Exquisite Corpses: Drawing and Disfiguration

Joan Miró (Spanish, 1893-1983). Drawing – Collage, 1936. Crayon and decals on paper. 25 1/4 x 17 1/8″ (64.0 x 43.3 cm). The Museum of Modern Art, New York. Gift of Nelson A. Rockefeller. © 2012 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris

Mark Manders (Dutch, born 1968). Untitled, 2000. Pencil on paper. 11 3/4 x 8 1/4″ (29.8 x 21 cm). The Museum of Modern Art, New York. Purchased with funds provided by The Buddy Taub Foundation, Jill and Dennis A. Roach, Directors. © 2012 Mark Manders

George Baselitz (German, born 1938). Peitschenfrau, 1964. Ink on paper. 24 3/4 x 19″ (62.9 x 48.3 cm). The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2012 Georg Baselitz Anna Gaskell (American, born 1969). Anagram, 2003. 12 x 21 1/2″ (30.5 x 54.6 cm). The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2012 Anna Gaskell

Paloma Varga Weisz (German, born 1966). Green Doubleeyewoman, 2000. Colored pencil on paper. 15 1/4 x 13 3/8″ (38.7 x 34 cm). The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2012 Paloma Varga Weisz

Cadavre Exquis with Esteban Francés (Spanish, 1913-1976), Remedios Varo (Spanish, 1908-1963), Oscar Domínguez (French, 1906- 1957) and Marcel Jean (French, 1900-1993). Untitled, 1935. Cut-and-pasted printed paper on paper. 10 7/8 x 8 1/4″ (27.3 x 20.8 cm). The Museum of Modern Art, New York. F. H. Hirschland Fund. © 2012 / Artists Rights Society (ARS), New York / ADAGP, Paris Cadavre Exquis with Yves Tanguy (American, born France. 1900-1955), Joan Miró (Spanish, 1893-1983), Max Morise (French, 1900- 1973), and Man Ray (American, 1890-1976). Nude, 1926-27. Composite drawing of ink, pencil, and colored pencil on paper. 14 1/8 x 9″ (35.9 x 22.9 cm). The Museum of Modern Art, New York. Purchase. © 2012 / Artists Rights Society (ARS), New York / ADAGP, Paris

Marcel Jean (French, 1900-1993). L’arbre à mains, 1935. Ink on paper. 12 7/8 x 9 7/8″ (32.6 x 25 cm). The Museum of Modern Art, New York. Saidie A. May Fund. © 2012 / Artists Rights Society (ARS), New York / ADAGP, Paris

Steve Gianakos (American, born 1938). She Could Hardly Wait, 1996. Oil and ink on cut-and-pasted printed paper. 27 x 27 1/2″ (68.6 x 69.9 cm). The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2012 Steve Gianakos