Robert Lindberg, Jörgen Svedberg, Dag Holmgren

Technical rider

PA System A high quality PA-system is required. The system must be capable of delivering a clean and undistorted sound, with a uniform coverage of the venue, including balconies or similar seating. It must have an effective frequency response from 25 Hz to 20 kHz at sound levels reaching approx. 100 dB. System must be totally free of hum and noise.

Preferred systems Lácoustic, Turbosound, EAW , Meyer, or D&B.

Large venues (aprox. 300 people and more) The system must be of a 3 or 4 way system, including high quality crossovers and amps.

Small venues (upp to 300 people) In these types of venues there shall be a minimum of two mid/high range on each side and one sub-base.

Mixing console A 24 channel input mixing desk, with a two bands sweepable parametric eq. on each channel. Channels must also include high pass filter, 48 V phantom power and insert options. Console must have a minimum of 3 aux sends.

Preferred console Yamaha LS9 och M7CL

FX rack 1 X Good reverb.

Monitors 4 identical wedges ( preferably 15" and HF ) on 4 separate mixes. Aux 1 through 3 with 3 X 31 bands stereo 1/3 octave graphic EQ AUX 1 Drums AUX 2 Front stage right AUX 3 Front stage middle AUX 4 Front stage left

Lights A professional lightsystem, suitable for the venue with assorted color gels. We do not bring any personnel for lights. Venue must supply a professional light-tech., for rigging and running the lights. Equipment

Robert Acoustic guitar, Ovation with built-in microphone Jörgen Keyfiddle 1 with microphone and linebox Keyfiddle 2 with microphone and linebox Electric fiddle with microphone Acoustic fiddle with microphone and linebox Johan Electric bass Acoustic guitar, Ovation with built-in microphone Dag Cajun Djembe Cymbals HiHat Snaredrum Digital basedrum Chimes etc. Misc The complete system must be up and running upon arrival of artists for load in. Artist will need at least half an hour load in and one and a half hour sound-check without being disturbed or interrupted in any way. One engineer familiar with the system is to be present at all time, from load-in, during sound-check and performance. If we not bring our own engineer with us the sound will be checked and adjusted by the local engineer and artist together.

Any difficulty whatsoever meeting these specifications please contact

Robert Westman Engineer [email protected] +46 70 634 38 40

Robert Lindberg Musician [email protected] +46 70 551 70 75 Stageplot

Name Place Instrument Connections Needs Stands Robert 1 Acoustic guitar Plug Activ DI Robert 2 Microphone XLR AKG SM 58 Large or simular Jörgen 3 Acoustic fiddle XLR Jörgen 4 Electric fiddle Tele Activ DI Jörgen 5 Keyfiddle 1 XLR Jörgen 6 Keyfiddle 2 XLR Jörgen 7 Microphone XLR AKG SM 58 Large or simular Dag 8 Microphone Cajun XLR Sennheizer MD 421 Small or simular Dag 9 Microphone Djembe XLR AKG SM 57 Large or simular Dag 10 Microphone Over head XLR AKG 414 Large or simular Dag 11 Microphone Over head XLR AKG 414 Large or simular Dag 12 Microphone Drums XLR AKG SM 57 Clamp or simular Dag 13 Microphone Drums XLR AKG SM 57 Clamp or simular Dag 14 Microphone Hi Hat XLR AKG SM 57 Large or simular Dag 15 Digital bassdrum Tele Activ DI

Johan 16 Bass Tele Activ DI Johan 17 Acoustic guitar Tele Activ DI