Saint Michael the Archangel Orthodox Church
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December 1, 2019
St. Nicholas of Tolentine Church 2345 University Avenue Bronx, NY 10468 Tel. (718) 295-6800 Fax (718) 367-7411 www.stnicholasoftolentinebronx.org Mass Schedule Saturday Vigil 7:00 p.m. Spanish (piano & cantor) Sunday 8:00 a.m. English (organ & cantor) 9:30 a.m. Spanish (piano & choir/cantor) 11:30 a.m. English (organ & choir/cantor) 1:30 p.m. Vietnamese (keyboard & choir) Augustinian Weekdays 8:30 a.m. Spanish (Mon-Fri.) 12:10 p.m. English (Mon-Fri) 7:45 a.m. Vietnamese (Thu & Sat) Friars Pastoral Staff CATHOLIC FAITH FORMATION All those who are called to follow Jesus in the Catholic faith along with Catholics already Fr. Luis A Vera, O.S.A. baptized (adults, youth & children) who desire to celebrate the sacraments of First Confession, Pastor First Communion and Confirmation can make contact with the coordinator of this area for [email protected] information about the various programs available. Registration for these programs are Fr. Joseph Tran- Associate announced in the bulletin during various times of the year. Also appointments can be made in the parish office at anytime. Fr. Frank Barr, O.S.A Parents wishing to baptize their children (ages 1-5) are invited to make an appointment in the In Residence parish office to speak with a staff member in order to make arrangements for participating in Fr. William Wallace, O.S.A. the Baptismal Program. In Residence Br. Bienvenido Rodriguez, O.S.A SACRAMENT OF RECONCILIATION (CONFESSIONS) In Residence Saturday 4:00-5:00 p.m. and at the parish office by appointment. -
“The Concept Of“ the Presence of God”- a Link
ICOANA CREDINȚEI No. 10, Year 5/2019 http://revistaicoanacredintei.com/ ISSN 2501-3386, ISSN-L 2393-137X https://doi.org/10.26520/icoana.2019.10.5.21-30 THE CONCEPT OF ”THE PRESENCE OF GOD”- A LINK BETWEEN MISSIONARY THEOLOGY AND CHRISTIAN SPIRITUALITY Prof. Ph.D. David PESTROIU, “Faculty of Orthodox Theology ,,Justinian the Patriarch”, University of Bucharest, ROMANIA, E-mail: [email protected] ABSTRACT In a world of religious and moral dissolution, in which nihilist atheism and hedonistic consumerism prevail, missionary theology must propose to the secularized human the experience of reunion with God as a means of restarting the religious experience manifested concretely through prayer and intense spiritual life. Modernity has obviously fuelled deified conceptions, isolating God in an inaccessible transcendence, and promoting a total abandonment of the possibility of experiencing any form of real encounter with Him. The only way to get in touch with Him was rational knowledge, as it was found in the Bible, or logical deductions resulting from the dialogue between theology and science. But they dangerously lead to the postmodern concept of a God-idea, concept, force, etc., lacking the attribute of personality. According to Orthodox doctrine, God has a personal character, being, more specifically, a Trinity of Persons. Therefore, we find enough biblical and patristic grounds, all testifying to the existence of divine Presence. This Personal Presence is the basis of promoting an intense spiritual life of the faithful human, who is aware of the necessity of an organic bond with it, creating a true state of communion. It is, on the one hand, a personal relationship cultivated by every person through prayer, but also an inter-personal relationship created within the public cult, especially in the Divine Liturgy and the Holy Mysteries of the Church. -
GRAMMENOS KARANOS 83 Sherman Road, Brookline, MA 02467 Telephone: 617-850-1236 E-Mail: [email protected], [email protected]
REV. DR. GRAMMENOS KARANOS 83 Sherman Road, Brookline, MA 02467 Telephone: 617-850-1236 E-mail: [email protected], [email protected] Curriculum Vitae Last updated August 22, 2018 Education National and Kapodistrian University of Athens, Athens, Greece School of Philosophy, Department of Musical Studies • Ph.D. in Byzantine Musicology and Psaltic Art (2011) • Dissertation: Τὸ Καλοφωνικὸν Εἱρμολόγιον [The Kalophonic Heirmologion] • Advisors: Gregorios Stathis, Achilleus Chaldaeakes, Demetrios Balageorgos Boston University, Boston, MA Graduate School of Management • Master of Business Administration (2004) Harvard University, Cambridge, MA Harvard-Radcliffe Colleges • Bachelor of Arts cum laude in Government (1997) • Senior Thesis: The Concept of Moderation in the Theories of Plato and Aristotle • Advisor: Petr Lom Greek Orthodox Metropolis of Boston, Boston, MA School of Byzantine Music • Certificate of Byzantine Music with highest distinction (2002) • Studied under Professor Photios Ketsetzis, Archon Protopsaltis of the Greek Orthodox Archdiocese of America. Teaching Experience / Appointments Hellenic College/Holy Cross Greek Orthodox School of Theology, Brookline, MA Assistant Professor of Byzantine Liturgical Music (September 2011 – present) Mathimata, Kratimata, and Deinai Theseis The Kalophonic Heirmologion History of Western Music History of Byzantine Music Directed Study in Byzantine Music Instruction for Beginners Directed Study in Advanced Ecclesiastical Composition in English Service Rubrics Byzantine Music for Clergy Byzantine Music X – Papadike, Old Sticherarion, and Kalophonic Heirmoi Byzantine Music IX – Papadike and Old Sticherarion CV of Grammenos Karanos Byzantine Music VIII – Divine Liturgy Byzantine Music VII – Doxastarion & Slow Heirmologion Byzantine Music VI – Holy Week Byzantine Music V – Prosomoia and Music for Sacraments Byzantine Music IV – Anastasimatarion: Modes II, Pl. II & Varys Byzantine Music III – Anastasimatarion: Modes III, IV & Pl. -
Cantor, God, and Inconsistent Multiplicities*
STUDIES IN LOGIC, GRAMMAR AND RHETORIC 44 (57) 2016 DOI: 10.1515/slgr-2016-0008 Aaron R. Thomas-Bolduc University of Calgary CANTOR, GOD, AND INCONSISTENT MULTIPLICITIES* Abstract. The importance of Georg Cantor’s religious convictions is often ne- glected in discussions of his mathematics and metaphysics. Herein I argue, pace Jan´e(1995), that due to the importance of Christianity to Cantor, he would have never thought of absolutely infinite collections/inconsistent multiplicities, as being merely potential, or as being purely mathematical entities. I begin by considering and rejecting two arguments due to Ignacio Jan´e based on letters to Hilbert and the generating principles for ordinals, respectively, showing that my reading of Cantor is consistent with that evidence. I then argue that evidence from Cantor’s later writings shows that he was still very religious later in his career, and thus would not have given up on the reality of the absolute, as that would imply an imperfection on the part of God. The theological acceptance of his set theory was very important to Can- tor. Despite this, the influence of theology on his conception of absolutely infinite collections, or inconsistent multiplicities, is often ignored in contem- porary literature.1 I will be arguing that due in part to his religious convic- tions, and despite an apparent tension between his earlier and later writings, Cantor would never have considered inconsistent multiplicities (similar to what we now call proper classes) as completed in a mathematical sense, though they are completed in Intellectus Divino. Before delving into the issue of the actuality or otherwise of certain infinite collections, it will be informative to give an explanation of Cantor’s terminology, as well a sketch of Cantor’s relationship with religion and reli- gious figures. -
The Coming of His Feet
..t-, mytiiiiipinj 1.. u muumuu% , UJI1111111111111156 .,. 11111111111111111M 0.11111111111111111U.54f A.11111111111111111I -li 01 tha6.. = ...-71 f :i-..,,, 1 Z. - :17 I IA 11 El 'lt :If ''''''''' I, r111111111711-111.Z.--r 4.... attliFirlair' IIIIIIIIIIItt> %wrap -13111111 OM P a WM, . - 1ro Tatum& hInuun 1.: 'lle m The Coming of His Feet IN the crimson of the morning, in the whiteness of the noon, In the amber glory of the day's retreat, In the midnight robed in darkness, or the gleaming of the moon, I listen for the coming of His feet. I have heard His weary footsteps on the sands of Galilee, On the temple's marble pavement, on the street, Worn with weight of sorrow, faltering up the slopes of Calvary, The sorrow of the coming of His feet. Down the minster aisles of splendor, from betwixt the cherubim, Through the wondering throng, with motion strong and fleet, Sounds His victor tread, approaching with a music far and dim— The music of the coming of His feet. amusing Sandaled not with shoon of silver, girdled not with woven gold, Weighted not with shimmering gems and odors sweet, But white-winged and shod with glory in the Tabor light of old— The glory of the coming of His feet. He is coming, 0 my spirit! with His everlasting peace, With His blessedness immortal and complete; He is coming, 0 my spirit! and His coming brings release; I listen for the coming of His feet. —The Independent. 'JJIIIIItri li- r .4- 41 MIIIIIIIIIV allIIIIIIIAile MI 111111111I'llATilit II Milli w Mffilinlinyilgill:71MMIIIIIIPAIlk! 1111111111111M. -
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Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section II: Conference papers, pp. 83-97 ISSN 2342-1258 https://journal.fi/jisocm Stifling Creativity: Problems Born out of the Promulgation of the 1906 Tserkovnoje Prostopinije Fr Silouan Sloan Rolando [email protected] At the beginning of the twentieth century, the Greek Catholic Bishop of the city of Mukačevo in what is now Ukraine promulgated an anthology of Carpatho- Rusyn chant known as the Церковноє Простопѣніє (hereafter, the Prostopinije) or Ecclesiastical Plainchant. While this book follows in the tradition of printed Heirmologia found throughout the Orthodox and Greek Catholic churches of Belarus, Ukraine, and Russia starting in the sixteenth century, this book presents us with a number of issues that affect the quality and usability of this chant in both its homeland and abroad as well as in the original language, Old Church Slavonic, and in modern languages such as Ukrainian, Hungarian and English. Assuming that creativity is more than just producing new music out of thin air, the problems revealed in the Prostopinije can be a starting point the better to understand how creativity can be unintentionally stifled and what can be done to overcome these particular obstacles. A Brief History Heirmologia in this tradition are anthologies of traditional chant that developed in the emergence of the Kievan five-line notation in place of the older Znamenny neums. With the emergence of patterned chant systems variously called Kievan, Galician, Greek and Bulharski, each touting unique melodies for each tone and each element of liturgy, the Heirmologia would be augmented with these chants often replacing the older Znamenny, especially for the troparia, stichera and prokeimena of the Octoechos. -
Matins Propers
Matins Propers Sunday of the Holy Fathers of the First Council of Nicaea in the Sixth Tone with the Tenth Resurrection Gospel (The 50th Sunday since last Pentecost – the 5th Sun. of the Great Fast having been in Tone 1) Hexapsalmos The reader chants only Psalm 142 followed by “Glory…” on page 6. Matins then continues with the Litany of Peace on page 7. The Lord is God – Tone 6 (page 9) Troparia (page 9) Troparion of the Resurrection – Tone 6 The repetition of this Troparion is omitted. 1 Cantor (Tone 8): Troparion of the Council Fathers – Tone 8 Cantor (Tone 4): Troparion of Ascension – Tone 4 2 Kathismata (page 10) The 2nd Kathisma is omitted People: Lord, have mercy (three times) Glory to the Father and to the Son and to the Holy Spirit Reader: Now and ever and forever. Amen. From the 3rd Kathisma: Psalm 22 The Lord is my shepherd; there is nothing I shall want. Fresh and green are the pastures where he gives me repose. Near restful waters he leads me, to revive my drooping spirit. He guides me along the right path; he is true to his name. If I should walk in the valley of darkness no evil would I fear. You are there with your crook and your staff; with these you give me comfort. You have prepared a banquet for me in the sight of my foes. My head you have anointed with oil; my cup is overflowing. Your mercy, O Lord, shall follow me all the days of my life. -
The Funeral Service for Helene Costas
The Funeral Service for Helene Costas Friday 9 July 2021, 2.30pm The Dean meets the coffin at the South West door of the Cathedral. We receive the body of our sister Helene with confidence in God, the giver of life, who raised the Lord Jesus from the dead. The coffin is sprinkled with holy water. With this water we call to mind Helene’s baptism. As Christ went through the deep waters of death for us, so may he bring us to the fullness of resurrection life with Irene and all the redeemed. As the coffin is brought into the Cathedral to a recording of ‘No woman no cry’ by Bab Marley. When the coffin is in place the Dean says God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. John 3. 16 A family member brings forward an icon and places it on the coffin as the Cantor sings the Kontakion. The Dean then says 2 May the Lord Jesus pray for her. May Mary, theotokos, pray for her. May all the saints, pray for her. Introduction We meet in the name of Jesus Christ, who died and was raised to the glory of God the Father, to remember before God our sister Helene to give thanks for her life; to commend her to God our merciful redeemer and judge; to commit her body to be cremated, and to comfort one another in our grief. Grace, mercy and peace be with you all. -
HYMNS of KASSIANÍ on April 16Th Cappella Records Is Proud to Present the Release of Hymns of Kassianí Performed by Cappella Romana, Alexander Lingas, Music Director
New release by Cappella Romana The earliest music by a female composer HYMNS OF KASSIANÍ On April 16th Cappella Records is proud to present the release of Hymns of Kassianí performed by Cappella Romana, Alexander Lingas, music director. Discover the world’s earliest music by a female composer: 9th-century nun, poet, and hymnographer Kassianí (Kassía). The same men and women of Cappella Romana who brought you the Naxos of America -‐ New Release Submission Handbook V1.0 9 Lost Voices of Hagia Sophia bestseller (43 weeks on Billboard), now sing the earliest music we have by a female composer, including long- suppressed hymns recorded here for the first time. They close with two medieval versions of her beloved hymn for Orthodox Holy Week (Orthodox Easter in 2021 is May 2nd). Cappella Romana is the world’s leading ensemble in the field of medieval Byzantine chant. Building on its extensive catalogue of this repertoire, Hymns of Kassianí is its 25th release. This is the first of a planned series to record all of Kassianí’s surviving works. SALES POINTS • The earliest music by a female composer, three centuries before THIS IS AN EXAMPLE OF A TYPICAL ONE SHEET. Hildegard von Bingen. Label You do not need to follow this exact layout, but please include as much of Logo this information as possible in your sales sheet and submit it to • Ecstatic, never-before recorded works for Christmas and Lent Naxos of America. • Illuminated by the latest research on historically informed RELEASE DATE: 4/16/2021 performance of medieval Byzantine chant. • In high-res for downloads, multi-channel surround sound, produced by multi-GRAMMY® Award winner Blanton Alspaugh and the team at Soundmirror (100+ GRAMMY® nominations and awards). -
Aposticha Stichera (Tone 6)
6 October: Glorification of St. Innocent of Moscow, Apostle to Alaska The Aposticha at Great Vespers Kuskokwim Chant ‐ Tone 6 Sticheron 1 arr. from Abb. Kievan Chant Soprano Alto Called to the New World by the grace of God as a skilled helmsman Tenor Bass of the ship of Christ, you en‐‐ dured dan gers on the sea, as you led those adrift in darkness, delusion, and the storms of pas‐‐‐ sions to the calm harbor of sal va tion. Pray for us now, Ho‐‐‐‐‐‐‐ ly Fa‐ ther In no cent, // be fore the Ho ly Trin i ty! Musical setting © 2020 Fr. Simeon and Mat. Beth Johnson | Text © 2020, Orthodox Church in America Permission to Copy for Liturgical use only. All other rights reserved. Kuskokwim River Chant Oct 6: St. Innocent of Moscow Tone 6 Aposticha | Great Vespers Cantor: Choir: The steps of a good man are or‐ dered by the Lord. Sticheron 2 A prophet raised up from a‐‐‐ mong the Al e uts heard from an angel that you would jour‐‐ ney a far, leav ‐ ing your family to speak with a great man. Once his words had been ful‐ filled, by the infinite wis‐‐ dom and mer cy of God we re ‐ ceived you again as the first bishop to rule our land. // ~ pg 2 ~ Kuskokwim River Chant Oct 6: St. Innocent of Moscow Tone 6 Aposticha | Great Vespers bish‐ op to rule our land. // Intercede now for the flock you have gath‐ ered! Cantor: Choir: The Lord knows the way of the up‐ right, and their in‐‐‐ her it ance Sticheron 3 shall be for‐‐ ev er. -
Justin Bullock: Welcome Back to Another Episode of Bush School Uncorked
Justin Bullock: Welcome back to another episode of Bush School Uncorked. We're recording live, again at Downtown Uncorked, in Historic Downtown Bryan. It's taken me two seasons but I can say it all in one breath. Gregory Gause: I'm very happy that you've remembered that Downtown Bryan is historic, and we're very happy to be in Historic Downtown Bryan. Justin Bullock: I thought you'd be proud. So we're doing our last recording of the year, both of this semester and of the year. We have Ambassador‐ Gregory Gause: Calendar year, not academic year. Justin Bullock: Not academic year. But not everyone works on an academic year like us. They know end of the year is a calendar year. Gregory Gause: Fair enough. Justin Bullock: And we're lucky enough to have former ambassador Larry Napper, who's a professor at the Bush School with us. So we'll jump into meeting him and chatting with him in just a moment. A couple things to keep in mind, again, we'll be done with recording for this year, we have a bunch lined up for you in the spring. So maybe some surprises, some different ways of sharing our podcast with you. So be on the look out for that in the spring, and we'll continue the fun then. Gregory Gause: Can we preview the first guests in the spring? Justin Bullock: Go right ahead. Gregory Gause: Well, we're going to have the dean of the Bush School, Mark Welsh. And the senior associate dean of the Bush School Frank Ashley as our first guests in mid January. -
Greenville, South Carolina
St. Mary’s Catholic Church @ @ @ @ @ Greenville, South Carolina 25 February 2018 Dear Friends in Christ, In the Nicene Creed we confess that Jesus Christ is “God from God, Light from Light, true God from true God,” and these words are an emphatic affirmation that the man who is the son of Mary is also the divine Second Person of the Most Holy Trinity. But the Light which we confess Christ to be is not the created light which sprang forth at the dawn of creation when the Father commanded: Let there be light! No, Christ Jesus in his divine nature is the bearer of the uncreated Light which is the brightness of divine glory, and in the Christian East that is often called Tabor Light as a reference to the holy mystery of Christ’s Transfiguration on Mt Tabor. The Transfiguration is described by Matthew, Mark, and Luke, and every year the Gospel appointed for the Second Sunday of Lent is an account of that event. The Lord Jesus takes the inner circle of the Twelve with him up a high mountain - identified by tradition as Mt Tabor - to prepare them for the tribulation to come, and the Catechism of the Catholic Church explains the significance of the event: “From the day Peter confessed that Jesus is the Christ, the Son of the living God, the Master ‘began to show his disciples that he must go to Jerusalem and suffer many things…and be killed and on the third day be raised.’ Peter scorns this prediction, nor do the others understand it any better than he.