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Juliet Ouyoung 917-528-9764
Feb. 2015 Page #1 of 2 Juliet Ouyoung 917-528-9764 www.jouyoung.com Costume Designer Assistant Costume Designer The Shanghai Hotel 2006 Late Show With David Letterman 2006-2015 Feature / Cornucopia Productions Talk –Variety TV Show \ CBS – Worldwide Pants INC. 2006 Contemporary Drama/ Human Trafficking Fast Paste Sketch Characters \ Comedy Hill Harper, Pei Pei Cheng, Eugenia Yuan Bruce Willis, Steve Martin, Martin Short, Bill Murray,Chris Elliott Jerry Davis, Director Jerry Foley , Director ; Sue Hum, CD Neurotica 2000 Bernard & Doris 2005 Feature / Three Forks Productions Feature / Trigger Street Productions 2000 Contemporary Comedy / Road Trip 1980’s-1990’s Drama / Doris Duke Biopic Brian D’Arcy James, Amy Sedaris Ralph Fiennes, Susan Sarandon Roger Rawlings, Director Bob Balaban, Director ; Joe Aulissi, CD Mob Queen 1997 Copshop 2003 Feature / Etoile Productions Pilot / PBS Television 1956 Comedy / Mafia Meets Transvestite 2003 Contemporary Drama / NYPD - Brothel Tony Sirico, David Proval, Candice Kane Richard Dreyfuss, Rosey Perez, Rita Moreno, Blair Brown Jon Carnoy, Director Anita Addison & Joe Cacaci , director ; Bobby Tilly, CD Harwood 1999 Like Mother Like Son 2002 Feature / Absolutely Legitimate Film MOW / CBS Televison 1999 Contemporary / Sci-fi Thriller 1998 Contemporary Drama / Sente Kimes’ Story Morgan Roberts, Director Mary Tyler Moore, Jean Stapleton Arthur Seidelman, Director; Martin Pakledinaz, CD The Floys Of Neighborly Lane 1998 Deconstructing Harry 1996 Short / Once Upon A Picture Production Feature / Sweetheart Productions -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
CORY Mccrum ABDO 818.752.9450 – Home 818.625.3883 – Mobile
CORY McCRUM ABDO 818.752.9450 – Home 818.625.3883 – Mobile July 2009 POST PRODUCTION SUPERVISOR Independent Feature Zanuck Productions – “GET LOW” Film November Dean Zanuck, 2009 Dir: Aaron Producer Schneider Richard Rothschild, Line Producer K5 International & Sony Picture Classics June 2009 POST PRODUCTION PRODUCER ASC & PGA Camera Revelations Assessment Entertainment Camera Assessment Series Collaboration & Assessment for Lori McCreary CEO Digital and Film Cameras November ASSOCIATE PRODUCER LifeTime Movie For Sony Television 2008 – “Georgia O’Keeffe” Television April 2009 Dir: Bob Balaban October POST PRODUCTION SUPERVISOR Independent Animals Are People 2008 – “Magic” Feature Film Too, Inc. November Dir: Robert Davi 2008 October ASSOCIATE PRODUCER Feature Film Yari Film Group 2007 – “The Lonely Maiden” Dir: Peter Hewitt August 2008 November POST PRODUCTION SUPERVISOR Feature Film Yari Film Group 2007 – “Real Men Cry” Dir: Brian Goodman August 2008 Cory McCrum Page 2 December ASSOCIATE PRODUCER HBO Movie HBO Films 2006 – “Bernard and Doris” December Dir: Bob Balaban 2007 2007 POST PRODUCTION SUPERVISOR Feature Film Good Looking Ink “Mysterious” Productions Dir: Stewart Raffill 2005 – POST PRODUCTION SUPERVISOR Feature Film Mandate Films, December “Stranger Than Fiction” Distribution – Sony 2006 Dir: Marc Forster Pictures 2004 – POST PRODUCTION SUPERVISOR Feature Film Stay, Inc. 2005 “STAY” New Regency Dir: Marc Forster Distribution – 20 th Century Fox 2003 POST PRODUCTION SUPERVISOR Feature Film Bad Santa “Bad Santa” Productions, Dir: -
A Journal of Political Thought and Statesmanship
VOLUME XIX, NUMBER 1, WINTER 2018/19 A Journal of Political Thought and Statesmanship William Charles R. Voegeli: Kesler: Politics after e Road Trump to 2020 Michael Mark Barone: Bauerlein: Hubert Camille Humphrey Paglia David P. Charles Goldman: Hill: e State Pentateuch Secrets Richard Angelo M. Brookhiser: Codevilla: Benedict Yoram Arnold Hazony Kevin D. Michael Williamson: Anton: Don’t Mess Draining with Texas the Swamp A Publication of the Claremont Institute PRICE: $6.95 IN CANADA: $8.95 mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm Book Review by Kevin D. Williamson Austin City Limits God Save Texas: A Journey into the Soul of the Lone Star State, by Lawrence Wright. Alfred A. Knopf, 368 pages, $27.95 avid remnick, editor of the new thor, often by a junior editor) two or three They stop at Buc-ee’s, a Texas-based chain Yorker, asked staff writer Lawrence times until the recycled material smells fresh convenience store that sells fudge and ko- DWright to “explain Texas.” Why enough to put a cover and title on. Wright laches and kitsch along with the usual gas- would Wright choose to live there? “I hope has spent decades writing about the politics station fare, and which (accurately) adver- this book,” says Wright, “answers the ques- and personalities of Texas, and this book is tises the remarkable cleanliness of its bath- tion.” But the book—God Save Texas: A Jour- a kind of greatest-hits album underneath rooms in humorous billboards along the vast ney into the Soul of the Lone Star State—does a thin wash of the now-familiar indignant ghastly asphalt lengths of Eisenhower’s Folly. -
Reporters the Chautauquan Daily Ville N Ra Ria G by B Oto Ph June 14 to Aug
2016 SUmmer INterNSHips REportErs The Chautauquan Daily ville N ra G ria B by oto PH June 14 to Aug. 26 Chautauqua Institution Chautauqua, New York chqdaily.com “Working in a fast-paced, diverse and The official daily newspaper of Chautauqua Institution welcomes professional newsroom, the way the applications for summer 2016 reporting internships. Applications will be accepted on a rolling basis through early spring. Daily is run, prepared me for the real world. Instead of fact-checking or The Chautauquan Daily is a unique opportunity for writers to cover the fine and performing arts, prominent speakers who address major contemporary running errands, we were doing hands- issues and nationally known theologians. Since 1876, the newspaper has on reporting, day in and day out.” served a community of critical and astute readers and has also functioned as the historical record for Chautauqua Institution. This is an ideal BETH Ann DOWNEY DepUty Editor, JUMP PHILLY experience for building a portfolio for careers in writing and the media. The 2010 CHAutAUQUAN DAily reporter prestige of Chautauqua Institution enhances the value of work published during the internship. CLSC Young Readers to follow raccoon adventures in Week Six selection, Page 3 Townsend, Savage set the stage for CTC’s Henry V, Page 2 The Chautauquan Daily www.chqdaily.com Seventy-Five Cents The Offi cial Newspaper of Chautauqua Institution | Wednesday, August 5, 2015 Chautauqua, New York Volume CXXXIX, Issue 34 All reporting interns are considered full members of the editorial staff. A CONTEMPORARY Larson to lecture on CLSC book ‘Dead Wake,’ wartime vanishings RYAN PAIT Staff Writer The Chautauquan Daily In disguise, Henry speaks with his soldiers before battle. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
War Is Real, People
Select American Wars Warfare (continued) Modern Wars Guns, germs, and steel : The fates of human societies The long walk : A story of war and the life that follows Jared Diamond Brian Castner HM206 .D48 2005 DS79.766.C37 A3 2013 Drones and the future of armed conflict : Ghost wars : The secret history of the CIA, Afghanistan, Ethical, legal, and strategic implications and bin Laden, from the Soviet invasion to September David Cortright, Rachel Fairhurst, and Kristen 10, 2001 Wall Steve Coll KZ6687 .D766 2015 DS371.2 .C63 2004 On killing : The psychological cost of learning to Into the fire : A first-hand account of the most kill in war and society extraordinary battle in the Afghan War Dave Grossman Dakota Meyer and Bing West U22.3 .G76 1996 DS371.4123.G36 M49 2012 American arsenal : A century of waging war Black Hawk down : A story of modern war Patrick Coffey Mark Bowden U393 .C545 2014 DT407.4 .B69 1999 War is Real, War! what is it good for? : Black freedom The looming Tower Al Qaeda and the Road to 9/11 struggles and the U.S. military from World War Lawrence Wright II to Iraq HV6432.7 .W75 2007 Kimberley L. Phillips People UB418.A47 P45 2012 No easy day : The autobiography of a Navy SEAL : The (nonfiction books about war) firsthand account of the mission that killed Osama Bin Military mental health care : A guide for service Laden members, veterans, families, and community Mark Owen Cheryl Lawhorne-Scott and Don Philpott VG87 .O94 2012b UH629.3 .L39 2015 American sniper : The autobiography of the most lethal No hero : The evolution of a Navy SEAL sniper in U.S. -
BLOOD and GIFTS.Qxd 3/11/2013 12:29 PM Page I
BLOOD AND GIFTS.qxd 3/11/2013 12:29 PM Page i BLOOD AND GIFTS BY J.T. ROGERS # # DRAMATISTS PLAY SERVICE INC. BLOOD AND GIFTS.qxd 3/11/2013 12:29 PM Page 4 ACKNOWLEDGMENTS I wish to thank the following people and organizations in both the US and UK for their editorial criticism, language translation, pro- fessional advice, or creative and financial support: Rebecca Ashley (as always); David Rogers, Lauren Sanders, and Gus Reyes; Syed Abdul Rahim and Christian Parker; Marc Glick, Sue Charles, John Buzzetti, and St. John Donald; Paul Meshejian and the PlayPenn new play development conference in Philadelphia; the staff of New Dramatists, New York City; and André Bishop and all at Lincoln Center Theater. Instrumental to the development of Blood and Gifts were the com- ments of Steve Coll, Jack Devine, and Lawrence Wright. My thanks to all three for sharing their expertise. The seed for this play was planted in when I was asked to con- tribute a short play to the Tricycle Theatre’s 12-play cycle of works about Afghanistan, The Great Game. My thanks to Jack Bradley for suggesting me for inclusion and to director Rachel Grunwald and her cast for their excellent production. I am especially grateful to director Lucie Tiberghien and the actors with whom we workshopped this play together, first in Philadelphia and then in New York. Finally, heartfelt appreciation to my colleagues and collaborators at two sterling theaters: at the National Theatre in London, Nick Hytner and Sebastian Born, and (especially) Howard Davies and our superb cast; here in New York, the entire staff of Lincoln Center Theater, and (emphatically) Bart Sher and our extraordi- nary company of actors. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Widescreen Weekend 2010 Brochure (PDF)
52 widescreen weekend widescreen weekend 53 2001: A SPACE ODYSSEY (70MM) REMASTERING A WIDESCREEN CLASSIC: Saturday 27 March, Pictureville Cinema WINDJAMMER GETS A MAJOR FACELIFT Dir. Stanley Kubrick GB/USA 1968 149 mins plus intermission (U) Saturday 27 March, Pictureville Cinema WIDESCREEN Keir Dullea, Gary Lockwood, William Sylvester, Leonard Rossiter, Ed Presented by David Strohmaier and Randy Gitsch Bishop and Douglas Rain as Hal The producer and director team behind Cinerama Adventure offer WEEKEND During the stone age, a mysterious black monolith of alien origination a fascinating behind-the-scenes look at how the Cinemiracle epic, influences the birth of intelligence amongst mankind. Thousands Now in its 17th year, the Widescreen Weekend Windjammer, was restored for High Definition. Several new and of years later scientists discover the monolith hidden on the moon continues to welcome all those fans of large format and innovative software restoration techniques were employed and the re- which subsequently lures them on a dangerous mission to Mars... widescreen films – CinemaScope, VistaVision, 70mm, mastering and preservation process has been documented in HD video. Regarded as one of the milestones in science-fiction filmmaking, Cinerama and IMAX – and presents an array of past A brief question and answer session will follow this event. Stanley Kubrick’s 2001: A Space Odyssey not only fascinated audiences classics from the vaults of the National Media Museum. This event is enerously sponsored by Cinerama, Inc., all around the world but also left many puzzled during its initial A weekend to wallow in the nostalgic best of cinema. release. More than four decades later it has lost none of its impact. -
American Foreign Policy Institutions and Issues Syllabus S2020
PS 359: American Foreign Policy University of Wisconsin-Madison Monday and Wednesday 9:55-10:45 Science Hall 360 Instructor: Dr. Ann Rivlin E-mail: [email protected] Office Hours: Friday 9:45-11:45, or by appointment Office: 411 North Hall Course Description: The purpose of this course is to gain a better understanding of U.S. foreign policy. The course is divided into three main sections. First, we will review the history of U.S. foreign policy since World War II. This will be an overview of key events and decisions made in the post war era until today. Second, we will explore the policy formation process and examine the institutions that influence foreign policy. This section will focus on three questions: Who is involved in making foreign policy? What do they do? What constraints do they face? In the final section, we will review foreign policy challenges facing the United States and its policymakers. We will learn about current foreign policy issues U.S. policymakers must address; some of the topics we will discuss have been long-standing dilemmas, but others have become prominent challenges only recently. The overarching goal of the course is to answer three questions: (1) How do institutional arrangements complicate the policy process? (2) How do particular issue areas challenge decision makers? and (3) What general theoretical statements can be made about foreign policy? Required and Optional Readings: The required readings are available on the class’s Canvas page. The readings include a number of memoirs written by foreign policymakers or accounts of the foreign policy process. -
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An AMERICAN EMPIRICAL PICTURE by WES ANDERSON BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE DIRECTED BY ....................................................................... WES ANDERSON STORY BY .............................................................................. WES ANDERSON ................................................................................................. ROMAN COPPOLA ................................................................................................. JASON SCHWARTZMAN ................................................................................................. and KUNICHI NOMURA SCREENPLAY BY ................................................................. WES ANDERSON PRODUCED BY ...................................................................... WES ANDERSON ................................................................................................. SCOTT RUDIN ................................................................................................. STEVEN RALES ................................................................................................. and JEREMY DAWSON CO-PRODUCER ....................................................................