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CASE REPORT Resolution of Delayed Sudden Sensorineural Hearing Loss After Stapedectomy
The Mediterranean Journal of Otology CASE REPORT Resolution of Delayed Sudden Sensorineural Hearing Loss After Stapedectomy: A Case Report and Review of the Literature Noam Yehudai, MD, Michal Luntz, MD From the Department of Significant sensorineural hearing loss may develop immediately after suc- Otolaryngology, Head and Neck cessful stapedectomy but sometimes occurs months or even years later. Surgery, Bnai-Zion Medical The rate of recovery from that disorder has not been determined. Several Center, Technion-Israel School of Technology, Haifa, Israel reports in the 1960s described patients with delayed sensorineural hear- ing loss, but that entity has not been mentioned in the English-language Correspondence literature for the last 30 years. We present a review of the literature on this Michal Luntz, MD postsurgical auditory complication and describe a patient with delayed Department of Otolaryngology, Head and Neck Surgery poststapedectomy sensorineural hearing loss that developed 15 months Bnai-Zion Medical Center, after surgery and resolved completely after treatment with an oral steroid. Technion-Israel School of Technology 47 Golomb St, PO Box 4940, Haifa 31048, Israel Phone: 972-4-8359544 Fax: 972-4-8361069 E-mail: [email protected] Submitted: 05 February, 2006 Revised: 07 May, 2006 Accepted: 09 May, 2006 Mediterr J Otol 2006; 3: 156-160 Copyright 2005 © The Mediterranean Society of Otology and Audiology 156 Resolution of Delayed Sudden Sensorineural Hearing Loss After Stapedectomy: A Case Report and Review of the Literature -
Underwater Acoustics: Webinar Series for the International Regulatory Community
Underwater Acoustics: Webinar Series for the International Regulatory Community Webinar Outline: Marine Animal Sound Production and Reception Thursday, December 3, 2015 at 12:00pm (US East Coast Time) Sound production and reception in teleost fish (M. Clara P. Amorim, Ispa – Instituto Universitário) • Teleost fish are likely the largest vocal vertebrate group. Sounds made by fish can be an important part of marine soundscapes. • Fish possess the most diversified sonic mechanisms among vertebrates, which include the vibration of the swim bladder through intrinsic or extrinsic sonic muscles, as well as the rubbing of bony elements. • Fish sounds are usually pulsed (each sonic muscle contraction corresponds to a sound pulse), short (typically shorter than 1 s) and broadband (with most energy below 1 kHz), although some fish produce tonal sounds. Sounds generated by bony elements are often higher frequency (up to a few kHz). • In contrast with terrestrial vertebrates, fish have no external or middle ear. Fish detect sounds with the inner ear, which comprises three semicircular canals and three otolithic end organs, the utricle, the saccule and the lagena. Fish mostly detect particle motion and hear up to 1 kHz. Some species have evolved accessory auditory structures that serve as pressures transducers and present enhanced hearing sensitivity and increased frequency detection up to several kHz. Fish hearing seems to have evolved independently of sound production and is important to detect the ‘auditory scene’. • Acoustic signals are produced during social interactions or during distress situations as in insects or other vertebrates. Sounds are important in mate attraction, courtship and spawning or to defend a territory and gain access to food. -
Audiometry Techniques, Circuits, and Systems
M. Tech. Credit Seminar Report, Electronic Systems Group, EE Dept, IIT Bombay submitted Nov 03 Audiometry techniques, circuits, and systems Vineet P. Aras (Roll No. 03307411) Supervisor: Prof. P. C. Pandey Abstract Audiometry is the technique to identify and quantitatively determine the degree of hearing loss of a person by measuring his hearing sensitivity, so that suitable medical treatment or one of the appropriate hearing aids and assistive devices can be prescribed. In audiological investigations, the hearing sensitivity is tested for pure tones, speech or other sound stimuli. The result, when plotted graphically, is called an audiogram. The electronic instrument used for measuring the hearing threshold level is called an audiometer. Using it, the test tones of different frequencies and levels are generated and presented to the patient and hearing thresholds are determined on the basis of patient s response. The auditory system and its disorders are described. Different audiometric tests, techniques and various audiometers are discussed. 1. Introduction There could be various disorders in the various parts of the ear. Audiological investigations help us to diagnose the nature of deafness and localise the site of disorder. The method by which patient's hearing sensitivity can be determined is termed as audiometry [1]. It helps in assessing the nature, degree, and probable cause of the hearing impairment. In this technique, auditory stimuli with varying intensity levels are presented to the person who responds to these stimuli. The minimum intensity level of these stimuli to which consistent responses are obtained is taken as the threshold of hearing . Depending on this threshold, the patient s hearing sensitivity can be estimated by obtaining an audiogram. -
Consultation Diagnoses and Procedures Billed Among Recent Graduates Practicing General Otolaryngology – Head & Neck Surger
Eskander et al. Journal of Otolaryngology - Head and Neck Surgery (2018) 47:47 https://doi.org/10.1186/s40463-018-0293-8 ORIGINALRESEARCHARTICLE Open Access Consultation diagnoses and procedures billed among recent graduates practicing general otolaryngology – head & neck surgery in Ontario, Canada Antoine Eskander1,2,3* , Paolo Campisi4, Ian J. Witterick5 and David D. Pothier6 Abstract Background: An analysis of the scope of practice of recent Otolaryngology – Head and Neck Surgery (OHNS) graduates working as general otolaryngologists has not been previously performed. As Canadian OHNS residency programs implement competency-based training strategies, this data may be used to align residency curricula with the clinical and surgical practice of recent graduates. Methods: Ontario billing data were used to identify the most common diagnostic and procedure codes used by general otolaryngologists issued a billing number between 2006 and 2012. The codes were categorized by OHNS subspecialty. Practitioners with a narrow range of procedure codes or a high rate of complex procedure codes, were deemed subspecialists and therefore excluded. Results: There were 108 recent graduates in a general practice identified. The most common diagnostic codes assigned to consultation billings were categorized as ‘otology’ (42%), ‘general otolaryngology’ (35%), ‘rhinology’ (17%) and ‘head and neck’ (4%). The most common procedure codes were categorized as ‘general otolaryngology’ (45%), ‘otology’ (23%), ‘head and neck’ (13%) and ‘rhinology’ (9%). The top 5 procedures were nasolaryngoscopy, ear microdebridement, myringotomy with insertion of ventilation tube, tonsillectomy, and turbinate reduction. Although otology encompassed a large proportion of procedures billed, tympanoplasty and mastoidectomy were surprisingly uncommon. Conclusion: This is the first study to analyze the nature of the clinical and surgical cases managed by recent OHNS graduates. -
Investigation of the Perception of Tone Quality Changes During Conventional Tone Decay Test Procedures with Normally Hearing Human Subjects
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1986 Investigation of the perception of tone quality changes during conventional tone decay test procedures with normally hearing human subjects Anne M. Cook The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Cook, Anne M., "Investigation of the perception of tone quality changes during conventional tone decay test procedures with normally hearing human subjects" (1986). Graduate Student Theses, Dissertations, & Professional Papers. 2759. https://scholarworks.umt.edu/etd/2759 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB SISTS. ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR, MANSFIELD LIBRARY UNIVERSITY OF [MONTANA DATE: 1986_ An Investigation of the Perception of Tone Quality Changes During Conventional Tone Decay Test Procedures with Normally Hearing Human Subjects By Anne M. Cook B.S., University of Washington, 1983 Presented in partial fulfillment of the requirements for the degree of Master of Arts University of Montana 1986 Approved by: Chair, Board of Maminers Dean", Gr a d ua te Sc hoo 1 / : H ftL Date ~]f UMI Number: EP34804 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Advance and Unedited Reporting Material (English Only)
13 March 2018 (corr.) Advance and unedited reporting material (English only) Seventy-third session Oceans and the law of the sea Report of the Secretary-General Summary In paragraph 339 of its resolution 71/257, as reiterated in paragraph 354 of resolution 72/73, the General Assembly decided that the United Nations Open-ended Informal Consultative Process on Oceans and the Law of the Sea would focus its discussions at its nineteenth meeting on the topic “Anthropogenic underwater noise”. The present report was prepared pursuant to paragraph 366 of General Assembly resolution 72/73 with a view to facilitating discussions on the topic of focus. It is being submitted for consideration by the General Assembly and also to the States parties to the United Nations Convention on the Law of the Sea, pursuant to article 319 of the Convention. Contents Page I. Introduction ............................................................... II. Nature and sources of anthropogenic underwater noise III. Environmental and socioeconomic aspects IV. Current activities and further needs with regard to cooperation and coordination in addressing anthropogenic underwater noise V. Conclusions ............................................................... 2 I. Introduction 1. The marine environment is subject to a wide array of human-made noise. Many human activities with socioeconomic significance introduce sound into the marine environment either intentionally for a specific purpose (e.g., seismic surveys) or unintentionally as a by-product of their activities (e.g., shipping). In addition, there is a range of natural sound sources from physical and biological origins such as wind, waves, swell patterns, currents, earthquakes, precipitation and ice, as well as the sounds produced by marine animals for communication, orientation, navigation and foraging. -
Audiology 101: an Introduction to Audiology for Nonaudiologists Terry Foust, Aud, FAAA, CC-SLP/A; & Jeff Hoffman, MS, CCC-A
NATIONALA RESOURCE CENTER GUIDE FOR FOR EARLY HEARING HEARING ASSESSMENT DETECTION & & MANAGEMENT INTERVENTION Chapter 5 Audiology 101: An Introduction to Audiology for Nonaudiologists Terry Foust, AuD, FAAA, CC-SLP/A; & Jeff Hoffman, MS, CCC-A Parents of young Introduction What is an audiologist? children who are arents of young children who are An audiologist is a specialist in hearing identified as deaf or hard identified as deaf or hard of hearing and balance who typically works in of hearing (DHH) are P(DHH) are suddenly thrust into a either a medical, private practice, or an suddenly thrust into a world of new concepts and a bewildering educational setting. The primary roles of world of new concepts array of terms. What’s a decibel or hertz? an audiologist include the identification and a bewildering array What does sensorineural mean? Is a and assessment of hearing and balance moderate hearing loss one to be concerned problems, the habilitation or rehabilitation of terms. about, since it’s only moderate? What’s of hearing and balance problems, and the a tympanogram or a cochlear implant? prevention of hearing loss. When working These are just a few of the many questions with infants and young children, the that a parent whose child has been primary focus of audiology is hearing. identified as DHH may have. In addition to parents, questions also arise from Audiologists are licensed by the state in professionals and paraprofessionals who which they practice and may be members work in the field of early hearing detection of the American Speech-Language- and intervention (EHDI) and are not Hearing Association (ASHA), American audiologists. -
Non-Commercial Use Only
Audiology Research 2013; volume 3:e6 Comparison of cervical and ocular vestibular evoked myogenic potentials in dancers and non-dancers Sujeet Kumar Sinha, Vaishnavi Bohra, Himanshu Kumar Sanju Department of Audiology, All India Institute of Speech and Hearing, India Abstract Introduction The objective of the study was to assess the sacculocollic and otolith In recent years, cervical vestibular evoked myogenic potentials ocular pathway function using cervical vestibular evoked myogenic (cVEMP) have been utilized for the diagnosis of various disorders such potentials (cVEMP) and ocular vestibular myogenic potentials as, Meniere’s disease,1,2 acoustic neuroma,2-5 superior canal dehis- (oVEMP) in dancers and non dancers. Total 16 subjects participated in cence,6 vestibular neuritis,7 benign paroxysmal positional vertigo,8 the study. Out of 16 participants, 8 were trained in Indian classical noise induced hearing loss,9,10 auditory neuropathy/audiovestibular form of dance (dancers) and other 8 participants who were not trained neuropathy,10,11 as well as other disorders such as cerebellopontine in any dance form (non dancers). cVEMP and oVEMP responses were angle tumor,12 and multiple sclerosis.2 Similarly, ocular vestibular recorded for all the subjects. Non Parametric Mann-Whitney U test evoked myogenic potentials (oVEMP) also have been utilised in diag- revealed no significant difference between dancers and non dancers 13 for the latency and amplitude parameter for cVEMP and oVEMP, i.e. nosing superior semicircular canal dehiscence syndrome, internu- 14 P13, N23 latency and P13-N23 complex amplitude and N10, P14 laten- clearophthalmoplegia, to differentiateonly between cerebellar and brain- cy, N10-P14 complex amplitude respectively. -
Large Scale Sound Installation Design: Psychoacoustic Stimulation
LARGE SCALE SOUND INSTALLATION DESIGN: PSYCHOACOUSTIC STIMULATION An Interactive Qualifying Project Report submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by Taylor H. Andrews, CS 2012 Mark E. Hayden, ECE 2012 Date: 16 December 2010 Professor Frederick W. Bianchi, Advisor Abstract The brain performs a vast amount of processing to translate the raw frequency content of incoming acoustic stimuli into the perceptual equivalent. Psychoacoustic processing can result in pitches and beats being “heard” that do not physically exist in the medium. These psychoac- oustic effects were researched and then applied in a large scale sound design. The constructed installations and acoustic stimuli were designed specifically to combat sensory atrophy by exer- cising and reinforcing the listeners’ perceptual skills. i Table of Contents Abstract ............................................................................................................................................ i Table of Contents ............................................................................................................................ ii Table of Figures ............................................................................................................................. iii Table of Tables .............................................................................................................................. iv Chapter 1: Introduction ................................................................................................................. -
The Audiogram
Recently,Recently, I’veI’ve been trying to orga- evaluations, and they are truly im- nize some of the columns and articles pressive, the information and insights RI’veI’ve written overover the past ten years.years. provided by the simple audiogram As I was looking through them, it be- can still provide the most pertinent came apparent that I’ve neglected to information to explain the behavioral discuss what is perhaps the implications of a hearing loss. most important hearing di- Perhaps the most important in- mension of all, the simple sight of all is an appreciation of how The audiogram. specifi c audiograms impact upon the In reality, however, perception of certain speech sounds. the “simple” audiogram, Without including speech in the Audiogram: and particularly its im- equation, it is simply not possible to Audiogram: plications, is not quite so intelligibly discuss the audiogram. simple. Even though just This, after all, is the signal we are about everybody who re- most interested in hearing (not to Explanation ceives a hearing aid has his minimize the specifi c needs of certain or her hearing tested with groups of people for other types of a pure-tone audiometer, sounds, such as musicians). and not everybody receives a comprehensive explanation Figure One Audiogram — of exactly what the results The “Speech Banana” Signifi cance mean and what the impli- cations are for them. The audiogram of a fairly typical And even for those who audiogram can be seen in Figure 1. do, at a time when prospec- (My thanks to Brad Ingrao for creat- By Mark Ross tive hearing aid purchasers ing these fi gures for me.) Let’s fi rst go are being inundated with through the fundamentals. -
Audiology and Hearing Aid Services
For more information, call the Hearing Aid Services office nearest you: Comprehensive hearing aid related services Barbourville Bowling Green are available to children diagnosed with (800) 348-4279 (800) 843-5877 permanent childhood hearing loss (PCHL). (606) 546-5109 (270) 746-7816 Elizabethtown Hazard Who should be referred to the OCSHCN (800) 995-6982 (800) 378-3357 Hearing Aid Services program? (270) 766-5370 (606) 435-6167 Children who are in need of new or Lexington Louisville replacement hearing aids and want to (800) 817-3874 (800) 232-1160 receive hearing aids and related services (859) 252-3170 (502) 429-4430 through a OCSHCN audiologist and wish to Morehead Owensboro receive Otology care outside of the (800) 928-3049 (877) 687-7038 clinical Otology program. (606) 783-8610 (270) 687-7038 What audiology services are available Paducah Prestonsburg (800) 443-3651 (800) 594-7058 through the OCSHCN Hearing Aid Services (270) 443-3651 (606) 889-1761 program? Licensed, certified audiologists conduct Somerset (800) 525-4279 periodic comprehensive hearing evaluations, (606) 677-4120 hearing aid checks, hearing aid repairs and Audiology and hearing aid evaluations according to ASHA best practices guidelines. Comprehensive Kentucky Cabinet for Health and Family Services Hearing Aid Services Office for Children with Special Health Care Needs reports are provided to the managing 310 Whittington Parkway, Suite 200, Louisville, KY 40222 otolaryngologist on an on-going basis; Phone: (502) 429-4430 or (800) 232-1160 FAX: (502) 429-4489 additional follow up testing will be http://chfs.ky.gov/agencies/ccshcn Information for Parents and Equal Opportunity Employer M/D/F completed at physician request. -
Appendix J Fish Hearing and Sensitivity to Acoustic
APPENDIX J FISH HEARING AND SENSITIVITY TO ACOUSTIC IMPACTS Fish Hearing and Sensitivity to Acoustic Impacts J-iii TABLE OF CONTENTS Page 1. INTRODUCTION ............................................................................................................................ J-1 1.1. What is Injury for Fishes?........................................................................................................ J-1 1.2. Fish........................................................................................................................................... J-1 1.3. Fish Bioacoustics – Overview.................................................................................................. J-2 1.4. Metrics of Sound Exposure...................................................................................................... J-2 2. BACKGROUND ON FISH HEARING........................................................................................... J-3 2.1. Sound in Water ........................................................................................................................ J-3 2.2. Hearing Sensitivity................................................................................................................... J-3 2.3. Other Aspects of Fish Hearing................................................................................................. J-7 3. EFFECTS OF HUMAN-GENERATED SOUND ON FISHES – OVERVIEW ............................. J-8 4. EFFECTS OF ANTHROPOGENIC SOUNDS ON HEARING .....................................................