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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Hagar the Horrible Beetle Bailey Snuffy Smith
The Anniston Star MONDAY’S STAR LITE Tuesday, October 26, 2015 Blondie HOROSCOPE BY EUGENIA LAST ARIES (March 21-April 19) — A misun- derstanding will develop into a confron- Nothing will stop you from reaching the tation if you aren’t precise in the way you top this year. Using the power of persuasion, present your thoughts. Make sure you have you will entice all the allies you need to make all the facts before challenging someone’s your dreams a reality. Determination and idea or opinion. focus will be key factors that help you out- TAURUS (April 20-May 20) — Don’t maneuver any competition you encounter. jump to conclusions. Moneymaking oppor- SCORPIO (Oct. 24-Nov. 22) — Keep tunities are on the horizon, so be prepared plugging away and don’t let what others to act. Concentrate on your financial secu- do deter you from reaching your goals. Pro- rity before you take on concerns that are Hagar the Horrible mote and present your ideas and you will less pressing. convince others to pitch in and help. GEMINI (May 21-June 20) — Someone SAGITTARIUS (Nov. 23-Dec. 21) — will try to win your friendship to improve Don’t become reclusive. Get together with his or her position or status. Be wary of friends and make plans to do something anyone who presses for personal informa- out of the ordinary. Reduce your anxiety by tion. Don’t fall for someone else’s hard-luck not dwelling on past regrets or events you story. cannot change. CANCER (June 21-July 22) — A relation- CAPRICORN (Dec. -
Small Business of the Year! FREE
Small Business of the Year! FREE Vol. Vol. 3, No.5, No. 11 22 Published Every Other Published Wednesday Every Other www.venturabreeze.com Wednesday August 8 –March August 10 21, - 23, 2012 2010 City of Ventura’s business loans Part 2: Player’s Casino by Tim Pompey The city of Ventura has recently been Pierpont resident’s vision is to connect involved in helping two local businesses Ventura’s Harbor, Beach, and Downtown secure sizeable loans for relocation and areas via electric jitneys, small multi- facility upgrades. passenger vehicles that will follow a regular Barber Automotive Group received a route and schedule and be free to use. This is loan for $300,000 to help with its reloca- a conceptual drawing of what the “Moving tion from Thompson Boulevard to the Sidewalk” might look like, courtesy of former Todey Hyundai/Mitsubishi site Laudine Bourget at the Ventura Auto Center. The Player’s Casino on Auto Center Drive received R 2O12! “Moving a loan for $850,000 to help expand its VVCC FFAIRAI 2O12! current location to include a kitchen, Sidewalk” wins restaurant and additional space for poker tables. On Saturday, August 4 the Ventura County Fair Costume 5K Run/Walk was unanimous For Bill Kracht, asking the city to held. The event took place before the Ventura County Fair Parade and benefited the become involved in their loan process Ventura County Fair Foundation. Many participants were in costume that followed endorsement was a necessity. Kracht wanted to expand the fair theme “Rides, Ribbons & Rodeos”. by Mary Kay Williams from 16 tables to his full state allotment The 5k run included every age from a 5-year-old to an 85-year old (the 5-year-old of 20 tables. -
75 Years of Blondie
Special Collections presents October 1 – October 31, 2005 On Display in the Exhibit Gallery Second Floor Smathers Library (East) George A. Smathers Libraries University of Florida The Early Years ON SEPTEMBER 8, 2005, THE COMIC STRIP Although the comic strip is seventy-fi ve years old, Blondie celebrated its 75th anniversary. Created by Blondie and Dagwood have only been married for Murat Bernard “Chic” Young (1901-1973), Blondie seventy-three of those years. Blondie had many is one of the longest running newspaper strips. suitors, but her early leading man was Hiho. Hiho Young produced Blondie seven days a week until Hennepin was a shorter prototype of Dagwood his death, at which time right down to the trademark his son, Dean Young, as- bow tie they both sport. sumed creative control of Young fazed out Hiho the comic strip. shortly after Blondie’s marriage to his taller and This exhibit commemo- richer rival. rates Blondie’s anniver- sary by exploring its early Dagwood was introduced history. Few realize or in 1933 as the rich play- remember that Blondie’s boy and son of railroad origins are in the genre tycoon J. Bollinger of fl apper strips that were Bumstead. Blondie had popular in the twen- Above: Hiho courted Blondie from 1930 to 1933, without success. to make a choice between ties and thirties. Prior Bottom Right: This early example of Dagwood’s classic food balancing the ne’er-do-well Hiho and to Blondie, Chic Young technique shows how he is visually distinguishable from Hiho only by Dagwood’s millions. -
Keane, for Allowing Us to Come and Visit with You Today
BIL KEANE June 28, 1999 Joan Horne and myself, Ann Townsend, interviewers for the Town of Paradise Valley Historical Committee are privileged to interview Bil Keane. Mr. Keane has been a long time resident of the Town of Paradise Valley, but is best known and loved for his cartoon, The Family Circus. Thank you, Mr. Keane, for allowing us to come and visit with you today. May we have your permission to quote you in part or all of our conversation today? Bil Keane: Absolutely, anything you want to quote from it, if it's worthwhile quoting of course, I'm happy to do it. Ann Townsend: Thank you very much. Tell us a little bit about yourself and what brought you to hot Arizona? Bil Keane: Well, it was a TWA plane. I worked on the Philadelphia Bulletin for 15 years after I got out of the army in 1945. It was just before then end of 1958 that I had been bothered each year with allergies. I would sneeze in the summertime and mainly in the spring. Then it got in to be in the fall, then spring, summer and fall. The doctor would always prescribe at that time something that would alleviate it. At the Bulletin I was doing a regular comic and I was editor of their Fun Book. I had a nine to five job there and we lived in Roslyn which was outside Philadelphia and it was one hour and a half commute on the train and subway. I was selling a feature to the newspapers called Channel Chuckles, which was the little cartoon about television which I enjoyed doing. -
AIR FORCE Magazine / July 2007 42
A Brush With the Air Force 42 AIR FORCE Magazine / July 2007 prototype for Corkin was Air Force Col. Milton Caniff was out front with “Terry and Philip Cochran, a noted World War II pilot and leader of air commandos in the Pirates,” but other cartoonists also found Burma. (See “The All-American Air- their calling in the wild blue yonder. man,” March 2000, p. 52.) He became a continuing character in “Terry.” In a famous “Terry and the Pirates” Sunday page from 1943, Corkin opened with, “Let’s take a walk, Terry,” and then delivered an inspirational talk about A Brush With the war and the Air Force as he and the newly fledged pilot Terry strolled around the flight line. The page was “read” into the Congressional Record and reported in the newspapers. Terry, Flip, and their colleagues had a great following among airmen, and the Air Force By John T. Correll the strip had considerable morale and public relations value. Gen. Henry H. “Hap” Arnold, Chief of the Army Air Forces, assigned an officer to as- sist Caniff with any technical details he needed. Caniff produced another strip, “Male Call,” without charge for camp and base newspapers. It featured Miss Lace, who was reminiscent of the Dragon Lady but less standoffish. It is difficult today to comprehend what a big deal the funnies used to be. Everybody read the comic strips. Characters were as well known as movie stars. The strips were printed much larger than present comic strips are. On Sunday, a popular strip might get a whole color page to itself. -
PDF Free Rip Kirby Volume 1
Register Free To Download Files | File Name : Rip Kirby Volume 1 PDF RIP KIRBY VOLUME 1 Tapa dura 1 diciembre 2009 Author : Alex Raymond Descripcin del productoCrticas"A treasure not to be missed." --ScoopBiografa del autorAlex Raymond (1909-1956) is regarded, with Milton Caniff and Hal Foster, as one of the three giants of newspaper adventure strip artists. Raymond apprenticed with Chic Young on Blondie, and Lymon Young on Tim Tyler's Luck. The year 1934 was a major turning point in his career: he illustrated X- 9, a new detective comic strip written by Dashiell Hammett, and then created Flash Gordon and Jungle Jim. Rip Kirby, created in 1946, signaled a grand departure, both thematically and artistically, from the science fiction classic. He promulgated a new art style--one of cinematic photo-realism--that influenced such artists as Stan Drake, Leonard Starr, Al Williamson, and Neal Adams. Great art, good printing IDW produced another great book, beautifully crafted, with an interesting essay on Alex Raymond and Rip Kirby. Every effort was made to find the best sources for the dailies: it's a pity that they are not - apparently - syndicated proofs; very few are from original art (the first week and some others); the bulk is made of pretty good reproductions, some from second generation sources; some are not so good... I wonder: where are the KFS proofs?Forgive my English Five Stars Presenting the first volume of Alex Raymond's modernist classic Rip Kirby from its start in 1946. Created by Alex Raymond when he was deactivated from the Marines after World War II, Rip Kirby was a fresh approach to the genre, a departure from the prevailing hard-boiled style of detective fiction. -
8 Comics CFP 11-29-13.Indd
Page 8 Colby Free Press Friday, November 29, 2013 Baby Blues • Rick Kirkman & Jerry Scott Family Circus • Bil Keane Heloise • Hints from Heloise Covered plate may tempt fate Dear Readers: Is the license plate on your auto Beetle Bailey • Mort Walker easy to read? In many states, it’s illegal to alter a license plate. Also, something as simple as a license-plate frame that does not fi t correctly and covers information may be grounds for a ticket. If a frame, decal, etc., obscures the number or the state name, it is a big no-no! Also, don’t put any cover on it or anything that makes the license plate unreadable. Take this into consideration, and check your state laws the next time you are thinking about getting a special li- cense-plate frame, etc. -- Heloise Conceptis Sudoku • Dave Green SEND A GREAT HINT TO: Heloise 4 7 P.O. Box 795000 San Antonio, TX 78279-5000 9 1 3 Email: Heloise(at)Heloise.com Blondie • Chic Young TRAVEL HINT 3 8 Dear Heloise: When we traveled to a rented beach house, I put fi ve laundry-detergent pods 7 4 1 and fi ve dryer sheets in an empty plastic con- 5 9 7 tainer from a powdered drink mix and packed it in my checked luggage. When we got there, we 6 1 5 didn’t have to go out to buy more laundry sup- plies than we needed, and I had a container to 1 2 bring shells home in! – Joni W., Bentonville, Ark. NO TEARS 5 8 3 Dear Heloise: I have a 2-year-old female Shi- hpoo (Shih Tzu-poodle mix). -
The Panama Canal Review Is Published Twice a Year
UNIVERSITY OF FLORIDA LIBRARIES m.• #.«, I i PANAMA w^ p IE I -.a. '. ±*L. (Qfx m Uu *£*£ - Willie K Friar David S. Parker Editor, English Edition Governor-President Jose T. Tunon Charles I. McGinnis Editor, Spanish Edition Lieutenant Governor Writers Eunice Richard, Frank A. Baldwin Fannie P. Hernandez, Publication Franklin Castrellon and Dolores E. Suisman Panama Canal Information Officer Official Panama Canal the Review will be appreciated. Review articles may be reprinted without further clearance. Credit tu regular mail airmail $2, single copies 50 cents. The Panama Canal Review is published twice a year. Yearly subscription: $1, Canal Company, to Panama Canal Review, Box M, Balboa Heights, C.Z. For subscription, send check or money order, made payable to the Panama Editorial Office is located in Room 100, Administration Building, Balboa Heights, C.Z. Printed at the Panama Canal Printing Plant, La Boca, C.Z. Contents Our Cover The Golden Huacas of Panama 3 Huaca fanciers will find their favor- the symbolic characters of Treasures of a forgotten ites among the warrior, rainbow, condor god, eagle people arouse the curiosity and alligator in this display of Pan- archeologists around the of ama's famous golden artifacts. world. The huacas, copied from those recov- Snoopy Speaks Spanish 8 ered from the graves of pre-Columbian loaned to The In the phonetics of the fun- Carib Indians, were Review by Neville Harte. The well nies, a Spanish-speaking dog known local archeologist also provided doesn't say "bow wow." much of the information for the article Balseria 11 from his unrivaled knowledge of the Broken legs are the name of subject—the fruit of a 26-year-long love affair with the huaca, and the country the game when the Guaymis and people of Panama, past and present. -
The Landon School of Illustrating and Cartooning
The Landon School of Illustrating and Cartooning by Charles N. Landon 1922 Facsimile Edition edited by John Garvin Copyright 2009 by John Garvin www.johngarvin.com Published by Enchanted Images Inc. www.enchantedimages.com All illustrations in this book are copyrighted by their respective copy- right holders (according to the original copyright or publication date as printed in/on the original work) and are reproduced for historical reference and research purposes. Any omission or incorrect informa- tion should be transmitted to the publisher, so it can be rectified in future editions of this book. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or other- wise, without prior permission in writing from the publisher. ISBN: 978-0-9785946-3-3 Second Edition First Printing November 2009 Edition size: 250 Printed in the United States of America 2 Preface (First Edition) This book began as part of a research project on Carl Barks. In various inter- views Barks had referred to the “Landon correspondence course in cartooning” he’d taken when he was sixteen. Fascinated, I tried to find a copy of Landon’s course. After a couple of years of searching on eBay and other auction houses – where I was only able to find partial copies – I finally tracked down a com- plete copy from a New York rare book dealer. In the meantime, my research revealed that more than a few cartoonists from Barks’s generation had taken the Landon course. -
Addison Morton Walker “Old
ADDISON MORTON WALKER “OLD CARTOONIST NEVER DIE,THEY JUST ERASE AWAY” THIS WAS ONE OF MORT WALKER’S FAVORITE SAYINGS,AND UNTIL HIS FINAL DAYS MORT LIVED BY THE WORD OF HIS MOTTO,ENGAGING MILLIONS THROUGH HIS BELOVED COMICS.AT THE AGE OF 94 MORT DIED PEACEFULLY AT HOME DUE TO COMPLICATIONS FROM THE FLU ON JANUARY 27TH 2018. DUBBED “THE DEAN OF AMERICAN CARTOONING” MORT WAS ONE OF THE MOST PROLIFIC CARTOONISTS IN COMIC ART HISTORY,WITH THE CREATION OF AS MANY AS NINE DIFFERENT SYNDICATED STRIPS TO HIS CREDIT DURING HIS LIFETIME,INCLUDING BEETLE BAILEY,THE MOST WIDELY SYNDICATED STRIP IN THE WORLD.THE FACT THAT BEETLE BAILEY IS STILL IN SYNDICATION TODAY MORE THAN 68 YEARS AFTER IT’S DEBUT,ESTABLISHES MR.WALKER AS THE LONGEST TENURED CARTOONIST ON HIS ORIGINAL CREATION IN THE HISTORY OF COMICS-A RECORD THAT MAY NEVER BE SURPASSED. ADDISON MORTON WALKER WAS BORN IN EL DORADO,KANSAS SEPTEMBER 3RD 1923 AND HAD CARTOONING ASPIRATIONS AT A VERY YOUNG AGE.”IF THERE WAS SUCH A THING AS BEING BORN INTO A PROFESSION ,IT HAPPENED TO ME.” MORT STATED IN THE INTRODUCTION TO HIS AUTOBIOGRAPHY. “FROM MY FIRST BREATH,ALL I EVER WANTED TO BE WAS A CARTOONIST.”HE DREW CARTOONS FOR HIS SCHOOL NEWSPAPER WHEN HE WAS 10,AND SOLD HIS FIRST CARTOON AT THE AGE OF 11 AND HIS FIRST COMIC STRIP,THE LIMEJUICERS,RAN IN THE KANSAS CITY JOURNAL WHEN HE WAS 13. HE SUBMITTED HIS FIRST COMIC STRIP TO A NATIONAL SYNDICATE AT THE AGE OF 15 AND SOLD MAGAZINE CARTOONS ALL OVER THE COUNTRY.BY THE TIME MORT GRADUATED FROM HIGH SCHOOL,HIS WORK WAS POLISHED AND PROFESSIONAL.MORT’S