Private Collection, Courtesy of Galería Arvil, Mexico

Total Page：16

File Type：pdf, Size：1020Kb

Private Collection, Courtesy of Galería Arvil, Mexico

ART GALLERY EXHIBITION CHECKLIST 1. Small Life (II), c. 1928 Watercolor on paper 7⅛ x 913/16 in. (18 x 25 cm) Private collection, courtesy of Galería Arvil, Mexico 2. Preparatory Sketch for Portrait of Luther Burbank, 1931 Pencil on paper 117/16 × 8¼ in. (29 x 21 cm) Juan Rafael Coronel Rivera Collection 3. Portrait of Luther Burbank, 1931 Oil on masonite 34 x 24 in. (87 x 62 cm) Col. Museo Dolores Olmedo, Xochimilco, Mexico 4. The Dream, 1932 Pencil on paper 10⅝ × 7⅞ in. (27 x 20 cm) Juan Rafael Coronel Rivera Collection 5. Frida and the Miscarriage, 1932 Lithograph 11½ × 9½ in. (29.2 x 24.1 cm) Private collection art gallery exhibition checklist page 2 nybg.org 6. Two Nudes in a Forest, 1939 Oil on metal 913/16 × 12 in. (25 x 30.5 cm) Collection of Jon Shirley 7. Self-Portrait with Thorn Necklace and Hummingbird, 1940 Oil on canvas 24½ × 19 in. (62.2 x 48.3 cm) Harry Ransom Center, The University of Texas at Austin © 2014 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York 8. Flower of Life, 1944 Oil on masonite 117/16 × 713/16 in. (28 x 19.8 cm) Col. Museo Dolores Olmedo, Xochimilco, Mexico art gallery exhibition checklist page 3 nybg.org 9. Sun and Life, 1947 Oil on masonite 153/4 × 19½ in. (40 x 49.5 cm) Private collection, courtesy of Galería Arvil, Mexico 10. Still Life [for Samuel Fastlicht], 1951 Oil on canvas 11 × 143/16 in. (28 x 36 cm) Private collection, courtesy of Galería Arvil, Mexico 11. Still Life with Parrot and Flag, 1951 Oil on masonite 10¼ × 13⅝ in. (26 x 35 cm) Private collection, courtesy of Galería Arvil, Mexico 12. Still Life with Parrot and Fruit, 1951 Oil on canvas 9⅞ × 11⅛ in. (25 x 28.2 cm) Harry Ransom Center, The University of Texas at Austin © 2014 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York art gallery exhibition checklist page 4 nybg.org 13. Still Life with Watermelons, 1953 Oil on masonite 15⅝ × 22 in. (39.8 x 56 cm) Acervo CONACULTA-INBA, Museo de Arte Moderno 14. Self-Portrait Inside a Sunflower, 1954 Oil on canvas 9½ × 129/16 in. (24.1 x 32 cm) Private collection art gallery exhibition checklist page 5 nybg.org.

Copy Link

Recommended publications

Las Dos Caras Del Xoloitzcuintle, Revalorización De Un Perro Diferente: 'Escuincles Y Xoloitzcuintles', Divulgación Entre El Público Infantil
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/347464851 Las dos caras del Xoloitzcuintle, revalorización de un perro diferente: 'Escuincles y Xoloitzcuintles', divulgación entre el público infantil Article · December 2020 CITATIONS READS 0 129 1 author: Aitor Brito Mayor Universidad de Las Palmas de Gran Canaria 7 PUBLICATIONS 7 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Genealogía y desarrollo de la especie Canis familiaris en Mesoamérica View project All content following this page was uploaded by Aitor Brito Mayor on 18 December 2020. The user has requested enhancement of the downloaded file. Revista ARCHAEOBIOS Nº 14, Vol. 1 Diciembre 2020 ISSN 1996-5214 Las dos caras del Xoloitzcuintle, revalorización de un perro diferente: ‘Escuincles y Xoloitzcuintles’, divulgación entre el público infantil Aitor Brito Mayor Centro de Estudios Arqueológicos, El Colegio de Michoacán, México. Email: <[email protected]> Resumen El perro pelón mexicano ha compartido la existencia con el ser humano desde la época precolonial. Haciendo una revisión de las fuentes etnohistóricas, arqueológicas e históricas se manifiesta una necesaria puesta en valor que ayude a desterrar mitos sobre un animal de apariencia dual, existiendo ejemplares con y sin pelo. Sobre bases empíricas, a través de un sondeo realizado en el Colegio Pier Faure (La Piedad, Michoacán), hemos desarrollado una propuesta preliminar de divulgación para el público infantil. Mediante una actividad lúdico-formativa se persigue establecer lazos de empatía hacia este patrimonio vivo, entre niños y niñas de 5 a 12 años. Palabras clave: Zooarqueología; Divulgación; Infantil; Xoloitzcuintle Abstract The Mexican hairless dog has shared its existence with humans since precolonial times.
[Show full text]
Diego, Frida, and Trotsky by Albert Bildner
country willing to receive Trotsky. Diego Rivera, Diego, Frida, and Trotsky already internationally acclaimed as a muralist, and By Albert Bildner Frida were both communist sympathizers, so they offered Trotsky one of their homes as a refuge. he recent movie Frida, brought back vivid The Coyoacán house became a meeting place for memories of my youth. I knew all three the artist friends of Diego and Frida. One of the principals - Diego Rivera, Frida Kahlo regulars was Doctor Atl, the one legged painter and Leon Trotsky. whose specialty was painting Mt. Popocatepetl, a TThe year was 1937. I had just graduated from mountain the amputee would climb with one leg Yale University. With $200 saved from working in a and a crutch. Pablo O’Higgins and Alfredo Zalce grocery store owned by my father, I had bought a were also visitors there. David Alfaro Siquieros, second-hand 1931 Packard limousine, color black. It another famed artist friend who was known to be had a roll-up window between the front and back somewhat crazed, was already in jail for trying to kill seat; there was a voice tube for the back seat Trotsky. Since the house was mainly a refuge for passenger to speak through to give orders to the Trotsky, there were several, perhaps a dozen young driver; two small flower vases were on either side of people, doing translation work for the exiled the rear interior. Communist leader. I was given the job of With two friends, I embarked on a reading Spanish magazines and newspapers journey starting in New York City headed and translating certain articles into English, for Mexico City.
[Show full text]
Kingdom of the Monarchs Mexico Tour
For More Information Contact See More Tours at Cynthia Marion - 214.497.4074 www.travelphiletours.com KINGDOM OF THE MONARCHS MEXICO TOUR Benefiting Wimberley’s EmilyAnn Theatre & Gardens Friday February 9-Thursday February 15, 2018 7 Days / 6 Nights LEAVING FROM WIMBERLEY Enjoy our exciting ecological and cultural adventure. Fall in love with the Monarchs as you spend 2 days including Valentines day with tens of millions of Monarch butterflies! Experience one of the world’s most astounding natural events featuring the delicate Monarch at two different sanc- tuaries in Mexico where they “winterize” prior to making a remarkable springtime 3,000 mile journey to the northeastern US and Canada. Along the way we’ll take a boat ride with a local birding expert through floating gardens and canals of Xochimilco and explore Coyoacán, one of the most well preserved colonial areas of Mexico City to experience the art and culture of artists Frida Kahlo and Diego Rivera. Day 1 Texas to Mexico City Friday February 9 Depart Texas for Mexico City and the wonders that await. Upon arrival, we’ll transfer to our 4 ½ Star Tripadvisor rated hotel where you’ll have free time to get settled in your hotel room. We gather this evening for a welcome dinner at the award-winning Taberna del Leon. (D) Hotel: Paraiso See More Tours at For More Information Contact www.travelphiletours.com Cynthia Marion - 214.497.4074 Day 2 Mexico City Saturday February 10 Breakfast. Leave for one of the best handicrafts market in all of Mexico, Bazaar Del Sabado in San Angel.
[Show full text]
Frida Kahlo: Making Her Self up Mexico Since the 1950S) and It Is V&A, London, This Material on Offer at Frida Kahlo: 16 June to 4 November 2018 Making Her Self Up
Life & Times Exhibition Frida Kahlo: Making Her Self Up Mexico since the 1950s) and it is V&A, London, this material on offer at Frida Kahlo: 16 June to 4 November 2018 Making Her Self Up. It soon becomes apparent that ENTRY-LEVEL FRIDA the art is good but it is her image Before there was Tracy Emin and her unmade that pervades. That face. Wandering bed, there was Frida Kahlo. through rooms accompanied by My introduction to her work was reading eerie womb-like music, everything is about a painting of hers owned by Madonna. smaller than you expect, such is the The title of this was My Birth (1932) and aura and hype surrounding her. depicts Frida, quite literally, giving birth to Nonetheless, the photographs (an herself, watched over by an agonised Virgin adolescent Frida dressed in male Mary. It’s a disturbing, unforgettable image garb in a family portrait, unsmiling and sums up Frida’s art very aptly: direct, raw, and challenging as ever), shawls painful, and unapologetic. and skirts, jewellery, medicines, and make-up are fascinating to pore Madonna later said in an interview with over. What is obvious is the depth of Vanity Fair that she used this painting to suss her disability and physical suffering people out: ‘If somebody doesn’t like this (her braces and torturous-looking painting then I know they can’t be my friend.’ surgical corsets are on display), but I am sure Madonna and Frida would have got also her great strength and creativity on well. to turn such suffering and misfortune This exhibition is a real feather in the into art.
[Show full text]
The Blue House: the Intimate Universe of Frida Kahlo
The Blue House: The Intimate Universe of Frida Kahlo “Never in life will I forget your presence. You found me torn apart and you took me back full and complete.” Frida Kahlo By delving into the knowledge of Frida Kahlo's legacy, one discovers the intense relationship that exists between Frida, her work and her home. Her creative universe is to be found in the Blue House, the place where she was born and where she died. Following her marriage to Diego Rivera, Frida lived in different places in Mexico City and abroad, but she always returned to her family home in Coyoacan. Located in one of the oldest and most beautiful neighborhoods in Mexico City, the Blue House was made into a museum in 1958, four years after the death of the painter. Today it is one of the most visited museums in the Mexican capital. Popularly known as the Casa Azul (the ‘Blue House’), the Museo Frida Kahlo preserves the personal objects that reveal the private universe of Latin America’s most celebrated woman artist. The Blue House also contains some of the painter’s most important works: Long Live Life (1954), Frida and the Caesarian Operation (1931), and Portrait of My Father Wilhelm Kahlo (1952), among others. In the room she used during the day is the bed with the mirror on the ceiling, set up by her mother after the bus accident in which Frida was involved on her way home from the National Preparatory School. During her long convalescence, while she was bedridden for nine months, Frida began to paint portraits.
[Show full text]
Sistema De Memoria Colectiva En El Metro Imagotipos En La Ciudad De México*
INVESTIGACIÓN 9 Sistema de memoria colectiva en el Metro Imagotipos en la Ciudad de México* Francisco López Ruiz Resumen El Sistema de Transporte Metropolitano (Metro) de la Ciudad de México ofrece un valor simbólico único en el mundo. Desde hace cuatro décadas las estaciones del Metro son representadas mediante íconos o imagotipos. El objetivo de este artículo es contrastar las características gráficas de dos imagotipos y la vinculación con su contexto urbano e histórico: los ideogramas de las estaciones La Noria (tren ligero) y Cuatro Caminos (línea 2 del Metro). El argumento central establece que los imagotipos del Metro y otros sistemas de transporte capitalino forman parte de la riqueza patri- monial y la identidad de la Ciudad de México, ya que simbolizan de manera creativa diversos elementos culturales y urbanos. Abstract Mexico City’s subway icons are unique examples of urban graphic design. The purpose of this essay is to compare two icons –La Noria (urban train) and Cuatro Caminos (subway)– and analyze their historical and cultural meaning or significance. The main argument is that such subway icons stand as symbols of Mexico City’s cultural heritage insofar they represent diverse cultural and urban elements. * Esta investigación pertenece al proyecto Energía y arquitectura sustentable, financiado por la Dirección de Investigación de la, Universidad Iberoamericana, Ciudad de México y el Patronato Económico de la misma universidad (FICSAC). 10 Francisco López Ruiz arquitectos, con lo cual se evita la fealdad El ingeniero Bernardo
[Show full text]
Feminist Studies
FEMINIST STUDIES EDITORIAL DIRECTOR Claire G. Moses EDITORIAL COLLECTIVE Judith Keg an Gardiner, Minnie Bruce Pratt (creative writing editor), Karla Mantilla, Leis a D. Meyer, Claire G. Moses, Layli Phillips, Suzanne Raitt, Gayatri Reddy, Gay Seidman, Millie Thayer MANAGING EDITOR Karla Mantilla BUSINESS MANAGER Angie Young TYPESETTER Lise Spectre DESIGNER Duy-Khuong Van What I Saw in the Water or What the Water Gave Me, 1938. Oil on canvas, 91 x 70.5 cm. Private collection. FEMINIST STUDIES EDITORIALDIRECTOR Claire G. Moses EDITORIALCOLLECTIVE Judith Kegan Gardiner, Minnie Bruce Pratt (creative writing editor), Karla Mantilla, Leisa D. Meyer, Claire G. Moses, Layli Phillips, Suzanne Raitt, Gayatri Reddy, Gay Seidman, Millie Thayer MANAGINGEDITOR Karla Mantilla BUSINESSMANAGER Angie Young TYPESETTER Lise Spectre DESIGNER Duy-Khuong Van Figure 1. MY GRANDPARENTS, MY PARENTS, AND I, 1936. Oil and tempera on metal panel, 30.7 x 34.5 cm. Museum of Modern Art, New York. All images by Frida Kahlo © Banco de México Diego Rivera and Frida Kahlo Museums Trust. Figure 2. NUDE OF MY COUSIN ADY WEBER, 1930. Pencil on paper, 60 x 47 cm. Museo Dolores Olmeda PatiZo, Xochimilco, México. Figure 3. PORTRAIT OF MY FATHER, 1951. Oil on masonite, 60.5 x 46.5 cm. Frida Kahlo Museum, Coyoacán, México. Figure 4. DETAIL OF WHAT I SAW IN THE WATER or WHAT THE WATER GAVE ME, 1938. Oil on canvas, 91 x 70.5 cm. Private collection. Figure 5. MY BIRTH, 1932. Oil on metal, 30.5 x 35 cm. Collection of Madonna, New York. Figure 6. WITHOUT HOPE, 1945. Oil on canvas, 28 x 36 cm.
[Show full text]
A Still Life Is a Picture of Objects That Don't Move. Frida Kahlo Created Still-Life Paintings That
What is a still life? Meet Frida Kahlo A still life is a picture of objects that don’t move. Frida Kahlo was one of Frida Kahlo created still-life paintings that are Mexico’s greatest artists. filled with symbols of her beloved Mexico, like She grew up in a blue dragonfruit, marigolds, and Xolo dogs. house with her parents and sisters. As a teenager, she was in a bus accident and had to spend a lot of time in bed recovering. She used art to pass the time, and it became her life’s work! She painted animals, flowers, and more than 50 pictures of herself. Illustrations by Carlyn Krall Frida Kahlo: Five Works is organized by the Dallas Museum of Art. The Dallas Museum of Family Programs are organized by the Dallas Museum of Art. The Dallas Museum Art is supported, in part, by the generosity of DMA Members and donors, the National of Art is supported, in part, by the generosity of DMA Members and donors, the Endowment for the Arts, the Texas Commission on the Arts, and the citizens of Dallas National Endowment for the Arts, the Texas Commission on the Arts, and the through the City of Dallas Office of Arts and Culture. citizens of Dallas through the City of Dallas Office of Arts and Culture. Special thanks to the City of Garland, City of Irving, City of Dallas Office of Parks and Recreation, and VisitDallas. HISPANIC MEDIA SUPPORT LOCAL SUPPORT FAMILY PROGRAMS SUPPORT Still Life, 1951 © 2021 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F.
[Show full text]
Frida’S Imaginary Friend
Enter, stage left: Frida’s imaginary friend. Her name is also Frida. They play games. Frida Jonah Winter Illustrator Ana Juan Scholastic 2002 Text and Illustration Pages 8-9 Frida Jonah Winter Ana Juan [Illustrator] Scholastic Books 2002 Frida Kahlo is possibly Mexico’s most widely her recuperation from the accident. She sent recognized and appreciated painter. Mainly paintings to the well-established Mexican self-taught, she belonged to a circle of painter Diego Rivera who encouraged Kahlo, innovative and influential artists in Mexico and and in 1928 the two painters married; their internationally. Kahlo was married to the artist stormy relationship would last for the rest of Diego Rivera. She was also an active Kahlo's life. participant in the cultural and political movements of her time. Largely self-taught, Kahlo was decisively influenced by the starkness, high color, and Her work combines folk-art elements with a bold, naive figuration of the popular and highly personal symbolism that can be both religious arts of Mexico. She connected those mysterious and disquieting. Her self-portraits arts with developments in French and Spanish painted between 1925 and 1954 offer a surrealism, in which modernist abstraction complex autobiography, exploring both gave way to realistic images placed in physical and psychological pain. Kahlo unexpected-even bizarre and nightmarish- contracted polio as a child and as a teenager juxtaposition. One of Kahlo's early supporters was involved in a serious bus accident that was the leader of the French surrealists, Andre required many surgeries throughout her life. Breton, who in 1939 sponsored an exhibition of Her relationship with Rivera was a source of her work in Paris.
[Show full text]
Focus on Art: the Spirit of Frida
focus on art: the spirit of frida Experience the sights, sounds, tastes and art that influenced a woman who challenged the world of art and polite society, Frida Kahlo. April 18 – 25 2017 or April 18-28, 2017 extension option trip details Travel with Hank & Laura Hine to Mexico to explore the world of Frida Kahlo, her art, and her tumultuous life with husband, partner and obsession Diego Rivera. Mexico City San Miguel de Highlights Allende Highlights Welcome dinner at Trolley touring Restaurant Café Tacuba Walking tour of galleries National Folkloric and shopping at Ballet performance Fábrica La Aurora Frida’s Casa Azul Guided visit to ‘the Sistine Chapel of the Americas’ The House Museum of Dolores Olmedo Folk art museum Soumaya Museum Special farewell dinner Guided visits to Rivera’s works Fine dining throughout Xilitla and Guanajuato Optional Extension Highlights Tour through spectacular Sierra Gorda; 2 nights in the El Castillo and La Posada de James; Edward James’ jungle sculpture garden; bath, waterfall and natural pools of Las Pozas; Diego Rivera’s house and museum; soiree with troubadours. Cost: $4,694* per person, double occupancy; single travelers add $1,069 Optional 4-day/3-night Extension add $1,259 per person double occupancy, single travelers add $350 more *Your price includes a $500 per person tax-deductible honorarium to The Dalí Museum. Details to follow. A deposit of $500 per person, a and membership with The Dalí Museum, are required to hold your space. Final payment is due January 18, 2017 price includes Main program:
[Show full text]
Mexico City and San Miguel De Allende SCHEDULE BY
An Art Lover’s Mexico: Mexico City and San Miguel de Allende October 19-26, 2018 Immerse yourself in the art, architecture, and cuisine of Mexico on this tour of Mexico City and San Miguel de Allende. Begin in Mexico City’s colonial center, touring the city's spectacular murals and dramatic architecture. Enjoy traditional home cooking at the Casa Pedregal, designed by notable Mexican architect Luis Barragán. See the Torres de Ciudad Satélite, an iconic piece of modern sculpture and architecture. In San Miguel de Allende, meander along narrow cobblestone streets, and view colorful arcades and courtyards, rustic houses, and elegant mansions. Conclude with a visit to El Charco del Ingenio botanical gardens to see migrating birds, serene waterfalls, and lush landscapes. GROUP SIZE: From 16 to 30 travelers PRICING: $4,995 per person double occupancy / Single supplement: $1,295 STUDY LEADER: JEFFREY QUILTER is the William and Muriel Seabury Howells Director of the Peabody Museum of Archaeology and Ethnology and senior lecturer in anthropology at Harvard. Trained as an anthropological archaeologist, Jeffrey has focused much of his career on the early societies of Peru. Recently, his interest in issues of the origins and nature of complex societies has shifted to a focus on viewing social and environmental changes over long periods of time. ____________________________________________________________________________________________ luxurious hotel, located near Chapultepec SCHEDULE BY DAY Park. B=Breakfast, L=Lunch, D=Dinner, R=Reception After checking into your hotel, drive to the National Museum of Anthropology to see FRIDAY, OCTOBER 19 exquisite sculptures and artifacts from ARRIVE MEXICO CITY Mexico’s pre-Columbian civilizations.
[Show full text]
Rediseño Del Manual De Capacitación Para Guías Temporales Del Museo Dolores Olmedo
UNIVERSIDAD PEDAGÓGICA NACIONAL Unidad Ajusco Licenciatura en Psicología Educativa Informe de intervención profesional Rediseño del manual de capacitación para guías temporales del Museo Dolores Olmedo Tesis Que para obtener el título de Licenciado en Psicología Educativa Presenta: Luis Antonio Jimenez Velazquez Asesora Dra. Mónica García Hernández Ciudad de México 2017 Agradecimientos A mis padres Teresa Velazquez y Luis Jimenez: Por todo el esfuerzo, paciencia y apoyo que me han brindado, sé que no he sido un hijo ejemplar pero gracias a sus consejos pude concluir esta etapa de mi vida. A Evelin y Leonardo: Hermana, sé que no siempre nos llevamos bien, pero te agradezco todo lo que haces por mí, es divertido compartir la vida contigo. Leo, espero siempre tengas una vida interesante en todo aspecto, goza, disfruta y se feliz creciendo. Los amo. A Jacinta López y Antonio Badillo y a sus hijos Karina, Celene, Gloria, Ivonne y Marcos: Porque son parte de mi familia nuclear y siempre han estado al pendiente de mí en todo aspecto de la vida. Gracias, pocas personas tienen la dicha de rodearse de tan buenas personas. A mi familia de Guanajuato: Son el perfecto escape de la rutina de esta ciudad. Los quiero. A Karen: ¿Quién pensaría que una obra de mi infancia, que comprendí años después, resultaría un punto de encuentro para ambos? (Le Petit Prince). A lo largo de estos años te has convertido en una pieza esencial de mi vida, te has vuelto parte de mi familia y más, gracias por estar a mi lado. A la Doctora Mónica García Hernández: Por apoyarme y guiarme en la elaboración de este proyecto.
[Show full text]