Curriculum Vitae of Cecil Touchon

BORN: Austin, Texas, Feb. 7, 1956

Education

St. Louis Community College at Florissant Valley, St. Louis, MO.

North Texas State University, Denton, Texas

BFA - University of Texas at Arlington, Texas

Solo Exhibitions

The Art of Collage – Nuart Gallery – Santa Fe, New Mexico

The New Beautiful - William Campbell Contemporary Art – Fort Worth, Texas

Collage - Sears Peyton Gallery - New York City, New York

Cecil Touchon at Emily Amy Gallery - Atlanta, Georgia

New Work - Gilman Contemporary - Ketchum, Idaho

"Then and Now" - Longview Museum of Fine Arts - Longview, Texas

New Work - bsgmodern - Atlanta, Georgia

New Work - The New Gallery - Houston, Texas

2006 New Work - The Marshall Gallery - Scottsdale, Arizona

"Visual Poetry" - William Campbell Contemporary Art - Fort Worth, Texas - February, 2006

”All that Jazz” - Cache Contemporary - Los Angeles, California

"The Fusion Series" - Sears Peyton Gallery - New York, New York

"New Collage Works by Cecil Touchon" - Casa del Artista - Cuernavaca, Mexico

Saks Fifth Avenue in Fort Worth, Texas - arranged by William Campbell Contemporary Art Gallery

"Recent Works by Cecil Touchon" - Casa del Artista - Cuernavaca, Mexico

"Massurrealist Overload: A View from the Future" - New Gallery - Houston, Texas.

New Works - Cidnee Patrick Gallery - Dallas, Texas

"At Play in the Utopian Matrix" - Exhibition at William Campbell Contemporary Art - Fort Worth, Texas

New Work - Edith Baker Gallery - Dallas, Texas

New Work - Sears/Peyton Gallery in New York City, New York New Work - New Gallery - Houston, Texas

Studio Exhibition - Cuernavaca, Mexico

New Work - William Campbell Contemporary Art - Fort Worth, Texas

New Work - Edith Baker Gallery – Dallas, Texas

New Work - The New Gallery - Houson, Texas

New Work - The New Gallery - Houston, Texas

New Work - Allene LaPides Gallery - Santa Fe, New Mexico

1992 'Trans-Temporal Dialog' - Edith Baker Gallery - Dallas, Texas

The New Gallery - Houston, Texas

Elliot Smith Gallery - St. Louis, Missouri

Markel/Sears Gallery - New York, NY

Elliot Smith Gallery - Saint Louis, Missouri

William Campbell Contemporary Art - Fort Worth, Texas

Longview Museum & Arts Center - Longview, Texas

New Works - William Campbell Contemporary Art - Fort Worth, Texas

Read/Stremmel Gallery - San Antonio, Texas

'Constructions' - William Campbell Contemporary Art - Fort Worth, Texas

Works On Paper - 280 Gallery - University Of Texas, Arlington, Texas

Group Exhibitions

Black and White – The Works of Shelley Reed, Al Held, Robert Mapplethorpe and Cecil Touchon – J. Johnson Gallery, Jacksonville Beach, FL

Skylab Mailart Visual Poetry Exhibit - Skylab Gallery in Columbus, Ohio in concurrence and after the Avant Writing Symposium at The Ohio State University

Lost + Found: The Art of Collage at Northern Kentucky University - Highland Hts, KY

Fluxface in Space – A Fluxmuseum International Digital Exhibition aboard the last two Space Shuttle Missions (#133 and #134) using Nasa’s Face In Space Project. Conceived by Gary Bibb and Cecil Touchon

Abstract Fort Worth – Jane Helslander, Winter Rusilosky and Cecil Touchon - Curated by Mark Thistlethwaite at Gallery 76102 (a Space of UTArlington) Fort Worth, Texas

Hat-itecture at Gabriela Ligenza for the London Architecture Festival – London, England - Group show of artist and architect created hats – participants: Austin + Mergold, Jane Bowler, Anne Laure Carruth, Feix & Merlin, Ruth Ferreira, Riita Ikonen, Bethan Kay, Himanshee Khanna & Fariba Soltani, Klassnik Corporation, Lucie Reuter, Superfusionlab, Cecil Touchon, you&me

Homecoming – Four Fluxus Artists – Cecil Touchon, Larry Miller, John M. Bennett and Keith Buchholz - Curated by Keith Buchholz at the Regional Arts Center, Saint Louis, Missouri

Greetings from Daddaland: Fluxus, Mail Art and Rubber Stamps – Stendhal Art Gallery – New York City, New York The Last Vispo at Common Ground Art Gallery - Windsor, Ontario Canada. Then the show traveled to Smolensk, Russia, Moscow, Russia & The International Poetry Festival in Budapest, Hungary mIEKAL AND (U.S.A.), Hartmut Andryczuk (Germany), Petra Backonja (U.S.A.), Michael Basinski (U.S.A.), Guy R. Beining (U.S.A.), Marc Bell & Jason McLean (Canada), John M. Bennett (U.S.A.), Carla Bertola (Italy), Jaap Blonk (Holland), Chrisitan Bok (Canada), Daniel f. Bradley (Canada), Nancy Burr (U.S.A.), Mike Cannell (England), David Baptiste Chirot (U.S.A.), Jo Cook (Canada), Judith Copithorne (Canada), Klaus Peter Dencker (Germany), Brian Dettmer (U.S.A.), Fabio Doctorovich (Argentina), Maria Damon (U.S.A.), Amanda Earl (Canada), Shayne Ehman (Canada), Greg Evason (Canada), Oded Ezer (Israel), Luc Firens (Belgium), Angela Genusa (U.S.A.), Jesse Glass (Japan), Robert Grenier (U.S.A.), Bob Grumman (U.S.A.), Scott Helmes (U.S.A.), Geof Huth (U.S.A.), Serkan Isin (Turkey), Michael Jacobson (U.S.A.), Karl Jirgens (Canada), Alexander Jorgensen (U.S.A.), Chris Joseph (England), Joe Keppler (U.S.A.), Dirk Krecker (Germany), Edward Kuleman (Russia), Jim Leftwich (U.S.A.), Troy Lloyd (U.S.A.), Carlos M. Luis (U.S.A.), Jeurgen O. Olbrich (Germany), Sonja Ahlers (Canada), Donato Mancini (Canada), Cy Machina (Canada), Keiichi Nakamura (Japan), Marko Niemi (Finland), Rea Nikonova (Russia), Christopher Olsen (Canada), Clemente Padin (Uruguay), Michael Peters (U.S.A.), Nick Piombino (U.S.A.), Ross Priddle (Canada), e.g. vajda (U.S.A.), Marilyn Rosenberg (U.S.A.), Jenny Sampirisi (Canada), Suzan Sari (Turkey), Serge Segay (Russia), Douglas Spangle (U.S.A.), Litsa Spathi (Greece), Pete Spence (Australia), Matina Stamatakis (U.S.A.), Miroljub Todorovic (Serbia), Cecil Touchon (U.S.A.), Aysegul Tozeren (Turkey), Stephen Vincent (U.S.A.), Reid Wood (U.S.A.) and James Yeary (U.S.A.).

Fluxfest at Pierogi’s The Boiler – Fluxus score performed - Booklyn, NY

A Book About Death – Emily Harvey Foundation - New York City, New York - Otis College of Art and Design in Los Angeles - The Mobius Gallery in Boston, MA - The Queens Museum, Queens New York - part of the permanent collections of the Museum of Modern Art - The Los Angeles County Museum of Art Research Library - MUBE: Museu Brasileiro da Escultura, Sao Paulo, Brazil, MoMA Wales, Exit11 in Belgium, San Diego State University, San Diego, Ca.

DECENNIAL - Joseph Gierek Fine Art – Tulsa, Oklahoma

“Ten Artists,” includes Frank Stella, Robert Rauschenberg, Roy Lichtenstein, Andy Warhol, Jim Dine, Robert Mars, Jasper Johns Jo-Ann Lizio, Cecil Touchon and Troy Abbott – Art Modern Gallery – Naples, Florida

Fluxhibition #3 - E. H. Hereford University Center Gallery at the University of Texas at Arlington – Arlington, Texas – Curated by Cecil Touchon

BFA Show at The University of Texas at Arlington, Texas

Under The Influence – International Exhibition at the Longview Fine Arts Museum – Longview Texas participating artists from, Denmark, Italy, Portugal, Switzerland and the USA.

VENICE BIENNIAL # 53 - Mercury House One - Save the Poetry - Biennale di Venezia – Venice, Italy

Red – Nuart Gallery, Santa Fe, New Mexico – Cecil Touchon, Alberto Gálvez, Howard Hersh, Erin Cone, Michael Kessler, Lilita Postaza, Randall Reid, Santiago Pérez, Rob Douglas, Jorge Leyva, Lea Bradovich

New and Improved Fluxus: Fluxhibition #2 - Classic and Contemporary Scores, Instructions and Artifacts by Fluxus Artists - The Fort Worth Community Arts Center - Fort Worth, Texas. Works by Angelo Ricciardi, Antonio Picardi, Jamie Newton, Allan Revich, Lorraine Kwan, Gregory Steel, Walter Cianciusi, Yoko Ono, Luc Fierens, Jim Leftwich, Ken Friedman, Jeff Hogue, Rebecca Cunningham, Don Boyd, Neil Horsky, Larry Miller, Fluxdada, Karl Heinz Jeron, Marco Geovenale, Patrick Anderson- McQuoid and Tomas Schmit, George Brecht, Bibiana Padilla Maltos, Carol Starr, Cecil Touchon, Keith Buchholz, John M. Bennett, Reid Wood, Reed Altemus, Sheila Murphy,

Cut-up/Reassembled - Collage and Assemblage in the American West - Houston Baptist University – Houston, Texas

Fluxus Performance for the Carnival of the Arts - AXIOM Gallery for new and experimental media - Boston, Mass. CIAO PAOLINA - a project by Vittore Baroni - Italy

White on White - Selections from the Permanent Collection of the International Museum of Collage, Assemblage and Construction – Curated by Cecil Touchon - an exhibition of works that explores white and include mixed media, paintings, photographs, constructions, assemblages, collages, photo montages, weavings, poems, Massurrealist and Fluxus works. Artists from Russia, Germany, the United States, Canada, Argentina, Belgium, France, Italy, the Netherlands, Greece, Panama and Portugal were represented in the exhibition.

Looking Forward / Looking Back - William Campbell Contemporary Art Fort Worth, Texas (jan/feb 2007) A Way with Words - Galveston Arts Center, Galveston, Texas (jan/feb 2007)

Douglas Udell Gallery - Edmonton Canada

50 ANNIVERSARY OF CONCRETE POETRY - University of Stuttgart - Stuttgart, Germany

Almost Believable - Kunstzentrium Massurreal - Berlin, Germany - A New Media art exhibit

Selections from the Permanent Collection of the International Museum of Collage, Assemblage and Construction – Meditech - Greater Boston, Ma

Selections from the Permanent Collection of the International Museum of Collage, Assemblage and Construction - New England Bio Labs - Greater Boston, Ma

2002 "Small Pleasures" - Exhibit at Austin College – Austin, Texas

9th Salon International du Collage Contemporain de Paris - Paris, France

8th Salon International du Collage Contemporain de Paris - Paris, France

Works on Paper show - the Armory - New York City, New York Group Exhibition - Sears/Peyton Gallery - New York City, New York

Works on Paper show - the Armory - New York City

Group Exhibition - Sears/Peyton Gallery - New York

International Fluxus Group Show at CalArts - Main Gallery, California Institute of the Arts - Valencia, California

Works on Paper show - the Armory - New York City, New York

Group Exhibition - Galerie van der Straeten - Amsterdam, The Netherlands

Group Show at Edith Baker Gallery

Group Show at Edith Baker Gallery - Dallas - December

The Art and Technology Circus at Audart Gallery in New York, New York

Works on Paper show at the Armory in New York City

''Esperanza', Edith Baker Gallery, Dallas,TX

The Seattle Art Fair

Works on Paper show at the Armory in New York City 1995

"In the Eye of the Beholder" - Edith Baker Gallery - Dallas Texas

"Words" - Boulder Art Center - Boulder, Colorado

Edith Baker Gallery - Dallas,Texas

Edith Baker Gallery - Dallas, Texas

The New Gallery - Houston, Texas

Invitational At The Longview Museum And Arts Center - Longview, Texas (First Place Winner)

Elliot Smith Gallery - St. Louis, Missouri 1988

Moss/Chumley Gallery - Dallas, Texas

'Three to Show' - Jan Weiner Gallery - Kansas City, Kansas

'Black is the Color' -Moss/Chumley Gallery - Dallas, Texas

The Aspen Museum, - Aspen, Colorado

'Homegrown' - William Campbell Contemporary Art - Fort Worth, Texas

Contemporary Art Month - Read/Stremmel Gallery - San Antonio ,Texas

University of Texas Permian Basin - Oddesa, Texas

" Made in Texas" - Moss - Chumley Gallery - Dallas Texas

"Art of the Southwest" - Jan Weiner Gallery - Kansas City, Kansas

Group Show - Jan Weiner Gallery - Kansas City, Kansas

"Drawings - Coast to Coast" - William Campbell Contemporary Art - Ft. Worth, Texas

Amarillo Competition- Amarillo Art Center - Amarillo, Texas

Group Show - Jan Weiner Gallery - Kansas City, Kansas

New Collages, Richard's Cafe American - Dallas, Texas 1984

"Critics Choice" - D-Art Center - Dallas, Texas

Art in the Metroplex - Texas Christian University - Ft.Worth ,Texas

Group Show, William Campbell Contemporary Art - Fort Worth, Texas

Collections

MOMA – New York, NY MOMA Library Manhattan, New York, NY Emily Harvey Foundation – New York, NY Mela Foundation, New York, NY Studio One, New York, NY (Yoko Ono) Beinecke Rare Book & Manuscript Library, Yale University, New Haven, Conn. Fogg Museum of Art Archive, Cambridge, Mass. Los Angeles County Museum of Art Research Library, Los Angeles, Ca The Getty Research Institute - Los Angeles, Ca Modern Realism, San Francisco, Ca Chicago Art Institute – Chicago, Il. Museum of Contemporary Art, Chicago, Il. Joan Flasch Artist Book Collection, School of the Art Institute, Chicago, Il. Saint Louis Art Museum, Library, Saint Louis, Mo Iowa State University - Fluxus Collection - Ames, IA ATCA Special Collections, Iowa State University, Iowa City, Iowa Avant Writing Collection - Rare Books & Manuscripts Library - at Ohio State University Ohio State University Libraries, Rare Books and Manuscript Libraries, Columbus, Ohio Sackner Archive of Concrete and Visual Poetry, Miami, Fl Ontological Museum, Fluxus Collections, Fort Worth, Texas Longview Museum and Art Center – Longview, Texas Walker Art Center, Minneapolis, Mn The Tate Modern – London, UK Tate Britain (Archive), London, UK Museum Fluxus + - Potsdam, Germany Artpool Art Research Center, Budapest, Hungary TAM Archive, Breda, Netherlands Szuka Fabryke /Archive, Tielrode, Belgium Knud Pedersen Archive, Copenhagen, Denmark E.O.N. Archive, Viareggio, Italy Archivo Francesco Conz, Verona Italy Sellem Archive of Experimental amd Marginal Art, Lund, Sweden The Tabernacle, at The Moma, Wales, Machynlleth, Wales SONS - Shoes Or No Shoes Museum, Kruishoutem, Belgium The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona, Spain The Judith A. Hoffberg Archive at the Library of the University of California, Santa Barbara, Ca The Mansion at Turtle Creek – Dallas, Texas Joel Coen + Frances McDormand Dannon Yogurt Pace Managements Quaker State Oil Company HBO IBM FGIC, New York UPS Atlanta Offices AM South, Florida American Airlines at DFW Airport Delta Airlines Addison Jet Port United Airlines at Denver International Airport PageNet William Noble Jewelers, Dallas Craig Properties Reader's Digest Hallmark Cards, Kansas City Prudential Insurance Company – Prudential Plaza,Newark, NJ Haynes and Boone, Dallas Cargill Corporation, NM K.T.I. Corporation J.P.Morgan Bank, (International Division), New York Sanyo Corporation Neiman-Marcus, New Jersey Neiman-Marcus, Fort Worth Neiman-Marcus, Florida Swiss Banking Services Fidelity Investments, Boston First Boston Trans Texas Investments Southeast Bank Southwest Bank Citibank Bank of Tokyo, New York Am South, Burmingham, AL. The Muse Hotel - New York City, New York Mito Plaza Hotel - Kyoto, Japan The Westin Hotel 292 5th Ave New York American Express, NYC Hampton Inn - Washington D.C. Bellagio Hotel Las Vegas (2 black figures) The Fairmount Hotel Washington D.C. The Carlyle Hotel NYC Metromedia Restaurant Group R.P.M. Specialists Nat West

Quotes from Various Articles " Contrary to popular belief, not all art is expressive of the artist's self.

Self- expression has been one current in the artistic flow of things and until recently, it was not the mainstream. For decades, beginning with the early 20th- century birth of Modernism, mainstream art has been not about the artist, but about the formal evolution of art.

However, in the '70s Modernism was declared dead -- out of gas, as it were -- and other reasons for making art hastily were brought forth. Unfortunately one major reason so asserted was that of self-expression. We say unfortunately because in many cases what resulted were a lot of sophomoric moping over late 20th- century alienation.

...True self-expression happens when artists know what is important to them -- no matter how modest or mundane or abstract -- and communicate it in such a way viewers find it imperative as well.

This conclusion comes at the expense of an artist who has determined not to indulge in anything resembling late-20th-century moping. Instead, his works are a celebration of such early modernist -isms as Miro's surrealism, Russian constructivism, synthetic cubism, futurism and orphism. Not to mention Matisse's late collaged images.

And -- prodigiously, almost alarmingly, talented -- Touchon makes some of the most gorgeous mixed- media paintings you could hope to see... Also, in his virtuoso synthesis of overlapping, dissolving planes, vortices and cutout arabesques -- the visual hallmarks of early modernism -- he subverts what was radical about modernism in the first place. In Touchon's hands, it becomes a mother lode of lovely compositional elements..."

Janet Tyson - Fort Worth Star-Telegram

" ...His show is a goodly selection of collaged, acrylic paintings on either canvas or paper. There are several works from his Fusion Series, which present simple geometric shapes simply arranged, within illusionistic frames [framing devices]. There are overlapping rectangles, with rounded wedges that resemble irregularly cut pie sections.

Occasionally Touchon inserts bits of paper, spattered with Hebrew script or musical notations. Sometimes he paints paper then cuts out shapes. Other times, collage is in the form of paper applied to the surface, then painted over with solid color, so there is a ghost of a collage.

Most of these works contrast small areas of bright hue with overall neutrally colored surroundings.

What is clear is the extent to which Touchon is in love with a formalism that, way back when, was loaded with revolutionary significance.

That he does not think that those early experiments in pure shape and color have been improved upon is evident in the way he uses the motifs, and in the way he has antiqued them artificially with pencil shading and other means to make individual elements and overall compositions into found artifacts..."

Janet Tyson - Fort Worth Star-Telegram "...Touchon's abstractions relate to the more playful stages of Cubism and to the geometric concoctions of Russian Constructivism, both from the years around World War I. He pursues a modernism in which layered planes typical of collage clearly play a central role; and his tiny collages are his most appealing works..."

Donald Hoffmann - The Kansas City Star

" The spotlight, as far as I am concerned, falls on the work of Cecil Touchon... He makes collages and paintings, and his work is solid and intelligent. He does geometric abstractions, and in them are reminders of Picasso here, of Kurt Schwitters there, and at other times of that splendid, classical geometricist, Ilya Bolotowsky.

Touchon has a keen eye for balance and color. He knows how to create tension within the frame and how to suggest deep space. In one group of pictures he uses trompe l'oeil to great advantage as a framing device and as a way of summoning up the past. In some collages he introduces braille to the mix of materials. Braille adds not only texture but also raises questions about the business of seeing and making things that are seen-- and the blessing of sight itself..."

Robert W. Duffy - Cultural News Editor of the St. Louis Post-Dispatch

" Abstraction has never looked as beautifully serene as it does in the work of Cecil Touchon. He combines the collage-like approach to the Constructivist painters with an almost trompe l'oeil sense of spacial depth.

The result is scenes of warmly colored geometric shapes that seem to revolve and recede into the canvas. The Fusion Series [the collages on paper] is Touchon's ongoing obsession with manipulating color and shape.

The Dallas Observer

" The 10 year survey of Cecil Touchon's work...might very well be called In Pursuit of Elegance.

Touchon creates mixed media works that are saturated with a sort of recherche, Proustian elegance. Fusing drawing, painting and collage, he creates serenely abstract images that recall early-20th century Constructivism and Synthetic Cubism. In works large and small, flat areas of rich color are layered with old envelopes, bits of sheet music and other romantic ephemera in works that are nostalgic and knowing, wistful and buoyant -- and above all else -- intensely atmospheric..."

Janet Tyson - Fort Worth Star-Telegram (Critics Choice Exhibit)

"...Touchon uses devices and theories from everywhere in his large acrylic and paper on canvas paintings. Like a hummingbird, he constructs his nest out of whatever he can find. There are simple, geometric shapes from modern works and the age-old faux-frames, and these otherwise modern-looking works have a sense of historical relevance.

...The faux-frame- which Touchon said would be a no-no to most modern painters- creates a spatial window that allows the painting to take on a deep, three-dimensional quality..."

Jason Silverman, Paseo, Santa Fe ADDITIONAL

Founder/director of the International Museum of Collage, Assemblage and Construction and hosts international exchanges of collage among collage artists, curates and mounts exhibitions for the museum.

Cofounder of the International Post-Dogmatist Group - an avant-garde artist organization

Founder of The Fluxnexus a contemporary Fluxus community

Founder/director of the Fluxmuseum - fluxmuseum.org

COLLABORATIVE PROJECTS

2008-9

Fluxkits #1-8 from Fluxus Saint Louis

Tiny Box Project – curated by Josh Ronsen - Austin, Texas

Paper presented to: "Something for Nothing" Subjectivity and society in the new economy - 5 & 6 Sept 2002 (Pretoria, South Africa) is the 8th annual South African qualitative methods conference and is organized by the Critical Methods Society. A conference about living in a time of global change. The conference covers four inter-related streams: Economy - Large scale issues such as poverty, globalization and the politics of 'development' and how these manifest in local communities. Subjectivity - The kinds of individual psychologies and identities that flourish in the current economic and political climate. Pedagogy - How the skills and values that sustain the global world order are taught in our schools and universities; and possible alternatives. Knowledge - Critical knowledge-making practices of all sorts - from qualitative research methodologies to the kinds of theoretical tools that can help us understand and transform society.

5th AVTEXTFEST - a festival of experimental literature

SILENCE PLEASE - is one of fourthirtythree.org’s series of projects set up to mark the 50th anniversary, in 2002, of John Cage’s silent composition ‘four minutes, thirty-three seconds’

Poetry and/against Power - The poems were exhibited in a large space (Arsenale Bunker and a long metallic net) organized by the artist Marco Nereo Rotelli. At the Venice Biennial - Venice, Italy 1 : h o t : m i n______email : sound : project : - A collaborative project of creating one minute of sound/noice/music remotely by email with six other sound artists like an 'exquisite corpse' drawing.

FLUXLIST BOX - http://www.fluxus.org/FLUXLIST/box1/ This was a project of the current Fluxus community of artists in which contributing happY nEw earS - ONLINE at http://www.fluxus.org/FLUXLIST/happYneWearS/

Online version adapted from booklet produced by Roger Stevens. 30 contributing Fluxus authors. More than 70 poems. A FLUXLIST project.

Weak Blood - artists against war and violence http://netartefact.de/weakblood/ PUBLICATIONS

The Art of Collage – Selected Works from the Fusion Series of Cecil Touchon – Ontological Museum Publications ISBN: 978-0-578-02616-9

Masters: Collage - Major Works by Leading Artists - Lark Books (JUNE 2010) ISBN13: 9781600591082

Interview on Art Matters – Radio Station WRR 101.1 Dallas, Texas

Everybody's Fine (movie) 2009 Director Kirk Jones, Actors Drew Berrymore, Robert De Niro Lucian Maisel, Brendan Sexton III, Katherine Moennig, James Frain, Damian Young, James Murtaugh, Sam Rockwell, Kate Beckinsale, Melissa Leo. Two paintings by Cecil Touchon appeared in this movie. (in the guest bedroom and office of Drew Berrymore’ apartment)

Visio-Textual Selectricity, the Anthology of Favorites of Their Own Work Chosen by 21 Visio-Textual Artists – Bob Grumman (2009) The Runaway Spoon Press, ISBN 9781571410795 - Includes: David Baptiste Chirot, Geof Huth, mIEKAL aND, Cecil Touchon, Márton Koppány, Karl Young, Peter Ciccariello, KS Ernst, Nico Vassilakis, Joel Lipman, John M. Bennett, Karl Kempton, Larkin Higgins, C Mehrl Bennett, Marilyn R. Rosenberg, endwar, Michael Basinski,Jefferson Hansen, Sheila E. Murphy, John Vieira

Spidertangle Anthology - An Anthology of Visual Poetry, aND, mIEKAL (2009) Xeoxial Editions, West Lima, WI 2009. ISBN 1-438258-18-6 ISBN 978-1-438258-18-8 1st edition printed in a numbered edition of 200 - Includes Brian Zimmer, KS Ernst, Grace Vadja, Derek White, Reed Altemus, PR Primeau, David Chikhladze, Matthew Stolte, John M Bennett, Irving Weiss, Geof Huth, Crag Hill, Carlos Luis, Dan Waber, Nico Vassilakis, Michael Peters, Ric Royer, Bob Grumman, Amira Hanafi, Donna Kuhn, David Baptiste Chirot, Joel Lipman, Lanny Quarles, Kevin Thurston, Ross Priddle, Petra Backonja, Reid Wood & Michelle Greenblatt, Karl Young, Karl Kempton,Marilyn R. Rosenberg, Michael Basinski, Sheila Murphy, William James Austin, Jukka-Pekka Kervenin, Peter Ciccariello, C Mehrl Bennett, Maria Damon, endwar, Martha Deed, Laura Goldstein, Igor Satanovsky & Lenny Drozner, Camille Martin, Márton Koppány, mIEKAL aND, Richard Kostelanetz, Derek Beaulieu, Cecil Touchon, Marco Giovenale, Liaizon Wakest, Jefferson Hansen & CamillE Bacos

In an Agitated Voice – visual poetry by Cecil Touchon - published by Ontological Museum Publications

NPR’s On the Media – onthemedia.org – works featured on the website: Space Odyssey 2008/05/30

Natural Born Fluxus - An Anthology of Childhood Event Scores by Contemporary Fluxus Artists – Cecil Touchon (2009) Ontological Museum Publications ISBN 978-0-578-00333-7 - Includes: Peter Frank, Cecil Touchon, John M. Bennett, Ruud Janssen , Don Boyd, Keith Buchholz, Adam Overton, Sheila E. Murphy, Madawg, Litsa Spathi, Gregory Steel, Mark Block, Christine Tarantino, Allan Revich, Lorraine Kwan, Matthew Rose, Reid Wood, Luc Fierens, Brad Brace, Mary Campbell, Zachary Scott Lawrence, Bibiana Padilla Maltos, Eric KM Clark, Brian R. Nickerson, Walter Cianciusi, Neil Horsky, Roger Stevens, Matt Taggart, Anya E.V. Liftig, Yves Maraux, Roland Halbritter Open Text – an anthology of poetry edited by Ross Priddle – including: Cecil Touchon, Ruud Janssen, Don Boyd, Andrew Riley Clark, Keith Buchholz, Litsa Spathi, Jukka-Pekka Kervinen, Reed Altemus, Roger Stevens, Fluxus Dictator, Karen Eliot, Ross Priddle, Allan Revich, Richard Rathwell, Zachary Lawrence

The Spam Poetry Game – an anthology of poetry edited by Cecil Touchon - published by Ontological Museum Publications

The New and Improved Neoist Manifesto – The Neoist Society - Ontological Museum Publications - Edited by Cecil Touchon

Visual Poetry - The Poetry Foundation – Nov. 08 issue (online)

2007 featured on a radio program called “Some Assembly Required,” a program about collage sound works.

2006 Jan/Feb. 2006 issue of Boston Review (http://www.bostonreview.net).

Rhode Island School of Design’s special double issue of the journal Visible Language on Fluxus Fluxus and Legacy. Visible Language 39.3 developed by Owen Smith and Ken Friedman

STARFISH POETRY Starfish #1 (Fall '05) edited by PR Primeau |design help by Dimitri Diakopolous PERSISTENCIA*PRESS online

FM RADIO - March 16 - 2005 - Playlist, John Oswald - The case of death, miranda july - i can-Japan, Humdinger - 24 hours of radio art - live, steinski - everything's disappeared, heavy confetti - sanctimonious, connect_icut - winter song, wayne butane - nixon's first day in office, residuum - talk to my head, youth parade - dire hostess, spackle queen - (royalties), uncle bob's story book room - The lord's will, cecil touchon - massurealist meditation 12, ctephin - restoration three collages published in William James Austin's BLACKBOX 2005

2004 2004 Experimental Sound Works featured on XStream Radio (an internet radio station) broadcasting from Paris, specialized in electronic and experimental music. cauldron & net [ volume I ] http://www.studiocleo.com/cauldron/ cauldron & net [ volume III ] http://www.studiocleo.com/cauldron/ Elle Decor Magazine Dec 2004 Issue - Artwork appeared in the photos of a home article

2002 Avant Garde Under Net Conditions - Perspektive Magazine German Magazine (print and web)

Metropolitan Home Magazine - March-April 2001 issue page 152