singapore 609434 documents from MOM and ICA. 480 Lorong 6, regardless of the outcome of the Atrium 1st Storey +65 1800 568 7000 applications. The details on the application c. For filming at Jurong Town Corporation Singapore 310480 [email protected] fees can be found in the website. (JTC) properties, fill in the application form www.jtc.gov.sg and send the completed form to JTC. +65 6490 1111 All permit applications are assessed on d. All queries should be directed to IMDA at www.hdb.gov.sg a case by case basis. The production is [email protected]. LAND TRANSPORT AUTHORITY (LTA) also advised to seek permission from IMMIGRATION & CHECKPOINTS Media Relations Unit the building management/property AUTHORITY (ICA) No. 1 Hampshire Road owner and/or adhere to signage from 10 Road Singapore 219428 land management authorities before ICA Building proceeding with the applications. In +65 6225 5582 / Singapore 208718 +65 1800 - CALL LTA (1800 - 2255 582) addition, the production must ensure that +65 6391 6100 [email protected] aerial platforms or similar equipment www.ica.gov.sg www.lta.gov.sg/feedback should not be left unattended.

For helicopter filming, please contact CAAS at [email protected] or visit their website for more information.

18 On the sets of the film, ‘Number 1’ 19 CONTACT DETAILS CONTACT DETAILS G. OF AGENCIES G. OF AGENCIES

MARITIME & PORT AUTHORITY NATIONAL PARKS BOARD (NParks) SINGAPORE FILM COMMISSION SMRT CORPORATION LTD (SMRT) OF SINGAPORE (MPA) Headquarters National Parks Board, (SFC) (under IMDA) Corporate Communications Department Corporate Communications Department Singapore Botanic Gardens [email protected] 251 460 Alexandra Road, #19-00 1 Cluny Road www.imda.gov.sg/sfc Singapore 179102 Singapore 259569 PSA Building +65 1800 336 8900 Singapore 119963 +65 6471 7808 / +65 6472 3033 SINGAPORE FOOD AGENCY (SFA) Online Enquiry: +65 6375 1643 [email protected] (FORMERLY AGRI-FOOD & VETERINARY www.smrt.com.sg/feedback [email protected] www.nparks.gov.sg AUTHORITY OF SINGAPORE) www.smrt.com.sg www.mpa.gov.sg Headquarters PUBLIC UTILITIES BOARD (PUB) Singapore Food Agency of Singapore TOWN COUNCILS MINISTRY OF COMMUNICATIONS 40 Scotts Road, #22-01 JEM Office Tower Ministry of National Development AND INFORMATION (MCI) Environment Building 52 Jurong Gateway Road #14-01 5 Maxwell Road, #21/22-00 Singapore 608550 140 Street #01-01A, Singapore 228231 Tower Block, MND Complex Singapore 069110 Old Hill Street Police Station +65 6235 8888 +65 6805 2992 Singapore 179369 [email protected] Online Enquiry: Contact: csp.sfa.gov.sg/feedback +65 1800 837 9655 / +65 6837 9655 www.pub.gov.sg www.towncouncils.sg/links www.sfa.gov.sg /usefullinks.html#towncouncil [email protected] www.towncouncils.sg SENTOSA DEVELOPMENT CORPORATION SINGAPORE LAND AUTHORITY (SLA) MINISTRY OF DEFENCE (MINDEF) Corporate Communications Department TRAFFIC POLICE DEPARTMENT (TP) Sentosa Office Media Relations Branch 55 Newton Road, #12-01 Traffic Police Department 39 Avenue, Sentosa Revenue House 10 Ubi Avenue 3 303 Gombak Drive off Singapore 099958 Upper Road Singapore 307987 Singapore 408865 +65 6275 0388 MINDEF Building +65 6323 9829 +65 6547 0000 [email protected] Singapore 669645 [email protected] [email protected] www.sentosa.com.sg +65 1800-3676767 www.sla.gov.sg www.police.gov.sg www.mindef.gov.sg SINGAPORE CUSTOMS SINGAPORE POLICE FORCE (SPF) URBAN REDEVELOPMENT 55 Newton Road, #10-01 MINISTRY OF MANPOWER (MOM) Police Headquarters AUTHORITY (URA) Revenue House Car Parks Division, 18 Havelock Road, #07-01 Singapore 307987 New Phoenix Park Singapore 059764 28 Irrawaddy Road Urban Redevelopment Authority +65 6355 2000 Singapore 329560 45 Maxwell Road +65 6438 5122 [email protected] The URA Centre Online enquiry form: +65 1800 - 358 0000 www.customs.gov.sg Singapore 069118 services.mom.gov.sg Online Enquiry: /efeedback/Forms/eFeedback.aspx app.police.gov.sg/Feedback +65 6329 3434 www.mom.gov.sg /SPFfeedback.aspx [email protected] www.police.gov.sg www.ura.gov.sg 20 21 With a unique blend of Asian and Western influences, Singapore’s vibrant mix of eclectic and contemporary architecture makes it a one-of-a-kind place to make a film. Learn more at ‘Singapore on Screen’.