ROCOCO, SENSIBILITY (Middle Class), NEOCLASSICAL, ROMANTIC ART & ARCHITECTURE: 1700 1850

ROCOCO, SENSIBILITY (Middle class), NEOCLASSICAL, ROMANTIC ART & ARCHITECTURE: 1700 – 1850

ROCOCO 1700-1750 CHARACTERISTICS: Aristocratic art to help them escape the reality of growing resentment and possible revolution Idealized to the point of fantasy Use of pastel colors Architecture – highly ornate – use of white and gold Considered the high point of Baroque Art Often times showed the lack of values and morals of the Aristocracy ARTISTS Jean Fragonard: Francois Boucher: The Swing Allegory of Music

Marie-Louise vigee-Lebrun: Thomas Gainsborough Marie Antoinette and Children Blue Boy

SENSIBILITY (Middle Class) 1700-1750 (Counter to Rococo Art) CHARACTERISTICS: Showed the morals and values of the Middle Class Satires on the Aristocracy Genre paintings & Still Lifes ARTISTS: Chardin: William Hogarth:(satirist) Grace Before a Meal Marriage a la Mode (any scene) NEOCLASSICAL 1750-1850 CHARACTERISTICS: Used to show the nobleness of Historical Events Use of classical elements (stability, control, classical drapery and architecture) - Idealized ARTISTS: Jacques-Louis David: Death of Marat Napoleon in His Study Coronation of Josophine

Benjamin West: Angellica Kauffmann: Death of General Wolfe Self Portrait

ARCHITECTURE: The Pantheon (Paris) Montecello

ROMANTIC 1750-1850 CHARACTERISTICS: Used to draw an emotional response from the viewer Chaotic, dramatic, loose paint strokes Landscapes & seascapes ARTISTS: Goya: Family of Charles IV The Third of May

Gericault: Delacroix: Raft of the Medusa Liberty Leading the People Honore Daumier: Rue Transonian Third class Carriage

Jean-Auguste Ingres: Napoleon on His Imperial Throne

Francois Millet: The Sower The Gleaners

ARCHITECTURE: Houses of Parliament Opera House (Gaurnier)

SCULPTURE: Statue of Liberty (Bartholde) La Marseillaise (Arc de Triomphe)