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MedRen, Prague, 4-8 July 2017: Programme 4. 7. (Tue) A – Chapter Hall B – St. Francis C – Presbyterium D – Refectory Church 10:30-11:30 Music and Liturgy at the St. George Convent in Re-reading Medieval Institutions and Their Sources, I New Tools for Automated Prague and Abbess Kunhuta, I Music: Analytical Chair: Stefan Gasch Analysis, I Chair: David Eben and Hermeneutic ------Chair: Alexander Morgan ------Approaches to Ilaria Grippaudo: Noblemen, Booksellers, ------Renáta Modráková: Medieval Musical Manuscripts Thirteenth-Century and Maestri di Cappella: Musical References ------from Former Benedictine Convents in the Bohemian Song in Sicilian Inventories (1513-1595) Claire Arthur: Renaissance Lands Chair: Honey Meconi Counterpoint in Theory and ------Alex Robinson: Music in the French Entries Practice: A Case Study Jana Vozková: Ter terni from the St. George Convent in ------of Nobility and Other Dignitaries during the Prague Henry Drummond: An Reign of Henri IV (1589-1610) Marta Kolárová: John Dowland’s Unexpected Liaison: Songs under Data Mining Music, Poetry and Analysis Narrative in the Cantigas de Santa María

Joseph Mason: Melodic Jousting: Musico-Poetic Competition in the jeu-parti break 12:00-13:00 Music and Liturgy at the St. George Convent in Sources of Medieval Institutions and Their Sources, II New Tools for Automated Prague and Abbess Kunhuta, II Songs and Motets Chair: Stefan Gasch Analysis, II Chair: David Eben Chair: Honey Meconi ------Chair: Alexander Morgan ------Laurie Stras: Preserving Repertoire, ------Charles E. Brewer: The Good Friday Liturgy Ad ------Preserving Practice: The Musical Heart of a ------salutandam dominicam crucem in parasceve at the St. Frieda van der Mid-Sixteenth-Century Florentine Convent Cory McKay: Using Statistical George Convent in Prague Heijden: Gathering Feature Extraction to Distinguish Songs: The Chantal Köppl: Jan Le Febure – Rosetum the Styles of Different Composers Anna Žáková: The Performativity of Mandatum at the Compilation of the Marianum: Catholic Tricinia in the St. George Convent in Prague Song Collection in F- Archdiocese of Mainz (Germany) c. 1600 Richard Parncutt: The Pn fr. 12786 Psychohistory of Consonance and Dissonance: Statistical Analyses Mathew Thomson: of a Music Database Motets, Monophonic Song, and Mensural Notation: The Case of MS fr. 846 2

lunch 14:00-16:00 Central European Chant Sources, I Making and Reading Theory and Practice, I Lecture – Recital Chair: Ann Buckley Printed Books, I Chair: Stefano Mengozzi Chair: Lenka Hlávková ------Chair: Daniel Trocmé------David Eben: Die liturgischen Bücher aus dem Kloster Latter Warwick Edwards: Modal Rhythm in ------Ostrov ------Medieval Europe: What Practice Tells Us Repertory and Readings from ------about Theory? Codex Speciálník: Agricola, Lumír Škvař il: Medieval Chant Manuscripts of the Grantley McDonald: Ghiselin, Josquin, and Benedictine Monastery in Rajhrad Soundscapes and Lukáš Matoušek: Tempo in 14th-century Anonymous Liturgical Music Music (ars nova) Jennifer Thomas Katarina Šter: Following Stories of the ‘Prague Group’ during the Progress of Matthew Gouldstone + singers of Music Manuscripts from the Charterhouses Žič e Philip the Fair and Bernhard Andreas Kölbl: How to Notate an (Seitz) and Jurklošter (Geirach) Juana of Castile, 1501- Unnotatable Rhythm in ars nova Chansons 1503 Sylvia Urdová: Das notierte Brevier aus Dę bno aus dem Niels Berentsen: Improvising Three-Voice Jahr 1375 *Martin Ham: A Polyphony in the Fourteenth Century Bibliographer’s Eva Veselovská: Auf den Spuren des Headache: Some Budaer/Pressburger Antiphonars III – Auf den Spuren Notes on Susato’s verlorener Handschriften Libri Ecclesiasticarum Cantionum

Bernhold Schmid: Die Motetten 404 bis 416 von Lassos Magnum opus musicum. Fragmente einer nicht vollendeten Sammlung?

Royston Gustavson: Music in Sixteenth Century Publishers’ Catalogues break 16:30-18:00 The Polytextual Motet in Central Europe and Its Making and Reading Ricercar’s Digital Projects: From MEI to Music Theory and Philosophy, I Long Durée Printed Books, II the Musical Heritage Chair: Bonnie Blackburn Chair: Ian Rumbold Chair: Klaus Chair: Camilla Cavicchi ------Pietschmann ------Jan Ciglbauer: Das andere Repertoire in den ältesten ------Part 1: Programme Ricercar: 25 Years of Elizabeth Lyon: In Search of the Quellen der mitteleuropäischen Motettentradition ------Research Projects Affectus Pietatis: Liturgy, Music, Louisa Hunter- Hyacinthe Belliot: The New Website and its and Emotion from Augustine Lenka Hlávková: Die mehrtextige Motette in den Bradley: The Making Databases through Tinctoris 3

utraquistischen Quellen of a Music Type: Vincent Besson: Gesualdo Online and the Henri du Tour’s TiKiT•MUSICA Karsten Mackensen: Concentus of Antonio Chemotti: Case Study I: The reception of Veni Typeface for Plantin’s Richard Freedman: Citations: Renaissance Nations: Francesco Giorgio’s De Sancte Spiritus – Da gaudiorum premia – Veni Sancte Polyphonic Music Imitation Mass project harmonia mundi totius Spiritus Publications Part 2: Ricercar’s Projects on Musical Monika Jurić Janjik: Discussion Paweł Gancarczyk: Case Study II: Petrus Wilhelmi’s Emanuel Signer: The Heritage on Musical Instruments in the Panis ecce – Panis ewus – Pange exul – Patribus Mediality of Printed Camilla Cavicchi: The cubiculum musicae Works by the Dubrovnik veteribus – Tantum ergo Music: Some Vasco Zara: 3D Model and Historical Renaissance Philosopher and Thoughts on Mass Performance: Tools for Musicological Politician Niccolò Vito di Gozze Books in Sixteenth- Studies and Seventeenth- Century Italy

Daniel Donnelly: Making an Evening of it: Madrigal Prints as Models for Social Entertainment 18:00-20:00 Opening party 5. 7. (Wed) 9:00-11:00 Theory and Practice, II Secular Song in Reformation and Counter-Reformation in Lecture – Recital Chair: William Mahrt Medieval France Music Chair: Felipe Ramos ------Chair: Mary Wolinski Chair: Inga Mai Groote ------Michael Scott Cuthbert: Trecento Theory in Italian and ------Italian Theorists as Composers ------Daniel Trocmé-Latter: Oecolampadius and The Frottole intabulate da sonare Uri Jacob: Early Psalm Singing as Protest in Basel’s organi by Andrea Antico (Rome, Stefano Mengozzi: The ‘Unconstitutionality’ of Cantus Representations of the Reformation 1517): Music for noble amateurs? durus / Cantus mollis Crusades in Medieval Gioia Filocamo Music Megan Eagen: Erasmus Rotenbucher’s Maria Luisa Baldassari – Karen Desmond: Trees to Degrees: Theorising Musical Bergkreyen (1551) and the Concept of harpsichord Time in the ars nova David Catalunya: Intertextual Readership (45') Tarragona Fragments Jared C. Hartt: Tonal Coherence and the Fourteenth- of ars nova Polyphony Andrea Horz: Ode Settings, Hymns and New Aspects of Reproducing the Century Motet in England and Mensural Music Christian Belief in the Age of Sixteenth-Century Recorder Reformation Consort Uri Smilansky: Taavi-Mats Utt Machaut and the East Chiara Bertoglio: Cats, Bulls and Donkeys: Andres Siitan An Italian Churchman and the Reformation Reet Sukk Jonathan Wild: of Music (Cantores Vagantes) Sonority, Inflection, (55') and Intonational Mitchell Brauner: The Papal Chapel’s Affect in a Machaut Repertory of Lamentation Lessons Prior to Ita Hijmans: The Sound of a Mid- 4

Ballade the Tridentine Reforms Fifteenth Century Central European Recorder Consort: A Case Study (20') break 11:30-13:00 Chant in the Fourteenth-Century Prague: New Early Music Printing Music on the Road Music Theory and Philosophy, Directions, Late Developments in German-Speaking Chair: Bartlomiej Gembicki II Chair: Charles E. Brewer Lands: From the ------Chair: Christian Leitmeir ------1470s to the Mid- Ginte Medzvieckaite: From Venice to ------Jakub Kubieniec: Prague and the Divine Office in Sixteenth Century London: Giovanni Croce’s Sette sonetti ------Kraków Chair: Grantley penitenziali and their Interconfessional Frederik Pacala: Music in the McDonald Journey Prague University Milieu at the Hana Vlhová-Wörner: Singing in Companion: Late ------Beginning of the Seventeenth Chant Interpolations ------Michael Chizzali: ‘Plurimos Italiam petere Century: The Treatise of Václav Andrea Lindmayr- videmus’: Study Visits of Dresden Chapel Clemens Žebrácký (ca 1589- Zsuzsa Czagány: The Prague Repertory in Hungarian Brandl: The First Musicians in Florence around 1600 1637) Sources Printed Salzburg Missals: Shifting Rosemarie Darby: The Sacred Music of Melinda Latour: The Uses of between Media Cristoforo Montemayor and its Journey from Pleasure: Moral Song between Naples to Rome Ethics and Aesthetics Moritz Kelber: Augsburg Beauties: Santiago Galán: Studying Music Sigmund Salminger’s in Renaissance Spain: The MS Music Prints of the 2044 from Barcelona and Other late 1540s Related Sources

Marianne Gillion: Old Wine in New Bottles: ‘Catholic’ Chants in ‘Lutheran’ Liturgies lunch 14:00-15:30 Aspects of the Eastern and Oriental Orthodox Ritual Matters: Music in the Art of Renaissance Italy The Ideologies of Early Music Traditions of Sacred Music, I Composition, Chair: Barbara Eichner Periodisation: Bohemia and Chair: Haig Utidjian Revision, and ------Central Europe (Discussion) ------Transmission in Sanna Raninen: ‘Bestial rabble, futile drums’: Chairs: Hana Vlhová-Wörner – Tamar Chkheidze: The Modus and Principles of its Renaissance Music Bacchanalian sounds in the Art of Erika Honisch Transformation in the Medieval Georgian Chanting for the Mass, I Renaissance Italy ------Tradition Chair: Katelijne ------Schiltz Laura Stefanescu: Engaging the Inner Participants: Ekatherine Oniani: On the Graphic Diversity of Signs in ------Sensorium: A Journey to Paradise in The Jan Bať a the Georgian Music Palaeography of the Tenth and ------Magi Chapel Lenka Hlávková Eleventh Centuries M. Jennifer Bloxam: Bernhold Schmid ‘…a number Laura Ventura Nieto: Anthropomorphism, Reinhard Strohm 5

Khatuna Managadze: Georgian Heirmoses of St. symphony, a cathedral Musical Instruments, and Depicted Female Elż bieta Witkowska-Zaremba Andrew of Crete’s Great Canon: Peculiarities of in tone for Our Musicians in Sixteenth-Century Italy etc. Composition Lady…’: Hearing Obrecht’s Missa Sub tuum presidium in Ritual Context

Klaus Pietschmann: ‘Ad pietatem in hoc actu excitat audientes’: Morales’ Missa de Beata Virgine à 5, the Annunciation Feast in Renaissance Rome, and the Efficiency of Papal Indulgences

Alanna Ropchock: To the Glory of Whom? Josquin’s Missa de Beata Virgine in Catholic and Lutheran Ritual Contexts break 16:00-18:00 Historiae for Irish Saints in Medieval European Ritual Matters: Further Research on the San Lorenzo Music and Early Modern Sources Composition, Palimpsest Health Chair: Zsuzsa Czagány Revision, and Chair: Andreas Janke – John Nádas Chair: Laurie Stras ------Transmission in ------Ann Buckley: The Amra Project Renaissance Music Margaret Bent: The Motet Collection of SL ------for the Mass, II 2211 and the Composer Hubertus de Salinis Samantha Bassler: John Dowland Stefan Morent: A New Twelfth-Century Music- Chair: Katelijne and Constructions of Melancholy Liturgical Fragment for the Gallus-Historia Schiltz Elisabeth Hufnagel: The Notation of and Disability in Early Modern ------Rhythmic Proportions in SL 2211 England Chant Genres: Alleluia ------Chair: Zsuzsa Czagány Christiane Oliver Huck: The San Lorenzo Palimpsest Remi Chiu: Resonance and ------Wiesenfeldt: Lost in and the Florentine Tradition of Trecento Song Contagion in the Writings of Santiago Ruiz Torres: The Iberian Tradition of Chanting Translation: Revisited Ficino, Fracastoro, and Cardano the Mass Alleluia at Vespers: New Evidences from Censorship in the Castilian and Catalan Sources Mantuan BMV- Francesco Zimei: Old Stylistic Fashions and Renaissance Music Research in Masses Changing Tastes in the Florentine ars nova of Brazil Eva Vergosová: Mass Liturgy in Bohemian Sources and the Quattrocento Chair: Laurie Stras their Classification: The Role of the Alleluia Series Franz Körndle: Ritual, ------Theology and Lasso’s Michele Epifani: Remarks on the Sixteenth ------6

Masses for the Munich Gathering of the San Lorenzo Manuscript (I- Cesar Villavicencio: Developing Court Fsl 2211) Renaissance Musical Thought at the State University of São Paulo Jessie Ann Owens: Lasso’s Ritual Paula Callegari: The Virtues of Reading of De Style and the Renaissance Musical Rore’s Scarco di Practice doglia 20:00 Concert: Tiburtina Ensemble & Schola Gregoriana Pragensis (St. Agnes Convent, Prague) 6. 7. (Thu) 9:00-11:00 Aspects of the Eastern and Oriental Orthodox Iconography Today The Anatomy of Polyphonic Music around Musica Rudolphina, I Traditions of Sacred Music, II Chair: Reinhard 1500: An Iberian Case Study, I Chair: Petr Daně k Chair: Haig Utidjian Strohm Chair: Manuel Pedro Ferreira ------Nina-Maria Wanek: The Phenomenon of the Missa ------Bernadette Nelson: Music in Context: Martin Horyna: Die böhmische Graeca Chants: Assessing New Hypotheses in Regard Katelijne Schiltz – Polyphonic Repertories at the Portuguese Reformation und Musik to their Emergence and Dating Melanie Wald- Royal Court and Chapel c. 1480 – c. 1520 Fuhrmann: Hands-on: Jan Bať a: Lutheran Musical Giuseppe Sanfratello: Chants of the Byzantine Rite in A Motive in Late João Pedro d’Alvarenga: The Iberian Motet Culture in Rudolfine Prague Sicily: Historical Transcriptions and Contemporary Medieval Iconography around 1500 Studies and Its Experimental Cecilia Luzzi: From Italy to Re-enactment Owen Rees: Two of a Kind: Motet Pairs and Prague: Literary and Musical Arusyak Tamrazyan: The Art of the ‘Manrusumn’ Identity Crises in the Iberian Repertory Networks and the Circulation of Neumated Codices in Armenian Mediaeval Sacred Trent Codices Manuscript Poetry in Philippe de Chant Chair: Reinhard Nuno Mendonça Raimundo: The Sacred and Monte’s Madrigals at the End of Strohm the Secular in Iberian Renaissance Music: the Sixteenth Century Eugene Kindler: Analogies between Melodies of ------Stylistic Dialogues between Separate Genres Traditional Liturgical Chants of Latin, Greek and ------Laura Sonnabend: Masses by Armenian Liturgies Murray Steib: Music Stefano Felis in a Prague Choir of the Trent Book Contrafacta: A Typology of Change

Nicolò Ferrari: The Credos of Tr93: Questions of Text Underlay break 11:30-13:00 Aspects of the Eastern and Oriental Orthodox English Music under The Anatomy of Polyphonic Music around Musica Rudolphina, II Traditions of Sacred Music, III Henry IV and V 1500: An Iberian Case Study, II Chair:Vladimír Maň as Chair: Eugene Kindler Chair: Lisa Colton Chair: Manuel Pedro Ferreira ------Haig Utidjian: Armenian Sacred Chant from Rome to ------Tess Knighton: Seven Years in Seville: Pedro Erika Honisch: Writing Motets 7

Vienna: Athanasius Kircher, Antō n Iw č ’gartašean and Margaret Bent: The de Escobar and Questions of Identity and and Rewriting History in Imperial the Mediaeval Neumes Identity of Roy Henry Musical Practice Prague and the Dating of the Mena Mark Hanna: The Coptic Trisagion: Ancient or Old Hall Manuscript Kenneth Kreitner: The Tordesillas Perplex Jan Bilwachs: Das Verhältnis Modern? zwischen Text und Musik in Karl Roger Bowers: Three Esperanza Rodríguez: Reassessing Antonio Luythons Motetten Areni Agbabian: An Apprenticeship with Generations of de Ribera within the Iberian context Constantinopolitan Master Musicians in Exile: The Last Lancaster: The Chapel Ferran Escrivà-Llorca: The Remnants of a Living Oral Tradition Musicians of John, María Elena Cuenca: A Spanish Composite Procession of the Relics of Sao Duke of Lancaster, Mass Rex Virginum versus the De Beata Roque (Lisbon, 1588): Individual King Henry IV, and Virgine Maria Mass Tradition in Europe and Collective Representations King Henry V against a Musical Background

David Fallows: The Hana Studenič ová: Possible Early Carol and the Parallels in the Urban Musical Court of Henry V Culture of Brno and Vienna in the Sixteenth Century lunch 14:00-15:30 Medieval Sacred Song Musical Life of the Medieval Music Theory Musica Rudolphina, III Chair: Hana Breko Late Middle Ages in Chair: Jane Alden Chair: Jan Bať a ------the Austrian Region ------Jeremy Llewellyn: The Beginnings of Musical Boredom Chair: Paweł William Mahrt: Dynamic Parallelismus ------Gancarczyk Membrorum Petr Daně k: Historische Konstantin Voigt: New Ways of Singing Iambic ------Musikdrucke in den böhmischen Dimeter in Twelfth-Century Latin Liturgical Song ------Elina Hamilton – Solomon Guhlmiller: Ländern vor 1630 Marc Lewon: The Theinred of Dover: A Reevaluation of the Honey Meconi: O viridissima virga, Genre, and Neidhart Phenomenon Evidence for Dating the Treatise De legitimis Vladimír Maň as: Neglected Performance in Hildegard’s Music ordinibus pentachordorum et tetrachordorum Sources, Unreflected Information? Reinhard Strohm: Musical Inventories in the Polyphonic Music in Lynsey Hannah Callaghan: Musica Bohemian Lands between 1590 15th-Century Sources Speculativa in 15th-century Bedfordshire: The and 1670 as a Valuable Testimony from Vienna case of John Benet’s Proportion Treatise of the Distribution and Performance of Renaissance Birgit Lodes: Repertoire Transforming Traditions: Music for Scott Edwards: The Dream of the Emperor Charles V in Quill: Music, Books, and Reform the Holy Roman in Sixteenth-Century Hradec Empire Králové

Kateř ina Maýrová: ‘Protestant’ Composers of the First Half of the Sixteenth Century in the 8

Rokycany Music Collection break 16:00-18:00 Roman vs. Non-Roman Chant Traditions Voices and New Looks at Familiar Sources and Music Musica Rudolphina, IV Chair: Daniel J. DiCenso Instruments in the Chair: Sean Gallagher Chair: Erica Honisch ------Sixteenth Century ------Raquel Rojo Carrillo: Old Hispanic Fragments: Crucial Chair: Martin Jacek Iwaszko: Recently Discovered ------Witnesses to a Medieval Repertoire Kirnbauer Concordances and Identified Works in Kk I.2 Michaela Žáč ková Rossi: The ------Manuscript from Cracow ‘Gnadengeld’ as an Important López Fernández: Cantorales of Cisneros: Searching for ------Source on the Rudolfine Old-Hispanic Melodies in the 16th Century Julia Miller: Historical Munir Sabag: Stylistic Analysis of Adrian Patronage: Can the Imperial and Modern Tubal’s Works in the Winchester Partbooks Accounting Ledgers Testify about Alexander Lingas: A 15th-Century Setting of the Gloria Performance Practices Music? in excelsis of the Roman Rite in Greek of Recorders in Sacred Thomas Schmidt: Collecting the French- Repertoire of the Court Motet: London, Royal College of Petra Jakoubková: Odae Rebecca Maloy: Interchange between Western Chant Spanish ‘Siglo de Oro’ Music, Ms. 1070 suavissimae: A Rudolfi ne Traditions: New Evidence from the Divine Office Collection of Panegyric Motets Michal Hottmar: Paul Ranzini: Passion Music by Rore or James Blasina: Resistant Vocality? Women’s Silence Concordances of the Willaert? An Additional Source Klemen Grabnar: A Little-Known and Speech in a Medieval Office Lutes Prints which Double-Choir Hymn Cycle from Were Used in the c. 1600 Sixteenth Century in the Area of Present- Peter Martinč ek: Double-Choir Day Slovakia Music by Matthäus Apelles von Löwenstern (1594-1648): Kateryna Schöning: Differences between Unknown Instrumental Compositions Preserved in the Settings from Martin Sammlung Bohn and the Levoč a Agricola’s Ein Kurtz Music Collection Deudsche Musica (1528) and their Magdalena Dostálová: Choirbook Humanistic from the Former Opava Background Gymnasial Collection (A 1775)

Erich Tremmel: Structure and Infrastructure of Musical Instrument Making 18:00-19:00 Poster session (with drinks) 19:00-19:45 Business meeting 7. 7. (Fri) 9:00-10:30 Early Medieval Chant Commemorating Research Surrounding the Books of Medievalism on Stage, Screen, Chair: Hana Vlhová-Wörner Henricus Isaac (c. Hispanic Polyphony Online Database Record, and Radio, I 9

------1450/55-1517), I Chair: Emilio Ros-Fábregas Chair: James Cook Jasmin Hartmann: From prosula to versus: The Stylistic Chair: Giovanni ------Plurality of the Benedicamus Tropes in Lucca 603 and Zanovello Emilio Ros-Fábregas: The Books of the ------its Implications for the History of the Genre ------Hispanic Polyphony Online Database: A Karen Cook: Gaming the ------Comprehensive Approach to Hispanic Medievalist World in Harry Luisa Nardini: Prosulas in Beneventan Manuscript: A Andrew Kirkman: Polyphony in the Digital Age Potter Project of Edition ‘Prince of the Art of Music of Our Town’: Andrea Puentes-Blanco: Music for the James Cook: Sonic Medievalism Alejandro Planchart: The Agnus Dei and the Ite Missa Uncovering the Rosary devotion: Marian Litanies, and Cultural Identity in Fantasy est South of Rome Identity of a Lost Processions and Vernacular Songs in Videogame Master Sixteenth- and Early Seventeenth-Century Markus Zimmer: Wie deutsch ist der germanische Barcelona Michael Norton: Reflections on a Choraldialekt? *Eleanor Hedger: Spectral Genre: ‘Liturgical Heinrich Isaac’s Missa Ascensión Mazuela-Anguita: Illustrating with Drama’ in the Cabinet of Comme femme Music the Chronicles of Honorat Ciuró Curiosities desconfortée: A (1612-1674) through the Books of the Musical Offering to Hispanic Polyphony Database the Virgin Mary María Gembero-Ustárroz: Miguel Navarro or Sonja Tröster: Shades Juan Navarro? Polyphonic Concordances and of Contrafacta: Conflicting Attributions of Two Sixteenth- Alternative German Century Spanish Composers in the Lira texts for Isaac’s music sacro-hispana (c. 1852-1860) by Hilarión Eslava

Javier Marín-López: In Search of Fame: The City of Úbeda and the Musical Patronage of Francisco de los Cobos, Secretary of the Holy Roman Emperor Charles I of Spain break 11:00-13:00 Franciscans and Thirteenth-Century Polyphony Commemorating Elizabethan Music and its Sources Medievalism on Stage, Screen, Chair: Adam Mathias Henricus Isaac Chair: Jessie Ann Owens Record, and Radio, II ------(c. 1450/55-1517), II ------Chair: James Cook Lucia Marchi: St. Francis and Music: New Perspectives Chair: John Kmetz James Burke: John Sadler (c. 1513–c. 1591) ------and an East Anglian Copy Book ------Eva M. Maschke: A Franciscan Copy of the Organum ------Adam Whittaker: The Seventh Duplum-Repertory? New Light on the Copenhagen Stefan Gasch: Katherine Butler: Music and Musical Seal: Musical Visions of the Organum Fragments and their Host Volume Mapping the Masses Education in the Early Elizabethan Church: Plague of Henricus Isaac: The The Evidence of GB-Lbl: 30480-4 Mary Wolinski: Motets on Franciscan Themes in the Evidence of the Irene Holzer: Neither ‘Folk’ nor Thirteenth-Century Manuscript W2 Alamire-Manuscripts Anne Heminger: Negotiating Edward VI’s ‘Volksmusik’? Neo-Medieval Reformation: Music and Religious Change in Music as a Third Path in the Rethinking the Conductus David Burn: A the Parish Churches of London, 1547-1553 German Speaking Countries 10

Chair: Adam Mathias Recently Discovered ------Source for Isaac’s Christopher Ku: The Reformation-Era Ralph Corrigan: Medievalising Mary Caldwell: Seeking Song: Locating the Conductus Mass Propers Antiquarian and the Pre-Reformation Festal modernity: Defining the between Orality and Literacy Mass: John Baldwin’s Copy of John indefinable? Ruth DeFord: Scribal Taverner’s Missa Gloria tibi Trinitas Mark Everist: Anonymous IV and the Conductus Initiative in the Manuscript Brno, City Archive 14/5 lunch 14:00-16:00 Medieval Songs and Sources Fifteenth-Century Who Is Who: Dedication and Authorship Sixteenth-Century Music in Chair: Jan Ciglbauer Masses Chair: Jennifer Thomas Central Europe ------Chair: Michael Scott ------Chair: Thomas Schmidt Alexandros Hatzikiriakos: The Chansonnier du …? Cuthbert Vicente Chavarria: Nasci d’aguelo: Séverin ------Collections, Anthologies, Chansonniers, and ------Cornet’s Dedicatory Works ------Indigestible Authors ------Grzegorz Kos: Masses Fa-Ut by Carolann Buff: Before Cristina Cassia: Hesdin and the Problems in Heinrich Finck: Sources, Style Elizabeth Nyikos: Reconsidering the Provenance of the the Cyclic Mass Biographical Wwriting and Context Worcester Fragments Anne Robertson: Agnieszka Leszczyń ska: Frölich will ich Eliška Bať ová: A Printed Edition Gregorio Bevilacqua: English Devotional Songs in a Louis of Savoy and singen… Paul Kugelmann’s Collection of of Jan Blahoslav’s Gospels in the Manuscript from Papal Avignon Anne of Lusignan in Songs for Duke Albrecht of Prussia Context of Erasmus’s Ideals of Geneva: The ‘New Liturgical Music Lillian Blotkamp: Musical Creativity in a Devotio Masses’ of 1453 Joseph Sargent: Nathaniel Giles Moderna Songbook Reconsidered: New Evidence from Allen Scott: Musical Networking Fabrice Fitch: On Documentary and Musical Sources in Reformation Germany Compositional Process in the Missa Marc Desmet: In Search of Prolationum Sources in Jacobus Handl’s Opus musicum (1586-1591) Sean Gallagher: Ockeghem and the Sound of ‘English’ Rhythm break 16:30-18:00 Exhibition of music sources (Czech Museum of Music, Prague) 19:30 Concert: Societas Incognitorum (Salvator Church, Prague) 8. 7. (Sat) 9:00-11:00 Central European Chant Sources, II Trecento Song Music of Sixteenth-Century Courts and Analysing Sixteenth-Century Chair: Irene Holzer Chair: Gregorio Cities Polyphony ------Bevilacqua Chair: Marc Desmet Chair: Scott Edwards Barbora Kabátková: The Office of St. Emmeram in ------Manuscripts of the St. George Convent at Prague Castle ------Cathy Elias: Singing the Cantos of Orlando ------11

Elena Abramov-van Furioso in the Streets, Courts, and Theatres Alexander Morgan: Rhythmic Renáta Koč išová: Die Aachener kulturelle Tradition in Rijk: Donato da Constraints and Octave Leaps in dem Prešover Brevier – eine Hypothese Firenze’s Sovran Tess Knighton: Written and Unwritten Renaissance Stretto Fugas Uccello and Emperor Musics in Sixteenth-Century Barcelona Ute Evers: Die geistlichen Spiele in einem Charles IV: A New Peter Urquhart: An Interpretation utraquistischen Antiphonarium aus der 1. Hälfte des 16. Interpretation Eric Rice: Orlando di Lasso’s Musical of Antico’s 1520 Print of 4-ex-2 Jahrhunderts Representations of Black African Slaves in Canons Antonio Calvia: Sixteenth-Century Munich David Merlin: Cantus fractus in einem Graduale aus Musical and Poetic Chia-Yi Wu: Praying Through the Kutná Hora (A-Wn 15501, Kuttenberger Kantionale) Cohesion in the Works Bartł omiej Gembicki: Early Music Recording Musical Synthesis of of Nicolò del Preposto as Mythography: The Case Study on Wylkynson’s Salve regina Hana Breko Kustura: Project CROMUSCODEX70 and Venetian Vespers Music Research of the Croatian Sources for Cantus fractus Sara Maria Fantini: Deborah Lawrence: Hearing a ‘Sovra la riva d’un Renaissance Soundscape Through corrente fiume’: the Music of Blind Musicians Literary and Political References in Lorenzo Masini’s Madrigals

Mikhail Lopatin: From Broken Heart to Divided Song: ‘Divisio’ at the Intersection of Poetry, Metrics, and Music in Trecento Song break 11:30-13:00 Medieval Motets Reforming Faith: Chansons and Chansonniers Zarlino at 500: Aspects of His Chair: Leofranc Holford-Strevens Continuity and Chair: Warwick Edwards Contrapuntal Legacy ------Disruption in the ------Chair: David Burn Catherine A. Bradley: Song and Quotation in Uses of Music Evan MacCarthy: Revisiting the Porto ------Thirteenth-Century Motets for Saint Elizabeth of Chair: Ulrike Hascher- Songbook ------Hungary Burger Timothy Daly: Zarlino and the ------Clare Bokulich: Songs and Generic Ancients: Le istitutioni Gaël Saint-Cricq: The ‘Trouvères harmonistes’ and the ------Metamorphosis in the Fifteenth Century harmoniche and the Contrapuntal Case of Robert de Reims Inga Mai Groote: Tradition ‘Zwen lateinischs Carlo Bosi: ‘Impotent suis et affollé’: Sex Wolfgang Fuhrmann: The Technique Formerly Called psalmen’: Resilience and Early Renaissance chanson Denis Collins: Moveable ‘Isorhythm’: Serial Thinking in the Late Middle Ages and change in Counterpoint and the Canonic and the Renaissance reforming musical Motets of Zarlino and Willaert practices in Heilbronn Jason Stoessel: Zarlino, Willaert Manon Louviot: and the Visual Culture of Canon 12

Regulating processions in Renaissance Italy in reformed Augustinian convents of Lower Saxony

Christine Roth: Constructing Authority and Identity through Tradition and Change: Northern German Lutheran Music Collecting Fañch Thoraval: Music Prohibitions and Regular Reformation: The Case of the Canons of San Salvatore lunch 14:00-16:00 Liturgy and Ritual Music and Instruments and Dance in the Late Middle Italy around 1600 Chair: Manon Louviot Reformation Ages Chair: Moritz Kelber ------Chair: Agnieszka Chair: Antonio Chemotti ------Juan Pablo Rubio: L’ordo ad unguendum fratrem dans Lesczyń ska ------le Sacramentaire de Saint-Pierre-d’Aurillac (Silos, ------Cecilia Nocilli: Alcune riflessioni sulla teoria Leon Chisholm: The Early Sacred Archive du Monastère, ms. 8) ------musicale nei trattati italiani di danza del Concerto as Trading Zone John Kmetz: Clemens, Quattrocento «a fine che de ingnorantia non Miriam Wendling: A Temporary Rest: Late Medieval Susato and their me increpi» Sigrid Harris: ‘Women are as Processions with the Dead Souterliedekens: roses’: Floral symbolism in Cashing in on the Fabian Kolb: „Sakralisierung des Monteverdi and Gesualdo Karen Thöle: A Choreography of Chant in the Bursfelde Reformation? Instrumentalen“: Zur instrumentischen Liber ordinarius musica in klerikal-christologischen Jeffrey Levenberg: Johannes Paul Kolb: Three Sets Kontexten zwischen Spätmittelalter und Franciscus Marcus and the Studia David Andrés Fernández: Hieronymite Processional of Partbooks, Two Früher Neuzeit Humanitatis in the Gesualdo Plainchant Performance in Sixteenth-Century Spain Motets, and a Theory Castle Treatise: A Tale of Theory and Practice, III Transmission Chair: Jiř í K. Kroupa Antonio Cascelli: Orfeo and the ------Madrigal Tradition: Between Alice Tacaille: Les Charles Atkinson: Constitutio in Boethius’ Seeing and Hearing timbres et les psaumes Musica and its Greek Antecedents en vers français : le cas du ms BnF Fr. 2336 (XVIe s.) 13

Mattias Lundberg: Two Layers Become One: Musical Idiosyncrasies in the Structure of the Swedish Reformation Mass from 1531 to 1614 break 16:30-18:00 Jaap van Benthem – Barbora Kabátková: Singing Johannes Tourout: A vocal introduction to his music 18:00-20:00 Closing event * Paper will be read in the absence of the author.

Posters: Štefánia Demská: Tradition of Post-Pentecost antiphons in medieval musical sources Stefan Gasch: The New Senfl Edition Jan Koláč ek: The Cantus Analysis Tool Kirstin Pönnighaus: Early Mass Settings between Liturgical Function and Artistic Ambitions Raquel Rojo Carrillo: Digital Exhibition of Old Hispanic Chant Fragments Burkard Wehner: The Vocal Music of ms. Trier 322/1994: Bohemian Music and devotio moderna Adam Whittaker: Representations of Early Music on Stage and Screen Alexander Morgan