HS: Shakespeare's Love Tragedies
Total Page：16
File Type：pdf, Size：1020Kb
1
Prof. Dr. R. Borgmeier SS 2007 Di 10-12, G25
HS: Shakespeare's Love Tragedies Bibliography
Please note: If in the following bibliography there is no explicit mentioning of where an article or a certain book is located they are available in the university or departmental library and can be found in the OPAC. The folder is in Room 339.
I. Bibliographies and Encyclopaedias
Berman, Ronald. A Reader's Guide to Shakespeare's Plays: A Discursive Bibliography. Chicago: Scott, Forseman & Co., 1969. KS 742
Campbell, Ascar James (ed.). A Shakespeare Encyclopaedia. London: Methuen, 1974 (Nachdruck). KS 875
Crystal, David; Crystal, Ben (eds.). Shakespeare's Words. A Glossary and Language Companion. London: Penguin, 2002. KS 810
Dobson, Michael (ed.). The Oxford Companion to Shakespeare. Oxford: Oxford UP, 2005. FH ang Cs 2.34
Grazia, Margreta de (ed.). The Cambridge Companion to Shakespeare. Cambridge: Cambridge UP, 2002. KS DEG
Hodgdon, Barbara; Worthen, W. B. (eds.) A Companion to Shakespeare and Performance. Malden: Blackwell, 2005. KS 823
Spevack, Marvin. A Complete and Systematic Concordance to the Works of William Shakespeare. Hildesheim: Georg Olms, 1968. ang Cs 1/1
Wells, Stanley (ed.). Shakespeare: A Bibliographical Guide. Oxford: Clarendon P, 1990 KS 745
Wells, Stanley (ed.) The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge UP, 2002. KS WEL 6
II. Journals and Yearbooks
Shakespeare Quarterly. Hg. Shakespeare Association of America, Folger Shakespeare Library New York. Z 103
Shakespeare Studies. An Annual Gathering of Research, Criticism, and Reviews. Hg. J. Leeds Barroll, Cincinatti. Z 105 2
Shakespeare Survey. An Annual Survey of Shakespeare Studies and Production. Cambridge. Z 102
Shakespeare-Jahrbuch West. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft West. Z 101
Shakespeare-Jahrbuch. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft Weimar. Z 100
III. General Works on Shakespeare and the Elizabethan (St)Age
Alvis, John (ed.). Shakespeare as Political Thinker. Durham, NC: Carolina Acad. P., 1981. KS Alv
Aronson, Alex. Psyche and Symbol in Shakespeare. Bloomington, London: Indiana UP, 1072 KS Aro
Brennan, Anthony. Shakespeare's Dramatic Structures. London, Boston, Henley: Routledge & Kegan Paul, 1986. KS Bre
Chapman, Gerald W. (ed.). Essays on Shakespeare. Princeton: Princeton UP, 1965. KS Cha II
Clemen, Wolfgang. The Development of Shakespeare's Imagery. London: Methuen, 1977. KS Cle
Elizabethan Theatre. (Stratford-Upon-Avon-Studies 9). London: Arnold, 1966. Z 106
Evans, Malcom. Signifying Nothing: Truth's Time. Contents in Shakespeare's Text. Brighton, Sussex: Harvester Press, 1986. KS Eva VI
Garber, Marjorie B. Shakespeare's Ghost Writers: Literature as Uncanny Casuality. New York: Methuen, 1987. KS Gar 3
Greenblatt, Stephen. Verhandlungen mit Shakespeare. Berlin: Wagenbach, 1990. ang Cs 2/21
Gurr, Andrew. "The State of Shakespeare’s Audiences." Shakespeare and the Sense of Performance. Eds. Marvin and Ruth Thompson Newark, London: University of Delaware Press, 1989. 162-179. folder
Harris, Laurie Lanzen und Mark W. Scott (ed.). Shakespearean Criticism. Detroit: Gale Research Company, 1986. KS 883
Holland, Peter (ed.) Shakespeare and Religions. Cambridge: Cambridge UP, 2001. Z 102/54
Laroque, François. Shakespeare: Abenteuer Geschichte. Wiss. Bearb. Raimund Borgmeier. Ravensburg: Maier, 1994. KS Lar 3
Matthews, Honor. Character and Symbol in Shakespeare's Plays. A Study in Certain Christian and Prechristian Elements in Their Structure and Imagery. London: Chatto & Windus, 1969. KS Mat
Naumann, Walter. Die Dramen Shakespeares. Darmstadt: Wiss. Buchgesellschaft, 1978. KS Nau
Orgel, Stephen. The Authentic Shakespeare and Other Problems of the Early Modern Stage. New York: Routledge, 2002. KS ORG
Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: University of Chicago Press, 2004. Sted BM
Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare's Stage. London: Routledge, 2001. KS RUT 1
Ryan, Kiernan. Shakespeare. 3rd ed. Basingstoke: Palgrave, 2002. KS RYA
Schabert, Ina. Shakespeare Handbuch. Stuttgart: Kröner, 1972. KS 805&865
Suerbaum, Ulrich. Das elisabethanische Zeitalter. Stuttgart: Reclam, 1989. F KA 1157
Suerbaum, Ulrich. Shakespeares Dramen. Düsseldorf: Bagel, 1985. KS Sue
Tillyard, E. M. W. The Elizabethan World Picture. London: Chatto & Windus, 1943. F KA 621.
Wells, Stanley (ed.). The Cambridge Companion to Shakespeare Studies. Cambridge: Cambridge UP, 1987. KS Wel 3
IV. General Works on Shakespeare's Tragedies
Battenhouse, Roy W. Shakespearean Tragedy: Its Art and its Christian Premises. Bloomington: Indiana UP, 1969. KS Bat
Charlton, H. B. Shakespearean Tragedy. Cambridge: Cambridge UP, 1961. KS Cha III 3
Frye, Northrop. Fools of Time: Study in Shakespearean Tragedy. Ontario: U of Ontario P, 967. KS Fry II
Harbage, Alfred (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1964. KS Har 3
Harrison, G. B. Shakespeare's Tragedies. London: Routledge & Paul, 1961 KS Har III 2
Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne, 1985. KS Jor 4
Leech, Clifford (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Chicago: U of Chicago P, 1965. KS Lee II 2 4
Lerner, Laurence. Shakespeare's Tragedies: An Anthology of Modern Criticism. Harmondsworth: Penguin, 1968. KS Ler
McDonald, Russ (ed.). Shakespeare Reread: The Texts in New Contexts. Ithaca: Cornell UP, 1994. ordered
McEachern, Claire (ed.). The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge UP, 2002. KS MCE
Marsh, Derick, R. C. Passion Lends Them Power: A Study of Shakespeare's Love Tragedies. Manchester: Manchester UP, 1976. KS Mar IV
Mehl, Dieter. Shakespeare's Tragedies: An Introduction. Cambridge: Cambridge UP, 1986. KS Meh
Mucciolo, John M., Steven J. Doloff, Edward A. Rauchut, and Angus Fletcher (eds.). Shakespeare's Universe: Renaissance Ideas and Conventions. Hants: Scolar, 1996.
Ramm, Dieter. Die Phasenstruktur der Shakespeareschen Tragödien. Frankfurt: Akad. Verlagsgesellschaft, 1974. KS Ram
Reynolds, Peter. “Unlocking the Box: Shakespeare on Film and Video.” Shakespeare in the Changing Curriculum. Eds. Lesley Aers and Nigel Wheale. London and New York: Routledge, 1991. 189-203. folder
Ribner, Irving. Patterns in Shakespearean Tragedy. Toronto: U of Toronto P, 1963. KS Will II
Sternberg, Doug. "Tom's a-cold: Transformation and Redemption in King Lear and the Fisher King." Literature-Film Quarterly 22.3 (1994): 160-169. folder
Susan Zimmerman (ed.). Shakespeare's Tragedies. New York: St Martin's, 1998.
V. Romeo and Juliet (Selection)
Al-Dabbagh, Abdulla. “The Oriental Framework of Romeo and Juliet.” Comparatist: Journal of the Southern Comparative Literature Association, 2000 May; 24: 64-82. folder
Andreas, James. "The Neutering of Romeo and Juliet". Ideological Approaches to Shakespeare: The Practice of Theory. Hg. Robert P. Merrix and Nicholas Ranson. Lewiston, NY: Mellen, 1992. S. 229-242. Folder
--- " 'To See How a Jest Shall Come About!' Generic Modulation in Romeo and Juliet". Publications of the Missouri Philological Association 12 (1987): 1-8. bestellt
--- "Wordplay and Swordplay: The Verbal and the Violent in Romeo and Juliet". The Arkansas Quarterly. 2.2 (1993): 88-108. bestellt 5
Appelbaum, Robert. " 'Standing to the Wall': The Pressure of Masculinity in Romeo and Juliet". Shakespeare Quarterly 48.3 (1997): 251-272. Z 103
Bartenschlager, Klaus. "Romeo and Juliet: Werkintention versus Publikumserwartung zur Figur des Friar Laurence". Sympathielenkung in den Dramen Shakespeares. Hg. Werner Habicht und Ina Schabert. München: Wilhelm Fink, 1978. S. 93-102. KS Hab
--- "Three Notes on Romeo and Juliet". Anglia 100. 3-4 (1982): 422-425. Z1
Basile, Michael. “Teaching Mothers in Romeo and Juliet: Lady Capulet, from Brooke to Luhrmann.” In: Hunt, Maurice (ed. and introd.). Approaches to Teaching Shakespeare's Romeo and Juliet. New York, NY: Modern Language Association of America; 2000. 125-30. folder
Bate, A. Jonathan. "An Herb by Any Other Name: Romeo and Juliet, IV.iv.5-6". Shakespeare Quarterly 33.3 (1982): 336. Z 103
Belsey, Catherine. "The Name of the Rose in Romeo and Juliet". Yearbook of English Studies 23 (1993): 126-142. Folder
Berry, Ralph. "Romeo and Juliet: The Sonnet-World of Verona". 'Romeo and Juliet':Critical Essays. Hg. John F. Andrews. New York, London: Garland, 1993. S. 133-145. Folder
Black, James. "The Visual Artistry in Romeo and Juliet". Studies in English Literature 15 (1975): 245-256. Folder
Bond, Ronald B. "Love and Lust in Romeo and Juliet". Wascana Review 15.2 (1980): 22-31. Folder
Bonnard, Georges A. "Romeo and Juliet: A Possible Significance?". Review of English Studies, New Series VolII (1951): 319-327. Folder
Brecht, Bertolt (ed.). “The Servants”. In: White, R. S. (ed.). Romeo and Juliet. Basingstoke, England: Palgrave; 2001. 147-51. folder
Brennan, Michael G. "The Medicean Dukes of Florence and Friar Lawrence's 'Distilling Liquor' (Romeo and Juliet IV.i.94)". Notes and Queries 38.4 (1991): 473-476. Z 90
Brenner, Gerry. "Shakespeare's Politically Ambitious Friar". Shakespeare Studies 13 (1980): 47.58. Z 105
Brissenden, Alan. "Romeo and Juliet, III.iii.108: The Nurse and the Dagger". Notes and Queries 226.2 (1981): 126-127. Z 90
Brown, Carolyn E. "Juliet's Taming of Romeo". Studies in English Literature (Houston, Texas) 36.2 (1996): 333-355. Folder
Brown, Emerson, Jr. "Shakespeare, Zeffirelli, Monty Python, and the Medieval Dawn Song". 6
Medieval Perspectives 10 (1995): 1-26. bestellt
Calderwood, James L. Shakespearean Metadrama: The Argument of the Play in 'Titus Andronicus', 'Love's Labour's Lost', 'Romeo and Juliet', 'A Midsummer Night's Dream', and 'Richard II'. Minneapolis: U of Minnesota P, 1971. KS Cal
Callaghan, Dympna C. “The Ideology of Romantic Love: The Case of Romeo and Juliet”. In: White, R. S. (ed.). Romeo and Juliet. Basingstoke, England: Palgrave; 2001. 85-115. folder
Cardullo, Bert. "The First Friar's Flaw, the Play's Tragedy: The Experiment of Romeo and Juliet". College Language Association Journal 28.4 (1985): 404-414. Folder
Carroll, William C. " 'We were Born to Die': Romeo and Juliet". Comparative Drama 15.1 (1981): 54-71. Folder
Clark, James L. "Style and Convention in Romeo and Juliet". How to Read Shakespearean Tragedy. Hg. Edward Quinn. New York: Harper, 1978. S. 33-88. Folder
Cole, Douglas (Hg.). Twentieth Century Interpretations of 'Romeo and Juliet': A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1970. KS Col II
Collins, Michael J. "Teaching Romeo and Juliet: 'The Change of Fourteen Years' ". Critical Survey 3.2 (1991): 186-193. Folder
Cox, Marjojrie K. "Adolescent Processes in Romeo and Juliet". Psychoanalytic Review 63 (1976): 379-392. Folder
Cribb, T. J. "The Unity of Romeo and Juliet". Shakespeare Survey 34 (1981): 93-104. Z 102
Davies, Anthony. "The Film Versions of Romeo and Juliet". Shakespeare Survey 49 (1996): 153.162. Z 102
Davis, Lloyd. " 'Death Marked Love': Desire and Presence in Romeo and Juliet". Shakespeare Survey 49 (1996): 57-67. Z 102
Deats, Sara Munson. "The Conspiracy of Silence in Shakespeare's Verona: Romeo and Juliet". Youth Suicide Prevention: Lessons from Literature. Hg. Sara Munson Deats und Lagretta Tallet Lenker. New York: Plenum, 1989. S. 71-91. Folder
Diefendorf, Barbara B. "Family Culture, Renaissance Culture". Renaissance Quarterly 40.4 (1987): 661-681. ZZ 76 / 201
Downing, Crystal. “Misshapen Chaos of Well-Seeming Form: Baz Luhrmann's Romeo and Juliet.” Literature Film Quarterly, 2000; 28 (2): 125-31. Folder
Draper, J. W. "Patterns of Style in Romeo and Juliet". Studia Neophilologica XXI (1948/49): 195-210. Folder 7
Estrin, Barbara L. "Romeo, Juliet and the Art of Naming Love". ARIELl: A Review of International English Literature 12.2 (1981): 31-49. Folder
Evans, Robert D. The Osier Cage: Rhetorical Devices in 'Romeo and Juliet'. Lexington: U of Kentucky P, 1966. KS Eva II
Fabry, Frank. "Shakespeare's Witty Musician: Romeo and Juliet, IV.v.114-17". Shakespeare Querterly 33.2 (1982): 182-183. Z 103
Farrell, Kirby. "Love, Death, and Patriarchy in Romeo and Juliet". Shakespeare's Personality. Hg. Norman N. Holland, Sidney Homan und Bernard J. Paris. Berkley: U of California P, 1989. S. 86-102. KS Hol II 3
Fitter, Chris. “'The Quarrel Is between Our Masters and Us Their Men': Romeo and Juliet, Dearth, and the London Riots.” English Literary Renaissance, 2000 Spring; 30 (2): 154-83. Folder
Fowler, James. "Picturing Romeo and Juliet". Shakespeare Survey 49 (1996): 111-129. Z 102
Forse, James H. "Romeo and Juliet: A Play for All Seasons or, How to Please a Patron, Pass the Censor, and Pack the Theatre". Shakespeare and Renaissance Association of West Virginia Selected Papers 16 (1993): 88-117. bestellt
Franson, J. Karl. "'Too soon marr'd': Juliet's Age as Symbol in Romeo and Juliet". Papers on Language and Literature 32.3 (1996): 244-262.
Goddard, Harold, C. The Meaning of Shakespeare. Chicago: U of Chicago P, 1951. KS God
Granville-Barker, Harley. Prefaces to Shakespeare, Vol 2. 'Othello', 'Coriolanus', 'Romeo and Juliet', 'Julius Caesar', 'Love's Labour's Lost'. London: B. T. Batsford, 1961. KS Gra ½
Halio. J. L. "Zeffirelli's Romeo and Juliet: The Camera versus the Text". Literature/Film Quarterly 5 (1977): 322-325. Folder
Hapgood, Robert. "West Side Story and the Modern Appeal of Romeo and Juliet". 'Romeo and Juliet': Critical Essays. Hg. John F. Andrews. New Yoek, London: Garland, 1993. S. 229-241. Folder
Hart, Jonathan. “Conflicting Monuments: Time, beyond Time, and the Poetics of Shakespeare's Dramatic and Nondramatic Sonnets”. In: Moisan, Thomas (ed. and introd.); Bruster, Douglas (ed. and introd.); Bond, William H. (appendix). In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2002. 177-205. folder
Heun, Hans Georg. Shakespeares 'Romeo und Julia' in Goethes Bearbeitung: Eine Stiluntersuchung. Berlin: Erich Schmidt, 1924. KS Heu 8
Holmer, Joan Ozark. "'Draw, If You Be Men': Saviolo's Significance for Romeo and Juliet". Shakespeare Quarterly 45.2 (1994): 163-189. Z 103
Holmer, Joan Ozark. "Myself Condemned and Myself Excus'd: Tragic Effects in Romeo and Juliet". Studies in Philology 88.3 (1991): 345-362. Z 20, FH ang Z
--- "The Poetics of Paradox: Shakespeare's versus Zeffirelli's Cultures of Violence". Shakespeare Survey 49 (1996): 163-179. Z 102
--- " 'Runawayes Eyes': A Fugitive Meaning". Shakespeare Quarterly 33.1 (1982): 97-99. Z 103
Hunt, Maurice. "'Use and Abuse' in Romeo and Juliet". Journal of the Rocky Mountain Medieval and Renaissance Association 5 (1984): 119-132. Folder
Hutchins, Geoffrey. "Love and Grace in Romeo and Juliet". English Studies in Africa 20 (1977): 95-106. Folder
Iselin, Pierre. " 'What Shall I Swear By?' Rhetoric and Attitudes to Language in Romeo and Juliet". 'Divers toyes mengled'. Essays on Medieval and Renaissance Culture. Tours: Université François Rabelais, 1996. S. 259-280. Folder
Johannessen, Larry R. "Enhancing Response to Romeo and Juliet". Teaching Shakespeare into the Twenty-First Century. Hg. James E. Davis und Ronald E. Salomone. Athens, OH:Ohio UP, 1997. S. 154-165. Folder
Jorgens, Jack. "Franco Zeffirelli's Romeo and Juliet". 'Romeo and Juliet': Critical Essays. Hg. John F. Andrews. New York, London: Garland, 1993. S. 163-176. Folder
Kahn, Coppelia. "Coming of Age in Verona". The Woman's Part: Feminist Criticism on Shakespeare. Hg. Carolyn Ruth Swift Lane, Gayle Greene und Carol Thomas Neely. Urbana: U of Illinois P, 1980. S. 171-193. Folder
Kilinski, Janusz. "Elements of Neo-Platoism in William Shakespeare's Romeo and Juliet". Studia Anglica Posnaniensia 17 (1984): 271-277. Folder
Knowles, Ronald. "Carnival and Death in Romeo and Juliet: A Bakhtinian Reading". Shakespeare Survey 49 (1996): 69-85. Z 102
Kozokowski, Stanley J. "Fortune and Men's Eyes in Romeo and Juliet". Concerning Poetry 10.i (1977): 45-49. Folder
Kruse, Axel. "Shakespeare's Italy in Romeo and Juliet: A Nightingale in a Pomegranate Tree". Imperfect Apprehensions: Essays in English Literature in Honor of G. A. Wilkes. Hg. Geoffrey Little. Sydney: Challis, 1996. bestellt
Laird, D. "The Generation of Style in Romeo and Juliet". Journal of English and Germanic Philology 63 (1964): 204-213. Z 17
Laroque, Francois. "Tradition and Subversion in Romeo and Juliet". Shakespeare's 'Romeo 9
and Juliet': Texts, Contents, and Interpretation. Hg. Jay L. Halio. Newark, London: U of Delaware P, 1995. S. 18-36.
Lawlor, John. "Romeo and Juliet". Early Shakespeare. Hg. John R. Brown und Bernard Harris (Stratford-upon-Avon Studies, 3). London: Edward Arnold, 1961. S. 123-143. Z 106
Leech, Clifford. "The Moral Tragedy of Romeo and Juliet". English Renaissance Drama: Essays in Honor of Madeleine Doran & Marc Eccles. Hg. Standish Henning, Robert Kimbrough und Richard Knowles. Carbondale, London: Southern Illinois UP, Feffer & Simons, 1975. Folder
Leimberg, Inge. Shakespeare's 'Romeo and Juliet': Von der Sonettdichtung zur Liebes- tragödie. München: Wilhelm Fink, 1968. KS Lei 2
Lerner, Lawrence. "Shakespeare and Love: Romeo and Juliet". Essays on Shakespeare in Honour of A. A. Ansari. Hg. T. R. Sharma. Meerut, India: Shalabh Book House, 1986. S. 117-135. Folder
Levenson, Jill L. "Alla Stoccado Carries It Away: Codes of Violence in Romeo and Juliet". Shakespeare's 'Romeo and Juliet': Texts, Contents, and Interpretation. Hg. Jay L. Halio. Newark, London: U of Delaware P, 1995. S. 83-96. Folder
--- "Changing Images of Romeo and Juliet, Renaissance to Modern". Images of Shakespeare. Hg. Werner Habicht, D. J. Palmer und Roger Pringle. Newark: U of Delaware P, 1988. S. 151-162. Folder
--- "Romeo and Juliet before Shakespeare". Studies in Philology 81.3 (1984): 325-347. Z 20
--- "Romeo and Juliet: Tragical-Comical.Lyrical History". Proceedings of the PMR Conference: Annual Publication of the International Patristic, Medieval and Renaissance Conference 12-13 (1987/1988): 31-46. ZZ 79/214
--- "Shakespeare's Romeo and Juliet: The Places of Invention". Shakespeare Survey 49 (1996): 45-55. Z 102 / Folder
--- "The Definition of Love: Shakespeare's Phrasing in Romeo and Juliet". Shakespeare Studies 15 (1982): 21-36. Folder
Levin, H. "Form and Formality in Romeo and Juliet". Shakespeare Quarterly 11 (1960): 3-11. Z 103
Lichtenfels, Peter, and Lynette Hunter. “Negotiations between Text and Stage in Romeo and Juliet”. Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 2004 Summer; 22 (2): 5-26. Folder
Limon, Jerzy. "Rehabilitating Tybalt: A New Interpretation of the Duel Scene in Romeo and Juliet". Shakespeare's 'Romeo and Juliet': Texts, Contents, and Interpretation. Hg. Jay L. Halio. Newark, London: U of Delaware P, 1995. S. 97-106. Folder 10
Lower, Charles, B. "Romeo and Juliet, IV.v. A Stage Direction and Purposeful Comedy". Shakespeare Studies 8 (1975): 177-194. Z 105
Lucking, David. "That Which We Call a Name: The Balcony Scene in Romeo and Juliet". The Journal of the English Language Association 44:178 (1995): 1-16. Folder
Mason, H. A. Tragedies of Love. London, Toronto: Chatto & Windus, 1970. auszugsweise Kopie (S. 3-35) im Folder
Mazer, Cary M. “Not Not Shakespeare: Directorial Adaptation, Authorship, and Ownership.” Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 2005 Fall; 23 (3): 23-42. Folder
McGuire, Philip C. "On Dancing in Romeo and Juliet". Renaissance and Reformation 17.2 (1981): 87-97. ZZ 80/97
Melchiori, Giorgio. "Pater, Balthasar, and Shakespeare's Art of Doubling". The Modern Language Review 78.4 (1983): 777-792. Z 23, FH spr Z
Mertner, Edgar. " 'Conceit Brags of His Substance, Not of Ornament': Some Notes on Style in Romeo and Juliet". Shakespeare: Text, Language, Criticism: Essays in Honor of Marvin Spevack. Hg. Bernhard Fabian und Kurt Tetzeli von Rosador. Hildesheim: Olms, 1987. S. 180-192. FH ang Cs 2.17
Miyashita, Yayoi. “Juliet's Acquisition of Independence and Patriarchy in Romeo and Juliet”. Hokkaido Daigaku Bungaku-bu Kiyo/ The Hokkaido University Annual Report on Cultural Sciences, 2002 Feb; 106: 35-48 (left). Folder
Miyashita, Yayoi: “An Application of a Narrative Theory to Romeo and Juliet: Orientation and Manipulation of the Audience's Sympathy“. Hokkaido Daigaku Bungaku-bu Kiyo/The Hokkaido University Annual Report on Cultural Sciences, 2004 Nov; 114: 115-36 (left). Folder
Moisan, Thomas. " 'O Any Thing of Nothing, First Create!': Gender and Patriarchy and the Tragedy of Romeo and Juliet". In Another Country: Feminist Perspectives on Renaissance Drama. Hg. Dorothea Kehler und Susan Baker. Metuchen, NJ: Scarecrow, 1991. S. 113-136. F KD 1183
--- "Rhetoric and the Rehearsal of Death, the 'Lamentations' Scene in Romeo and Juliet". Shakespeare Quarterly 34.4 (1983): 389-404. Z 103
Newman, Paula und George Walton Williams. "Paris: The Mirror of Romeo". Renaissance Papers (1981): 13-19. Folder
Olmert, Michael. "Romeo's Lantern". Times Literary Supplement (14.-20. Juli 1989): 4502. Z 86
Oz, Avraham. "What's in a Good Name? The Case of Romeo and Juliet as a Bad Tragedy". "Bad" Shakespeare: Revaluations of the Shakespeare Canon. Hg. Maurice Charney. Rutherford, NJ: Fairleigh Dickinson UP, 1988. S. 133-142 Folder 11
Porter, Joseph A. "Marlowe, Shakespeare, and the Canonization of Heterosexuality". South Atlantic Quarterly 88.1 (1989): 127-147. Folder
--- Shakespeare's Mercutio: His History and Drama. Chapel Hill: U of North Carolina P, 1988. auszugsweise (95-121, 122-163) im Folder
Robertson, J. M. The Shakespeare Canon. Vol. 3. London: George Routledge & Sons, 1925. KS Rob 5
Rozett, Martha Tuck. "The Comic Structures of Tragic Endings: The Suicide Scenes in Romeo and Juliet and Antony and Cleopatra". Shakespeare Quarterly 36.2 (1985): 152.164. Z 103
Ryan, Kiernan. "Romeo and Juliet: The Language of Tragedy". The Taming of the Text: Explorations in Language, Literature, and Culture. Hg. Willie van Peer. London: Routledge, 1988. S. 1o6-121. F BZ 1146
Schrader, Willi. "Eine tragische und eine komische Version". Shakespeare-Jahrbuch 117 (1981): 91-100. Z 100
Shikoda, Mitsuo. "Juliet, the Nursling of the Nurse". Shakespeare Studies 25 (1986/87): 25-39. Z 105 / Folder
Siegel, P. N. "Christianity and the Religion of Love in Romeo and Juliet". Shakespeare Quarterly 12 (1961): 371- 393. Z 103
Slater, Ann Pasternak. "Petrarchanism Come True in Romeo and Juliet"´. Images of Shakespeare. Hg. Werner Habicht, D. J. Palmer und Roger Pringle. Newark: U of Delaware P, 1988. S. 129-150. Folder
Snow, Edward. "Language and Sexual Difference in Romeo and Juliet". Shakespeare's Rough Magic': Renaissance Essays in Honor of C. L. Barber. Hg. Peter Erickson und Coppelia Kahn. Newark, London: U. of Delaware P, Assoc. Ups, 1985. S. 168-192. Folder
Snyder, Susan. The Comic Matrix of Shakespeare's Tragedies: 'Romeo and Juliet', 'Hamlet', 'Othello', and 'King Lear'. Princeton: Princeton UP, 1979. KS Sny
Stamm, R. "The First Meeting of Lovers in Shakespeare's Romeo and Juliet". English Studies 67.1 (1986): 2-13. Z 8, FH ang Z
Stauffer, Donald A. Shakespeare's World of Images. Bloomington: Indiana UP, 1966. KS Sta IV
Sypher, Wylie. "Romeo and Juliet are Dead: Melodrama of the Clinical". New York Literary Forum 7 (1980): 179-186. Folder
Tennant, David. “Romeo in Romeo and Juliet.” In: Smallwood, Robert (ed. and introd.); Players of Shakespeare 5. Cambridge, England: Cambridge UP; 2003. 113-30. Folder 12
Thomson, Leslie. " 'With Patient Ears Attend': Romeo and Juliet on the Elizabethan Stage". Studies in Philology 92.2 (1995): 230-247. Z 20
Toole, William B. "The Nurse's 'Vast Irrelevance'. Thematic Foreshadowing in Romeo and Juliet". South Atlantic Bulletin 45,i (1980): 21-30. Folder
Traci, Philip. "Religious Controversity in Romeo and Juliet: The Play and Its Historical Context". Michigan Academician 8 (1976): 319-25. Folder
Vendler, Helen Hennessy. “Shakespeare's Other Sonnets”. In: Moisan, Thomas (ed. and introd.); Bruster, Douglas (ed. and introd.); Bond, William H. (appendix). In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2002. 161-76. folder
Wells, Stanley. "The Challenges of Romeo and Juliet" Shakespeare Survey 49 (1996): 1-14. Z 102
--- "Juliet's Nurse: The Uses of Inconsecuentiality". Shakespeare's Styles: Essays in Honor of Kenneth Muir. Hg. Philip Edwards, Inga-Stina Newbank und G. K. Hunter. Cambridge: Cambridge UP, 1980. S. 51-66. Folder
West, Gilian. "Juliet's Grave". English Language Notes 28.1 (1990): 33-34. Z 10
Whittier, Gayle. "The Sonnet's Body and the Body Sonnetized in Romeo and Juliet". Shakespeare Quarterly 40.1 (1989): 27-41. Z 103
--- "The Sublime Androgyne Motif in Three Shakespearen Works". Journal of Medieval and Renaissance Studies 19.2 (1989): 185-210. ZZ 72/69
Williamson, Marilyn L. "Romeo and Death". Shakespeare Studies 14 (1981): 129-137. Z 105
Wolley, John. "Juliet's Earthquake". Critical Survey 3.1 (1991): 30-36. Folder
Young, Bruce W. "Haste, Consent, and Age at Marriage: Some Implications of Social History for Romeo and Juliet". Iowa State Journal of Research 62.3 (1988): 459-474. Folder
VI. Antony and Cleopatra (Selection)
Adelman, Janet. “Making Defect Perfection: Shakespeare and the One-Sex Model”. In: Comensoli, Viviana (ed. and introd.); Russell, Anne (ed. and introd.). Enacting Gender on the English Renaissance Stage. Urbana, IL: U of Illinois P; 1999. 23-52. Folder
Andrews, Michael Cameron. "Cleopatra's 'Salad Days' ". Notes and Queries 31 (229).2 (1984):212-213. Z 90
Ansari, A. A. "Antony and Cleopatra: An Image of Liquification". The Aligarh Journal of 13
English Studies 8:1 (1983): 79-93. Folder
Archer, John Michael. "Antiquity and Degeneration in Antony and Cleopatra". Race, Ethnicity, and Power in the Renaissance. Hg. Joyce Green MacDonald. Cranbury, NJ & London: Associated UP, 1998. S. 145-164. Folder
Barfoot, C. C. "News of the Roman Empire: Hearsay, Soothsay, Myth and History in Antony and Cleopatra". Reclamations of Shakespeare. A. J. Hoenselaars. Amsterdam & Atlanta: Rodopi, 1994. S. 105-128. Folder
Barnet, Sylvan. "Recognition and Rehearsal in Antony and Cleopatra". Shakespeare Quarterly VIII (1957): 331-334. Z 103
Barroll, J. Leeds. "The Chronology of Shakespeare's Jacobean Plays and the Dating of Antony and Cleopatra". Essays on Shakespeare. Hg. Gordon Ross Smith. University Park, PA:The Pennsylvania State UP, 1965. KS Smi V
Barroll, Leeds. “The Allusive Tissue of Antony and Cleopatra”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 275- 90. Folder
Berek, Peter. "Doing and Undoing: The Value of Action in Antony and Cleopatra". Shakespeare Quarterly 32.2 (1981) Z 103
Bevington, David. “‘Above the Element They Lived In’: The Visual Language of Antony and Cleopatra, Acts 4 and 5”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 95-110. Folder
Booth, Stephen. "Poetic Richness: A Preliminary Audit". Pacific Coast Philology 19. 1-2 (1984): 68-78. Folder
Borgmeier, Raimund. "Nachwort". William Shakespeare: Antony and Cleopatra / Antonius und Cleopatra. Übersetzt und herausgegeben von Raimund Borgmeier. Stuttgart: Reclam, 1992. S. 279-301. Folder
Bowers, Fredson. "The Concept of Single or Dual Protagonists in Shakespeare's Tragedies". Renaissance Papers (1982): 27-33. Folder
Bowers, John M. " 'I am Marble-Constant': Cleopatra's Monumental End". Huntingdon Library Quarterly 46.4 (1983): 283-297. Folder
Bowling, Lawrence E. "Antony's Internal Disunity". Studies in English Literature IV (1964): 239.246. Folder
Bradley, A. C. "Shakespeare's Antony and Cleopatra". Oxford Lectures on Poetry. London: Macmillan, 1909. F CP 281
Britland, Karen. “Circe's Cup: Wine and Women in Early Modern Drama”. In: Smyth, Adam (ed. and introd.). A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England. Cambridge, England: Brewer; 2004. 109-25. folder 14
Brown, Elizabeth A. “'Companion Me with My Mistress': Cleopatra, Elizabeth I, and Their Waiting Women”. In: Frye, Susan (ed. and introd.); Robertson, Karen (ed. and introd.); Howard, Jean E. (afterword). Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern England. New York, NY: Oxford UP; 1999. 131- 45. folder
Bushman, Mary Ann. "Representing Cleopatra". In Another Country: Feminist Perspectives on Renaissance Drama. Hg. Dorothea Kehler und Susan Baker. Metuchen, NJ: Scarecrow, 1991. S. 36-49. F KD 1183
Cairncross, Andrew S. "Antony and Cleopatra, III.x.10". Notes and Queries 22 (1975): 173. Z 90
--- "A Source for Antony". English Language Notes 13 (1975/76): 4-6. Z 10
Caputi, A. "Shakespeare's Antony and Cleopatra: Tragedy Without Terror". Shakespeare Quarterly XVI (1965): 183-191. Z 103
Carducci, Jane S. "Antony as Roman Soldier in Shakespeare's Antony and Cleopatra". Language and Literature 15 (1990): 79-107. Folder
Charnes, Linda. "What's Love Got to Do with It? Reading the Liberal Humanist Romance in Shakespeare's Antony and Cleopatra". Textual Practice 6.1 (1992): 1-16. Folder
Charney, Maurice. Shakespeare's Roman Plays: The Function of Imagery in the Drama. Cambridge: Harvard UP, 1961. KS Cha IV
Cluck, Nancy A. "Shakespearean Studies in Shame". Shakespeare Quarterly 36.2 (1985): 141.151. Z 103
Coates, John. " 'The Choice of Hercules' in Antony and Cleopatra". Shakespeare Survey 31 (1978): 45-52. Z 102
Colie, Rosalie L. "Antony and Cleopatra: The Significance of Style". Shakespeare`s Living Art. Princeton: Princeton UP, 1974. S. 168-207. Folder
Coppedge, Walter R. "The Joy of the Worm: Dying in Antony and Cleopatra". Renaissance Papers (1988): 41-50. Folder
Cullum, Graham. " 'Condemning Shadows Quite': Antony and Cleopatra". Philosophy and Literature 5:2 (1981): 186-203. Folder
Cunningham, D. G. "Characterization of Shakespeare's Cleopatra". Shakespeare Quartely VI (1955): 9-17. Z 103
Daiches, David. "Imagery and Meaning in Shakespeare's Antony and Cleopatra". More Literary Essays. Edinburgh, London: Oliver & Boyd, 1968. S. 70-95. F QA 906
Danby, J. F. "The Shakespearean Dialectic: An Aspect of Antony and Cleopatra". Scrutiny XVI (1949): 196-213. Z 61 15
Danobeitia Fernandez, Maria Luisa. "Cleopatra's Role Taking: A Study of Antony and Cleopatra". Revista Canaria de Estudios Ingleses. 12 (1986): 55-73. Folder
David, Richard. "Shakespeare in Miniature: The BBC Antony and Cleopatra". Shakespeare on Television: An Anthology of Essays and Reviews. Hg. J. C. Bulman und H. R. Coursen. Hanover, NH: UP of New England, 1988. S. 139-144. Folder
Davidson, Clifford. "Antony and Cleopatra: Circe, Venus, and the Whore of Babylon". Bucknell Review 25.i (1980): 31-55. Folder
Davies, H. Neville. "Jacobean Antony and Cleopatra". Shakespeare Studies 17 (1985): 123.158. Z 105
Deats, Sara Munson. “Shakespeare’s Anamorphic Drama: A Survey of Antony and Cleopatra in Criticism, on Stage, and on Screen”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 1-93. Folder
De la Tour, Frances. “Cleopatra in Antony and Cleopatra”. In: Smallwood, Robert (ed. and introd.). Players of Shakespeare 5. Cambridge, England: Cambridge UP; 2003. 212-30 Folder
Dollimore, Jonathan. "Shakespeare, Cultural Materialism, Feminism and Marxist Humanism". New Literary History: A Journal of Theory and Interpretation 21.3 (1990): 471-493. FH lit Z
Drakakis, John (Hg.). 'Antony and Cleopatra': William Shakespeare. Basingstoke: Macmillan, 1994. KS 1012/5
--- "Cleopatra's Carnival". International Shakespeare: The Tragedies. Hg. Patricia Kennean und Mariangela Tempera. Bologna: CLUEB, 1996. bestellt
Dunn, T. A. "The Imperial Bawd". Literature and the Art of Creation. Hg. Robert Welch und Suheil Badi Bushrui. Totowa, NJ: Barnes & Noble, 1988. S. 26-32 Folder
Dusinberre, Juliet. "Squeaking Cleopatras: Gender and Performance in Antony and Cleopatra". Shakespeare, Theory, and Performance. Hg. James C. Bulman. London, New York: Routledge, 1996. S. 46-67. Folder
Fichter, Andrew. "Antony and Cleopatra: 'The Time of Universal Peace' ". Shakespeare Survey 33 (1980): 99-111. Z 102
Fitz, L. T. "Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism". Shakespeare Quarterly 28 (1977): 297-316. Z 103
Fuller, David. “Passion and Politics: Antony and Cleopatra in Performance”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 111-35. Folder
Fumio, Yoshioka. "Passage to 'New Heaven, New Earth': A Study of Identity in Antony and Cleopatra". Studies in English Literature (Tokyo) 60.2 (1983); 275-291. Folder 16
Gallwey, Kay. "Shakespeare's Cleopatra: Strumpet or Good Angel?". CRUX: A Journal on the Teaching of English 22.4 (1988): 47-59. Folder
Glasser, Marvin. "Dramaturgical Uses of Visual Forms in Shakespeare's Antony and Cleopatra". The Upstart Crow 14 (1994): 89-104. Folder
Granville-Barker, Harley. Prefaces to Shakespeare, Vol.I. 'Hamlet', 'King Lear', 'The Merchant of Venice', 'Antony and Cleopatra', 'Cymbeline'. London: B. T. Batsford, 1961. KS Gra 1/1
Greene, James, J. "Antony and Cleopatra: The Birth and Death of Androgyny". University of Hartford Studies in Literature 19.2-3 (1987): 24-44. Folder
Griffiths, G. S. "Antony and Cleopatra". Essays and Studies by Members of the English Association XXXI (1945): 33-67. Folder
Gruber, William E. "The Actor in the Script: Affective Strategies in Shakespeare's Antony and Cleopatra". Comparative Drama 19.1 (1985): 30-48. Folder
Hallett, Charles. "Change, Fortune, and Time: Aspects of the Sub-Lunar World in Antony and Cleopatra". Journal of English and Germanic Philology 75 (1976): 75-89. Z 17
Heinemann, Margot. " 'Let Rome in Tiber Melt': Order and Disorder in Antony and Cleopatra". Antony and Cleopatra.Hg. John Drakakis. Basingstoke: Macmillan, 1994. S. 166-181. KS 1012/5
Hibbard, G. R. "Feliciter Audax: Antony and Cleopatra". Shakespeare's Styles: Essays in Honor of Sir Kenneth Muir. Hg. Philip Edwards, Inga-Stina Ewbank, G. K. Hunter. Cambridge: Cambridge UP, 1980. S. 95-109. Z 1321
Higgins, Anne. "Shakespeare's Saint Cleopatre". Dalhousie Review 70.1 (1990): 5-19. FH all Z
Hillman, Richard. "Antony, Hercules, and Cleopatra: The Biding of the God's and 'the Subtlest Maze of All' ". Shakespeare Quarterly 38.4 (1987): 442-451. Z 103
Hirsh, James. “Rome and Egypt in Antony and Cleopatra and in Criticism of the Play”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 175-91. Folder
Hymel, Cynthia D. "Shakespeare's Antony and Cleopatra". Explicator 37.4 (1979): 2-4. Folder
Jackson, Russel. "The Triumphs of Antony and Cleopatra". Shakespeare Jahrbuch West (1984): 128-148. Z 101 James, Max H. " 'The Noble Ruin': Antony and Cleopatra". College Literature 8.2 (1981): 127.143. Folder 17
Jankowski, Theodorea A. " 'As I Am. Egypt's Queen': Cleopatra, Elizabeth I, and the Female Body Politic". Essays: Critical Approaches to Medieval and renaissance Texts 5 (1989): 91-110. Folder
Jenkin, B. "Antony and Cleopatra: Some Suggestions on the Monument Scene". Review of English Studies XXI (1945): 1-14. Folder
Jones, Gordon P. "The 'Strumpet's Fool' in Antony and Cleopatra". Shakespeare Quarterly 34.1 (1983): 62-68. Z 103
Jose, Nicholas. "Antony and Cleopatra: Face and Heart". Philological Quarterly 62.4 (1983): 487.505. Z 21
Kettle, Arnold. “Antony and Cleopatra”. In: Ryan, Kiernan (ed., preface, and afterword). Shakespeare: Texts and Contexts. Basingstoke, England; New York, NY: Macmillan, with Open University; St. Martin’s; 2000. 125-53. Folder
Kimura. Teruhira. "Observations upon some Textual and Annotatory Problems in Antony and Cleopatra". Shakespeare Studies (Tokyo) 20 (1981/82): 91-107. Folder
King, Laura Severt. "Blessed When They Were Riggish: Shakespeare's Cleopatra and Christianity's Pentinent Prostitutes". Journal of Medieval and Renaissance Studies 22.3 (1992): 429-229. ZZ 72/69
Kinney, Clare. "The Queen's Two Bodies and the Divided Emperor: Some Problems of Identity in Antony and Cleopatra". The Rensissance Englishwoman in Print: Counterbalancing the Canon. Hg. Anne M. Haselkorn und Betty S. Travitsky. Amherst: U of Massachusetts P, 1990. S. 177-186. FH ang Au 1.56
Kirschbaum, L. "Shakespeare's Cleopatra". Shakespeare Association Bulletin XIX (1944): 161.171. Folder
Knights, L. C. "On the Tragedy of Antony and Cleopatra". Scrutiny XVI (1949): 318-323. Z 61
Larson, Marilyn. "The Fallen World of Shakespeare's Antony and Cleopatra". Encyclia: The Journal of the Utah Academy of Sciences, Arts, and Letters 66 (1989): 79-86. Folder
Leavis, F. R. "Antony and Cleopatra and All for Love: A Critical Exercise". Scrutiny V (1936/37): 158-169. Z 61
Lee, Robin. Shakespeare: Antony and Cleopatra. London: Edward Arnold, 1974. Ks Lee III
Levin, Harry. "Two Monumental Death-Scenes: Antony and Cleopatra, 4.14; 5.2". Shakespeare: Text, Language, Criticism: Essays in Honor of Marvin Spevack. Hg. Bernhard Fabian und Kurt Tetzeli von Rosador. Hildesheim: Olms, 1987. S. 147-163. FH ang Cs 2.17
Levin, Richard A. "That I Might Hear Thee Call Great Caesar 'Ass Unpolicied' ". Papers on 18
Language and Literature 33.3 (1997): 244-264. folder
Lloyd, M. "Antony and the Game of Chance". Journal of English and Germanic Philology XLI (1962): 548-554. Z 17
--- "Cleopatra as Isis". Shakespeare Survey XII (1959): 88-94. Z 102
--- "The Roman Tongue". Shakespeare Quarterly X (1959): 461-468. Z 103
Logan, Robert A. “‘High Events as These’: Sources, Influences, and the Artistry of Antony and Cleopatra”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 153-74. Folder
Lyons, Clifford. "The Dramatic Structure of Shakespeare's Antony and Cleopatra". Renaissance Papers (1983): 63-77. Folder
MacCallum, N. W. Shakespeare's Roman Plays and Their Background. London: Macmillan, 1925. KS Mcc
MacDonald, Joyce Green. "Sex, Race and Empire in Shakespeare's Antony and Cleopatra". Literature and History 5.1 (1996): 60-77. Folder
MacDonald, Ronald R. "Playing Till Doomsday: Interpreting Antony and Cleopatra". English Literary Renaissance 15.1 (1985): 78-99. Folder
MacKenzie, Clayton G. "Antony and Cleopatra: A Mythological Perspective". Orbis Litterarum: International Review of Literary Studies 45.4 (1990): 309-329. FH lit Z
Madelaine, Richard. “Recent Responses to Antony and Cleopatra”. In: Elton, W. R. (ed.); Mucciolo, John M. (ed.). Where Are We Now in Shakespearean Studies? II. Aldershot, England: Ashgate; 2002. 47-62. folder
Makaryk, Irena R. " 'Dwindling Into a Wife?' Cleopatra and the Desires of the (Other) Woman". The Elizabethan Theatre. Hg. A. L. Magnusson und C. E. McGee. Toronto: Meany, 1996. bestellt
Markels, Julian. The Pillar of the World: 'Antony and Cleopatra' in Shakespeare's Development. Ohio: Ohio State UP, 1968. KS Mar II
Marshall, Cynthia. "Man of Steel Done Got the Blues: Melancholic Subversion of Presence in Antony and Cleopatra". Shakespeare Quarterly 44.4 (1993): 385-408. Z 103
Mason, H. A. "Antony and Cleopatra". Tragedies of Love. London, Toronto: Chatto & Windus, 1970. S. 229-276. Folder
Matchett, William H. "Reversing the Field: Antony and Cleopatra in the Wake of King Lear". Modern Language Quarterly 45.4 (1984): 327-337. FH lit Z
Matthews, Roger. "Antony and Cleopatra: Enter the Imagest: A Work in Progress". Studies in 19
English Literature (Tokyo) (1980): 3-23. Folder
Miles, Gary B. "How Roman Are Shakespeare's 'Romans'?". Shakespeare Quarterly 40.3 (1989): 257-283. Z 103
Miller, Anthony. “Varieties of Power in Antony and Cleopatra”. Sydney Studies in English, 2004; 30: 42-59. folder
Moseley, C. W. R. D. "Cleopatra's Prudence: Three Notes on the Use of Emblems in Antony and Cleopatra". Jahrbuch der Deutschen Shakespeare-Gesellschaft West (1986): 119.137. Z 101
Nandy, Dipak. "The Realism of Antony and Cleopatra". Shakespeare in a Changing World. Hg. Arnold Kettle. London: Lawrence & Wishart, 1971. S. 172-195. KS Ket
Parolin, Peter A. “‘Cloyless Sauce’: The Pleasurable Politics of Food in Antony and Cleopatra”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 213-29. Folder
Pearson, Jacqueline. "Romans and Barbarians: The Structure of Irony in Shakespeare's Roman Tragedies". Shakespearean Tragedy. Hg. Malcom Bradbury und David Palmer. New York: Holmes & Meier, 1984. Z 106 (20)
Platt, Michael. Rome and Romans According to Shakespeare. Salzburg: Institut für englische Sprache und Literatur, 1976. KS Pla
Pollard, Tanya; “'A Thing Like Death': Sleeping Potions and Poisons in Romeo and Juliet and Antony and Cleopatra”. Renaissance Drama, 2003; 32: 95-121. folder
Quinney, Laura. "Enter a Messenger". William Shakespeare's 'Antony and Cleopatra'. Hg. Harold Bloom. New York: Chelsea, 1988. S. 151-167. bestellt
Ray, Robert H. "The 'Ribaudred Nagge' of Antony and Cleopatra, III.x.10: A Suggested Emendation". English Language Notes 14 (1976/77): 21-25. Z 10
Riemer, A. P. "Wine, Women and Song: Antony and Cleopatra Revisited". Sydney Studies in English 17 (1991-9192): 3-21. Folder
Robertson, Patricia R. " 'This Herculean Roman': Shakespeare's Antony and the Hercules Myth". Publications of the Arkansas Philological Association 10.2 (1984): 65-75. bestellt
Ronan, Clifford, J. "Caesar's Revenge and the Roman Thoughts in Antony and Cleopatra". Shakespeare Studies 19 (1987): 171-182. Z 105
Rose, Mark. 'Antony and Cleopatra': A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1977. KS Ros III
Ross, Gordon, N. "Enobarbus on Horses: Antony and Cleopatra, III.vii.7-9". Shakespeare Quarterly 31 (1980): 386f. Z 103 20
Rossky, William. "Antony and Cleopatra, I.ii.79: Enobarbus 'Mistake' ". Shakespeare Quarterly 35.3 (1984): 324f. Z 103
Rozett, Martha Tuck. "The Comic Structures of Tragic Endings: The Suicide Scenes in Romeo and Juliet and Antony and Cleopatra". Shakespeare Quarterly 36.2 (1985): 152.164. Z 103
Schanzer, Ernest. The Problem Plays of Shakespeare: A Study of 'Julius Caesar', 'Measure for Measure', 'Antony and Cleopatra'. London: Routledge, 1963. KS Schan
Schwartz, Elias "The Shackling of Accidents: Antony and Cleopatra". College English XXIII (1962): 550-558. Folder
Seaton, Ethel. "Antony and Cleopatra and the Book of Revelations". Review of English Studies XXII (1946): 219-224. Folder
Shapiro, Michael. "Boying Her Greatness: Shakespeare's Use of Coterie Drama in Antony and Cleopatra". Modern Language Review 77.1 (1982): 1-15. Z 23
Simons, Peggy Munoz. "'To the Very Heart of Loss': Renaissance Iconography in Shakespeare's Antony and Cleopatra". Shakespeare Studies 22 (1994): 220-276. Folder
Simpson, Lucie. "Shakespeare's Cleopatra". Fortnightly Review CXXIX (1928): 332-342. Folder
Singh, Jyotsana. "Renaissance Antitheatricality, Antifeminism, and Shakespeare's Antony and Cleopatra". 'Antony and Cleopatra': William Shakespeare. Hg. John Drakakis. Basingstoke: Macmillan, 1994. KS 1012/5
Snyder, Susan. "Patterns of Motion in Antony and Cleopatra". Shakespeare Survey 33 (1980): 113.122. Z 102
Spencer, B. T. "Antony and Cleopatra and the Paradoxical Metaphor". Shakespeare Quarterly IX (1958): 373-378. Z 103
Spencer, T. J. B. Shakespeare: The Roman Plays. London: Longmans, 1963. KS Spe III
Sprengnether, Madelon. "The Boy Actor and Femininity in Antony and Cleopatra". Shakespeare's Personality. Hg. Norman N. Holland, Sidney Homan und Bernard J. Paris. Berkley: U of California P, 1989. S. 191-205. KS Hol II 3
Starks, Lisa S. “'Like the Lover's Pinch, Which Hurts and Is Desired': The Narrative of Male Masochism and Shakespeare's Antony and Cleopatra”. Literature and Psychology, 1999; 45 (4): 58-73. folder
--- “‘Immortal Longings’: The Erotics of Death in Antony and Cleopatra”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York: Routledge, 2005. 243-58. folder 21
Stein, A. "The Image of Antony: Lyric and Tragic Imagination". Kenyon Review XXI (1959): 586.606. Folder
Steppat, Michael. The Critical Reception of Shakespeare's 'Antony and Cleopatra' from 1607 to 1905. Amsterdam: Grüner, 1980. KS Ste III
--- "Octavius Cold and Sickly". Notes and Queries 32 (230).1 (1985): 53-54. Z 90
Stoll, E. E. "Cleopatra". Modern Language Review XXIII (1928): 145-163. Z 23
Stone, James W. “Martial Cleopatra and the Remasculation of Antony”. Sydney Studies in English, 2002; 28: 21-50. folder
Stroup, T. B. "The Structure of Antony and Cleopatra". Shakespeare Quarterly XV (1964): 289.298. Z 103
Stull, Joseph. "Cleopatra's Magnanimity: The Dismissal of the Messenger". Shakespeare Quarterly VII (1956): 73-78. Z 103
Sullivan, Garrett A., Jr. “Sleep, Epic, and Romance in Antony and Cleopatra”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 259-73. Folder
Symons, Arthur. "Antony and Cleopatra". Studies in the Elizabethabezethan Drama. London, 1920.S. 1-20. Folder
Tanner, Jeri. "The Power of Names in Shakespeare's Antony and Cleopatra". Names: Journal of the American Name Society 35.3-4 (1987): 164-174. Z 36
Thomson, Leslie. "Antony and Cleopatra, Act 4, Scene 16: 'A Heavy Sight' ". Shakespeare Survey 41 (1989): 77-90. Z 102
Traci, Philip. The Love Play of Antony and Cleopatra: A Critical Study of Shakespeare's Play. Den Haag: Mouton, 1970. KS Tra II
Vanhoutte, Jacqueline. “Antony's 'Secret House of Death': Suicide and Sovereignty in Antony and Cleopatra”. Philological Quarterly, 2000 Spring; 79 (2): 153-75. folder
Velz, John W. und Sarah C. Velz. "Publius. Mark Antony's Sister's Son". Shakespeare Quarterly 26 (1975): 69-74. Z 103
Vincent, Barbara C. "Shakespeare's Antony and Cleopatra and the Rise of Comedy". English Literary Renaissance 12.1 (1982): 53-86. Folder
Weis, René J. A. "Antony and Cleopatra: The Challenge of Fiction". English: The Journal of the English Association 32.142 (1983): 1-14. Folder
--- "Caesar's Revenge: A Neglected Elizabethan Source of Antony and Cleopatra". Shakespeare-Jahrbuch West (1983): 178-186. Z 101
--- "Julius Caesar and Antony and Cleopatra". Shakespeare: A Bibliographical Guide. Hg. 22
Stanley Wells. Oxford: Clarendon, 1990. S. 275-294. KS 745
Weitz, Morris. "Literature without Philosophy: Antony and Cleopatra". Shakespeare Survey 28 (1975): 29-36. Z 102
Whitney, Charles. "Chairman's Laughter: Women, Gypsies, and Festive Ambivalence in Antony and Cleopatra". The Upstart Crow 14 (1994): 67-88. Folder
Whittier, Gayle. "The Sublime Androgyne Motif in Three Shakespearean Works". Journal of Medieval and renaissance Studies 19.2 (1989): 185-210. ZZ 72/69
Wigginton, Waller, B. " 'One Way Like a Gorgon': An Explication of Antony and Cleopatra, II.v.116-117". Papers on Language and Literature 16 (1980): 366-375. Folder
Wilcox, John. "Love in Antony and Cleopatra". Michigan Academy of Science, Arts and Letters XXI (1935): 531-544. Folder
Wilders, John. "Introduction". Antony and Cleopatra. The Arden Shakespeare. Third Series. London, New York: Routledge, 1995. S. 1-84. Folder
Willson, Robert F. Jr. "Shakespeare and Hollywood: Two Film Cliches". Journal of Popular Film and Television 15.2 (1987): 83-84. Folder
Wolf, William D. " 'New Heaven, New Earth': The Escape from Mutability in Antony and Cleopatra". Shakespeare Quarterly 33.3 (1982): 328-335. Z 103
Yachnin, Paul. " 'Courtiers of Beauteous Freedom': Antony and Cleopatra in Its Time". Renaissance and Reformation – Renaissance et Reforme 15.1 (1991): 1-20. ZZ 80/97
--- "Shakespeare's Politics of Loyalty: Sovereignty and Subjecticity in Antony and Cleopatra". SEL: Studies in English Literature 33.2 (1993): 343-363. Folder