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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Me and Orson Welles Press Kit Draft
presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City. -
April 2021 Answers
Quiz Questions – The rounds are: General Knowledge Jack Nicholson Film and Royalty TV Words Music Round 1 – General Knowledge. Possible 10 points 1. In 2019, which TV presenter signed a £1.1 million book deal for his debut crime novel, ‘The Thursday Murder Club’? Richard Osman 2. Sharing her name with a sports brand, which Greek goddess of victory was depicted on the original FIFA World Cup Jules Rimet Trophy? Nike 3. Which British actor played Jeremy Thorpe in the 2018 BBC drama series ‘A very English scandal’? Hugh Grant 4. ‘Adagio for strings’ is a piece of classical music written by which American composer? Samuel Barber or Aaron Copeland Samuel Barber 5. Which formula one Grand Prix is contested at the Gilles Villeneuve circuit? Canadian 6. Despite their name Kellogs Rice Krispie Squares are what four-sided shape? Rectangle 7. What is the name of the Downing Street cat? Larry 8. Which singer’s real name is Stefani Joanne Angelina Germanotta? Lady Gaga 9. “You’re gonna need a bigger boat” originated in what movie? Jaws 10. What is the most northerly capital city in the world? Reykjavik Round 2 Jack Nicholson Films. I’m going to read out some titles of films which jack Nicholson was in but the last word of that film is missing. Please fill in the word. Possible 10 points 1. Easy _____ (1969) Rider 2. One flew over the cuckoo’s _____ (1975) Nest 3. Terms of ______ (1963) Endearment 4. Prizzi’s _______(1985) Honour 5. The witches of _______ (1987) Eastwick 6. -
Full Cast Announced for Follies
7 December 2018 FULL CAST ANNOUNCED FOR FOLLIES ★★★★★ The Arts Desk, Broadway World, City A.M., Culture Whisper, Daily Express, Daily Telegraph, Financial Times, The Guardian, Independent, Metro, Musical Theatre Review, The Observer, Radio Times, The Stage, The Sunday Times, Time Out, The Upcoming WINNER: 2018 Olivier Award for Best Musical Revival and Best Costume Design FOLLIES Book by James Goldman Music and Lyrics by Stephen Sondheim Directed by Dominic Cooke Olivier Theatre Previews from 12 February, booking until 6 April 2019 After a sold-out run, Follies returns to the NT in 2019. Stephen Sondheim’s legendary musical includes such classic songs as ‘Broadway Baby’, ‘I’m Still Here’ and ‘Losing My Mind’. Featuring a cast of 40 and an orchestra of 21, Follies is directed by Dominic Cooke. Tracie Bennett, Janie Dee and Peter Forbes return to reprise their roles, with Alexander Hanson and Joanna Riding joining the cast as Ben and Sally. The Follies 2019 cast includes Julie Armstrong (Christine Donovan), Lindsay Atherton (Young Carlotta), Josephine Barstow (Heidi Schiller from mid-April until the end of the run), Rosanna Bates (Young Emily), Jeremy Batt (Young Theodore), Tracie Bennett (Carlotta Campion), Billy Boyle (Theodore Whitman), Kaye Brown (Ensemble), Janie Dee (Phyllis Rogers Stone), Anouska Eaton (Young Deedee), Liz Ewing (Ensemble), Vanessa Fisher (Young Stella), Caroline Fitzgerald (Sandra Crane), Geraldine Fitzgerald (Solange LaFitte), Peter Forbes (Buddy Plummer), Bruce Graham (Roscoe), Adrian Grove (Sam Deems), Alexander -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Amazing Grace
AMAZING GRACE UK, 2006, d. Michael Apted It is said that the hymn Amazing Grace is the best known in the English- speaking world. Most would not know that it was written by a ship’s captain, heavily involved in the 18th century slave trade, who experienced a conversion and devoted his later life to prayer and reparation. His name was John Newton – and he is played most movingly here by Albert Finney. However, the focus is on the anti-slavery campaigner, William Wilberforce. He is played with intensity and conviction by television’s Captain Horatio Hornblower, Ioann Gryffudd. And he is supported by a fine and extensive British cast including Michael Gambon as Lord Fox, Benedict Cumberbatch as the young Prime Minister, William Pitt, Rufus Sewell as the activist the Rev. Thomas Clarkson, Ciaran Hinds as the arrogant Lord Tarleton of Liverpool and Romola Garai as Barbara Spooner who eventually married Wilberforce. Most audiences will find Amazing Grace a significant cinema experience. Its style is very much the British heritage recreation of a period, a meticulous presentation of period, costumes, décor and the atmosphere of the times – which culminates in a moving brass band rendition of Amazing Grace. But, what will be important for audiences is the theme of the inhumanity and injustice of slavery and the fact that the plantations of the West Indies and the Americas depended for their prosperity on slave labour and the urban wealth of the 18th century metropolises, especially those in Britain and America, was based on slavery. 2007 sees the 200th anniversary of the Act for Abolition of the Slave Trade throughout the British Empire, although the final Slavery Abolition Act was not passed until 1833, the year of William Wilberforces’s death. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Mckinney Macartney Management Ltd
McKinney Macartney Management Ltd AMY ROBERTS - Costume Designer THE CROWN 3 Director: Ben Caron Producers: Michael Casey, Andrew Eaton, Martin Harrison Starring: Olivia Colman, Tobias Menzies and Helena Bonham Carter Left Bank Pictures / Netflix CLEAN BREAK Director: Lewis Arnold. Producer: Karen Lewis. Starring: Adam Fergus and Kelly Thornton. Sister Pictures. BABS Director: Dominic Leclerc. Producer: Jules Hussey. Starring: Jaime Winstone and Samantha Spiro. Red Planet Pictures / BBC. TENNISON Director: David Caffrey. Producer: Ronda Smith. Starring: Stefanie Martini, Sam Reid and Blake Harrison. Noho Film and Television / La Plante Global. SWALLOWS & AMAZONS Director: Philippa Lowthorpe. Producer: Nick Barton. Starring: Rafe Spall, Kelly Macdonald, Harry Enfield, Jessica Hynes and Andrew Scott. BBC Films. AN INSPECTOR CALLS Director: Aisling Walsh. Producer: Howard Ella. Starring: David Thewlis, Miranda Richardson and Sophie Rundle. BBC / Drama Republic. PARTNERS IN CRIME Director: Ed Hall. Producer: Georgina Lowe. Starring: Jessica Raine, David Walliams, Matthew Steer and Paul Brennen. Endor Productions / Acorn Productions. Gable House, 18 –24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 AMY ROBERTS Contd … 2 CILLA Director: Paul Whittington. Producer: Kwadjo Dajan. Starring: Sheridan Smith, Aneurin Barnard, Ed Stoppard and Melanie Hill. ITV. RTS CRAFT & DESIGN AWARD 2015 – BEST COSTUME DESIGN BAFTA Nomination 2015 – Best Costume Design JAMAICA INN Director: Philippa Lowthorpe Producer: David M. Thompson and Dan Winch. Starring: Jessica Brown Findlay, Shirley Henderson and Matthew McNulty. Origin Pictures. THE TUNNEL Director: Dominik Moll. Producer: Ruth Kenley-Letts. Starring: Stephen Dillane and Clemence Poesy. Kudos. CALL THE MIDWIFE (Series 2) Director: Philippa Lowthorpe. -
BBC One's the Pale Horse Begins Sunday 9Th February After Filming At
BBC One’s The Pale Horse begins Sunday 9th February after filming at The Bottle Yard Studios and on location in Bristol & surrounding region Watch cast interviews recorded on set at The Bottle Yard and on location at Ashton Court, Arnos Cemetery & Sheldon Manor BRISTOL, 6 February 2020: Brand new Agatha Christie thriller The Pale Horse begins on BBC One on Sunday night, after filming at The Bottle Yard Studios and on location in Bristol and the surrounding region. (Left) Rufus Sewell stars in The Pale Horse. (Right) Rufus Sewell & Henry Lloyd Hughes on set at The Bottle Yard Studios. Images courtesy Mammoth Screen / Agatha Christie Ltd / BBC Starring Rufus Sewell, Kaya Scoledario, the two part-part drama produced by Mammoth Screen and Agatha Christie Limited for BBC One is adapted by Sarah Phelps (The ABC Murders, Ordeal By Innocence) from the 1961 Agatha Christie novel of the same name. It filmed between July to September last year on set at The Bottle Yard Studios and on location in Bristol with support from Bristol Film Office. A major Chelsea apartment set was built at the Studios where a large proportion of filming took place, whilst the six week shoot also used a host of Bristol locations. (Left) Filming in Clifton Bristol. Image courtesy Tony Stiles (Right) Rufus Sewell filming on location (image courtesy Mammoth Screen / Agatha Christie Ltd / BBC) Ashton Court Estate and Arnos Cemetery feature prominently, whilst a host of Bristol’s central streets also create the backdrop of 1960’s London. Frogmore Street and Cave Street double as the East End, Denmark Street stands in for the Soho district, properties overlooking St Nicholas market were brought to life as period police station interiors, Queen’s Square doubles as a Chelsea apartment block and Clifton Village’s picturesque West Mall doubles as the Capital’s iconic King’s Road. -
CV George Every 1St AD
GEORGE EVERY, 1ST A.D. Full Member of the British AD Guild for Films & Commercials CURRICULUM VITAE Diary Service : EXEC Management Mob : +44 (0)7515 385 491 Tel 01753 646 677 [email protected] [email protected] RESUME I have been a 1st AD for 22 years. I have wide experience in features, tv drama and commercials. My credits as a key 1st include features for Oscar winners James Ivory, Norman Jewison, Kevin Macdonald, Régis Wargnier, Florian Zeller and Graham Moore as well as Oscar nominated Tran Anh Hung. I have worked with a large number of A-list talent and have extensive experience of working abroad, including the Far East, South America, Africa, and all over Europe. I was based in Paris for 15 years and speak bilingual French. I returned to London in 2007. FILM & TV DRAMA CREDITS as 1st AD Year Film Format Director 2021 The Son (See Saw Films) Feature Florian Zeller Cast : Hugh Jackman, Laura Dern, Vanessa Kirby, Zen Macgrath Wraps 1st October 2021 Living (Number 9 Films) Feature Oliver Hermanus Cast : Bill Nighy, Aimee Lou Wood, Alex Sharp Period : 1950s. Location : London 2021 The Outfit (FilmNation) Feature Graham Moore Cast : Sir Mark Rylance, Sir Simon Russell Beale, Johnny Flynn, Dylan O’Brien Period : 1950s. Location : Studio,London 2020 My Name is Lizzie (Story Films) TV Drama Niall MacCormick 4-part mini series for Channel 4 Cast : Niamh Algar, Harry Treadaway, Sion Daniel Young Period : 1990s. Location : London 2019 The Father (Trademark Films) Feature Florian Zeller Cast : Sir Anthony Hopkins, Olivia Colman, Rufus Sewell, Olivia Williams, Mark Gatiss. -
Jennifer Saunders
Profile Jennifer Saunders Jennifer Saunders with Joanna Lumley in a scene from the Absolutely Fabulous film “Turning can’t be that bad” Home is where the heart is for this 6versatile0 comedienne. By Simon Evans T IS the winter of 1980 and replacement. An impatient Alexei Sayle backstage at The Comic Strip, did it for them: “Ladies and gentlemen, London’s trendiest hang-out, French and Saunders”, he told the The Menopause Sisters are boisterous, baying audience. waiting to make their entrance. On this, their first night at the IThe setting is the Boulevard Theatre, Comedy Strip, the previous act had above Soho’s Raymond Revuebar strip been interrupted by a racist heckler. club, an unlikely host for what would Bottles were thrown, a fight broke out turn out to be a comedy revolution. The and the police were called, but Comic Strip had been running at French and Saunders ploughed on. the venue since October, and The “We were complete novices, we’d Menopause Sisters, better known to you come straight from college and had never and me as Dawn come across anything French and “I don’t need to know like this before,” Jennifer Saunders, recalled Saunders had breezed about everything many years later. through the club that’s happening all The profile of both audition largely performers and because of their the time.” audience at The gender. In those Comic Strip in those days female comedians were distinctly days was very male-dominated, but on thin on the ground. that night, and on many more to follow, Getting through the audition was the duo held their own and found an just the start of it, however.