DOCSLIB.ORG

6592 Ezra & Wheatley.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
6592 Ezra & Wheatley.Indd Shoe Reels 66592_Ezra592_Ezra & WWheatley.inddheatley.indd i 222/10/202/10/20 110:130:13 AAMM Film and Fashions Series editor Pamela Church Gibson Th is series explores the complex and multi-faceted relationship between cinema, fashion and design. Intended for all scholars and students with an interest in fi lm and in fashion itself, the series not only forms an important addition to the existing literature around cinematic costume, but advances the debates by moving them forward into new, unexplored territory and extending their reach beyond the parameters of Western cinema alone. edinburghuniversitypress.com/series/faf 66592_Ezra592_Ezra & WWheatley.inddheatley.indd iiii 222/10/202/10/20 110:130:13 AAMM Shoe Reels The History and Philosophy of Footwear in Film Edited by Elizabeth Ezra and Catherine Wheatley 66592_Ezra592_Ezra & WWheatley.inddheatley.indd iiiiii 222/10/202/10/20 110:130:13 AAMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © editorial matt er and organisation Elizabeth Ezra and Catherine Wheatley, 2020 © the chapters their several authors, 2020 Edinburgh University Press Ltd Th e Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 12/1 4 Arno and Myriad by IDSUK (Dataconnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 5140 6 (hardback) ISBN 978 1 4744 5142 0 (webready PDF) ISBN 978 1 4744 5143 7 (epub) Th e right of the contributors to be identifi ed as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66592_Ezra592_Ezra & WWheatley.inddheatley.indd iivv 222/10/202/10/20 110:130:13 AAMM Contents List of fi gures vii Acknowledgements ix Notes on contributors x Foreword xiv Introduction: foot notes 1 Elizabeth Ezra and Catherine Wheatley 1 Max’s stylish shoes 18 Margaret C. Flinn 2 A girl and a shoe: Marcel Fabre’s Amor pedestre 26 Malgorzata Bugaj 3 ‘An intensive study of – feet!’ in two fi lms by Lois Weber: Shoes and Th e Blot 38 Pamela Hutchinson 4 Magic shoes: Dorothy, Cinderella, Carrie 49 Elizabeth Ezra 5 Th e ruby slippers at the V&A: an odyssey 62 Keith Lodwick 6 Blood-red shoes? 68 Ian Christie 7 Th e two textures of invisibility: shoes as liminal questionings in Sullivan’s Travels 78 Kelli Fuery 8 How to see through a shoe: the fashion show sequence in How to Marry a Millionaire 94 Ana Salzberg 9 Frenetic footwear and lively lace-ups: the spectacle of shoes in Golden Age Hollywood animation 103 Christopher Holliday 66592_Ezra592_Ezra & WWheatley.inddheatley.indd v 222/10/202/10/20 110:130:13 AAMM vi Contents 10 Ferragamo’s shoes: from silent cinema to the present 125 Eugenia Paulicelli 11 Feet of strength: the sword-and-sandals fi lm 136 Robert A. Rushing 12 Men in boots: on spectacular masculinity and its desublimation 148 Louise Wallenberg 13 ‘Th e brunett e with the legs’: the signifi cance of footwear inMarnie 166 Lucy Bolton 14 Th e sole of Africa: shoes in three African fi lms 180 Rachael Langford 15 Slippers and heels: In the Mood for Love and sartorial investigation 198 Tyler Parks 16 Sex, corruption and killer heels: footwear in the Korean corporate crime drama 213 Kate Taylor-Jones 17 It’s gott a be the shoes: Nike in the Spike-o-sphere 229 Jeff Scheible 18 ‘Nice shoes’: Will Smith, mid-2000s (post) racial discourse and the symbolic signifi cance of shoes inI, Robot and Th e Pursuit of Happyness 248 Hannah Hamad 19 ‘Whoa! Look at all her Louboutins!’ Girlhood and shoes in the fi lms of Sofi a Coppola 261 Fiona Handyside 20 Isabelle’s espadrilles, or les chaussures d’Huppert 279 Catherine Wheatley Index 293 66592_Ezra592_Ezra & WWheatley.inddheatley.indd vvii 222/10/202/10/20 110:130:13 AAMM Figures I.1 Th e pile of empty shoes in Nuit et brouillard 7 I.2 Lee Daniels and Fred Astaire in Th e Band Wagon’s shoeshine number 8 I.3 Chaplin eats his boots in Th e Gold Rush 9 I.4 A stilett o heel drips blood in Single White Female 12 3.1 Eva draws her tatt ered shoes out of sight in the park 42 3.2 One of the Olsen children plays in the yard wearing $18 high heels 44 3.3 Th e hungry cat gives away the secret of Rev Gates’ goose-grease shoe polish 45 4.1 All wrong for the witch 52 4.2 Dorothy and her new friends 59 5.1 Th e ruby slippers 63 7.1 Th e valet presents Sully the shoes with the hidden identity card in the sole 82 7.2 Th e replacement shoes left to Sully by the homeless man 88 8.1 Behind the scenes 100 8.2 Th e fashion show 101 9.1 Th e spectacle and musicality of collective labour in Th e Shoemaker and the Elves 107 9.2 Comedic performance and slapstick shoe production in Holiday for Shoestrings 109 9.3 Mammy Two Shoes’ ill-fi tting footwear, A Mouse in Th e House 119 10.1 Décolleté, 1959–60, upper and heel covered by Swarovski crystals; designed for Marilyn Monroe 132 10.2 Salvatore Ferragamo, sandal, 1938, heel and platform covered by suede; created for Judy Garland 133 66592_Ezra592_Ezra & WWheatley.inddheatley.indd vviiii 222/10/202/10/20 110:130:13 AAMM viii Figures 10.3 Rainbow Future, Fall/Winter Collection 2018–19, handmade, crocheted sandal in organic cott on, heel and platform in wood covered with the same material 134 11.1 Hercules 137 11.2 Th e Fury of Hercules 142 11.3 300 146 12.1 Hal’s leather boots, inherited from his father, in Picnic 153 12.2 Joe Buck’s decorative cowboy boots in Midnight Cowboy 156 12.3 Cooper, Tone and Cromwell desublimising normative masculinity in Th e Lives of a Bengal Lancer 159 13.1 Th e shoe as tool, disposing of Marion Holland’s key 172 13.2 Th e shoe as traitor, threatening to expose Marnie’s crime 173 13.3 Th e boot as surrender, buckling in the grip of Rutland patriarchy 174 15.1 Homely pink slippers are contrasted with dark angular heels 203 15.2 Mrs Chan’s woven-toed pumps suggest a relaxation of the rigid boundaries of her identity 208 16.1 Na-mi’s strappy designer footwear contrasts with the basic black stilett os the maids wear 217 16.2 Eva is unable to fi ght back against the vengeful Geum-ok 223 17.1 Mookie with Oscar, in hang time pose 230 17.2 Mars Blackmon introduced in She’s Gott a Have It 234 17.3 Mars standing on Jordan’s shoulders, Hang Time Air Jordan III commercial 236 18.1 and 18.2 Blackness and masculinity are collapsed into the sartorial signifi er of Del Spooner’s Chuck Taylor Converse All Stars in I, Robot 252 18.3 ‘Where’s my shoe?!’ Chris Gardner loses a key signifi er of his ‘bootstrap’ aspirationalism 257 19.1 and 19.2 Th e Bling Ring’s sequence shows cast members’ names superimposed over shoes 263 19.3 Marie Antoinett e’s lavender blue Converse high-tops sit alongside Manolo Blahnik-designed high heels 267 20.1 Huppert at Cannes, 2015 285 20.2 Nathalie wears brown espadrilles while teaching in the park 287 20.3 Nathalie’s shoes bear her forward 288 66592_Ezra592_Ezra & WWheatley.inddheatley.indd vviiiiii 222/10/202/10/20 110:130:13 AAMM Acknowledgements Th e editors of the book would above all like to thank Gillian Leslie for her unwavering enthusiasm and support for the project from its inception. Our thanks also go to Pamela Church-Gibson for her encouragement, Zoë Ross for her eagle-eyed copy-editing and Richard Strachan for steering the book through to completion. Shoe Reels has been a terrifi cally fun book to edit. But when we were plott ing this book in sunny Gothenburg, sporting sandals and sneakers, we had no idea that we would be fi nishing the fi nal edits from our respective homes, outdoor shoes long abandoned, feet entrenched in well-worn slippers. We are grateful to all our contributors for their professionalism and good humour, even during a global pandemic. 66592_Ezra592_Ezra & WWheatley.inddheatley.indd iixx 222/10/202/10/20 110:130:13 AAMM Notes on contributors Lucy Bolton is Reader in Film Studies at Queen Mary University of London. She is the author of Film and Female Consciousness: Irigaray, Cinema and Th inking Women, and Contemporary Cinema and the Philosophy of Iris Murdoch, as well as the co-editor of Lasting Screen Stars: Images that Fade and Personas that Endure. She is currently working on an anthology of feminist fi lm philosophy and a monograph on philosophy and fi lm stardom. Malgorzata Bugaj is a teaching fellow of Film Media and Contemporary Cultures at the University of Edinburgh’s Centre for Open Learning. She teaches courses on twentieth century avant-garde fi lm, European cinema, fi lm theory, female fi lmmakers and cinema and the fi ve senses.
Load more

Recommended publications
  • LOS ANGELES Welcome and Orientation Guide 2020 H HOLLYWOOD HILLS W Y GRIFFITH PARK 1 HOLLYWOOD 0 CAMPUS BOWL 1 DOWNTOWN LA BEACHES
    LOS ANGELES Welcome and Orientation Guide 2020 H HOLLYWOOD HILLS W Y GRIFFITH PARK 1 HOLLYWOOD 0 CAMPUS BOWL 1 DOWNTOWN LA BEACHES HOLLYWOOD MAPS A & HIGHLAND / DOLBYTHEATER G N FRANKLIN E U H CHINESE A CAPITOL C RECORDS THEATER E N HOLLYWOOD BLVD. I V PANTAGES THEATER SUNSET BLVD. 1 0 1 / 1 H 0 O FRANKLIN AVE. L E. 1 LY AV W N O LI F O K W D AN FW FR Y Y. YUCCA ST. YUCCA ST. A R W I V N V G I A I . N L Y C R C L E O A E A S V X H A T E V A U . E V E . E N . N G A . B L C V A D . H U E HOLLYWOOD BLVD. W I N C V O A I L S R C G M O YUCCA ST. A O V X A E S A I . T V V . V E B . A I L A N R V R W E D A G S I . V Y L T SELMA AVE. C E L . E O X A V A E V . E . Yucca Tower* (inset left) Ivar Building (inset left) Cosmo Building (map right) CLASSROOMS: 4th FLOOR: Information Technology SUNSET BLVD. 602T, 603T Financial Aid Film Production CLASSROOMS: 501T, 20, 21, 22, 23E Student Accounts Individual Voice Rooms CLL1, CLL2, CLL3, CLL4 10, 11, 12E Housing 2nd FLOOR: Student Life Residence Halls (inset left) Other Locations and Reception Accessibility Services Points of Interest (map right) Mail Room 6th FLOOR: The Bungalows Education Services Student Advisors Capitol Records Building Student Employment PIAZZA: Yucca Street Residence Hall Parking AMDA Café Pantages Theatre 3rd FLOOR: 8W: Black Box Vine Street Residence Hall Library Theatre Hollywood/Vine Metro Station HOLLYWOOD BLVD.
    [Show full text]
  • The University of Chicago Tears in the Imperial Screen
    THE UNIVERSITY OF CHICAGO TEARS IN THE IMPERIAL SCREEN: WARTIME COLONIAL KOREAN CINEMA, 1936-1945 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY HYUN HEE PARK CHICAGO, ILLINOIS AUGUST 2017 TABLE OF CONTENTS Page LIST OF TABLES ...…………………..………………………………...……… iii LIST OF FIGURES ...…………………………………………………..……….. iv ABSTRACT ...………………………….………………………………………. vi CHAPTER 1 ………………………..…..……………………………………..… 1 INTRODUCTION CHAPTER 2 ……………………………..…………………….……………..… 36 ENLIGHTENMENT AND DISENCHANTMENT: THE NEW WOMAN, COLONIAL POLICE, AND THE RISE OF NEW CITIZENSHIP IN SWEET DREAM (1936) CHAPTER 3 ……………………………...…………………………………..… 89 REJECTED SINCERITY: THE FALSE LOGIC OF BECOMING IMPERIAL CITIZENS IN THE VOLUNTEER FILMS CHAPTER 4 ………………………………………………………………… 137 ORPHANS AS METAPHOR: COLONIAL REALISM IN CH’OE IN-GYU’S CHILDREN TRILOGY CHAPTER 5 …………………………………………….…………………… 192 THE PLEASURE OF TEARS: CHOSŎN STRAIT (1943), WOMAN’S FILM, AND WARTIME SPECTATORSHIP CHAPTER 6 …………………………………………….…………………… 241 CONCLUSION BIBLIOGRAPHY …………………………………………………………….. 253 FILMOGRAPHY OF EXTANT COLONIAL KOREAN FILMS …………... 265 ii LIST OF TABLES Page Table 1. Newspaper articles regarding traffic film screening events ………....…54 Table 2. Newspaper articles regarding traffic film production ……………..….. 56 iii LIST OF FIGURES Page Figure. 1-1. DVDs of “The Past Unearthed” series ...……………..………..…..... 3 Figure. 1-2. News articles on “hygiene film screening” in Maeil sinbo ….…... 27 Figure. 2-1. An advertisement for Sweet Dream in Maeil sinbo……………… 42 Figure. 2-2. Stills from Sweet Dream ………………………………………… 59 Figure. 2-3. Stills from the beginning part of Sweet Dream ………………….…65 Figure. 2-4. Change of Ae-sun in Sweet Dream ……………………………… 76 Figure. 3-1. An advertisement of Volunteer ………………………………….. 99 Figure. 3-2. Stills from Volunteer …………………………………...……… 108 Figure.
    [Show full text]
  • The Art of the High-Heeled Shoe Ebook Free Download
    KILLER HEELS: THE ART OF THE HIGH-HEELED SHOE PDF, EPUB, EBOOK Lisa Small | 224 pages | 28 Aug 2014 | PRESTEL | 9783791353807 | English | Munich, Germany Killer Heels: The Art of the High-Heeled Shoe PDF Book The pieces chosen range from simplistic to elegant t Shoe lovers, this is the book for you! Manchester, NH — From structural and splendid to daring and dangerous, high heels have been the subject of conversation and controversy for centuries. Learn about their rich cultural history and complex relationships to fantasy, functionality, identity and power. Based on the information gathered for an exhibit at the Brooklyn Museum, this beautiful book is a photographic and short essay history of the high heel. When your feet need a break, explore art in the galleries, including the fabulous footwear in the exhibition. See all 4 brand new listings. See details for additional description. Courtesy of Christian Louboutin. Chris Huntley marked it as to-read Aug 07, Platform shoes called chopines, like these made of exquisitely decorated cork or wood, were fashionable in fifteenth- and sixteenth-century Italy. Find out more. Fashion industry studied by two Harvard professors. Greek male actors wore raised-sole boots to give the appearance that their character was powerful. Roger Vivier. As a diehard wearer of flats, I have a new appreciation for all that the high heel stands for. Name required. Come early to enjoy Second Sunday Jazz Brunch from 10 a. Okay, thanks. Galleries open p. Anderson Library marked it as to-read Apr 22, Once the structural integrity of the thin stiletto heel was assured through the use of an internal steel rod, designers in the later s and the s experimented with variations on its profile and position.
    [Show full text]
  • High School Notes Personals
    Vol. XX. No. |2 . NUTLEY, N. J.. SATURDAY MORNING, JANUARY 27, 1917 THREE CENTS COPY HIGH SCHOOL NOTES BOY ROMS WTO DELIVERY WATER CONSUMPTION F O R ..... TRUCK; NOT BADLY HURT PERSONALS ; WEEK SHOWS DECREASE CHARGES DENIED Wednesday afternoon, C. F. McCord Mra. Charles B. Royce, of North oTthePassiic office of the New York Cecil' Romney, seven years old, son road, will return • today from St. The water cbnsumptioir chairt coh- BTPOUa CHIEF Telephone Company, gave a stereo p- of C. V. Romney, of 15 Erie place, ran Mary's Hospital, Passaic, where she tinues to show a decrease. Last week j aeon lecture on the development • of down Yantacaw place from the school, underwent an operation last week. I n d tu tedlI*S® .n4 the telephone. ;------ : ~ --------- the consumption was 2,063,000 and SntcMe €ontra£cts Stateomts h Wednesday noon in a game, of tag Does Ntt Safer nwi ' The Roselle Park basketball game Mr. and - Mrs. Nils B. Hersloff and the-week before 2,100,000. The con­ Letter From BeDeTiBc Board of scheduled for this afternoon ha« been with another small boy. At Brookfield Miss Laura Hersloff, of Edgewood sumption for the same week last year H.C.tf L. cancelled because of the inability of avenue he was going too fast to stop avenue, left Thursday for Baltimore. was 2,233,000. Town Engineer Smith Education About Boy’s Arrest the Roselle team to be present. The and hey' ran .into a delivery wagon They will return on Monday. - ; • says the decrease is caused in part by average good chart shows date for the game has been set for owned by Bamberger & Con of New­ the repair of three fire hydrants which , February 17.
    [Show full text]
  • Cinema As a Tool for Development
    MSc Thesis Cinema as a Tool for Development Investigating the Power of Mobile Cinema in the Latin American Context By Philippine Sellam 1 In partial requirement of: Master of Sustainable Development/ International Development track Faculty of Geosciences, Utrecht University Student: Philippine Sellam (3227774) [email protected] Under the supervision of: Gery Nijenhuis Utrecht, August 2014 Cover Picture and full page pictures between chapters: The public of mobile cinema/Fieldwork 2014 Title font: ‘Homeless font’ purchased from the Arells Foundation (www.homelessfonts.org) 2 Everything you can imagine is real - Picasso 3 Abstract During the last fifteen years, mobile cinema has sparked new interest in the cinema and development sectors. Taking cinema out of conventional theatres and bringing it to the people by transporting screening equipment on trucks, bicycles or trains and setting up ephemeral cinemas in the public space. Widening the diffusion of local films can provide strong incentives to a region or a country’s cinematographic industry and stimulate the production of independent films on socially conscious themes. But the main ambition of most mobile cinema projects is to channel the power of cultural community encounters to trigger critical social reflections and pave the way for social transformation. Just as other cultural activities, gathering to watch a film can bring new inspirations and motivations, which are subjective drivers for actor-based and self-sustained community change. Research is needed to substantiate the hypothesis that mobile cinema contributes to social change in the aforementioned sense. Therefore, the present work proposes to take an investigative look into mobile cinema in order to find out the ways and the extent to which it contributes to actor-based community development.
    [Show full text]
  • K-5Th) Girls K-5 Chapel to Be Worn on Wednesdays and Some Field Trips Jumper – Hunter/Classic Navy Plaid (Must Be Purchased from Lands’ End) NO SKIRTS
    THE OAK HALL EPISCOPAL SCHOOL 2021/2022 UNIFORM CODE Uniforms will be worn everyday except Friday. There will be other times during the year when students may earn free days. LOWER SCHOOL (K-5th) Girls K-5 Chapel To be worn on Wednesdays and some field trips Jumper – Hunter/Classic Navy Plaid (must be purchased from Lands’ End) NO SKIRTS. White knit blouse with Peter Pan collar (long or short sleeve) Black modesty shorts (for under jumper) Solid white anklet or knee socks (no logos) and navy leggings or tights (if needed due to temperature) Mary Jane or Saddle shoes in white and navy or black (skid resistant soles) M, T, Tr Khaki shorts, pants, capri pants, A-line skirt or skort, NO JEGGINGS (shorts, skirts and skorts must be no shorter than a dollar bill’s width from the mid knee) *1st–5th GRADE - SHORTS & PANTS MUST HAVE BELT LOOPS! Solid color polo shirt in white, navy or red (long or short sleeve) Solid white anklet or crew socks, solid white knee socks or opaque white, navy or black tights or leggings. Lands’ End Mocs, Mary Janes or loafer shoes in black, navy, marine blue, tan or mahogany. Simple athletic shoes (no characters, lights, etc.) are also allowed. No clogs, boots, flip flops or sandals are permitted. Plain brown or black belts are required with pants, shorts, skorts and skirts that have belt loops (except Kindergarten) SHORTS MUST BE WORN UNDER DRESSES AND SKIRTS Boys K-5 Chapel To be worn on Wednesdays and some field trips Khaki pants or shorts (NO CARGOS) - *1st–5th GRADE - SHORTS & PANTS MUST HAVE BELT LOOPS! Blue
    [Show full text]
  • The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM
    Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM ISSN 1554-6985 VOLUME XI · (/current) NUMBER 2 SPRING 2018 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS On Gottfried Keller's A Village Romeo and Juliet and Shakespeare Adaptation in General (/783959/show) Balz Engler (pdf) (/783959/pdf) "To build or not to build": LEGO® Shakespeare™ Sarah Hatchuel and the Question of Creativity (/783948/show) (pdf) and Nathalie (/783948/pdf) Vienne-Guerrin The New Hamlet and the New Woman: A Shakespearean Mashup in 1902 (/783863/show) (pdf) Jonathan Burton (/783863/pdf) Translation and Influence: Dorothea Tieck's Translations of Shakespeare (/783932/show) (pdf) Christian Smith (/783932/pdf) Hamlet's Road from Damascus: Potent Fathers, Slain Yousef Awad and Ghosts, and Rejuvenated Sons (/783922/show) (pdf) Barkuzar Dubbati (/783922/pdf) http://borrowers.uga.edu/7168/toc Page 1 of 2 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM Vortigern in and out of the Closet (/783930/show) Jeffrey Kahan (pdf) (/783930/pdf) "Now 'mongst this flock of drunkards": Drunk Shakespeare's Polytemporal Theater (/783933/show) Jennifer Holl (pdf) (/783933/pdf) A PPROPRIATION IN PERFORMANCE Taking the Measure of One's Suppositions, One Step Regina Buccola at a Time (/783924/show) (pdf) (/783924/pdf) S HAKESPEARE APPS Review of Stratford Shakespeare Festival Behind the M. G. Aune Scenes (/783860/show) (pdf) (/783860/pdf) B OOK REVIEW Review of Nutshell, by Ian McEwan
    [Show full text]
  • The Uses of Animation 1
    The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator.
    [Show full text]
  • Women's Hosiery
    STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Womens_Hosiery 1. TABLE OF CONTENTS 2. Hosiery Leggings 3. Sheer, Textured & Thigh high Hosiery 4. Shaper Hosiery 5. Sweater Tights 6. Over the Knee Socks, Leg Warmers & Trendy Thigh Highs - onfig 7. Socks: Knee-hi / no-show / ankle / -onfig 8. Socks: Womens sock sets / boot liners –product 9. Socks: Nike Elite 1 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Womens_Hosiery Hosiery Leggings MAIN AND ALT PRESENTATION Front Lower Front view, crop above waist/ belly button. Styling to cover top of waistband. Back Lower Back view, crop above waist. Style with cami to show waistband and possible pocket detail. Side Lower Side view. Crop above waist. NO HANDS Style with cami to show waistband and possible pocket detail. Left or right depending on the details. Detail Lower Detail view as shown unless there is a better detail determined on set. Zoom Lower Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation Styling Exception: Multipurpose Hosiery Legging styled bare feet and bare top when requested. 2 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Womens_Hosiery Sheer, Textured, Control Top & Thigh High Hosiery MAIN AND ALT PRESENTATION Side Full Side view with right leg forward (watch distance between feet) NO HANDS Crop above top of hosiery. Detail Full (optional) Detail view if requested or needed. Front, Back or closeup on detail.
    [Show full text]
  • ABSTRACT Beck Boots: the Story of Cowboy Boots in the Texas
    ABSTRACT Beck Boots: The Story of Cowboy Boots in the Texas Panhandle and Their Important Role in American Life Tye E. Barrett, M.A. Mentor: Douglas R. Ferdon Jr., Ph.D. Merton McLaughlin moved to the Texas Panhandle and began making cowboy boots in the spring of 1882. Since that time, cowboy boots have been a part of the Texas Panhandle’s, and America’s rich history. In 1921, twin brothers Earl and Bearl Beck purchased McLaughlin’s boot shop. The Beck family has been making cowboy boots in the Texas Panhandle ever since. This thesis seeks not only to present a history of Beck Boots and cowboy boots in the Texas Panhandle, but also suggests that the relationship between bootmakers, like Beck Boots, and the working cowboy has been the center of success to the business of bootmakers and cowboys alike. Because many, like the Beck family, have nurtured this relationship, cowboy boots have become a central theme and important icon in American life. Beck Boots: The Story of Cowboy Boots in the Texas Panhandle and Their Important Role in American Life by Tye E. Barrett, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon Jr., Ph.D., Chairperson ___________________________________ Barry G. Hankins, Ph.D. ___________________________________ Sara J. Stone, Ph.D. Accepted by the Graduate School May 2010 ___________________________________ J.
    [Show full text]
  • Slipper Socks Soft, Slip-Resistant Patient Footwear a Growing Concern Make Patient Safety a Priority
    PUT YOUR BEST FOOT FORWARD. Comfort, stability and savings. Falls Prevention Slipper Socks Soft, Slip-Resistant Patient Footwear A Growing Concern Make Patient Safety a Priority SCOPE AND COSTS INCREASING AWARENESS OF FALLS PREVENTION Each year around one-third of adults at the age of 65 and older experience a fall. The PROGRAMS possibility of falls increases with age and frailty. Numerous studies and reports provided by the most recognised institutions, such Falling has a negative impact on quality as World Health Organization, European of life, overall health and healthcare costs. Hospital and Healthcare Federation, National Institute for Health and Care Excellence, and many more support and encourage implementation of falls management programs. In most European countries, patient safety strategies are implemented at national, hospital and professional People at risk of falling could suffer MAIN RISK FACTORS levels. from moderate to severe injuries, that could lead to the loss of autonomy, loss Age related changes FOUR PILLARS OF FALLS of consciousness, immobilisation and Chronic illness and medications depression or even early death. Cognitive and emotional dysfunction MANAGEMENT Behavioral aspects Injuries caused by falls represent a major Environment Inappropriate or missing footwear public health problem that often requires Communication tools for patients medical assistance. Some of the most Postural instability, mobility and balance problems Organisation and risk management common reasons for hospitalisation are hip fracture, traumatic brain injuries and Falls history and similar Patient safety tools upper limb injuries. Education By identifying specific risk factors, appropriate interven- Medical treatments of falls related injuries tions can be implemented to minimise the falls.
    [Show full text]
  • Of 2 BILL ANALYSIS Senate Research Center HCR 151 By
    BILL ANALYSIS Senate Research Center H.C.R. 151 By: Bohac (Patrick) International Relations & Trade 5/22/2007 Engrossed AUTHOR'S / SPONSOR'S STATEMENT OF INTENT The State of Texas boasts a richly diverse cultural heritage, and through the years it has adopted a number of tangible representations of that heritage as official symbols. For nearly a century, the cowboy boot has enjoyed a special status as one of the most treasured of Texas icons. Although riding boots date back for centuries, and although ranches first appeared in Texas during the Spanish colonial era, the basic pattern of the cowboy boot was forged in the crucible of the post-Civil War trail drives; between 1866 and 1890, mounted cowboys drove millions of head of Texas cattle to northern and western markets along such famous trails as the Chisholm, Western, and Goodnight-Loving. Boot makers in Texas and Kansas responded to suggestions from those cowboys regarding the design of their footwear, and a slimmer boot with a higher heel, more rounded toe, and rounded, reinforced instep began to be developed. During the course of the 20th century, cowboy boots gained a mass appeal that ultimately extended to foreign lands; this popularity was driven by an enthusiasm for the West that was fostered in the 1920s and 1930s by radio shows and movie serials and in the post-World War II decades by rodeos and dude ranches; the public’s fascination with cowboys and their apparel has also been fired by movie screen idols such as Tom Mix, by entertainers such as Gene Autry, Roy Rogers, and Dale Evans, and, in recent years, by movies such as Urban Cowboy and Silverado.
    [Show full text]