Contents

The Art Scene’ Profile & Scholarship 1

Program timetable 4

Tutors and Workshops 7

Workshop Description & Tutor Biography 8-31

General Information 32-37

Fee Table & Admin Fees 38

How to Enrol & Form 39

THE ART SCENE STORE ON CAMPUS 3pm to 6.30pm Sunday 8am to 6.30pm Mon - Thurs 8am to 2.00pm Friday THE ART SCENE PROFILE

The Art Scene was established in 1978 when its founder Mr Henry Malouf (a dedicated hobby artist) decided he could no longer remain retired at the early age of 50. With the help of his wife Evelyn and 4 children Paul, Julie, Kim and Greg who one by one gave up their careers to work in the business, they now have a thriving custom picture framing and art materials business.

Having been on the opposite end of the counter for some years he knew what he wanted as an artist, namely professional help in selecting the right picture frame to enhance and compliment his artwork and of course as is the case for most “struggling artists”, help in keeping the costs down. Through word of mouth a substantial portion of the professional and semi professional artists in New South Wales heard of this quality picture framer which not only could offer a fresh look to the way pictures were framed but halved framing costs which were a substantial portion of the cost of a painting.

Another innovation by Henry was to make The Art Scene a one stop shop for artists and in 1980 he introduced a full range of artist materials into the store (still in its present site today but expanding each year down the street) so that all the artists shopping needs from frames, paints, brushes and canvases could be done at the one time and in the one place. The Art Scene has substantially grown its mail order business and now sells Australia wide with significant orders being exported to countries such as England, USA and Asia, as well as having three stores in NSW.

PROFILE 1. WIN $1550 IN PRIZES! PRIZE: 1 week of tuition by the professional artist of your choice at the Art Scene Mitchell School of Arts (including on-campus accommodation and all meals) from the 7th -13th July 2019 valued at $1550.

HOW TO ENTER Entries will close Friday 31st May 2019. Step 1 At Art Scene, purchase any Winsor & Newton, Liquitex or Arches The winners will be notified on Friday 7th June art materials. Be sure to keep the receipt as proof of purchase. 2019 via email and/or telephone.

Step 2 Follow Winsor & Newton Australia on Facebook and/or Instagram. www.instagram.com/winsorandnewton_au Step 3 Use any of the above art materials to create a masterpiece.

Step 4 Photograph your painting and receipt and email both to www.facebook.com/winsornewtonau [email protected] In the email please tell us which materials were used (e.g. type of paint/ paper etc). Give us your full name and telephone number so we can contact you if you win! Alternatively post photograph and copy of receipt to The Art Scene, 914 Victoria Road, West Ryde NSW 2114. Servicing artists Australia wide and internationally for over 40 Years

NSW WEST RYDE PADDINGTON ROZELLE 1-37 Greens Rd Kirkbride Way, Callan Park 914 Victoria Rd SYDNEY COLLEGE OF ARTS Entrance via Mulvihill St UNSW ART AND DESIGN Ground Floor, Block D Next door to SCA Print Lab 02 9807 6900 02 8815 1569 [email protected] [email protected] [email protected] www.artscene.com.au www.artscene.com.au THE WEEKS PROGRAM Workshops are held from 9am-5pm Monday to Friday, with studios open until 7pm each evening. Participants may enrol in one workshop only for the duration of the school. Sunday 7th July 19 2pm - 5pm Residential Registration - Building 1413 2pm Afternoon tea available (rooms won’t be open until 2pm) Monday 8th July 19 8.00am Registration (non residential participants) B1413 auditorium 8.45am Welcome address & class allocation 9am - 5pm Workshops 7pm Tutors exhibition (includes wine) Tuesday 9th July 19 9am - 5pm Workshops 6pm - 9pm Supplier Marketplace Fair - free workshops & demos

Wednesday 10th July 19 9am - 5pm Workshops 12.15 - 1.15pm Christmas in July Lunch B1414 - Dining Room 7.15 - 9.15pm Art Scene Trivia Night with games B1413 Rafters Bar Thursday 11th July 19 9am - 5pm Workshops 7.15 - 9pm Painting Demo followed by an auction Building 1413 - Rafters Bar Friday 12th July 19 9am - 5pm Workshops & set up for exhibition Artwork courtesy of Ros Paterson 7.15 - 8.30pm Student exhibition B1413 auditorium Saturday 13th July 19 9am Check out (residential participants) PROGRAM 4.

TUTORS AND WORKSHOPS

ACRYLICS MIXED MEDIA Denis Clarke Interpreting Trees Kristine Ballard Easy Ways to Expressive Art & Abstraction Joe Penn Drawing in Mixed Media Patrick Carroll Courting the muse & Making a Painting Catherine Harry Paint Earth, Seas & Skies with Energy WATERCOLOUR / WATERBASED MEDIA / BOTANICAL Shazia Imran Colourful Acrylics Malcolm Beattie Simplifying Complex Scenes Jane Blundell Sketching with Watercolour Bootcamp OILS Joe Cartwright Atmospheric Watercolours Robert Knight Atmospheric Ethereal Style Chan Dissanayake Freedom with Watercolour Ted Lewis Experimenting With Oils & Colour Barbara Duckworth Botanical Drawing & Painting Lesley O’Shea Loose & Lively Portraits in Oils Julie Goldspink Impressionist Watercolour Ros Psakis Slipping Into Oils John Haycraft The Painting Rules - How to Break Them! Sally Ryan Portraits from Life Terry Jarvis Watercolour is for Everyone John Wilson Creative Landscapes in Oils Paul Margocsy The Wind Beneath my Wings Ross Paterson Wonderful Watercolour PRINTMAKING & JAPANESE BOOKBINDING Tony White Living on the Edge - Fearless Watercolour Roslyn Kean Woodblock Printing & Japanese Bookbinding

TUTORS & WORKSHOPS 7. Kristine Ballard EASY WAYS TO EXPRESSIVE ART & ABSTRACTION MEDIUM: ACRYLIC (PLEASE NOTE: I CAN ALSO ACCOMMODATE OIL PAINTERS) BEGINNER - ADVANCED

Want to expand your artwork skills into more expressive and contemporary ways but have no idea how to start? Kristine Ballard will help guide you into the world of expressive art and abstraction with techniques guranteed to inspire your visions and nurture your unique creative voice. Have fun with some experimental ways that get excited about your future artworks. The week will be filled with fun and engaging art exercises guaranteed to get those creative ideas happening. Get ready for a week of energy and colour. Learn how to develop your own colour palettes. Learn how modernism changed the way we see art and how you can apply the principles to your own art making. You’ll also learn a little about colour history. Exercises are based on acrylic paint but oil painters are welcome to use their medium. No experience necessary. Just a love of colour and creativity. You are welcome to bring artworks for a critique as well. Get ready to develop your own expressionism! Kristine Ballard is a Sydney based artist whose work focuses on vibrant colour. She specialises in still life and landscapes. She has developed a style she calls ‘Fragmatism’ where images float and merge over the picture plan. Kristine has exhibited her work nationally and internationally. She has completed art residencies in New York, Venice and at Australia’s oldest art colony, Monsalvat. She is a seasoned art educator having run the Northshore School of Art for 12 years, conducted corporate art events and functions and been the Arts Presenter on EdTV. She runs an annual Art Retreat in Fiji and facilitates many Art Workshops. She specialises in one-to-one art tuition where she can fast track student development and growth. WORKSHOPS 8. Patrick Carroll COURTING THE MUSE AND MAKING A PAINTING MEDIUM: ACRYLIC BEGINNER - ADVANCED Patrick Carroll subscribes to the philosophy that all great art is essentially an abstraction not an imitation. It is said that subjects find painters, painters do not find their subjects. It has also been said that the task of the painter is to show the viewer the ordinary in an extraordinary fashion. James Joyce once wrote that the ‘joy of the individual is to grow into the person that they were always meant to be.’ So the painter is then challenged to cause the painting to develop and grow. This is done with the creative skill and true input from the heart, mind and soul of the artist - No FORMULAE AND NO SHORTCUTS. You only require a passionate heart, an open mind and a spiritually imbued soul together with some paints, paper and brushes. Confused? Let’s start painting..

“Patrick Carroll is an artist who does not shrink from subjects which present great complexity. In fact the more difficult the image the more energised in his approach and resolution. From the cluttered urban landscape of red roofs and narrow streets to the tangle of the Australian scrub he is able to distill its essence and grandeur and reflect it through confident brushstrokes and dramatic colours.” As quoted by Michael Pursche

WORKSHOPS 9. Catherine Harry PAINT EARTH, SEAS & SKIES WITH ENERGY & DYNAMISM MEDIUM: ACRYLIC & MIXED MEDIA BEGINNER - ADVANCED The first marks you make are the cleanest and surest simply because they are made without hesitation. Create imagery with a free and dynamic approach. Explore acrylics to it’s full potential. Learn how to make paintings from layered colour, using a variety of brushes to achieve interesting brushstrokes. Explore various ways in which you can build a convincing sense of space in your paintings using contrast and the sky. Explore the use of textured surfaces to create poetic paintings. Class demonstrations will be given as well as handout notes and colour photographs. Students are encouraged to bring their own photographs or drawings to create individual works. Catherine is a Sydney (FRAS) based artist who has been exhibiting professionally for 25 years in commercial galleries and art shows. She has won numerous awards and her works have been used in art publications and purchased by government organisations. Catherine studied at the National Art School in Sydney and later extended her studies at UTS obtaining a Teaching Degree. Part of her development in the visual arts culture has been to study at the Julian Ashton Art School, as well as the study of traditional and ethnic art practices in Europe, U.S.A. and South East Asia. She is a Fellow of the Royal Art Society and council member. Although much of Catherine’s formal study has exclusively concentrated on oils, her continually developing personal style in the visual arts has embraced the fluent and immediate effects of water based media. Her paintings are drawn from the visual experience of life on a sensory and emotional level. She has a solid foundation in plein air painting and attends regular life drawing groups. Catherine describes her own artistic style as oscillating between figurative and abstraction and much of her work subscribes to this notion. In the moment when colour, shapes and marks begin to interact, the painting takes on a life of its own reflecting the artist’s observations, experiences and imagination. WORKSHOPS 10. Shazia Imran COLOURFUL ACRYLICS MEDIUM: ACRYLIC AND MIXED MEDIA BEGINNERS TO ADVANCED

During this workshop Shazia guides students of all artistic levels through the steps of creating mixed me- dia paintings on paper, canvas and board. Students will add collage using various materials such as tissue papers, newspapers, photocopies and decorative papers as the base and then acrylic washes and paints will be applied to create a mixed media surface. Drawing will be done with charcoal, oil pastels and finished with acrylics paints. Students will be introduced to image transfer and variety of mixed media techniques. Shazia will also touch on basics of compositi on, colour wheel, principles and elements of design during this session. Get ready for a colourful and fun experience!

Sydney based artist and sculptor, Shazia Imran is best known for her expressive mixed media pieces. Her background in graphic design and digital media has influenced her style in mixed media. Shazia won the Lorenzo il Magnifico award at the 2015 Florence Biennale and also the London Biennale. Her works have been exhibited internationally and hang in private collections in the USA, UK and Australia. Her delicately multilayered paintings explore the connections between landscape, memory and the subconscious through texture and the interplay of light and dark, creating an atmosphere that opens itself up to multiple meanings. Shazia was featured in the TV show Colour in Your Life, she demonstrated how to create a figurative mixed media painting. The recording is avail- able here shazia.com.au/tv - Visit Shazia Imran’s website: www.shazia.com.au WORKSHOPS 11. Robert Knight ATMOSPHERIC ETHEREAL STYLE MEDIUM: CHARCOAL & OILS BEGINNERS TO ADVANCED

The focus of this workshop will be on how to paint landscape in a free loose style and create art works that have that atmospheric ethereal quality. Robert will demonstrate and guide students in an easy step by step process on how to analyse and simplify the subject. Robert will offer insight on colour mixing with a limited colour palette also on brush technique and paint applications using palette knives to create textures to add another dimension.

Robert has been exhibiting his work since the mid 80s and is now a full time professional artist . He is a landscape artist and paints rainforests ,seascapes and cityscapes capturing the mood and atmosphere of the subject. He paints mainly in oils and drawing is also an important part of his work using a broad loose style with touches of detail. Robert is a fellow of the Australian Guild of Realist Artists and a recipient of the Art Excellence Medallion 2004. He was also the winner of best oil/acrylic at the Camberwell Rotary Art Show 2018 His style has been described as realist contemporary with a design element. www.robertknight.com.au

WORKSHOPS 12. Ted Lewis EXPERIMENTING WITH OILS AND COLOUR MEDIUM: OILS BEGINNERS TO ADVANCED

Ted enjoys encouraging others to paint and is very generous in sharing his knowledge and skills. As evidence of this, Ted travels around NSW running painting workshops. Ted has run workshops in Forbes, Wallabadah, Parkes, Orange, Bathurst and Canowindra in NSW. In these workshops Ted teaches the basics of painting using both oils and acrylics: drawing – balance, perspective and interest; colour mixing and tone; actual painting approach eg blocking in of main objects and direction of light. Ted tries to break down the process to ensure that participants understand the steps and enjoy their painting experience. He also hopes that by understanding these steps participants can repeat this back in their own studios and continue to improve their painting skills.

Ted Lewis has been painting full-time for over 30 years, holding his first one man exhibition at the Hesley Gallery in Orange, NSW, in 1976 at the age of 18. Since then he has had many successful exhibitions in Orange, Bathurst, Sydney, Peak Hill, South Port (Queensland), Canberra and Canowindra. Ted has a great love of the Australian bush and takes his paints with him wherever he goes. He tries to capture the light and vibrancy of the ever-changing landscapes – landscapes that range from the colourful beaches to the brilliant reds and blues of Central Australia – the subjects are endless and the challenges many. In many of his works, Ted likes to experiment with colour to produce a more contemporary landscape, particularly in acrylics, while using oil to produce subtle changes in light and atmosphere. Ted is one of Australia’s best outback and landscape artists and over the years, has received several awards for his work. WORKSHOPS 13. Lesley O’Shea LOOSE & LIVELY PORTRAITS IN OILS MEDIUM: OILS BEGINNER - ADVANCED

Enjoy working with the easiest and most forgiving of mediums, oil paints. This course starts with studying the placement and proportions of facial features using tonal drawings in charcoal. There will be a series of exercises which will be aimed at taking the mystery out of seeing and measuring these proportions. Working from colour images students will be guided through step by step class demonstrations. Mixing of various skin tones as well as the use of colour, tone, hard and soft edges to create depth will also be covered. The course aims to develop each student’s individual style as well as enjoying the juicy brush strokes and depth of colour of oil paints. Photographic material will be provided by the tutor however students are welcome to bring their own photographs of family or friends for them to paint and take home. Individual demonstrations will also be given. No turps is used in this class.

Lesley’s training in art has been through various workshops, as well as a Certificate in Fine Art (Seaforth TAFE) and a Bachelor of Fine Arts, National Art School. In 2008 she was made a Fellow of the Royal Art Society and is also a mem- ber of Portrait Artists of Australia. Lesley has been a finalist in both the Portia Geach Portrait and the Shirley Hannon Portrait Prizes. She has also won the overall, landscape and drawing prizes in the North Sydney Art Prize, several years running and in 2010 was awarded the open and works on paper prizes at the City of Ryde Art Awards. She has also won the Robert Le Gay Brereton Drawing Prize, awarded through the Art Gallery of NSW. WORKSHOPS 14. Ros Psakis SLIPPING INTO OILS MEDIUM: OILS BEGINNER - ADVANCED

If we’re to call ourselves artists, we should be able to paint EVERY subject. And we should WANT to paint every subject. Who wants to be known only as Australia’s best painter of Wombats? We should be able to paint Landscapes, figures, animals, still lifes, seascapes, street scenes, portraits....oh AND Wombats. This workshop covers colour mixing, tonal control, drawing...and shows the easiest way to get those subjects onto the board. You’ll be amazed at how simple it is.

Ros has been painting for many years and teaching for 17. Six times Winner of the Art of Sydney Awards, 15 times Award of Excellence at St.George Art Society, articles in Art Magazines, Tutor at Mitchell School of Arts Bathurst and Art in Action, Kurrajong Website.. www.rospsakis.com Daily art postings on www.facebook.com/rospsakis Demonstrations on www.youtube.com/rospsakis WORKSHOPS 15. Sally Ryan PORTRAITS FROM LIFE MEDIUM: OILS BEGINNER - ADVANCED

Working from life is the best way to develop the skills required to paint a realistic portrait and it is both challenging and fun. This workshop is for any artist who wishes to learn or further explore the techniques involved in painting traditional portraits and provides an extended time to explore this process. Painting from the live model over five days, particular fo- cus will be on modelling form, colour mixing and paint handling. Suitable for beginners to experienced painters / drawing experience is beneficial.

​Sally Ryan is an Australian painter and portrait artist living and operating in Sydney. Her style is best described as contemporaryrealism with an emphasis on portraiture although her practice includes all genres of painting. Before portraiture became her primary focus, Sally had worked for a number of years in both the graphic and ceramic arts. These practices laid the foundation for the patterning and detail her art is noted for today. The human subject, though, remained a point of interest throughout her career and after a few years of intensive study at the Julian Ashton Art School (including a Scholarship in 2010), portraiture and figurative art had become her passion. Sally now works in oils, graphite and charcoal and has been recognized in competitions across Australia and internationally. She is a member of Portrait Artists Australia and has had works exhibited with this organisation at the Art House Gallery, NSW Parliament House and the Australian Embassy in Washington. Sally teaches portraiture and figure painting at the Julian Ashton Art School. Awarded Signature Status by the Portrait Society of America 2018. WORKSHOPS 16. John Wilson CREATIVE LANDSCAPES IN OILS MEDIUM: OILS BEGINNER - ADVANCED

INTO THE LIGHT This is an opportunity to learn from one of Australia’s top Tutors. Renowned for his magnificent Australian Landscapes John will share the secrets to create your own beautiful and exciting oil paintings. You will be exploring the subtilties of our Australian light and atmosphere as well as composition, colour mixing and techniques used in the craft of oil painting. The workshop will begin with a short theory session followed by step by step demonstrations of each painting. Emphasis will be to attain an extra step to attain a higher level of competence in all areas. Please bring all your painting gear and as many questions as you wish to ask.

A FULL TIME Artist and Tutor for 45 years John’s great expertise and experience make him one of the countries leading tutors of Australian Landscape. John has won 82 major awards and has had 50 solo exhibi- tions including London, USA, Canada, Japan, China, and Korea. His work is held in private and corporate collections both here and internationally. John is a Fellow of the Royal Art Society of NSW and Patron of the Society of Mountain Artists. WORKSHOPS 17. Roslyn Kean WOODBLOCK & JAPANESE BOOKBINDING MEDIUM: PRINTMAKING & BOOKBINDING BEGINNERS TO ADVANCED

Multi -Block Woodblock Printing incorporating both Traditional Japanese non toxic inking methods with watercolour and western inking techniques with small brayes and Akua inks also soluble in detergent and water. Carving will be done on both Japanese shina and local plywood. Printing to be done by hand with a selction of barens.

Introduction to Japanese Bookbinding - There is also the opportunity for the application of developing a print to be used as the cover for a traditional four-hole binding soft cover book A5 in size. Basic Japanese binding methods will be introduced. This course is suited to artist of all levels with or without printmaking experience.

Roslyn was born Sydney 1953. First studied at the National Art School and Shillito Design School, Sydney followed by post graduate studies in printmaking at the Slade School of Fine Art, London. In 1985 awarded a research scholarship by the Japanese Government to attend The Printmaking Dept., The National University of Fine Art, Tokyo to undertake postgraduate studies in Traditional Japanese woodblock printing. During her career as an artist printmaker Roslyn Kean has taught at universities both nationally and in the UK. Her specialised area of Traditional Japanese methods of relief printing has enabled her to offer unique workshops throughout Australia. Currently she is the Director of The Stables Print Studio, Sydney where she works and offers unique open studio days to share her skills. WORKSHOPS 18. Denis Clarke INTERPRETING TREES MEDIUM: MIXED MEDIA INTERMEDIATE - ADVANCED This new workshop from Denis revolves around capturing the structure, rhythm, texture and feel of tree forms and relaying these elements into lively spacial compositions in mixed media on quality paper. Initial exercises will include working from plant forms in the class in order to revise drawing principals and free mixed media techniques. As we progress we will work from specially chosen A4 photos of trees supplied by the teacher.[You may also like to bring your own reference photos or indeed work drawings]. You will be encouraged to observe the tree closely in order to interpret its dramatic potential for inspiring mark making. You will then create a main composition, series or triptych exploring abstract values such as , transparency, overlapping, colour, texture, negative space and movement. Demonstrations will be given in the use of charcoal, inks, pastel, wax resist, water colour etc to examine physical use of media. Expect to have fun learning how to free up with layering media, experimenting with accident and keeping an eye on underlying linear structure. Weather permitting, outdoor research will be encouraged from interesting trees. Denis Clarke is an established artist who has exhibited widely in Australia and internationally. His work is characterised by expressive use of colour, movement and intense drawing from everyday subjects. He lectures in drawing at several art schools and universities including the National Art School, Sydney. He is known for his innovative approach in linking observational drawing to creative and experimental methods with drawing and painting media. He is represented in public collections including The Art Gallery of NSW, Lloyds of London and has been the recipient of major awards including The NSW Travelling Art Scholarship and The Cite International des Arts Studio Paris. He is currently represented by The Stanley Street Gallery, Sydney. WORKSHOPS 19. Joe Penn

DRAWING IN MIXED MEDIA MEDIUM: MIXED MEDIA BEGINNERS - ADVANCED

Come and join Joe Penn in Penncilmania; a drawing workshop for everyone! This workshop covers all the basics of perspective, tone and composition as well as exploring expressive use of line, colour and texture. Using a wide range of drawing materials, students will be guided through class and individual demonstration by a tutor passionate about drawing. Join Joe in exploring the possibilities of various drawing media combined with the use of colour. Students will be using everything from the wandering, line of the humble biro and pencil to the varied, expressive marks produced by charcoal. Then comes the fun part: adding the sparkle of colour. Joe as usual will spice up proceedings with tall tales, jokes and even some serious lessons on perspective. Be prepared to learn and have fun at the same time!

Joe is a sought after tutor, judge demonstrator of many years’ experience. His training as a commercial artist at East Sydney Tech; now National Art School, and career running a mobile art gallery, provides him with a wealth of knowledge to pass onto his students. Joe has been painting full time since 1984, working in a variety of mediums. Although he is well known for his Impressionistic oils of landscapes, portraits and figures, Joe is passionate about developing the ability to draw. This comes from being a student of Lloyd Rees back in the 1960’s. A fellow of the Royal Art Society, Joe has had numerous solo exhibitions, as well as being exhibited in Cromwell’s Art Prize 2004, the Archibald Salon de Refuses 2002 and 2008. He is also twice winner of the Landscape Prize in the North Sydney Art Prize and was on the teaching staff at the Royal Art Society of N.S.W. for over 10 years. He is also a regular tutor at the Mitchel School of Art, held every 6months, at Sturt University, Bathurst. WORKSHOPS 20 Malcolm Beattie

SIMPLIFYING COMPLEX SCENES IN WATERCOLOUR MEDIUM: WATERCOLOUR INTERMEDIATE TO ADVANCED

Let Malcolm share his knowledge and experience with you during these five exciting and fun packed days. Relax, and let him show you lots of interesting ways to enjoy yourselves with watercolour. He will strip away the mystery and “secrets” in favor of a no-fuss, logical approach to achieving vibrant paintings full of light, colour and movement. Malcolm has no secrets – he will share with you every- thing he knows, from washes, glazes, simplification and tonal balance to the value of painting with a limited palette. Subject matter will be wide-ranging and varied – city streetscapes, rural landscapes, skies, clouds, boats, water reflections and figures in the landscape, etc. He will also spend a session doing pen and wash sketching – an exciting preamble to water- colour painting as well as a stimulating technique in its’ own right. Malcolm will demonstrate continuously and set tasks for participants. Critique, guidance and appraisal will be ongoing during the workshop.

​Malcolm Beattie has been a successful professional artist since 1995, winning numerous prizes and awards along the way. His work is represented in corporate and private collections both in Australia and overseas, and he undertakes regular workshops and demonstrations for Art Societies throughout Australia and overseas, runs a school from his Melbourne studio conducting classes in both watercolour and oil painting technique,

A book on his watercolours, “Simplifying Complex Scenes in Watercolour”, was published in 2003.

WORKSHOPS 21. Jane Blundell

SKTECHING WITH WATERCOLOUR BOOTCAMP MEDIUM: WATERCOLOUR SERIOUS BEGINNERS TO ADVANCED Jane is an award winning watercolour artist and a passionate teacher. She is a member of the Australian Watercolour Institute and a member of the education committee for the Urban Sketchers organisation. She has a passion for sketch- ing in line and colour that goes back over 40 years. In this workshop she will demonstrate tools and techniques to help you to gain confidence in sketching from life, whether for travel, urban sketching, botanical studies or just for fun.We’ll explore different sorts of pencils, pens and inks, create the perfect sketching watercolour palette, look at layouts and lettering and discover many ways to make wonderful sketchbook pages to create indelible memories of your travels and experiences. As it is cold in July, only some sessions will be held en plein air, most will be in the studio space, however appropriate clothing for outdoor sketching is important.. The workshop will include personalised palette consultations and is suitable for beginners or those with more experience. Jane Blundell has been painting in watercolour for over 35 years and is a professional artist and teacher and a member of the Austral- ian Watercolour Institute. She is a passionate sketcher and while she works in all mediums, her favourite is watercolour. She paints anything – urban landscapes, flowers, rocks, people, still life, whatever – usually from life. Her understand- ing of colour and pigments is based on years of personal research and exploration, and can be seen on her website and Blog and in her two self-published books: Watercolour Mixing Charts and The Ultimate Mixing Palette: a World of Colour, both available through au.Blurb.com. www.janeblundellart.com - www.janeblundellart.blogspot.com - Instagram: Janeblundellart - Facebook: Jane Blundell Artist WORKSHOPS 22. Joe Cartwright

ATMOSPHERIC WATERCOLOURS MEDIUM: WATERCOLOUR BEGINNER TO INTERMEDIATE

Watercolor is a magical and often challenging medium. Once mastered, it will reward you with the pleasure of creating strik- ing works of art or infinite variety. During this week, I will set out to clear up widespread misconceptions about painting with watercolours. These common confusions hold watercolour artists back from achieving their full potential. The course will be full of practical advice and techniques. My aim is to simplify watercolour painting to assist you in your personal adventure with this wonderful medium. A wide range of topics including brush and water control, timing, perspective, figures, tones and colour mixing will be covered. Daily step-by-step demonstrations will allow us to cover and paint a number of subjects over the course of the week. Water, buildings, street scenes, figures, and Venice will all be tackled. It should be a lot of fun! Joe has received over 90 awards for his work. Including the 2009 John Copes Watercolour Prize. He paints in a fluid and spontaneous manner. This allows him to capture the mood and atmosphere of his subject with a style that encourages the viewer to involve themselves with his work. He covers a wide range of subjects believing any concept can lead to an exciting work of art. He is always looking for an interesting viewpoint which he can bring to his audience allowing them to connect more closely to the world around them. He has published a highly successful book titled, “Mastering Watercolors – a practical guide.” It is available through Amazon.com, where it has ap- peared a number of times on the watercolour best seller list. Web - www.paintingwithwatercolors.com

WORKSHOPS 23. Chan Dissanayake FREEDOM WITH WATERCOLOUR CLASS IS FULL MEDIUM: WATERCOLOUR INTERMEDIATE TO ADVANCED

These workshops will suit students who have been exposed to the medium of watercolour and want to extend their knowledge to the next level in learning secrets of the medium. If you enjoy the challenge of producing loose, bold and free watercolours, then this is for you. There will be many step-by-step demonstrations tackling wide variety of subjects from rural landscapes, urban cityscapes to coastal seascapes. Chan is well known for his generosity in sharing his insights and experiences in watercolour. Students will be guided through in how to create depth, incorporate figures, and connect shapes, edge control and how to exploit the medium in creating magical effects. Each student will receive personal attention and encouragement. The truly magical qualities of watercolour can best be demonstrated in portraying atmospheric effects such as mist, rain and fog. We will paint a variety of subjects in- cluding a typical misty Australian landscape with gum trees as well as a cloudy /rainy scene with limited palette. Learn the various stages of wetness of the paper and paint to water consistency in creating these effects.

Chan is a multi-award winning watercolour artist living in Canberra ACT. He is a highly regarded tutor and a well-respected artist. Over the last 15 years his passion has turned to watercolour. A medium that thrives in spontaneous response and free expression. His quick and direct approach to watercolour has earned him much success both nationally and internationally. His mastery in watercolour is manifested by the vast varying subject matter that he tackles from rural landscapes, urban city scapes to coastal seascapes. Known for his innovative approach to teaching and generosity in sharing his knowledge, Chan has gained considerable reputation as an outstanding tutor. He conducts international painting tours with Travelrite Interna- tional. He has contributed many articles to leading art publications including Australian Artist, International Artist and Artists Palette. Currently he teaches watercolour at the ANU (Australian National University). For more details of his work please visit his website: http://www.chandissan.com WORKSHOPS 24. Barbara Duckworth BOTANICAL DRAWING AND PAINTING MEDIUM: WATERCOLOUR BEGINNER - ADVANCED

Plants come in a rainbow of colours! Have a favourite flower you’ve always wanted to paint but didn’t know where to start? Acquire skills to visually record the magic of the botanical world around you. Everyone can draw and this workshop focuses on individual attention in the exploration and use of the fundamental principles of line, shading, composition and the effect of light to define the form, shape and texture of the specimen. Colour mixing and its application and daily demonstrations are an integral part of the course. A full tone pencil drawing of the plant will be transformed into a full colour botanical illustration in watercolour. Accuracy of botanical details are emphasised throughout the week. Returning students will continue from where they left off previously. Daily morning exercises will canvas the spectrum of the rainbow of plant colours from yellow through to blue, violet and indigo.

Barbara Duckworth has a Diploma of Art from Central Technical School, Toronto, Canada and studied Natural History Drawing at the British Museum of Natural History, London. She worked for the Australian Museum from 1975-1988. From 1988-1999 she worked at Macquarie University as Biological Illustrator/Artist and taught Scientific Illustration courses in fundamental and advanced techniques. Barbara taught 2 classes in Botanical Drawing and Painting at Ku-Ring-Gai Art Centre from 2001-2005. Barbara teaches at the Mount Anan Botanic Garden, Royal Art Society & Royal Botanic Gardens, Sydney. Her work is published in the key guide of Australian Reptiles and Amphibians, (L.Cronin) and scientific texts and journals. She has held 2 successful solo exhibitions, 2x 2-person exhibitions and numerous group exhibitions. She is represented in the Shirley Sherwood collection and collections in England, Japan and Canada. She has had sellouts at Botanica 2000-present. WORKSHOPS 25. Julie Goldspink YUMMY YUPO – WATERCOLOUR CANVAS - AQUABOARD MEDIUM: IMPRESSIONIST WATERCOLOUR BEGINNER - ADVANCED Watch the nuances of Watercolour take you on a magical journey. The watercolour pigment will go slip sliding across the pure white surface of the Yupo, weave its magic on the finely woven canvas and create the wonder of the ocean waves on Aquaboard. While this method takes on a life of its own you the creative artist contain and manipulate it to form the subjects of your choice. You will see the intense colour of the pigments mixing themselves together swirling around and be shown by Demonstration on all three surfaces, how to control it into your specific design with different methods and techniques as well as mediums. Julie will guide you on how to lay down the watercolour and it will open new and exciting possibilities for you to experiment and develop your own artworks. You will have a wide choice of subject matter ranging from Floral, Riverscapes/Landscapes/Seascapes, Birds and Still Life. With Julie’s easy-going nature and encouragement, you will be guaranteed to have a fabulous workshop and be shown exciting & creative ways to push and pull the watercolour medium to a new and unexplored level. Experience a lot of fun during this amazing week. Remember you are only limited by your own imagination. Julie is a multi - award winning artist who travels throughout Australia doing Workshops and Demonstrations. Her preferred medium is watercolour but also works in oil and acrylic, mixed media, collage and pastels. The subject matter she covers is landscapes, seascapes, riverscapes, flowers and still life and describes herself as a Realist Impressionist. Self-taught from an early age her formal education came later. It includes Fine art studies at T.A.F.E., ten years at Mitchell College Summer /Winter Schools studying watercolour and portraiture, C.S.U. B.A. Majoring in Fine Arts and Textiles. Accomplishments include having held solo and combined Exhibitions and exhibited in many major Exhibitions. Julie has fifteen years’ experience as a teacher/demonstrator and is a member of the Australian Watercolour Institute and a Fellow of the Australian Guild of Realist Artists. For more information log onto www.juliegoldspink.com.au WORKSHOPS 26. John Haycraft THE PAINTING RULES - AND HOW TO BREAK THEM! MEDIUM: WATERCOLOUR BEGINNERS TO INTERMEDIATE

Students will paint, brush in hand, from the first moment to the last. I believe the way to learn is to run flat out.There will be stumbles and from time to time. You may fall over, but you pick yourself up and go again, wiser for the experi- ence. That is how to tackle this medium. It needs boldness and a preparedness to make mistakes – that is how we learn. There will be challenges but along the way we will have fun, another essential ingredient for learning. John has been a professional artist since 1971. Trained as a perspective artist he has over the years developed his interest in watercol- ​ our as a medium for expressive painting particularly well adapted for plein-air work. He believes in the fundamental importance of good drawing as well as knowing the rules of figurative painting before you go out and deliberately break them. Grounded in sound technical knowledge, John encourages his students to look for the mood and atmosphere in a picture rather than recording scenes with no emotion. An experienced teacher and demonstrator. The watercolour tutor at The Royal Art Society, watercolour tutor at Mitchell School of Arts, Bathurst, Sturt Summer School, Mittagong, Paradise Courses, Fiji, and previously drawing tutor in the architectural faculties of University of Newcastle, University of New South Wales and Interior Design School, Sydney College of the Arts. He is the author of three books, a regular exhibitor and award winner. A collection of his architec- tural drawings is held in the State Library of NSW. He is represented by the Maunsell Wickes at Barry Stern Gallery in Paddington. WORKSHOPS 27 Terry Jarvis WATERCOLOUR IS FOR EVERYONE MEDIUM: WATERCOLOUR BEGINNERS TO ADVANCED Day 1 - “EXPLAINING MATERIALS USED IN WATERCOLOUR PAINTING” - It is difficult to obtain a great result in watercolour if incorrect materials handicap you. Our first lesson will provide an explanation of the materials required to produce and convey great watercolour messages to those that view the finished painting. Understanding Paper, Brushes, Pigment, and how to use them will be the theme. You will paint today as well! – and go home with a wonderful watercolour – or two! Day2 - “WATERCOLOUR FOR THE TERRIFIED” - Designed for those who find Watercolour a daunting proposition! Today will provide you with the necessary foundational skills to paint beautiful watercolours. Areas covered will be wet in wet, wet in damp, dry brush, edges, temperature, tonal evaluation, subject matter, and shapes. You might be terrified at the start, - but you will be “TERRY – FIED” when you finish this session having painted some great watercolours! Day 3 - “INTEGRATING BUILDINGS AND LANDSCAPES” - Covers perspective, composition, painting into the light, and painting with back lighting. Moments from Dawn to Dusk, how to paint from differing vantage points integrating buildings, animals and figures into your landscapes.Day 4 - “INTERIORS, TEXTURES, AND LIGHT” - Covers one of the most avoided subjects in watercolour, “the interior”. Light is a major consideration, so how to paint the right edges in the right circumstance will be demonstrated and explained. How to paint different textures will also be covered. Day 5 - “SEASCAPES, BOATS, AND OTHER NAUTICAL STUFF” - Subjects covered will be Water, Waves, Reflections, Boats, Harbours, Sand, Shells, Headlands, Sunny, Stormy, and Cloudy Days. People on the beach, umbrellas, etc., etc., etc.…Weather permitting; there will be opportunity to paint “Plein Air” outdoors as well. I look forward to working with the students as we discover the delights of watercolour painting together. www.terryjarvis.com.au WORKSHOPS 28. Paul Margocsy THE WIND BENEATH MY WINGS MEDIUM: WATER BASED MEDIA INTERMEDIATE - ADVANCED In this workshop I will endeavour to show you a totally new approach and technique to painting the wonders of wildlife. With the use of water based mediums I will show you how to not only paint feathers and fur but to paint attitude, character and a photo realistic approach to your subject. This will enable you to position your subject and paint the surrounding habitat and give it a photo realistic look. Your work will eventually resemble what you see when you look through a camera lens and you will achieve depth of field and a clarity of subject. Composition is the main attribute to any painting and I will give you guidelines how to achieve this. It’s a fun course and in the five days you will be amazed at what you will produce with this new process. This course is not daunting and from numerous workshops the students have been thrilled and uplifted with this new approach to wildlife art. The backgrounds and the props of wildlife art are important when you are painting realism and the airbrush technique used in the backgrounds will enhance your work. This course is enthralling, exciting and totally fulfilling……I will show you that painting nature can be fun. Paul was born in August in 1945 in Melbourne. As a child he loved to draw but had no formal art training. After much research into ornithology and self-taught efforts he eventually won first prize in the ildlifeW Art Society of Australasia. Paul was included in a book launch in 1990 featuring 70 of the best living traditional artists in Australia. Four years later he had his first book published on his art. AP commissioned him in 1991 to do a water bird series of stamps and he was subsequently commissioned by the U.N. to do an endangered species series. Paul has had solo exhibition in London, Japan, 6 shows in America and 2 at Raffles Hotel in Singapore. He became the first Australian wildlife artist to exhibit in Hong Kong. His second book has just been released and his passion for painting is never ending. WORKSHOPS 29. Ross Paterson WONDERFUL WATERCOLOUR MEDIUM: WATERCOLOUR INTERMEDIATE TO ADVANCED

This well-structured workshop will emphasize the unique qualities of this vital medium ,and will emphasise the important steps of achieving success on location ,as well as in the studio! We will learn how to use wet- in-wet underpainting to enhance luminosity and vitality! From concept, design, and recommended drawing methods, par- ticipants will be introduced to a variety of ways of achieving aesthetically pleasing qualities to their work., whilst pursuing the all important’ Big Picture.’ Appropriate demonstrations will feature various aspects of the landscape with man –made objects, buildings, figures, boats etc[.as shapes in context], with an emphasis of light on the subject.We aim to complete at least Three watercolour paintings during the two-day workshop. Suitable teaching notes will be provided along with individual appraisal. One of Australia’s leading painters in the watercolour medium, Ross is recognised internationally and is often invited to exhibit in various international biennial shows, particularly in China and in Europe. With more than 200 major awards to his credit and works in collections both nationally and internationally, Ross is in constant demand for his Tutorials throughout Australia, China, Europe and New Zealand and he has been invited to exhibit on numerous oc- casions in International Biennials. His Work was awarded at the Shanghai Biennial in 2012-an”Award of Excellence” His works have been published in many books worldwide, and he has a DVD on Watercolour painting. An artist who often paints “Plein air”, and with extensive knowledge and experience in art education, he is able to impart concisely and generously for hobby painters through to the experienced artists with a desire to extend themselves to a higher level in their art.! He is a member of various prominent art societies,{ e.g. Australian Watercolour Institute- Sydney ; Twenty Melbourne Painters Society. Website : www.rosspaterson.com.au WORKSHOPS 30 Tony White LIVING ON THE EDGE - FEARLESS WATERCOLOUR MEDIUM: WATERCOLOUR BEGINNERS - ADVANCED

Why are you frightened? Just get stuck in. It is only paper and paint and water. Just do it! In this workshop we will focus on bringing you out of your comfort-zone and into the world of loose, vibrant, fresh and free-flowing watercolours. Lose the rigidity that has been plaguing your work. A fresh approach means that your watercolours will come to life. Your inhibitions gone and your own artistic flair will come to the fore. Applying the paint with purpose, while ensuring we take care of the essentials such and composition and tone, you will leave this workshop with a new-found confidence and attitude towards this fantastic medium. Let’s create art, NOT decoration.

Tony White is a Watercolour Artist from Newcastle, Australia. He has established a great following with collectors and students alike. His work has been sold as far afield as Germany and the U.K. His social media following is gaining momentum and with over 10,000 Facebook followers, he is hitting his stride around the world. His style is traditional impressionistic landscape with a strong emphasis on light and atmosphere. “I am inspired by light. Even in the most innocuous of scenes, if the light is dramatic and the mood is misty or sharp or rainy, then I’m in! I have a natural aversion to bright colours. I believe a painting should move you emotionally and if you have to explain it, then it isn’t doing its job”.

WORKSHOPS 31. GENERAL INFORMATION

WHO MAY ATTEND THE PROGRAMS? Anyone over the age of 18 is welcome to attend the school. Most workshops are designed to cater for art practitioners at all skill levels (see Skill Levels), however some workshops are restricted to specific levels. Each workshop clearly notes the level restrictions.

WORKSHOP SELECTION When looking through the extensive range of workshops on offer please ensure you read the outline of the activities you are likely to undertake and the tutor biography to ensure your selection best suits your expectations for the week. We ask that you choose 3 workshops in case your first choice is oversubscribed or cancelled for a particular reason. There is a switching fee applicable if you happen to change your mind with a workshop, this covers the administrative time to change over a registration, so please choose carefully. If you are switched to your 2nd or 3rd preference due to a cancellation by The Art Scene no switching fee is applied. The workshops at ASMSA are conducted over one week which allows for intensive skill development and we do not allow participants to swap and change over during the course of the week.

GENERAL INFORMATION 32 SKILL LEVELS enrol and book early to ensure a place for this style of accommodation. Each workshop caters to a specific level with many of the workshops catering for multi skill levels CATERING • Beginner is a participant who is new to the medium or may have little Meals are cafeteria style with several choices available each day, ranging or no experience in the medium. from hot dishes to salads prepared by the University catering staff. There • Intermediate describes someone who has some experience with the are always several choices available, making it possible to avoid unsuitable medium but looking to learn new techniques and try new materials foods that don’t suit your diet. While every effort will be made to cater • Advanced participant describes someone who has been practicing the for special dietary requirements such as vegetarian, gluten free, and low medium for an extended period of time and is confident with fat dairy etc we cannot supply particular brands or accommodate very techniques and materials specialised requests such as rice and goats milk, soy cheese etc or ACCOMMODATION OPTION cater for allergies (eg peanut cooking oil) If you find that you have noted a Participants at the School are welcome to stay on campus in student special diet on your enrolment form and the kitchen doesn`t provide you a residences where accommodation and all meals are provided for. All rooms reasonable variety each day then mention it to your programme coordinator are furnished single, student-style rooms with a shared bathroom, kitchen and Paul Malouf and with your help he endeavour to liaise with the kitchen common rooms. All linen and towels are provided for the week. Participants manager to satisfy your request. who have special needs or wish to be placed close to a friend or book in a (DO NOT APPROACH THE KITCHEN STAFF YOURSELF) group may request this in writing at the time of enrolment. Rooms will not be Participants taking the accommodation option are fully catered for with serviced, until you vacate on Saturday by 10am. breakfast, lunch and dinner being supplied along with morning and No Smoking is allowed in any building on the University Campus, including afternoon tea. Non residential participants are supplied with lunch, morning residential cottages. Accommodation is limited and participants are advised to and afternoon tea each day of the program. GENERAL INFORMATION 33 WORKSHOP MATERIALS TRAVEL Participants are required to supply their own art materials for their chosen Participants are responsible for their own travel arrangement to and from workshop. A detailed list of materials is provided on final class confirmation. Bathurst. The Art Scene will have an on-campus art supplies retail outlet set up * PLEASE NOTE - The university bus that used to pick up from the station during the week. Materials may be ordered in advance and collected during is no longer available. the School. The Art Scene also have easels for hire for the convenience of participants travelling to the School. Please note that there will be no easels ADMINISTRATION FEES supplied in class rooms so students will need to either hire one from Switching Fee - This covers the administrative activity and cost of The Art Scene or bring their own. switching workshops, which involves the re-issuing of new materials list and advices, new participant list for both the new and old workshops, new PARTNERS information for the tutors and relocation of catering when it involves the Partners or friends who may wish to attend the School without enrolling in a more remote classes etc. This fee is non refundable. Participants wishing to workshop may attend by paying an accommodation/meals only fee. Note: all switch workshops may do so at any time up until 3 weeks prior to School accommodation on University campuses are single rooms, we can not cater commencement. This request must be received in writing. for double or twin rooms. Model Fee - This fee covers expenses incurred in providing a professional life or portrait model for any workshop. All workshops that attract this fee will be noted in the workshop description.

GENERAL INFORMATION 34 USEFUL CONTACTS Coach Companies Airline contacts Selwood Bus Company 02 6362 7963 QANTAS Visitor Information Centre 131 313 www.qantas.com.au 1800 68 1000 www.bathurst.nsw.gov.au REX Airlines [email protected] 131 713 www.regionalexpress.com.au Art Suppliers Rail The Art Scene 02 9807 6900 CountryLink 132 232 [email protected] www.countrylink.inf Art Scene Co-ordinator (Emergency only) Paul 0414 672 674 Taxi 131 008

ALTERNATE ACCOMMODATION If you contact the visitor information centre (see above) they will be able to provide full listings of all types of accommodation in the Bathurst region.

Artwork courtesy of Lesley O’Shea TRANSPORTATION TO BATHURST * XPT from Sydney leaves Central Station at 7:10am and arrives directly at Bathurst 10:43am If you are elderly or disabled try to book Car C which is the buffet car with disabled toilets. Once arriving at Bathurst railway there are taxis at the station. The university is about 2km away and the fare is about $11.00 which you will probably be able to share with others on the same train. The return XPT has only one departure leaving Bathurst at 5:07pm and arriving at Central Station 8:49pm If these times do not suit there is an ordinary country link train service which only goes to Lithgow (seats cannot be booked and seating availability is not guaranteed) Then you catch a bus from Lithgow to Bathurst this service takes approx 4 hours and the trains leave at 12:18pm arriving 4:20pm, 2:18pm arriving 6:35pm and 4:18pm arriving 8:15pm The return journey on this service leaves Bathurst at 10:05am and 11:35am * Alternatively there is a direct train leaving Sydney at 5.52pm on Sunday arriving in Bathurst at 9.35pm (if you take this option you will have to arrange with us to have your room key left with security) Return trip leaves Bathurst at 7.25am arriving at Central Station at 11.06am * The car journey is 200km from Sydney and normally takes about 3 hours W: bathurst.nsw.gov.au Scale of Fees & Enrolments TYPE NOTES AMOUNT Workshop Fee Covers tuition, morning and afternoon tea, lunch and exhibition special events $750 Accommodation Option Per Person Covers on-campus accommodation including breakfast & dinner 6 Days Student or Partner Fee (no tuition) $800 Model Fee Applicable to workshops where a life or portrait model is required Cost set by Tutor Switching Fee To change workshops at your own request $25 Cancellation Fee To cancel you registration $100 HOW TO ENROL Please complete all the information required paying particular attention to dietary, health and disability questions. There is an option to include a second and third workshop choice on the enrolment form in the event that your first choice workshop is already full or in the event of a cancellation. To complete the payment details please check the fee table in the general information to select the appropriate payment. If your workshop indicated a model fee you will need to add this amount to your payment. FULL PAYMENT OF FEES ARE REQUIRED WITH ENROLMENT AND CLASS SELECTION WILL BE BOOKED ON A FIRST IN PRIORITY SYSTEM. If you wish to have your enrolment information and confirmation sent to you via email just tick the box in the lower right hand corner of the enrolment form. FORWARD YOUR COMPLETED FORM AND PAYMENT TO:

THE ART SCENE PTY LTD, 914 VICTORIA RD, WEST RYDE 2114 SYDNEY, ABN 95 001 966 472 PHONE 02 9807 6900, FAX 02 9809 6548, EMAIL [email protected] HOW TO ENROL 38. TO ENROL To enrol in a ASMSA workshop please complete the enrolment form and return with your full payment. A position in a workshop is reserved once payment of fees has been received. Please note that phone bookings are only accepted if accompanied with credit card details. As workshops fill quickly please ensure your enrolment and payment is forwarded to ‘The Art Scene’ office as quickly as possible. You will be forwarded further information regarding your workshop, additional materials you may require, school timetable, maps and an invoice for your payment once the class has reached required numbers to go ahead. Alternatively you will be contacted regarding another choice of tutor. REFUNDS DISCLAIMER In the event that a workshop is cancelled by ASMSA, and the participant Art Scene Mitchell School of Arts makes every effort to ensure the information in this magazine is correct at the time of printing. Changes to the does not wish to enrol in another, a full refund of fees paid will be program are rare, but in the case of illness or any unforeseen circumstance a granted. Participants who cancel or withdraw from a workshop prior to tutor may need to be substituted at short notice. In the unusual event of the commencement will receive a refund of fees paid, minus an administration need to cancel a workshop during a school, participants will be offered an charge of $100. Participants should notify in writing to receive a refund. No alternative workshop. ASMSA retains the right not to accept a participants refunds will be given for withdrawals or cancellations once the workshop enrolment if it deems to be unsuitable for a program or whose presence may detract from the enjoyment of others. has commenced. CODE OF CONDUCT SUGGESTIONS AND COMPLAINTS All participants and tutors who attend a workshop are bound to a Code of The Art Scene co-ordinator ‘Mr Paul Malouf’ will be available in the Conduct which will be forwarded with your workshop information. Any campus art supplies store located in the dining room for any complaints or serious breach of the code will result in expulsion from the workshop enquiries. Constructive suggestions are welcomed if it helps to improve your Bathurst experience. without refund of fees. All attendees to watercolour classes MAY be required to wear enclosed footwear if their allocated classroom is a science laboratory. There are no exceptions as this is the requirement from the university HOW TO ENROL 39.

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