Mvix Ultio Pro Media Player Format Support.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Mvix Ultio Pro Media Player Format Support.Pdf

Mvix Ultio Pro Format Support: Video Formats and Codecs File Type File Extension Video Codec Audio Code LPCM, uLaw, aLaw Divx 3 / 4/ / 5/ / 6 MPEG-Audio Motion JPEG HE-AAC, LC-AAC .mp4, .mov, .xvid, .m4v MP4, MOV MPEG-4 SP / ASP (Xvid) Dolby Digital Plus MPEG-4 AVC (H.264) Vorbis MS-ADPCM LPCM, uLaw, aLaw MPEG-1 MPEG-Audio Divx 3 / 4/ / 5/ / 6 HE-AAC, LC-AAC Motion JPEG Dolby Digital Plus .avi, .divx AVI MPEG-4 SP/ASP (Xvid) DTS MPEG-4 AVC (H.264) Vorbis VC-1 MS-ADPCM WMA, WMA Pro MPEG-1 LPCM Minus VR MPEG-2 MPEG-1 Layer 2 LPCM MPEG-1 .iso MPEG-1 Layer 2 DVD Video MPEG-2 DTS Dvix 3 / 5 LPCM MPEG-4 SP/ASP (Xvid) WMA .asf, .wmv, .xvid ASF, WMV VC-1 WMA Pro WMV ADPCM LPCM H.263 .flv MPEG-AUDIO FLV MPEG-4 AVC (H.264) HE-AAC, LC-AAC LPCM MPEG-AUDIO DIVX 3/4/5/6 Dolby Digital Plus MPEG-1 .mkv, .xvid HE-AAC, LC-AAC MKV MPEG-2 DTS, Vorbis MPEG-4 SP/ASP(XviD) MS-ADPCM WMA, WMA Pro COOK RM, RMVB .rm/.rmvb RV8,RV9 HE-AAC, LC-AAC RA-Lossless LPCM MPEG-1 MPEG-AUDIO MPEG-2 .ts/.m2ts/.mts/.tp/.trp Dolby Digital Plus TS MPEG-4 AVC(H.264) HE-AAC, LC-AAC VC-1 DTS, TrueHD LPCM MPEG-1 MPEG-AUDIO .dat, .mpg, .mpeg DAT, MPG, MPEG MPEG-2 HE-AAC, LC-AAC DTS LPCM MPEG-1 .vob MPEG-1 Layer2 VOB MPEG-2 DTS Mvix Ultio Pro Format Support: Audio Formats and Codecs File Type File Extension Version Support MPEG-1 Layer 3 .mp3 WMA .wma, .asf WMA 7~9.1 WMA pro .wma, .asf WMA pro 9.1 N/A MPEG 1/2 MPEG-1/2 Layer 1/2 (included in video only) WAV .wav MKA .mka N/A LPCM (included in video only) N/A Microsoft ADPCM ADPCM (included in video only) G.726 MPEG-2/4 LC/HE profile .aac, .mp4 AAC AAC+ ver. 1/2 OGG Vorbis .ogg Up-to-date N/A Dolby Digital (included in video) N/A Dolby Digital Plus (included in video) .wav DTS (or included in video) N/A DTS-Master Audio (included in video only) RA-COOK .ra, .rm, .rmvb RA-lossless .ra, .rm, .rmvb FLAC .flac BBE N/A Surround SRS N/A Surround Mvix Ultio Pro Format Support: Image Formats and Codecs File Type File Extension Version Support JPEG .jpg/.jpeg BMP .bmp PNG, GIF .png, .gif TIFF .tiff Mvix Ultio Pro Format Support: Subtitle Formats File Type File Extension Version Support SubRipper .srt MicroDVD .sub SAMI .smi VobSub .idx + .sub .ssa SubStation Alpha Advance SubStation Alpha .ass DVD Subtitle N/A DVD Video DivX Subtitle N/A DivX Ultra / DivX HD Mvix Ultio Pro Format Support: Video Recording File Type File Extension Version Support MPEG 2 .mpg .

Copy Link

Recommended publications

Faasoft Video Converter Full Version Free Download Faasoft Video Converter Free Download
faasoft video converter full version free download Faasoft Video Converter Free Download. Faasoft Video Converter Free Download Latest Version for Windows. It is full offline installer standalone setup of Faasoft Video Converter. FAASOFT VIDEO CONVERTER Overview. Faasoft Video Converter helps you fast convert between various video files to enjoy your favorite movie or music video on portable device, mobile phone, mp4 player, personal computer, television so on with ease. The amazing video converter is not only an easy-to-use movie conversion tool but also a powerful audio converter which can convert between audio files like MP3, APE, AAC, AC3, WAV, WMA, etc. Moreover, it can extract audio from video and music video by only a few clicks.Faasoft Video Converter supports playback on a great variety of digital devices including iPod, iPad, iPhone, BlackBerry, Apple TV, Zune, PSP, PS3, Pocket PC, Creative Zen, Xbox, Archos and so on.You can also download Aimersoft Video Converter Ultimate. The versatile video conversion tool can adjust video effects like video cut, trim, crop, merge, clip and so on to meet all your different needs. Lavasoft Video Converter’s functionality should be obvious, due to its name. It lets you convert video files between numerous formats, with various quality settings. The software places many useful tools at your disposal, which give you other possibilities, besides converting. Also, the program works quite fast and it is capable of processing multiple files at the same time. You can try Lavasoft Video Converter free of charge, but for a limited period of time. Downloading and installing the software shouldn’t take more than a minute, due to the small size of the setup file.
[Show full text]
Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more.
[Show full text]
Virtualization of Audio-Visual Services
Software Defined Media: Virtualization of Audio-Visual Services Manabu Tsukada∗, Keiko, Ogaway, Masahiro Ikedaz, Takuro Sonez, Kenta Niwax, Shoichiro Saitox, Takashi Kasuya{, Hideki Sunaharay, and Hiroshi Esaki∗ ∗ Graduate School of Information Science and Technology, The University of Tokyo Email: [email protected], [email protected] yGraduate School of Media Design, Keio University / Email: [email protected], [email protected] zYamaha Corporation / Email: fmasahiro.ikeda, [email protected] xNTT Media Intelligence Laboratories / Email: fniwa.kenta, [email protected] {Takenaka Corporation / Email: [email protected] Abstract—Internet-native audio-visual services are witnessing We believe that innovative applications will emerge from rapid development. Among these services, object-based audio- the fusion of object-based audio and video systems, including visual services are gaining importance. In 2014, we established new interactive education systems and public viewing systems. the Software Defined Media (SDM) consortium to target new research areas and markets involving object-based digital media In 2014, we established the Software Defined Media (SDM) 1 and Internet-by-design audio-visual environments. In this paper, consortium to target new research areas and markets involving we introduce the SDM architecture that virtualizes networked object-based digital media and Internet-by-design audio-visual audio-visual services along with the development of smart build- environments. We design SDM along with the development ings and smart cities using Internet of Things (IoT) devices of smart buildings and smart cities using Internet of Things and smart building facilities. Moreover, we design the SDM architecture as a layered architecture to promote the development (IoT) devices and smart building facilities.
[Show full text]
DVD850 DVD Video Player with Jog/Shuttle Remote
DVD Video Player DVD850 DVD Video Player with Jog/Shuttle Remote • DVD-Video,Video CD, and Audio CD Compatible • Advanced DVD-Video technology, including 10-bit video DAC and 24-bit audio DAC • Dual-lens optical pickup for optimum signal readout from both CD and DVD • Built-in Dolby Digital™ audio decoder with delay and balance controls • Digital output for Dolby Digital™ (AC-3), DTS, and PCM • 6-channel analog output for Dolby Digital™, Dolby Pro Logic™, and stereo • Choice of up to 8 audio languages • Choice of up to 32 subtitle languages • 3-dimensional virtual surround sound • Multiangle • Digital zoom (play & still) DVD850RC Remote Control • Graphic bit rate display • Remote Locator™ DVD Video Player Feature Highlights: DVD850 Component Video Out In addition to supporting traditional TV formats, Philips Magnavox DVD Technical Specifications: supports the latest high resolution TVs. Component video output offers superb color purity, crisp color detail, and reduced color noise– Playback System surpassing even that of S-Video! Today’s DVD is already prepared to DVD Video work with tomorrow’s technology. Video CD CD Gold-Plated Digital Coaxial Cables DVD-R These gold-plated cables provide the clearest connection possible with TV Standard high data capacity delivering maximum transmission efficiency. Number of Lines : 525 Playback : NTSC/60Hz Digital Optical Video Format For optimum flexibility, DVD offers digital optical connection which deliv- Signal : Digital er better, more dynamic sound reproduction. Signal Handling : Components Digital Compression : MPEG2 for DVD Analog 6-Channel Built-in AC3 Decoder : MPEG1 for VCD Dolby® Digital Sound (AC3) gives you dynamic theater-quality sound DVD while sharply filtering coding noise and reducing data consumption.
[Show full text]
An Introduction to MPEG Transport Streams
An introduction to MPEG-TS all you should know before using TSDuck Version 8 Topics 2 • MPEG transport streams • packets, sections, tables, PES, demux • DVB SimulCrypt • architecture, synchronization, ECM, EMM, scrambling • Standards • MPEG, DVB, others Transport streams packets and packetization Standard key terms 4 • Service / Program • DVB term : service • MPEG term : program • TV channel (video and / or audio) • data service (software download, application data) • Transport stream • aka. « TS », « multiplex », « transponder » • continuous bitstream • modulated and transmitted using one given frequency • aggregate several services • Signalization • set of data structures in a transport stream • describes the structure of transport streams and services MPEG-2 transport stream 5 • Structure of MPEG-2 TS defined in ISO/IEC 13818-1 • One operator uses several TS • TS = synchronous stream of 188-byte TS packets • 4-byte header • optional « adaptation field », a kind of extended header • payload, up to 184 bytes • Multiplex of up to 8192 independent elementary streams (ES) • each ES is identified by a Packet Identifier (PID) • each TS packet belongs to a PID, 13-bit PID in packet header • smooth muxing is complex, demuxing is trivial • Two types of ES content • PES, Packetized Elementary Stream : audio, video, subtitles, teletext • sections : data structures Multiplex of elementary streams 6 • A transport stream is a multiplex of elementary streams • elementary stream = sequence of TS packets with same PID value in header • one set of elementary
[Show full text]
BDL4330QL/00 Philips Q-Line Display
Philips Signage Solutions Q-Line Display 43" Direct LED Backlight Full HD BDL4330QL Stand out Easy-setup 16/7 display. Inform and enthral with a Philips Q-Line professional Full HD display. This reliable solution can be up and running as quickly as you need-with no additional hardware. Brilliant picture. Reliable performance • Full HD. Clear images. Crisp contrast Effortless setup. Total control. • Remote system management through CMND • Operate, monitor and maintain with CMND & Control • CMND & Create. Develop and launch your own content Cost-effective system solution • Energy-saving automatic backlight control • Integrated media player. Easily schedule USB content • Easy control. Remotely manage networked displays • Internal memory. Upload content for instant play Q-Line Display BDL4330QL/00 43" Direct LED Backlight, Full HD Highlights CMND and monitoring display status. Whether you're Integrated media player Take control of your Philips Professional in charge of one screen or 100. Easily schedule content to play from USB. Your Display network. CMND lets you manage, Philips Professional Display will wake from update, maintain, and play via one easy-to-use CMND & Create standby to play the content you want, and then interface. From installation to daily operation. return to standby once playback is done. CMND & Control Internal memory Save and play content without the need for a Take control of your content with CMND & permanent external player. Your Philips Create. A drag-and-drop interface makes it professional display has an internal memory, simple to publish your own content-whether which allows you to upload media into the Run your display network over a local (LAN) it's a daily specials board or branded corporate display for instant playback.
[Show full text]
Implementing Object-Based Audio in Radio Broadcasting
Object-based Audio in Radio Broadcast Implementing Object-based audio in radio broadcasting Diplomarbeit Ausgeführt zum Zweck der Erlangung des akademischen Grades Dipl.-Ing. für technisch-wissenschaftliche Berufe am Masterstudiengang Digitale Medientechnologien and der Fachhochschule St. Pölten, Masterkalsse Audio Design von: Baran Vlad DM161567 Betreuer/in und Erstbegutachter/in: FH-Prof. Dipl.-Ing Franz Zotlöterer Zweitbegutacher/in:FH Lektor. Dipl.-Ing Stefan Lainer [Wien, 09.09.2019] I Ehrenwörtliche Erklärung Ich versichere, dass - ich diese Arbeit selbständig verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt und mich auch sonst keiner unerlaubten Hilfe bedient habe. - ich dieses Thema bisher weder im Inland noch im Ausland einem Begutachter/einer Begutachterin zur Beurteilung oder in irgendeiner Form als Prüfungsarbeit vorgelegt habe. Diese Arbeit stimmt mit der vom Begutachter bzw. der Begutachterin beurteilten Arbeit überein. .................................................. ................................................ Ort, Datum Unterschrift II Kurzfassung Die Wissenschaft der objektbasierten Tonherstellung befasst sich mit einer neuen Art der Übermittlung von räumlichen Informationen, die sich von kanalbasierten Systemen wegbewegen, hin zu einem Ansatz, der Ton unabhängig von dem Gerät verarbeitet, auf dem es gerendert wird. Diese objektbasierten Systeme behandeln Tonelemente als Objekte, die mit Metadaten verknüpft sind, welche ihr Verhalten beschreiben. Bisher wurde diese Forschungen vorwiegend
[Show full text]
Ardour Export Redesign
Ardour Export Redesign Thorsten Wilms [email protected] Revision 2 2007-07-17 Table of Contents 1 Introduction 4 4.5 Endianness 8 2 Insights From a Survey 4 4.6 Channel Count 8 2.1 Export When? 4 4.7 Mapping Channels 8 2.2 Channel Count 4 4.8 CD Marker Files 9 2.3 Requested File Types 5 4.9 Trimming 9 2.4 Sample Formats and Rates in Use 5 4.10 Filename Conflicts 9 2.5 Wish List 5 4.11 Peaks 10 2.5.1 More than one format at once 5 4.12 Blocking JACK 10 2.5.2 Files per Track / Bus 5 4.13 Does it have to be a dialog? 10 2.5.3 Optionally store timestamps 5 5 Track Export 11 2.6 General Problems 6 6 MIDI 12 3 Feature Requests 6 7 Steps After Exporting 12 3.1 Multichannel 6 7.1 Normalize 12 3.2 Individual Files 6 7.2 Trim silence 13 3.3 Realtime Export 6 7.3 Encode 13 3.4 Range ad File Export History 7 7.4 Tag 13 3.5 Running a Script 7 7.5 Upload 13 3.6 Export Markers as Text 7 7.6 Burn CD / DVD 13 4 The Current Dialog 7 7.7 Backup / Archiving 14 4.1 Time Span Selection 7 7.8 Authoring 14 4.2 Ranges 7 8 Container Formats 14 4.3 File vs Directory Selection 8 8.1 libsndfile, currently offered for Export 14 4.4 Container Types 8 8.2 libsndfile, also interesting 14 8.3 libsndfile, rather exotic 15 12 Specification 18 8.4 Interesting 15 12.1 Core 18 8.4.1 BWF – Broadcast Wave Format 15 12.2 Layout 18 8.4.2 Matroska 15 12.3 Presets 18 8.5 Problematic 15 12.4 Speed 18 8.6 Not of further interest 15 12.5 Time span 19 8.7 Check (Todo) 15 12.6 CD Marker Files 19 9 Encodings 16 12.7 Mapping 19 9.1 Libsndfile supported 16 12.8 Processing 19 9.2 Interesting 16 12.9 Container and Encodings 19 9.3 Problematic 16 12.10 Target Folder 20 9.4 Not of further interest 16 12.11 Filenames 20 10 Container / Encoding Combinations 17 12.12 Multiplication 20 11 Elements 17 12.13 Left out 21 11.1 Input 17 13 Credits 21 11.2 Output 17 14 Todo 22 1 Introduction 4 1 Introduction 2 Insights From a Survey The basic purpose of Ardour's export functionality is I conducted a quick survey on the Linux Audio Users to create mixdowns of multitrack arrangements.
[Show full text]
Blackberry QNX Multimedia Suite
PRODUCT BRIEF QNX Multimedia Suite The QNX Multimedia Suite is a comprehensive collection of media technology that has evolved over the years to keep pace with the latest media requirements of current-day embedded systems. Proven in tens of millions of automotive infotainment head units, the suite enables media-rich, high-quality playback, encoding and streaming of audio and video content. The multimedia suite comprises a modular, highly-scalable architecture that enables building high value, customized solutions that range from simple media players to networked systems in the car. The suite is optimized to leverage system-on-chip (SoC) video acceleration, in addition to supporting OpenMAX AL, an industry open standard API for application-level access to a device’s audio, video and imaging capabilities. Overview Consumer’s demand for multimedia has fueled an anywhere- o QNX SDK for Smartphone Connectivity (with support for Apple anytime paradigm, making multimedia ubiquitous in embedded CarPlay and Android Auto) systems. More and more embedded applications have require- o Qt distributions for QNX SDP 7 ments for audio, video and communication processing capabilities. For example, an infotainment system’s media player enables o QNX CAR Platform for Infotainment playback of content, stored either on-board or accessed from an • Support for a variety of external media stores external drive, mobile device or streamed over IP via a browser. Increasingly, these systems also have streaming requirements for Features at a Glance distributing content across a network, for instance from a head Multimedia Playback unit to the digital instrument cluster or rear seat entertainment units. Multimedia is also becoming pervasive in other markets, • Software-based audio CODECs such as medical, industrial, and whitegoods where user interfaces • Hardware accelerated video CODECs are increasingly providing users with a rich media experience.
[Show full text]
Dolby Atmos for the Home Theater
Dolby Atmos® for the Home Theater October 2014 Dolby Atmos®, the revolutionary cinema sound technology, has come to home theaters. With Dolby Atmos, content creators can precisely place and move sounds anywhere in your living room, including overhead, to make entertainment incredibly immersive and lifelike. This white paper is designed to explain how Dolby Atmos will work in home theaters and how you can build a Dolby Atmos enabled system or upgrade your existing system to support Dolby Atmos. This paper also explains the technological components of Dolby Atmos in home theater and the tools that content creators and broadcasters will use to create and deliver Dolby Atmos content to homes. Why replace channel-based surround sound? Dolby Atmos is a revolutionary technology that moves beyond the paradigm of channel- based audio, which has gone as far as it can in the home. Dolby has led home theater technology since the late 1980s, when we introduced four- channel Dolby® Pro Logic®. We led the development of 5.1 and then introduced 7.1 surround sound in the home and the cinema. But as home theater expanded to 9.1 and even 11.1 systems, the problems of pursuing more and more channels became clear. Home theater content often originates from theatrical content that is mixed, at best, in 7.1 sound and many times in 5.1. That meant that 9.1 or 11.1 systems reached a point of diminishing returns in parsing and upmixing that limited signal to serve more and more channels. In addition, the ability to recreate reality using channel-based audio is inherently limited.
[Show full text]
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
[Show full text]
See the Sound Philips Soundbar 2013 Our Heritage
See the sound Philips SoundBar 2013 Our heritage Our new levels of acoustic realism and authenticity date Each of our home cinema products is characterized by back to the launch of our fi rst sound product, the Philips unparalleled sound quality. All thanks to talented acoustic “Chapel” radio in 1931. Over the years, our dedication to engineering teams and special “Golden Ears” sound sonic perfection has inspired innovations that have forever specialists who are trained to detect every audio nuance and changed how the world hears and experiences sound. committed to creating an acoustic experience you will love. In addition to pioneering the fi rst ever shortwave transmitter, Today, our home cinema range runs the gamut of speaker we invented the cassette tape and CD and also introduced arrangements. The Immersive Sound has a traditional 5.1 the world’s fi rst Internet-connected micro Hi-Fi system. speaker setup for the sound purists. The 2.1 home cinema with two speakers and a subwoofer will fi ll your room with Our ingenuity continues to this day with not only the world’s a lifelike cinematic experience from fewer speakers. If space fi rst DVD/Blu-ray playback-integrated Soundbar, but also its is at a premium in your home, our sleek, unobtrusive, under- fi rst Surround on Demand system. the-TV Soundbars are your solution. Chapel Radio, 1931. This iconic radio set was nicknamed ‘The Little Chapel’. 3 Enhanced TV Sound As TVs become thinner and thinner, the sound from in-built speakers is growing steadily weaker. Keep it simple with Soundbar Choose your Soundbar Philips Soundbars give your movies, video games and music the powerful, high quality punch they deserve.
[Show full text]