Effective Searching of RDF Knowledge Graphs Hiba Arnaout1 & Shady Elbassuoni2
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
24 Hours of Anime Antics Some Schooling in the Romance Depart- Courtesy of Seinfeld.Com Ment
November 19, 2002 THE RETRIEVER WEEKLY FEATURES Page 25 Let Downs and Bad Hair Days show began, but had never been able to reveal from TV, page 21 his true feelings for her. After several sea- the air for four weeks in the middle of the sons, he interrupted her wedding plans by winter. When it returned mid-February, telling her the truth and the two began to date much of its audience had gone elsewhere. and eventually set out to elope. This season, 1.The finale of Seinfeld. Never has a tel- they did it. They tied the knot. He got the girl. evision audience felt so betrayed, so outraged, The good guy won. Which is what we all so letdown as the American people did after wanted, right? Sadly, no. It’s not what we wanted at all. What we wanted was to pine away with him, to know that he’s the good guy that deserves the girl, but to continue to enjoy watching him long for her. But he got her. He wins and we lose. No more drama. Interesting that there was drama to begin with; as both Niles and his brother Frasier (Kelsey Courtesy of www.anime.com Grammer) are both psychiatrists, The Unusual Suspects: The cast of the hit anime Cowboy Bebop were some of you’d think that they’d have every- the stars seen at the Anime Marathon. thing about love figured out, when in actuality, up until when Niles got the girl, they were both in serious need of 24 Hours of Anime Antics some schooling in the romance depart- Courtesy of Seinfeld.com ment. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1). -
Steinhart Runaway Hollywood Chapter3
Chapter 3 Lumière, Camera, Azione! the personnel and practices of hollywood’s mode of international production as hollywood filmmakers gained more experience abroad over the years, they devised various production strategies that could be shared with one another. A case in point: in May 1961, Vincente Minnelli was preparing the production of Two Weeks in Another Town (1962), part of which he planned to shoot in Rome. Hollywood flmmaker Jean Negulesco communicated with Minnelli, ofering some advice on work- ing in Italy, where Negulesco had directed portions of Tree Coins in the Fountain (1954) and Boy on a Dolphin (1957) and at the time was producing his next flm, Jessica (1962): I would say that the most difcult and the most important condition of mak- ing a picture in Italy is to adapt yourself to their spirit, to their way of life, to their way of working. A small example: Tis happened to me on location. As I arrive on the set and everything is ready to be done at 9 o’clock—the people are having cofee. Now, your assistant also is having cofee—and if you are foolish enough to start to shout and saying you want to work, right away you’ll have an unhappy crew and not the cooperation needed for the picture. But if you have cofee with them, they will work for you with no time limit or no extra expense.1 Negulesco’s letter underscores a key lesson that Hollywood moviemakers learned overseas when confronted with diferent working hours, production practices, and cultural customs. -
Equity News Spring 2018
SPRING 2018| VOLUME 103 | ISSUE 2 ACTORS’ EQUITY ASSOCIATION Equity NEWS THIS TONY SEASON, EQUITY IS FIGHTING FOR #EVERYONEONSTAGE NOW OPEN! ACTORS' EQUITY SWAG STORE SHOP.ACTORSEQUITY.ORG EquityNEWS Actors' Equity Advisory Committee Director of Communications Christine Toy Johnson (Chair) Brandon Lorenz Al Bundonis Diane Dorsey Editor Nicole Flender Doug Strassler Bruce Alan Johnson Ruth E. Kramer Contributor Heather Lee Joyce Vinzani Kevin McMahon Liz Pazik Got a question or Barbara N. Roberts comment? Email us at Melissa Robinette [email protected] Buzz Roddy Kate Shindle Joann Yeoman EQUITY NEWS (ISSN: 00924520) is published quarterly by Actors’ Equity Association, 165 West 46th St., New York, NY 10036. Telephone: (212) 869-8530. Periodicals postage paid at New York, N.Y. and additional mailing offices. Copyright 2018, Actors’ Equity Association. Postmaster: Send address changes to Equity News, 165 West 46th St., New York, NY 10036. EquityNEWS CONTENTS SPRING 2018 | VOLUME 103 | ISSUE 2 8 9 HIGMEC ARTS ADVOCACY DAY Two members share the stories of Equity representatives headed how they got their Equity cards. to Washington, D.C., to lobby for increased arts funding. 11 15 COVER STORY: ACROSS THE NATION EVERYONE ON STAGE Seattle offers a diverse array Equity's new campaign aims of theatrical opportunities. to increase recognition at Tony Awards time. 16 17 THEATRE SPOTLIGHT CARBONELL AWARDS Learn more about Students from Marjory Equity Library Theatre's Stoneman Douglas High All Access Reading Series. School find inspiration in tragedy. 18 19 EQUITY AWARDS #EQUITYWORKS Lin-Manuel Miranda The Rocktopia campaign receives the 2018 turned into a win for cast Rosetta LeNoire Award. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Bob Thomas Papers, 1914-2004
http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies. -
Explore Our Virtual Program
20|21 MICHAEL WEBER JEANNIE LUKOW Artistic Director Executive Director presents Featuring ANTHONY COURSER, PAM CHERMANSKY, CROSBY SANDOVAL, JAY TORRENCE, LEAH URZENDOWSKI & RYAN WALTERS Written by JAY TORRENCE Direction by HALENA KAYS This production was filmed during Porchlight Music Theatre’s premiere with The Ruffians at the Ruth Page Center for the Arts, December 13 - 27, 2019. Understudies for 2019 Production Nellie Reed: KAITLYN ANDREWS Henry Gilfoil/Eddie Foy: DAVE HONIGMAN Fancy Clown: JAY TORRENCE Faerie Queen/Robert Murray: RAWSON VINT Choreography by LEAH URZENDOWSKI Additional 2019 Choreography by ARIEL ETANA TRIUNFO Lighting Design MAGGIE FULLILOVE-NUGENT Original Scenic & Costume Design LIZZIE BRACKEN Scenic Design JEFF KMIEC Costume Design BILL MOREY Sound Design MIKE TUTAJ Associate Sound Design ROBERT HORNBOSTEL Original Properties Design MAGGIE FULLILOVE-NUGENT & LIZZIE BRACKEN Properties Master CAITLIN McCARTHY Original Associate Properties Design ARCHER CURRY Technical Direction BEK LAMBRECHT Production Stage Management JUSTINE B. PALMISANO Production Management SAM MORYOUSSEF & ALEX RHYAN Video Production MARTY HIGGENBOTHAM/THE STAGE CHANNEL The following artists significantly contributed to this performance and the play’s creation: Lizzie Bracken (set design, costume design, prop design), Dan Broberg (set design), Maggie Fullilove-Nugent (lighting design), Leah Urzendowski (choreography) & Mike Tutaj (sound design). The original 2011 cast included Anthony Courser, Dean Evans, Molly Plunk, Jay Torrence, Leah Urzendowski & Ryan Walters This performance runs 100 minutes without intermission. Please be aware this play contains flashing lights and some moments that may trigger an adverse reaction with sudden loud noises and sounds of violence. Porchlight Music Theatre acknowledges the generosity of Allstate, the Bayless Family Foundation, DCASE Chicago, the Gaylord and Dorothy Donnelley Foundation, James P. -
SCRAPBOOK of MOVIE STARS from the SILENT FILM and Early TALKIES Era
CINEMA Sanctuary Books 790 - Madison Ave - Suite 604 212 -861- 1055 New York, NY 10065 [email protected] Open by appointment www.sanctuaryrarebooks.com Featured Items THE FIRST 75 ISSUES OF FILM CULTURE Mekas, Jonas (ed.). Film Culture. [The First 75 Issues, A Near Complete Run of "Film Culture" Magazine, 1955-1985.] Mekas has been called “the Godfather of American avant-garde cinema.” He founded Film Culture with his brother, Adolfas Mekas, and covered therein a bastion of avant-garde and experimental cinema. The much acclaimed, and justly famous, journal features contributions from Rudolf Arnheim, Peter Bogdanovich, Stan Brakhage, Arlene Croce, Manny Farber, David Ehrenstein, John Fles, DeeDee Halleck, Gerard Malanga, Gregory Markopoulos, Annette Michelson, Hans Richter, Andrew Sarris, Parker Tyler, Andy Warhol, Orson Welles, and many more. The first 75 issues are collected here. Published from 1955-1985 in a range of sizes and designs, our volumes are all in very good to fine condition. Many notable issues, among them, those designed by Lithuanian Fluxus artist, George Macunias. $6,000 SCRAPBOOK of MOVIE STARS from the SILENT FILM and early TALKIES era. Staple-bound heavy cardstock wraps with tipped on photo- illustration of Mae McAvoy, with her name handwritten beneath; pp. 28, each with tipped-on and hand-labeled film stills and photographic images of celebrities, most with tissue guards. Front cover a bit sunned, lightly chipped along the edges; internally bright and clean, remarkably tidy in its layout and preservation. A collection of 110 images of actors from the silent film and early talkies era, including Inga Tidblad, Mona Martensson, Corinne Griffith, Milton Sills, Norma Talmadge, Colleen Moore, Charlie Chaplin, Lillian Gish, and many more. -
Walt. Disney
CHARLOTTE AND ROBERT DISNEY HOUSE 4406 WEST KINGSWELL AVENUE CHC-2016-2575-HCM ENV-2016-2576-CE Agenda packet includes: 1. Final Staff Recommendation Report 2. Categorical Exemption 3. Director-Initiation Letter, Dated July 20, 2016 4. Nomination 5. 1990 Nomination and Letter of Determination 6. Letter from Member of the Public Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2016-2575-HCM ENV-2016-2576-CE HEARING DATE: September 15, 2016 Location: 4406 West Kingswell Avenue TIME: 9:00 AM Council District: 4 PLACE: City Hall, Room 1010 Community Plan Area: Hollywood 200 N. Spring Street Area Planning Commission: Central Los Angeles, CA 90012 Neighborhood Council: Los Feliz/South Los Feliz Legal Description: Mount Hollywood Grandview EXPIRATION DATE: October 3, 2016 Tract No. 2 PROJECT: Historic-Cultural Monument Application for the CHARLOTTE AND ROBERT DISNEY HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Sang Ho Yoo, Krystal Yoo, and Hyun Bae Kim 3435 Wilshire Boulevard, #1190 Los Angeles, CA 90010 Sang Ho Yoo and Krystal Yoo 4237 Vanetta Drive Studio City, CA 91604 APPLICANT: City of Los Angeles, Planning Department 200 North Spring Street, Room 559 Los Angeles, CA 90012 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings. VINCENT P. BERTONI, AICP Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
American Movie Classics at the ICES Auditorium, 2, Kynsey Terrace, Colombo 08
INTERNATIONAL CENTRE FOR ETHNIC STUDIES American Movie Classics at the ICES Auditorium, 2, Kynsey Terrace, Colombo 08 BEN HUR Friday, February 16: 4:30pm A Film by Timur Bekmambelov Ben-Hur is a 2016 American epic historical period drama film directed by Timur Bekmambelov and written by Keith Clarke and John Ridley. It is the fifth film adaptation of 1880 novel Ben-Hur: A Tale of the Christ by Lew Wallace.Ben Hur is the story of Judah Ben-Hur a prince falsely accused of treason by his adopted brother Messala. Separated from his family and the woman he loves Judah is forced into slavery. After years at sea Judah returns to take revenge. Starring: Jack Huston, Toby Kebbell, Rodrigo Santoro, Morgan Freeman. (124 minutes.) THE BRIDGE ON THE RIVER KWAI Friday, February 23: 4:30pm A Film David Lean The Bridge on the River Kwai is a 1957 British-American epic war film. When British P.O.W.s build a vital railway bridge in enemy occupied Burma, Allied commandos are assigned to destroy it. The film captured the imagination of the public and won seven 1957 Academy Awards including Best Picture, Best Actor (Alec Guinness), and Best Director (David Lean). Even it’s the theme song, an old WWI whistling tune, the “Colonel Bogey March,” became a massive worldwide hit. The Bridge on the River Kawi continues today as one of the most memorable cinematic experience of all time. (162 minutes) THE MAN WHO KNEW TOO MUCH Friday, March 2: 4:30pm An Alfred Hitchcock Masterpiece James Stewart and Doris Day give magnificent performances as Ben and JoMcKenna, an American couple vacationing in Morocco.