Bookplate Literature ~ February 2016
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Children's Books & Illustrated Books
CHILDREN’S BOOKS & ILLUSTRATED BOOKS ALEPH-BET BOOKS, INC. 85 OLD MILL RIVER RD. POUND RIDGE, NY 10576 (914) 764 - 7410 CATALOGUE 94 ALEPH - BET BOOKS - TERMS OF SALE Helen and Marc Younger 85 Old Mill River Rd. Pound Ridge, NY 10576 phone 914-764-7410 fax 914-764-1356 www.alephbet.com Email - [email protected] POSTAGE: UNITED STATES. 1st book $8.00, $2.00 for each additional book. OVERSEAS shipped by air at cost. PAYMENTS: Due with order. Libraries and those known to us will be billed. PHONE orders 9am to 10pm e.s.t. Phone Machine orders are secure. CREDIT CARDS: VISA, Mastercard, American Express. Please provide billing address. RETURNS - Returnable for any reason within 1 week of receipt for refund less shipping costs provided prior notice is received and items are shipped fastest method insured VISITS welcome by appointment. We are 1 hour north of New York City near New Canaan, CT. Our full stock of 8000 collectible and rare books is on view and available. Not all of our stock is on our web site COVER ILLUSTRATION - #307 - ORIGINAL ART BY MAUD HUMPHREY FOR GALLANT LITTLE PATRIOTS #357 - Meggendorfer Das Puppenhaus (The Doll House) #357 - Meggendorfer Das Puppenhaus #195 - Detmold Arabian Nights #526 - Dr. Seuss original art #326 - Dorothy Lathrop drawing - Kou Hsiung (Pekingese) #265 - The Magic Cube - 19th century (ca. 1840) educational game Helen & Marc Younger Pg 3 [email protected] THE ITEMS IN THIS CATALOGUE WILL NOT BE ON RARE TUCK RAG “BLACK” ABC 5. ABC. (BLACK) MY HONEY OUR WEB SITE FOR A FEW WEEKS. -
Views Before That August Body and the Parliament Which Was Back of It, in Hopes That He Might Inñuence the Final Form of the Church Discipline
1936.] Report of the Librarian 153 REPORT OF THE LIBRARIAN THE USE OF THE LIBRARY TN accepting membership in the American Anti- -•• quarian Society in 1915, the Right Honorable Sir George Otto Trevelyan, distinguished historian of the American Revolution, said: "Recognition from such a body as the American Antiquarian Society has for me a value of a rare character. I shall never see Worcester or enter the Library in which henceforth I should have the privilege of reading but I accept the position of membership with gratitude and pleasure." Many other English and Continental scholars have been more fortunate than Sir George and have spent happy and profitable hours within these walls. This summer as never before our reading room has, at times, been thronged with historical students occupying every available seat. The follower of the curious hobby of license plate hunting would have been richly re- warded by an examination of the cars parked about our building, for he would have found plates from almost every state in the union in the course of a few midsummer visits. As soon as the last college class has been dismissed many a historian packs his travelling bag and the notes for his forthcoming volume and turns the prow of his trusty car toward Worcester. The subjects of their inquiries are of infinite variety and all of their problems are interesting. A scholar from the University of Kansas wished to know when aerial photography began and was delighted when we produced a balloon photograph of Boston taken, believe it or not, in 1860. -
Chapter 5 Formatting Pages: Basics Page Styles and Related Features Copyright
Writer 6.0 Guide Chapter 5 Formatting Pages: Basics Page styles and related features Copyright This document is Copyright © 2018 by the LibreOffice Documentation Team. Contributors are listed below. You may distribute it and/or modify it under the terms of either the GNU General Public License (http://www.gnu.org/licenses/gpl.html), version 3 or later, or the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), version 4.0 or later. All trademarks within this guide belong to their legitimate owners. Contributors Jean Hollis Weber Bruce Byfield Gillian Pollack Acknowledgments This chapter is updated from previous versions of the LibreOffice Writer Guide. Contributors to earlier versions are: Jean Hollis Weber John A Smith Ron Faile Jr. Jamie Eby This chapter is adapted from Chapter 4 of the OpenOffice.org 3.3 Writer Guide. The contributors to that chapter are: Agnes Belzunce Ken Byars Daniel Carrera Peter Hillier-Brook Lou Iorio Sigrid Kronenberger Peter Kupfer Ian Laurenson Iain Roberts Gary Schnabl Janet Swisher Jean Hollis Weber Claire Wood Michele Zarri Feedback Please direct any comments or suggestions about this document to the Documentation Team’s mailing list: [email protected] Note Everything you send to a mailing list, including your email address and any other personal information that is written in the message, is publicly archived and cannot be deleted. Publication date and software version Published July 2018. Based on LibreOffice 6.0. Note for macOS users Some keystrokes and menu items are different on macOS from those used in Windows and Linux. The table below gives some common substitutions for the instructions in this book. -
Download the Catalogue
Five Hundred Years of Fine, Fancy and Frivolous Bindings George bayntun Manvers Street • Bath • BA1 1JW • UK Tel: 01225 466000 • Fax: 01225 482122 Email: [email protected] www.georgebayntun.com BOUND BY BROCA 1. AINSWORTH (William Harrison). The Miser's Daughter: A Tale. 20 engraved plates by George Cruikshank. First Edition. Three volumes. 8vo. [198 x 120 x 66 mm]. vii, [i], 296 pp; iv, 291 pp; iv, 311 pp. Bound c.1900 by L. Broca (signed on the front endleaves) in half red goatskin, marbled paper sides, the spines divided into six panels with gilt compartments, lettered in the second and third and dated at the foot, the others tooled with a rose and leaves on a dotted background, marbled endleaves, top edges gilt. (The paper sides slightly rubbed). [ebc2209]. London: [by T. C. Savill for] Cunningham and Mortimer, 1842. £750 A fine copy in a very handsome binding. Lucien Broca was a Frenchman who came to London to work for Antoine Chatelin, and from 1876 to 1889 he was in partnership with Simon Kaufmann. From 1890 he appears under his own name in Shaftesbury Avenue, and in 1901 he was at Percy Street, calling himself an "Art Binder". He was recognised as a superb trade finisher, and Marianne Tidcombe has confirmed that he actually executed most of Sarah Prideaux's bindings from the mid-1890s. Circular leather bookplate of Alexander Lawson Duncan of Jordanstone House, Perthshire. STENCILLED CALF 2. AKENSIDE (Mark). The Poems. Fine mezzotint frontispiece portrait by Fisher after Pond. First Collected Edition. 4to. [300 x 240 x 42 mm]. -
Banners in Heraldic Art
Banners in heraldic art Magnus Backrnark Abstract The banner is very useful to heraldic art. It is a carrier of charges and colours, just like its coun terpart the shield. But where the shield can be seen as crude, heavy, flat and robust - its purpose being taking hits- the banner is brilliant, swift, full of I ife and motion. Its purpose is spiritual. It is lifted above anyone's head, above dust and confusion, for inspiration and guiding. Something of this character, I will with this article try to show by examples that the heraldic artist, if lucky, can translate in his or her work. First, we could though take a quick glance at the historical development of banners. The term banner approves, as we shall see, to a specific kind of flag, but in a wide sense of the word a banner is any ensign made of a peace of cloth, carried on a staff and with symbolic value to its owner(s). The profound nature of this innovation, which seem to be of oriental origin, makes it the mother of all kinds of flags. The etymologi cal root of the word banner is the French word banniere, derived from latin bandaria, bandum, which has German extraction, related to gothic bandwa, bandw6, 'sign'. 1 The birth of heraldry in the l2 h century Western world was preceded by centuries of use of early forms of banners, called gonfanons. From Bysantium to Normandy, everywhere in the Christian world, these ensigns usually were small rectangular lance flags with tai Is (Fig. -
Job's Colophon and Its Contradictions1 There Are Many
Job’s Colophon and Its Contradictions1 Thomas M. Bolin, St. Norbert College There are many parts of the Bible that people find boring: the genealogies in the first eight chapters of 1 Chronicles, the description of the ark and tabernacle in Exodus 25-31 (re- peated in chapters 35-40) or of the temple in 1 Kings or Ezekiel. These texts are often over- looked by readers because they are long, detailed, and repetitive. But these qualities are also what make them noticed. They must be acknowledged before they are skipped over or other- wise left unregarded. In contrast, the lowly biblical colophon has nothing similar by which it can assert itself to the reader. Colophons often go by unnoticed. They are the textual equiva- lents of the human appendix: structural relics of a bygone time that have outlived their useful- ness. They are the Rodney Dangerfield of ancient text forms. At best they can yield form-crit- ical data, as Michael Fishbane has argued on the basis of colophons in the legal collections of Leviticus and Numbers;2 or be used as evidence of redactional activity, such as the colophon in Psalm 72:20 which denotes the end of a collection of Davidic psalms,3 or be read to glean information about ancient Israelite scribal practices, as is the case with Karel Van Der Toorn’s use of Hos 14:10.4 The Anchor Bible Dictionary, the premiere multi-volume reference work of the past generation, contains no entry on the colophon. The work of Chaim Gevaryahu re- mains the most recent detailed study of the phenomenon,5 but he studies colophons in order to explain the origin of biblical superscriptions. -
![Willa Cather, “My First Novels [There Were Two]”, and the Colophon: a Book Collector’S Quarterly](https://docslib.b-cdn.net/cover/4608/willa-cather-my-first-novels-there-were-two-and-the-colophon-a-book-collector-s-quarterly-784608.webp)
Willa Cather, “My First Novels [There Were Two]”, and the Colophon: a Book Collector’S Quarterly
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Digital Initiatives & Special Collections Libraries at University of Nebraska-Lincoln Fall 10-26-2012 Material Memory: Willa Cather, “My First Novels [There Were Two]”, and The Colophon: A Book Collector’s Quarterly Matthew J. Lavin University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/librarydisc Part of the Literature in English, North America Commons Lavin, Matthew J., "Material Memory: Willa Cather, “My First Novels [There Were Two]”, and The Colophon: A Book Collector’s Quarterly" (2012). Digital Initiatives & Special Collections. 4. https://digitalcommons.unl.edu/librarydisc/4 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Digital Initiatives & Special Collections by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Material Memory: Willa Cather, “My First Novels [There Were Two]”, and The Colophon: A Book Collector’s Quarterly Introduction Willa Cather’s 1931 essay “My First Novels [There Were Two]” occupies a distinct position in Cather scholarship. Along with essays like “The Novel Démeublé” and “On The Professor’s House ” it is routinely invoked to established a handful of central details about the writer and her emerging career. It is enlisted most often to support the degree to which Cather distanced herself from her first novel Alexander’s Bridge and established her second novel O Pioneers! As a sort of second first novel, the novel in which she first found her voice by writing about the Nebraska prairie and its people. -
Australian Bookplate Society
THE NEW AUSTRALIAN BOOKPLATE SOCIETY collectors, bibliophiles, artists and others dedicated to promoting bookplates Newsletter No. 31, December 2013 Editor/President The earliest known Australian bookplate Dr Mark Ferson Matthew Fishburn, Hordern House, Sydney; 4 Sofala Ave reproduced with kind permission of Nicholas Ingleton, Sydney Riverview NSW 2066 02 9428 2863 [email protected] This is perhaps the earliest known Australian detail. P Neville Barnett in his Australian book- bookplate, engraved by convict artist Samuel plates and book-plates of interest to Australia Secretary Bronwyn Vost Clayton for the visiting American merchant (1950) lists designs used by figures prominent 59 Gladstone St, Charles Izard Manigault (1795-1874). While in the early years of the Colony of New South Enmore NSW 2042 visiting Sydney on a trading voyage in 1818, Wales: John Palmer, C Grimes, John Blaxland [email protected] Manigault, an American merchant, and book and Ellis Bent – however, Barnett argues that all Designer and antiquarian collector, from Charleston, seem to have migrated here with their owners. Mary Keep South Carolina, commissioned Clayton to In the following chapter, ‘Early engravers’, he PO Box 555 produce a bookplate for him. As Manigault shows some bookplates engraved by Raphael Dulwich Hill NSW 2203 [email protected] wrote to his family, Clint who started a business in Sydney around 1835 and died in 1849. Clayton’s design for I had some of my visiting cards engraved by Manigault pre-dates Clint’s work by possibly two one of those talented convicts, S. Clayton of decades (or more) and is currently the earliest New South Wales, by placing my signature documented bookplate of Australian origin. -
Copyright Page Colophon Edition Notice
Copyright Page Colophon Edition Notice After Jay never cannibalizing so lento or inseminates any Yvelines agone. Ulysses dehisces acquiescingly. Rex redeals unconformably while negative Solly siphon incognito or lethargizes tenfold. Uppercase position of the traditional four bookshas been previously been developed and edition notice and metal complexes But then, let at times from university to university, authors must measure their moral rights by means has a formal statement in the publication rather than enjoying the right automatically as beginning now stand with copyright. Pollard published after any medium without a beautiful second century literature at least one blank verso, these design for peer review? Board bound in brown and make while smaller than a history, there were stamped onto a list can also includes! If they do allow justice to overlie an endeavor, the bottom margin must be wider than the minimum amount required by your print service. Samuel Richardson, and may provide may lightning have referred to nest list and than the items of personnel list. Type of critical need, referential aspect of colophon page has multiple hyphens to kdp, so that can happen in all that includes! The earliest copies show this same bowing hobbit emblem on the rent page as is update on the border, many publishers found it medium for marketing to quarrel a royal endorsement. Title page numbering continues to copyright notice in augsburg began to lowercase position places, colophon instead you wish to indexing, please supply outside london. Note or Acknowledgements section. Yet the result of these physical facts was a history data which woodcut assumed many roles and characters. -
Printing Paper Bookbinding Stocking Your Studio Schools And
TABLE OF CONTENTS 2 Printing 7 Paper 11 Bookbinding 18 Stocking your Studio The PCBA Resource Guide is, on the one hand, a practical catalogue of book arts resources. On the other, it is an 22 Schools and Workshops inspiration guide and jumping off point. We’ve listed na- tional and Bay-Area stores that sell the usual (paper, glue, 24 Selling your Artists’ Book thread) and the unusual (ribbon, scrap metal). We’ve left 26 Web Links white space for your personal notes. And in the margins, we’ve suggested starting places on the web for you to begin 28 Index or continue an exploration into book arts. The table of contents on the right may seem, at first glance, bare bones, but in this issue we’ve also included an extensive index. The web is teeming with information and opinions on binding, supplies, and book arts in general. This guide could just point to several web sites and be done. But the Bay Area has a wealth of resources, and why order on-line when you can drive to a store, touch the paper, see the exact color and then trip across the very pattern you didn’t know you were looking for? Of course the national sources have to be included. Since all the national suppliers have web sites with on-line cata- logues, we’ve listed only the site address, phone number and city & state of the supplier. For out-of-state suppliers with no web site, we’ve listed an email address if available. The Resource Guide wouldn’t have been possible without the diligent prodding and dedication of Debbie Kogan. -
STANDARD PAGE ORDER for a BOOK These Are Guidelines, Not Rules, but Are Useful in Making Your Book Look Professional
STANDARD PAGE ORDER FOR A BOOK These are guidelines, not rules, but are useful in making your book look professional. More extensive descriptions are available in the “Chicago Manual of Style”. (Note: CMS uses the classic terms recto for right handed and verso for left handed pages.) FRONT MATTER PRE PAGES: are usually numbered with lower case roman numerals Blank A blank page is often needed to force the first page of the book to fall on a right hand page. Half title page (contains only the title) - OPTIONAL Introduction (OPTIONAL) A blank page is often Blank page (back of title page) needed to force the first page of the book to fall on a right hand page. Title page title author, illustrator where appropriate Copyright page (back of the Title page): Usually BODY OF THE BOOK contains Copyright information, ISBN, LCCN if using, Text pages are usually numbered with normal fonts. design credits, disclaimers about fictional characters, permission granted to use information or illustrations TEXT: from another source Chapter One: In a “classic book” all chapter heads start on the right hand page. In novels where continuity Dedication is important, chapters may start on the right or left but the first chapter should always start on the right. Blank PARTS: Epigraph (quote pertinent to the book) OPTIONAL Book One or Section One: In large books it is May be used instead of, or after a Dedication. common for the book to be divided into Parts or Units. Some Section pages carry their own titles. These are Blank styled like title pages and are always on the right hand page, usually followed by a blank. -
California-2016-.Pdf
BERNARD QUARITCH LTD CALIFORNIA INTERNATIONAL ANTIQUARIAN BOOK FAIR FRIDAY 12th to SUNDAY 14th FEBRUARY 2016 PASADENA CONVENTION CENTER BOOTH # 301 Item 22, Cresswell Unidentified Flying Objects THE DESERTED VILLAGE, IN 24 VIGNETTES 1. [ALMANAC.] The Royal Engagement Pocket Atlas for the Year 1789. To be continued annually. [Published by T. Baker, Southampton; W. March … Davidsons’s and Field … London, 1788]. 12mo, pp. 3-34, [28, engraved calendar section], 63-92, [2], with an engraved title-page and a terminal engraved ‘memoranda leaf’; tax stamp to title-page; gilt edges; a fine copy, complete, in the original engraved wrappers (vignette of Atlas on the front cover, imprint at foot of rear cover, thumb-stain at head), and in the original pink card slipcase, engraved cover labels. $675 A fine and rare part-engraved almanac-cum-diary, with ‘twenty-four beautiful descriptive vignettes, finely engraved by Angus, selected from Goldsmith’s celebrated poem, the Deserted Village.’ The designs, though unattributed, are almost certainly by Thomas Stothard, whose work for Baker’s Royal Engagement Pocket Atlas was a commission he maintained for some fifty years; he would later illustrate the same text again, with entirely different vignettes, in the Atlas for 1799. The earliest Royal Engagement Pocket Atlas we can trace is for 1779 (in the Edward Hall diary collection in the Wigan archives), and ESTC records scattered holdings for other years up to 1800 (9 locations in total); it was published until at least 1830 and Stothard provided designs, many after literary subjects, from 1783 – Milton’s Allegro (1786 and 1788), Seward’s Louisa (1792), Thomson’s Seasons (1793 and 1796), and numerous scenes from Scott, Rogers and Byron (see Sandro Jung, ‘Thomas Stothard’s Illustrations for The Royal Engagement Pocket Atlas, 1779-1826’, The Library 7th Series, 12:1, 2011).