WGLT Program Guide, May-June, 2011

Total Page:16

File Type:pdf, Size:1020Kb

WGLT Program Guide, May-June, 2011 Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 5-1-2011 WGLT Program Guide, May-June, 2011 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, May-June, 2011" (2011). WGLT Program Guides. 236. https://ir.library.illinoisstate.edu/wgltpg/236 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. May - June 201 1 • Volume 112, I ssue 3 I N HIS ISSUE: ALSO rCree k Arts Festival Map • Suga Brokaw M et Nancy a • 1700 M1lhon· · Americans A Wonderland of Texas Blues and Western Swing Saturday, June 11 by GLT Events & Promotions Director Linda Healy 3:30 - 10:00 pm Seems like the good-music karma music starts at 5:00 pm down in Austin, Texas just keeps getting on the square in Downtown Bloomington stronger and stronger. For this year's featuring: GLT Summer Concert, we've tugged soulful Texas blues on a couple of bootstraps to bring up blues singer/songwriter/guitarist Carolyn Carolyn Wonderland Wonderland and the hard-swinging Hot hot jazz/ western swing Club of Cowtown. Hot Club of Cowtown Ray Benson of Asleep at the Wheel, who local favorite produced Carolyn Wonderland's latest Marc Boon and Hip Pocket Thank you to our generous sponsors: release, describes her as "one of the great Specs Around Town voices of our time ... she's also an incred­ Fox & Hounds Day Spa ible guitar player and a great person, so Ronda Glenn Law Offices humble. The combination is disarming The GLT Summer Concert is on Eastland Chiropractic and and totally real. That's magic." the square in downtown Blooming­ Wellness Center ton at the comer of] efferson and She's co-written songs with Austin local Cindy Cashdollar; sat in with Los Lobos; Center Streets with a walk-around and toured with Buddy Guy. She's also a member of the girl band Sis Deville and beer garden, artist CDs, food vendors, GLT clothing, and spiffy new Good To the gospel-infused Imperial Crown Golden Harmonizers, and Bob Dylan calls Go™ bags made from recycled materials. We go no matter what the weather, her regularly just to chat. See an interview with Wonderland on pg 4 and hear her on so dress for it and pack a lawn chair. Wear some comfortable shoes, bring a Talkin' Blues Saturday, June 4th at 7:00 pm. little sunscreen, and you're all set. Hot Club of Cowtown blends hot club jazz with western swing in an instrumen­ Please help us keep the privilege of the outdoor beer garden: no outside alcohol tally and vocally tight trio of skilled musicians. Hot Club is fiddler and vocalist or coolers are allowed on the grounds. Please leave pets at home. Elana James, guitarist and vocalist Whit Smith, and bassist Jake Erwin. If you were lucky enough to catch them at the Castle Theater It's fun to volunteer at GLT events, so come join us at one of our summer last fall, then you know they put on activities. You'll be supporting your favorite station while you're having fun. a great show. Call Events Director Linda Healy at (309)438-5083 to volunteer for: June 11 GLT Summer Concert The party starts with Marc Boon and Bloomington - noon-11 pm Hip Pocket, in a revival of one of this community's finest bands. Their July 9-10 Sugar Creek Arts Festival Normal - Sat: 10 am-6 pm, Sun: 11 am-5 pm big-band R&B sound will get things cooking before the sun sets. July 15-16 Blues Festival at Tri-Lakes, Bloomington Bloomington - Fri: 6 pm-midnight, Sat: 1 pm-midnight -2- -3- JN: I read somewhere that you dropped out of high school. CW: Actually I got asked to leave. I led a protest on one school campus while on suspension for taking part in a protest at another school. The initial protest happened during the Tiananmen Square incident. We were having a sympathy sit-in. Nobody missed classes, we all just fasted for lunch and sat outside and kinda had a vigil. The second one was for something you thought would have been fixed 30 years ago. Lots of kids were getting thrown out of school for not following the dress code, or if you were a boy, for having your hair over your ears. JN: Today you're known as one of the hardest working musicians in the business. What have you learned about yourself from relentless touring? CW: Well, I've learned chat going to meet people face to face, one on one, one show at a time, is far more valuable than a large splash. As much fun as the Imus show was, and as much fun as playing Austin City Limits was, there's something different about exchanging air mol­ ecules with people, getting to say hello, getting to shake hands. I chink there's a great value in that. I'm always greatly appreciative of some of the crazy stuff we get to see. I would have never got to Japan, and I wouldn't have seen nearly the things I did in Europe, if Iwouldn't have had a guitar with me. So I've learned to be patient. I've also learned chat the music industry has very little to do with music. But the people who love music are still out there. The perpetually on-the-road Carolyn Wonderland is headlining the GLT Summer Concert. JN: Ray Benson from Asleep At The Wheel produced your Miss Understood CD and is the See details on pg 2-3. As GLT Music Director Jon Norton was getting ready to talk with head of your music label. Wonderland from her home in Austin, TX, he caught wind of her wedding to former CW: Ray is my hero. He works harder than most people I've met in my life. And it's not just Saturday Night Live performer A. Whitney Brown just two weeks prior. the music. He does so much charity work chat nobody hears about and he doesn't toot his Jon Norton: Congratulations on your marriage. own horn about it. We met many years ago. Bob Dylan was doing a show in town and he Carolyn Wonderland: Thank you so much, it's pretty groovy when you get to marry asked Ray ifhe knew how to get hold of me. Well, both of chose things surpri ed me, so I your best friend. walked up [to Dylan] and said hello. (laughs) JN: How did you meet your husband? JN: Wow, that's cool. CW: There's a program (former Monkee) Michael Nesmith runs called the CW: Yeah, Bob's a really nice guy and serious musicologist. It's really groovy to meet VideoRanch3D, it's a virtual world concert thing. Last year, Whitney was the someone you respect so much and have them tum out to be so cool. MC and we were one of the bands. JN: Do you still talk to Dylan? JN: And Michael performed the ceremony? CW: Yeah, every now and then. I mean, CW: He did. We figured it was just as much his fault as anyone else's. I don't call HIM, on occasion he may call me. JN: Last year I saw you on the Don Imus TV show at 6:00 am. Did you really perform It's always a surprise. And it's usually good early in the morning, or did you tape the afternoon before? news, and something to do with music and CW: No, we were live. (starts giggling) That was actually the day of my first official long, long guitars. So I'm always thrilled to hear from him. date with Whitney. We had played in New York City the night before, so we loaded out from JN: Well, we're thrilled to get a chance that show, had our shot of tequila, a little bit of coffee, then loaded in for the Imus show at to meet you and hear your music at this four in the morning. It was early, but it was a lot of fun. We played 5 minutes every hour, so year's GLT Summer Concert! we'd end up sleeping on couches between the songs, and when it was time to play they'd just CW: Oh shoot, thank you man. come by, grab a foot and say "it's time!" -4- -5- ILLINOIS The Complete Wrks of WIim Shkspr (Abridged) GLT Night at SHAKESPEARE FESTIVAL The Complete Works of William GLT Night at the Illinois Shakespeare Festival (ISF) is one of the summer's Shakespeare (Abridged) is a parody most anticipated events. Spread a blanket or set up your lawn chairs on the lovely shaded grounds of Ewing Manor as you begin the evening with a boxed of the plays written by the Bard. picnic dinner by The Garlic Press Market Cafe. Each meal comes with your It's a fast-paced (97-minute) rol­ choice of soda or water and a cash wine/beer bar will be available, but you licking romp through all 37 of are welcome to carry in your own beverages of choice. Shakespeare's plays performed by In keeping with the abridged theme of the play, the Garlic Press is going only three actors with big doses with a "small-bites" meal and you can choose a meat or veggie version when of belly laughs and an abundance ordering tickets.
Recommended publications
  • STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items Through April 24
    APRIL NEW RELEASE GUIDE STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items through April 24 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases April 2012 BONGO BEAT RECORDS! THE DIODES. ACTION/REACTION. 1980 PUNK HARD ROCK LP FINALLY AVAILABLE ON CD 6 BONUS TRACKS Cat: BB 1977-2 REMASTERED BY JOHN WILSON Label: Bongo Beat Records UPC: 777000197725 (MEAT BEAT MANIFESTO) Price: $8.15 EXTENSIVE LINER NOTES xhHHAAAy19772pz INCLUDES “CATWALKER” 7 7700-01977-2 5 (503) 231-0876 / www.bdcdistribution.com 2 BDC New Releases April 2012 Welcome!! Welcome!! Caspar Babypants who has spawned his fifth album, HOT DOG! Kids music that parents will like also (what a concept!). This one has soon-to-be-mama Rachel Flotard from First we hope you’ve all recovered from SXSW - good to see so many of you there - we all Visqueen as a guest. experienced great music and some great food along the way; always a delight! Frank Black has a world beyond The Pixies; several of them actually. In addition to having Marvin the Mandolin Man - you know, that guy from Lone Justice, Marvin Etzioni - brand a happy homelife, he has managed to have outlets under the Black Francis moniker, with new double CD and LP on Nine Mile Records with guests Richard Thompson, LJ bandmate his band The Catholics and in a duo album with his wife Violet Clark under the name of Maria McKee, John Doe, Lucinda Williams, Steve Earle and more: great songs - a labor of .Grand Duchy We have cool vinyl this month from all three aggregations..
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest
    January 9, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest with Special Guest Sarah Siskind; Sonny Landreth and Cindy Cashdollar; Paul Cebar Tomorrow Sound; and Maceo Parker All Shows at The Barns at Wolf Trap 1635 Trap Road, Vienna, VA 22182 International Guitar Night Featuring: Brian Gore, Italy’s Pino Forastiere, Mike Dawes from England, and Quique Sinesi from Argentina Thursday, January 16, 2014 at 8 pm Friday, January 17, 2014 at 8 pm $25-$27 Showcasing extraordinary songwriting and playing skills which demonstrate a high level of both technical ability and musicality, International Guitar Night has become a major force in live contemporary guitar music. This year’s version of North America’s premier touring guitar festival features guitarists from South America, Italy, England, and the United States. American “guitar poet” Brian Gore’s playing contains a “bounce and spaciousness all his own” (Los Angeles Times). He created International Guitar Night in 1995 and has released multiple albums and books on fingerstyle guitar. Italian steel-string guitarist Pino Forastiere fuses the classical, contemporary, and rock genres as he “employs a dazzling blend of slapping, tapping, strumming, altered tunings, and harmonics, combined with classical phrasing and a focus on distinct and addictive melodies” (Guitar Player). English fingerstyle guitarist Mike Dawes has developed a multifaceted repertoire of sound in his short but successful career, fusing Celtic, rock, jazz, and experimental music to create a product all his own. He has gained praise from artists like Gotye, Frank Turner, and Justin Hayward.
    [Show full text]
  • ASLEEP at the WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 Pm
    ASLEEP AT THE WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 pm Photo: Mike Shore OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. Ray Benson lead guitar and vocals Dave Sanger drums Dave Miller bass and vocals Eddie Rivers steel and sax Katie Shore fiddle and vocals Connor Forsyth piano and vocals Jay Reynolds sax and clarinet Dennis Ludiker fiddle and mandolin Program will be announced from the stage Photo: Mike Shore 3 EVENT SPONSORS DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER LAMONT D. AND VICKI J. OLSON SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities ABOUT THE ARTISTS Ray Benson founded Asleep at the Wheel in Paw Paw, West Virginia 46 years ago. Now based in Austin, the band holds 10 Grammy awards, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award- winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full- length Bob Wills tribute album. Featuring 22 acclaimed collaborations, the all-star line up includes legends such as Willie Nelson, Merle Haggard, and George Strait and newcomers like The Avett Brothers, Amos Lee, Old Crow Medicine Show, and many other fine talents. RAY BENSON At a towering 6’7”, the Philadelphia- born Ray Benson is considered a giant in the industry. However, it’s his contributions to music history, not his height, that have made him a dominant figure on the music scene since 1970.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations.
    [Show full text]
  • With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
    “The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks.
    [Show full text]
  • Wolf Trap Schedule Updates for 2014 Winter/Spring Season at the Barns
    December 17, 2013 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] MEDIA ADVISORY: Wolf Trap Schedule Updates for 2014 Winter/Spring Season at The Barns LISTING OF PERFORMANCES BOOKED TO DATE: Atlantic Brass Quintet The Discovery Series Friday, January 10, 2014 at 8 pm $35 “This award-winning quintet, whose technique is flawless and musicianship impeccable, offers some of the most enjoyable chamber music there is.”—Fanfare More succinctly, “They kick butt.”—The Boston Globe This performance features a world premiere commissioned by Wolf Trap. International Guitar Night Featuring: Brian Gore, Italy’s Pino Forastiere, Mikes Dawes from England, and Quique Sinesi from Argentina Thursday, January 16, 2014 at 8 pm Friday, January 17, 2014 at 8 pm $25-$27 North America’s premier touring guitar festival features a lyricist (Gore), South American tango and folk-based improviser (Sinesi), percussive steel guitar star (Forastiere), and an up-and- coming fingerstyle maverick (Dawes). Ari Hest Special Guest: Sarah Siskind Saturday, January 18, 2014 at 7:30 pm $25 With his smoky, soothing voice and introspective lyrics, this acoustic singer/songwriter channels “poignant, acoustic reverie” (USA Today) in captivating shows. Sonny Landreth & Cindy Cashdollar Friday, January 24, 2014 at 8 pm $27 Louisiana’s slide guitar wizard proves his blues chops while a steel guitar and dobro expert showcases the folk rock talent that earned her a spot in the Texas Music Hall of Fame. Paul Cebar Tomorrow Sound General Admission Saturday, January 25, 2014 at 7:30 pm $25 These cosmopolitan rockers provide lively performances through a panoramic blend of African, Latin, and Caribbean-inspired jams.
    [Show full text]
  • April 18, 2013 Salado Village Voice
    Candidate Forum 4:30 p.m. April 25 at Civic Center Salado illageillage oiceoice VOL. XXXV, NUMBER 52V VTHURSDAY, APRIL 18, 2013 254/947-5321 FAX 254/947-9479 V V SALADOVILLAGEVOICE.COM 50¢ Village Aldermen set hearing to annex part of I-35 Salado aldermen will A public display of classic and antique Lincolns will be conduct a public hearing at Stagecoach Inn on April 20. on the annexation of I-35 and its service roads dur- ing their regular meeting Lincolns gather 6 p.m. April 18 at the Mu- nicipal Building, 301 N. Stagecoach Rd. here April 19-21 In other business, the (PHOTOS BY ROYCE WIGGIN) board will conduct a pub- Happy The 25th Anniversary according to the group’s lic hearing before consid- Lincoln and Continental secretary Dean Forbes. ering renewing the Village Anniversary Owners Club meet will be The Lincoln group then Burn Ordinance. Tim and Marilyn Fleisch- held in Salado April 19-21. began meeting on the third Aldermen will also con- er celebrated their 25th A quarter of a century weekend of April here sider appointing Josh Brat- anniversary April 16 with ago, the three Texas Re- in Salado so that it could ton to the Village Planning a Salado Chamber After gions of the Lincoln & accommodate holding and Zoning Commission. Hours party at the news- Continental Owners Club the Mid-America meet in The board will also paper office. Marilyn is joined for the first time to Salado for the National review Emergency Op- shown above with Troy put on a car show in Sala- LCOC.
    [Show full text]
  • Save Austin Music Launches Public Service Announcement Campaign with Movie-Style Premiere Gala Fundraiser
    ::: FOR IMMEDIATE RELEASE ::: Save Austin Music launches Public Service Announcement Campaign with movie-style Premiere Gala Fundraiser DATE: Friday October 17th 7-11pm (doors at 6pm) LOCATION: One World Theatre (7701 Bee Caves Rd Austin, TX 78746 512-330-9500) CONTACT: Troy Dillinger, Christine Thompson, JoRae Di Menno, Ellen Cañas TICKETS AVAILABLE AT: SaveAustinMusic.com Austin, TX Save Austin Music, the grassroots Austin music organization will launch its Austin Music: You’re Invited Public Service Announcement Campaign by hosting a Hollywood-style movie premiere on Friday October 17th at the One World Theatre, just 10 minutes from downtown Austin. The PSA spots will urge Austinites to “see one Austin band each month” and will be highly visible in Central Texas media outlets from television and radio to print, as well as on the internet. The premiere gala’s audience will get the first look at the PSA on video screens placed throughout the venue between performances by the night’s 6 musical acts. The PSA campaign, featuring prominent Austin musicians like Ray Benson, Marcia Ball, Gary Clark Jr, Ruben Ramos, and others, will be placed for free with most media outlets, but the organization is raising funds to increase the frequency of ads and duration of the campaign to one year. Save Austin Music plans to raise enough money over the next year to place $5-10k each month in advertising buys. “This is an opportunity for Austin’s music, political, and business communities to come together as we open the curtain on a new day for Austin music,” said Save Austin Music founder Troy Dillinger.
    [Show full text]
  • Cowboysymposium2015 Web.Pdf
    2 | 2015 Lincoln County Cowboy Symposium Welcome to the 26th Annual Lincoln County Cowboy Symposium Th e performers, chuck wagon cooks and western craftsmen gathered here represent the fi nest in their fi elds. Th ey are as diverse in nature as they are in talent, but they all have a common love of the West and the life that it off ers. Take some time to visit with these folks. Th eir stories are rich with history; their skills are seasoned with time. We hope you enjoy this year’s Cowboy Symposium and leave with a richer understanding of the “Cowboy Way of Life.” Symposium Hours Daily Entertainment Friday/Saturday: 9 a.m. - 6 p.m. 4 Live Entertainment Sunday: Chuck Wagon Cook-Off Information 8 a.m. - 2 p.m. 6-7 Music Schedule 8 Family Fun Schedule Night Entertainment 9 All Day Fun for the Whole Family / Equestrian (Concerts/Dance) Demonstrations Th ursday, Friday 12 Entertainer Bios & Saturday: 7 p.m. - 11 p.m. 16-17 Map 18-19 Grandstand and Tent Vendor Maps and Listings Admission Rates 20 Entertainer Bios, cont. Daily Admission 28 2014 LCCS Sponsors Friday OR Saturday: 29 Chuck Wagon Information $25 per person Children 12 & under FREE Sunday: FREE Concerts: Th ursday OR Saturday Night: $65 per person Dance: Friday Night: Photos courtesy of LCCS, Eugene Heathman, Gay Harris and Ty Wyant $40 per person 2015 Lincoln County Cowboy Symposium | 3 LIVE ENTERTAINMENT Western Thursday Night Concert • Oct. 8 7 p.m. Dave Alexander and his Big Texas Swing Band Expo 8:30 p.m.
    [Show full text]
  • FW May-June 03.Qxd
    IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age.
    [Show full text]
  • Austin's Progressive Country Music Scene and the Negotiation
    Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
    [Show full text]