Hot Cup Promotes Hot Cup to Listen to That

LABEL SPOTLIGHT

got a stack of Wayne Shorter records at home if I want The anything-goes attitude that Hot Cup promotes Hot Cup to listen to that. Doing that now, when you’re not stems, at least in part, from what Elliot referred to as covering anything new, doesn’t tell me anything about “a month of epiphany” in college, when he discovered by Kurt Gottschalk what it’s like to be alive now.” Han Bennink, Misha Mengelberg and the Instant Elliot doesn’t claim to be alone in the push for Composers Pool, bolstering his listening with Kevin It’s not the most unusual thing to find a couple of relevance. He acknowledges others in a striking new Whitehead’s excellent 1998 book New Dutch Swing. It cover bands at a Brooklyn bar and at least at such an generation of players in New York who are remodeling was also in his final year at Oberlin that he met Peter eclectic club as Zebulon it might not be so rare that the tradition for their own use. But the Hot Cup brand Evans and self-released his first record, marking the Velvet Underground and Merle Haggard tribute bands is unique - and sometimes disparaged - for its interest first hints of his band and label. should appear on the same bill. But when the night is a in garnering laughter along with the applause. “That year was when all the stuff we do, in a double release party for two new records out on what “When I listen to Jason Moran or Mary Halvorson sense, stems from,” he said. “We were both reading all is purportedly a jazz label, things start to get a little or Vijay Iyer, even when I don’t like it, they’re trying kinds of books and listening to all kinds of music and more rarefied. something,” he said. “There isn’t enough trying to annoy as many people as we could.” The bassist for both bands on this June night was encouragement of that. I don’t think people think Elliot graduated with a degree in composition in also the man behind that label, Hot Cup Records, and through what they’re doing enough. I mean, I think it’s 2002 and moved to New York, the self-produced CD the driving force behind its most popular act, the really good to have repertory bands. If you’re going to Pinpoint in hand as a resume. He soon realized he was reverent bastardization of hardbop known as Mostly have a Miles repertory band, great, do it.” more interested in working on his own projects and Other People Do the Killing. Besides leading His MOPDTK uses some of the trappings of teaching music (he currently works at St. Mary’s High MOPDTK, Moppa Elliot backs a small coterie of bands repertory. The album covers and liner notes send up School in Manasset, Long Island, not far from his with a rotation of members including trumpet phenom the great sides of the ‘60s. And while the quartet can Astoria, Queens, home) than he was in trying to gig to Peter Evans, talented baritone saxophonist Charles do a burning take on Dizzy Gillespie’s “Night in make ends meet. Evans followed a year later and as Evans and award-winning altoist Jon Irabagon, multi- Tunisia”, it’s likely to be preceded by an uproariously their circle of friends and New York bandmates grew, faceted guitarist Jon Lundbom and the adrenaline- vulgar, uncomfortably orgiastic drum solo by Shea. so did the label. soaked, testosterone-laced drummer Kevin Shea. And And the annual “Yulenog” releases hover between the And while Elliot and company aren’t afraid of a with this variety of projects and players, Elliot is busily charming, offensive and insipid, with titles like “And I little offbeat humor, it’s not like everything the label questioning the lines drawn around perceived genres am Telling You I am Still a Virgin”. releases should be filed under ‘funny’. Puttin’ on the in music and the ways in which humor can be used to “I think a lot of people think humor somehow Ritz’s rendition of the Velvet Underground’s 1968 smudge those lines. negates what you’re doing, like you can’t be serious, album of rock bombast White Light/White Heat “I really don’t think playing straightahead like Weird Al,” he added. “Although I take Weird Al (released on vinyl only) crosses well into the terrain of harmonic jazz tunes in 2010 is valid,” Elliot said. “I’ve seriously.” (CONTINUED ON PAGE 31) Shamokin!!! MOPDTK White Night/White Hear Puttin’ On The Ritz Live at Saint Stephens Charles Evans/Neil Shah Accomplish Jazz Jon Lundbom & Big Five Chord Forty Fort MOPDTK

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Born in Kyoto, Japan, pianist MIKI HAYAMA has movie [The Sound of Music] when I was 11 years old. latter featured at the 2010 Tribeca Film Festival. performed with various artists including Kenny Garrett, Ralph Peterson, Aretha Franklin, Nnenna Dream Band: I am satisfied with my bands now but I Teachers: Ron Carter, Michael Moore, Rufus Reid, Ben Freelon, Valery Ponomarev, Vincent Herring, Kiyoshi would love to play with Roy Haynes, Jack DeJohnette Street, Boris Kozlov, Mark Helias. Kitagawa, Sean Jones, Victor Lewis and Tia Fuller (to and John Patitucci. name a few) since settling in New York in 2003. She Influences: Charlie Parker to The Pixies, Coltrane to has performed at Jazz Gallery, Blue Note, Birdland, Did you know? I used to have two nicknames. One is Pharrell, Hank Jones to Jimi Hendrix, Stevie Wonder to Jazz Standard, Iridium, Smoke, Smalls, Zinc Bar, “Be” when I was in junior high because I was big fan of Nick Drake, James Brown to Wayne Shorter. 55Bar, Fat Cat and Dizzy’s Club. The Beatles at that time. Another one is “Lion” when I was at elementary school because of my curly hair. Current Projects: Marcos Varela/Caleb Curtis Teachers: Some classical piano teachers. And I studied Quintet, Brad Leali Quartet, Bruce Cox Trio/Quartet, basic jazz piano with Sadayasu Fujii in Japan and For more information, visit mikihayama.com. Hayama is at Waldron Ricks Quartet, Meilana Gillards Fine Print, studied from records by myself. After moving to New Dizzy’s Club Aug. 10th-14th. See Calendar. Billy Hart Academy Sextet, Steve Hall Quartet, Evan York, I had a chance to play many sessions with Kenny Arntzen Quartet, Umar Bin Hassan (The Last Poets). Garrett who taught me beyond my knowledge. By Day: Practice, write music for film and TV and Influences: Too many to name! But on the jazz piano: teach some private lessons. Lennie Tristano, Bill Evans, Phineas Newborn Jr., Wynton Kelly, McCoy Tyner, Hampton Hawes, Herbie I knew I wanted to be a musician when...I heard Paul Hancock, Chick Corea, Keith Jarrett, Brad Mehldau Chambers playing on Miles Davis’ live 1958 recording and Geri Allen. of “My Funny Valentine” from Jazz at the Plaza.

Current Projects: Leading my Trio and Quintet and Dream Band: Herbie Hancock, Paul Motian, Lee playing in Mimi Jones Band, Pauline Jean Group, Sage, Miki Hayama Marcos Varela Konitz and Wayne Shorter. Vitaly Golovnev Group and occasionally Nnenna Freelon Group and Cathedral Baptist 100 Gospel Born in Houston, bassist MARCOS VARELA Did You Know? When I was younger I used to be a Choir. attended the highly acclaimed HSPVA and then competitive archer on a national level. moved to New York in 2004. He has shared the stage By Day: Practicing piano and finding some new with Billy Hart, Charli Persip, Winard Harper, George For more information, visit marcosvarela.net. Varela is at things, learning songs for choir, watching CNN News Colligan, Jacob Sacks, EJ Strickland, Junior Mance, The Kitano Aug. 12th with Lauren Sevian, Bar Next Door and cooking. Bruce Barth, Tyshawn Sorey and Victor Jones, to name Aug. 14th with Bruce Cox, Miles’ Café Aug. 26th as a just a few. Most recently Varela has scored music for leader and Antibes Wednesdays with Alex Terrier. See I knew I wanted to be a musician when...I saw a the films Greenwich and 11th and Roots in Water, the Calendar and Regular Engagements.

12 August 2010 | ALLABOUTJAZZ-NEW YORK