2011 Matchbox Pictures & Rusty Fig Pictures

POST PRODUCTION SCRIPT

MY PLACE SERIES 2 - EPISODE 18 “1838 DAVEY”

Post Production Script Prepared by Reezy Miller Script Services [email protected] MY PLACE SERIES 2 - EPISODE 18 – “1838 HENRY”

SHOT DUR VISION DIALOGUE INPOINT

1 45.04 OPENING TITLES RUN OVER CHILDREN’S VOICES (VARIOUS OOS) 10 00 00 00 VARIOUS VIEWS OF THE BIG TREE I'm not scared. I'm coming with you to keep you safe. Are there Ghosts? That is so naughty. Let's TITLE 1 BEGINS AT 10 00 02 09 see who's the real scaredy cat. He is gunna SCREEN AUSTRALIA spiflicate you [Laughter and squeal] AND THE AUSTRALIAN CHILDREN’S MUSIC 1 BEGINS ... 48 SEC 10 00 00 12 TELEVISION FOUNDATION PRESENT TITLE 1 ENDS AT 10 00 05 20

TITLE 2 BEGINS AT 10 00 09 20 A MATCHBOX PICTURES PRODUCTION FOR THE AUSTRALIAN BROADCASTING CORPORATION TITLE 2 ENDS AT 10 00 13 09

TITLE 3 BEGINS AT 10 00 14 13 IN ASSOCIATION WITH SCREEN NSW AND SCREEN TASMANIA TITLE 3 ENDS AT 10 00 19 09

TITLE 4 BEGINS AT 10 00 33 03 BASED ON THE BOOK BY NADIA WHEATLEY & DONNA RAWLINS TITLE 4 ENDS AT 10 00 36 05

TITLE 5 BEGINS AT 10 00 36 00 My Place 1838 DAVEY TITLE 5 ENDS AT 10 00 44 22

THEN FADE TO BLACK

>> SCENE 1 EXT DAY THE BIG TREE

MUSIC 2 BEGINS ... 1 MIN 17 SEC 10 00 44 14

2 8.05 FADE UP FROM BLACK TO LA TILT DAVEY 10 00 45 04 MS LEAVES OF TREE THEN DAVEY Bang! Bang! ENTERS SHOT WITH TOY WEAPON MUSIC 1 ENDS 10 00 47 23

- 2 - MY PLACE SERIES 2 - EPISODE 18 – “1838 HENRY”

3 2.16 LA TILT WMS DAVEY IN TREE 10 00 53 09 THEN EXITS INTO HOLLOW

4 11.23 LA TILT ECU DAVEY LOOKS AT DAVEY (VOICEOVER) 10 00 56 00 CAMERA WITH CLOTH OVER My name is Davey, bold bushranger. I bow down NOSE AND MOUTH to no tyrant. And I swear to defend three things to my

5 1.22 HA WMS HAROLD AND RUPERT last breath: 10 01 07 23 INTO SHOT AT TREE

6 2.06 LA TILT ECU DAVEY my name, 10 01 09 20

7 1.21 HA WMS HAROLD AND RUPERT AT 10 01 12 01 BASE OF TREE

8 1.15 LA TILT ECU DAVEY my horse, 10 01 13 22

9 1.18 HA ZOOM IN ON WMS HAROLD 10 01 15 12 AND RUPERT

10 3.02 ZOOM IN ON ECU DAVEY and this, my place. 10 01 17 05

11 8.07 MONTAGE EDITS DAVEY TURNS BOYS (SHOUTING) 10 01 20 07 AND HAS PLAY FIGHT WITH Bang! Bang! Bang! Bang! HAROLD AND RUPERT BELOW

12 1.24 SLO-MO LA TILT WS DAVEY 10 01 28 14 FALLS FROM TREE

13 1.03 HA WMS HAROLD AND RUPERT HAROLD 10 01 30 13 TURN Got him!

RUPERT We got him!

14 3.06 HA WMS DAVEY LANDS ON 10 01 31 16

GROUND

15 5.14 LA TILT WS PROFILE HAROLD 10 01 34 22 AND RUPERT ENTER SHOT TO DAVEY ON GROUND

16 1.11 HA WMS DAVEY MOVES ON 10 01 40 11 GROUND

17 2.04 HA WMS REV HAROLD AND 10 01 41 22 RUPERT MOVE TO DAVEY

18 3.01 HA WMS DAVEY HAROLD (OOS) 10 01 44 01 Do you think

19 2.15 LA TILT MCU PROFILE HAROLD he's alright? 10 01 47 02 WITH RUPERT IN BG RUPERT Make him get up.

20 1.19 HA WMS DAVEY SHAKEN 10 01 49 17

21 4.18 LA TILT MS RUPERT AND HAROLD 10 01 51 11 HAROLD What do we do now?

RUPERT Bury him!

HAROLD Or just

22 1.23 HA WMS DAVEY leave him for the crows. 10 01 56 04

23 0.19 LA TILT WMS RUPERT AND 10 01 58 02 HAROLD LAUGH

24 0.14 HA WMS DAVEY SITS UP RUPERT 10 01 58 21 QUICKLY As if.

25 1.10 LA TILT MCU DAVEY SITS UP TO DAVEY 10 01 59 10 MCU REV HAROLD AND RUPERT Had you fooled, didn’t I?

RUPERT You

26 0.24 MCU REV DAVEY PUSHED BY couldn't fool a flea. 10 02 00 20 WMS RUPERT AND HAROLD MUSIC 2 ENDS 10 02 01 05

27 0.21 WMS DAVEY SHOVES BACK DAVEY 10 02 01 19 No? I fooled you.

28 0.17 WMS RUPERT AND HAROLD 10 02 02 15

29 0.23 WMS DAVEY AND HAROLD RUPERT 10 02 03 07 WRESTLE WITH RUPERT NEARBY I'm not a flea.

30 0.00 WMS DAVEY ROLLS HAROLD 10 02 04 05 OVER

31 2.22 WMS DAVEY LOOKS UP JOHN (OOS) 10 02 04 05 Hoy!

32 1.07 LA TILT WMS JOHN JOHN 10 02 07 02 Davey!

33 3.10 LA TILT WMS HAROLD, DAVEY JOHN (OOS) 10 02 08 09 AND RUPERT Dreadful boy. Get back to work before I tan your hide. Harold, look sharp.

34 2.04 LA TILT WMS JOHN JOHN 10 02 11 19 Rupert, do not slouch.

35 2.19 LA TILT WS HAROLD AND JOHN (OOS) 10 02 13 23 RUPERT WITH DAVEY BEHIND Look at your clothes, the pair of you.

36 1.05 LA TILT WMS HAROLD SIGNALS 10 02 16 17

37 3.24 LA TILT WS HAROLD AND 10 02 17 22 RUPERT EXIT FROM DAVEY AT TREE

38 3.05 LA TILT WMS REV HAROLD AND 10 02 21 21 RUPERT PULLED AWAY BY JOHN

39 1.09 LA TILT WMS DAVEY EXITS 10 02 25 01 RIGHT

40 3.13 LA TILT WIDE MLS DAVEY RUNS 10 02 26 10 FROM TREE TOW CAM

>> SCENE 2 INT DAY OWEN STABLES

41 2.15 WMS DAVEY BRUSHES HORSE DAVEY 10 02 29 23 DOWN You're a beautiful old

42 2.21 LA TILT MS REV DAVEY PATS girl aren’t you, Dutch? 10 02 32 13 HORSE

43 13.19 TRACK TOW WMS DAVEY AT DAVEY 10 02 35 09 HORSE WITH GEORGE AT OTHER You may not be the fastest, but you never kick or HORSE IN BG bite, and your ears are like velvet.

GEORGE Davey? That’s long enough on Duchess.

44 3.18 LA TILT MS PROFILE DAVEY AT GEORGE (OOS) 10 02 49 03 HORSE She’s not the only horse in here with ears, you know.

DAVEY But she’s the best.

45 1.23 CU REV DAVEY AND WMS GEORGE 10 02 52 21 GEORGE So you keep telling me.

46 1.09 LA TILT WMS PROFILE DAVEY 10 02 54 19 WALKS LEFT FROM HORSE

47 5.01 WMS PROFILE DAVEY WALKS 10 02 56 03 TOW BG THEN RIGHT

>> SCENE 3 EXT DAY OWEN STABLES

48 3.05 WS RUPERT, HAROLD AND JOHN 10 03 01 04 WATCH AS MR. OWEN CRACKS WHIP THEN DAVEY ENTERS SHOT IN BG

49 7.01 TRACK LEFT OVER LA TILT WS JOHN 10 03 04 09 RUPERT, HAROLD, JOHN AND There. See how it’s done. Harold, Rupert, who DAVEY AS MR. OWEN CRACKS wants first try? WHIP IN FG RUPERT Me, please.

50 7.10 WMS RUPERT TAKES WHIP RUPERT 10 03 11 10 FROM MR. OWEN WITH OTHERS I've been practising, grandfather. IN BG MR. OWEN Good for you.

51 4.19 WS RUPERT TRIES TO CRACK 10 03 18 20 WHIP AS OTHERS STAND IN BG

52 1.06 WS HAROLD WALKS TOW HAROLD 10 03 23 14 RUPERT Step aside,

53 0.24 WMS DAVEY LOOKS AROUND flea. 10 03 24 20

54 3.17 WMS HAROLD SNATCHES WHIP 10 03 25 19 FROM RUPERT AS GEORGE JOINS DAVEY IN BG

55 2.07 WMS GEORGE WALKS TO DAVEY MR. OWEN (OOS) 10 03 29 11 Easy does it, Harold.

56 2.22 WMS MR. OWEN WALKS TO MR. OWEN 10 03 31 18

HAROLD WITH JOHN, DAVEY You must keep the wrist firm and flex the elbow, AND GEORGE IN BG

57 7.21 LA TILT WMS MR. OWEN EXITS right? 10 03 34 15 FROM HAROLD AS HE TRIES TO CRACK WHIP

58 1.14 WMS RUPERT SMIRKS 10 03 42 11

59 3.16 WMS PROFILE HAROLD TRIES RUPERT (OOS) 10 03 44 00 TO CRACK WHIP AS OTHERS Who’s the LOOK ON

60 1.22 WMS RUPERT flea now? 10 03 47 16

HAROLD (OOS) This is stupid.

61 9.01 LA TILT WMS MR. OWEN WALKS HAROLD 10 03 49 13 TO HAROLD AS OTHERS STAND When I grow up, if I need a whip cracked, I'll pay IN BG someone to do it.

MR. OWEN You won’t hold onto your money long with that attitude. You there, boy.

62 5.17 WMS DAVEY AND GEORGE DAVEY 10 03 58 14 Me, sir?

MR. OWEN (OOS) Yes, Davey isn’t it?

DAVEY Yes, sir.

MR. OWEN (OOS) Come here.

JOHN (OOS) Father,

63 5.22 WMS DAVEY WALKS TO MR. I seriously doubt – 10 04 04 06 OWEN AND TAKES WHIP AS

JOHN STANDS IN BG MR. OWEN Show my grandsons what’s what.

64 1.19 WMS GEORGE INTO SHOT NEXT 10 04 10 03 TO RUPERT AND HAROLD

65 1.04 WMS DAVEY MOVES LEFT WITH 10 04 11 22 WHIP

66 1.10 WMS GEORGE, RUPERT AND 10 04 13 01 HAROLD WITH MEN IN BG

67 1.19 LA TILT WMS DAVEY CRACKS 10 04 14 11 WHIP

68 2.05 WMS RUPERT AND HAROLD 10 04 16 05 WITH MEN BEHIND

69 1.21 LA TILT WMS DAVEY CRACKS 10 04 18 10 WHIP

70 2.06 WMS DAVEY AT LEFT WITH MR. MR. OWEN 10 04 20 06 OWEN AND JOHN AT RIGHT Not bad for starters.

71 3.01 WMS JOHN WALKS LEFT TO JOHN 10 04 22 12 DAVEY That’s quite enough. Now back to work. Father,

72 2.22 WMS JOHN WALKS TO DAVEY AS you have business with the stable hands. Boys, 10 04 25 13 MR. OWEN STANDS IN BG

73 2.07 WMS RUPERT AND HAROLD come with me. 10 04 28 10 WALK TOW CAM

74 1.02 WMS REV HAROLD AND RUPERT MR. OWEN (OOS) 10 04 30 17 WALK LEFT Davey,

75 8.13 WMS DAVEY AND MR. OWEN inside. 10 04 31 19 WALK RIGHT

DAVEY Am I in trouble?

MR. OWEN No, no, no, but you won’t care for what I have to say. George, this concerns you as well.

GEORGE (OOS) Yes, Mr. Owen.

76 5.06 WMS PROFILE DAVEY AND MR. MR. OWEN 10 04 40 07 OWEN ENTER STABLES WITH It’s about Duchess. GEORGE AT RIGHT

77 4.20 ELEVATED WS MR. OWEN, MR. OWEN 10 04 45 13 GEORGE AND DAVEY WALK TO She was a good horse in her day. HORSE GEORGE The best, sir.

DAVEY Still

78 2.08 MCU REV MR. OWEN AND WMS is. 10 04 50 08 DAVEY MR. OWEN But you must understand

79 3.13 LA TILT WMS MR. OWEN AND MS that she’s more than twenty years old, which is 10 04 52 16 REV DAVEY WITH HORSE AT quite long in the tooth LEFT

80 2.11 MCU REV MR. OWEN AND WMS for a horse. 10 04 56 04 DAVEY DAVEY You're sounding like she’s finished, sir.

81 4.19 LA TILT WMS MR. OWEN AND CU MR. OWEN 10 04 58 15 REV DAVEY Tomorrow I'm sending Duchess to the tannery.

82 4.15 MCU REV MR. OWEN AND WMS MR. OWEN 10 05 03 09

DAVEY She’ll be doing the farm her last great service

83 7.00 LA TILT WMS MR. OWEN AND MS and, well, the price that we get for her will go 10 05 07 24 REV DAVEY AT HORSE into general upkeep, and well, I may even put it towards the purchase of a

84 3.05 MCU REV MR. OWEN AND WMS new horse. 10 05 14 24 DAVEY DAVEY I don’t want a new horse! Duchess can do anything any horse could do,

85 3.01 LA TILT WMS MR. OWEN AND MS sir. Maybe not as quickly but she gets there in the 10 05 18 04 REV DAVEY WITH HORSE AT end. LEFT

86 3.17 MHA TIGHT MCU DAVEY STEPS DAVEY 10 05 21 05 UP TO MCU REV MR. OWEN She tries so hard and never gives up. Please ...

MR. OWEN I know Davey, she’s a

87 2.21 LA TILT WMS MR. OWEN AND sweet old thing but, well, 10 05 24 22 MCU REV DAVEY

88 3.04 CU REV MR. OWEN AND MCU you see a farm is a business and some things just 10 05 27 18 DAVEY must be done.

89 3.14 LA TILT WMS MR. OWEN AND CU MR. OWEN 10 05 30 22 REV DAVEY See to it she gets a good feed tonight and

90 4.24 CU REV MR. OWEN AND WMS let her stretch her legs somewhere where the soil 10 05 34 11 DAVEY is soft underfoot, yeah?

91 4.20 LA TILT WMS PROFILE MR. MR. OWEN 10 05 39 10 OWEN PATS HORSE AS DAVEY Goodbye, old girl. STANDS AT RIGHT

92 2.01 WS REV MR. OWEN EXITS DAVEY 10 05 44 05 STABLES AS DAVEY MOVES TO I can’t believe

93 3.08 MCU PROFILE DAVEY INTO SHOT he's doing this to her! 10 05 46 06 HUGS HORSE MUSIC 3 BEGINS ... 1 MIN 24 SEC 10 05 47 13

94 3.12 LA TILT WMS PROFILE DAVEY 10 05 49 14 HUGS HORSE

95 2.00 LA TILT WMS GEORGE 10 05 53 01

>> SCENE 5 EXT DAY CREEK

96 9.15 WS PROFILE DAVEY AND ALICE DAVEY 10 05 55 01 WALK LEFT WITH HORSE I always dreamed of taking her into the mountains, sleeping under the stars, drinking from streams. And now it’s never going to happen.

97 5.13 WIDE MLS PROFILE DAVEY AND 10 06 04 16 ALICE WALK LEFT WITH HORSE TO CREEK

98 3.23 WS PROFILE DAVEY LEADS 10 06 10 04 HORSE ACROSS STREAM

99 1.22 WS DAVEY LEADS HORSE RIGHT 10 06 14 02 PAST CAM

100 2.08 WMS PROFILE DAVEY STOPS 10 06 15 24 WITH HORSE

101 19.00 MONTAGE EDITS DAVEY AND 10 06 18 07 ALICE WATCH AS BUSHRANGER RIDES PAST WITH TROOPERS PURSUING

102 2.14 LA TILT WMS TROOPERS PULL TROOPER 10 06 37 07 UP IN SHOT Did you see where he went?

103 1.12 WMS DAVEY AND ALICE AT 10 06 39 21 HORSE

104 2.24 LA TILT WMS PROFILE DAVEY (OOS) 10 06 41 08 TROOPERS EXIT RIGHT That way.

105 1.16 WMS DAVEY AND ALICE SMILE 10 06 44 07

106 3.00 LA TILT WMS BUSHRANGER 10 06 45 23 RIDES RIGHT

107 1.01 SLO-MO LA TILT WMS PROFILE 10 06 48 23 BUSHRANGER TIPS HIS HAT AS HE RIDES PAST

108 1.00 LA TILT MCU DAVEY NODS AND 10 06 49 24 SMILES

109 1.04 SLO-MO LA TILT WMS PROFILE 10 06 50 24 BUSHRANGER RIDES RIGHT

110 8.14 MONTAGE EDITS BUSHRANGER 10 06 52 03 EXITS ON HORSE AS DAVEY AND ALICE LOOK ON

111 1.20 LA TILT WMS DAVEY DAVEY 10 07 00 17 That’s what I want to do.

112 2.16 LA TILT MCU ALICE ALICE 10 07 02 12 Maybe wait till you're old enough to grow some whiskers first.

113 5.11 ELEVATED WMS DAVEY AND 10 07 05 03 ALICE MOVE LEFT WITH HORSE

>> SCENE 6 XT DAY OWEN HOUSE/FRONT GARDEN

114 6.10 WS DAVEY LEADS HORSE TOW HAROLD (OOS) 10 07 10 14

CAM Shh! Wait till he gets closer.

MUSIC 3 ENDS 10 07 11 19

115 0.21 WMS HAROLD LEAPS INTO SHOT HAROLD 10 07 16 24 Oh, look.

116 1.21 PULL BACK OVER WMS REV HAROLD 10 07 17 20 HAROLD AND RUPERT AT DAVEY It’s the whip master saying goodbye WITH HORSE

117 1.13 LA TILT WMS HAROLD to that old bag of bones, aren’t 10 07 19 16

118 4.24 WMS DAVEY LEADS HORSE TOW you Davey? 10 07 21 04 CAM WITH HAROLD AND RUPERT NEARBY DAVEY None of your business.

HAROLD That’s where you're wrong!

RUPERT It’s our father’s business.

119 2.19 MCU DAVEY LEADING HORSE HAROLD (OOS) 10 07 26 03 TOW CAM WITH RUPERT AT He owns the tannery. We’ve been in there. RIGHT

120 8.00 WMS PROFILE HAROLD, DAVEY RUPERT 10 07 28 22 AND RUPERT WALK RIGHT He’s got a big machine.

HAROLD And the horse goes in one end ...

RUPERT & HAROLD And leather and tallow and horse hair ...

HAROLD It all comes out the other end.

121 2.10 WMS DAVEY LEADS HORSE RUPERT (OOS) 10 07 36 22 RIGHT Next time you light a candle ...

122 3.16 WMS PROFILE HAROLD, DAVEY RUPERT & HAROLD 10 07 39 07 AND RUPERT WALKING RIGHT You could be setting fire to Duchess.

DAVEY There’s

123 1.02 MCU DAVEY INTO SHOT no such machine 10 07 42 23

124 1.05 WMS DAVEY SHOVES MCU REV in that tannery. 10 07 44 00 HAROLD

125 1.01 WMS REV DAVEY SHOVES 10 07 45 05 RUPERT

126 5.06 WMS PROFILE HAROLD AND HAROLD 10 07 46 06 DAVEY NEAR HORSE Are you sure? I think they’re doing cows

127 1.24 WMS PROFILE HAROLD AND today. 10 07 51 12 RUPERT WITH DAVEY AT RIGHT

128 3.21 WMS HAROLD AND MCU REV HAROLD 10 07 53 11 DAVEY NEAR HORSE Crunch, crunch, crunch! There goes the bones.

129 3.10 WMS ALICE RUNS TO HAROLD, HAROLD & RUPERT 10 07 57 07 DAVEY AND RUPERT Mooo!

ALICE Go and tell your father what horrible

130 3.01 WMS REV ALICE CHASES children you are. Go on, get out! Go! 10 08 00 17 RUPERT AND HAROLD TOW BG

131 8.03 WMS DAVEY PATS HORSE 10 08 03 18

132 1.18 LA TILT WS ALICE WALKS TOW 10 08 11 21 CAM

133 3.00 WMS DAVEY walks right DAVEY 10 08 13 14

There isn’t a big machine in that

134 13.02 LA TILT WS ALICE WALKS LEFT tannery is there? 10 08 16 14 TO DAVEY THEN ALL MOVE TOW BG WITH HORSE ALICE Not the way those two little fibbers would have you believe. But it’s still not a place you want to go if you can possibly avoid it.

135 5.07 LA TILT WMS PROFILE DAVEY DAVEY 10 08 29 16 PATS HORSE Don’t worry, Dutch. I'll think of something by morning.

136 4.01 MCU PROFILE DAVEY PATS 10 08 34 23 HORSE

>> SCENE 8 INT NIGHT/DAWN OWEN STABLES

137 3.03 LA TILT WS CRESCENT MOON IN 10 08 38 24 BLUE NIGHT SKY

138 4.18 HA WMS DAVEY LAYS ON STRAW 10 08 42 02

139 4.22 HA WMS DAVEY ASLEEP ON 10 08 46 20 STRAW THEN OPENS EYES

140 1.08 HA WMS DAVEY SITS UP 10 08 51 17

>> SCENE 9 EXT MORNING PADDOCK

141 3.00 LA TILT WS DAVEY CLIMBS 10 08 53 00 FENCE INTO SHEEP PEN

142 1.10 WMS SHEEP RUN THRU GATE 10 08 56 00

143 1.18 LA TILT WMS SHEEP RUN THRU 10 08 57 10

GATE WITH DAVEY IN BG

144 1.23 WMS DAVEY MOVES SHEEP OUT 10 08 59 03 OF PEN

145 2.07 LA TILT WMS DAVEY CLOSES 10 09 01 01 GATE AS LAST SHEEP EXITS

146 3.09 WMS REV DAVEY CLOSES GATE 10 09 03 08

>> SCENE 10 EXT MORNING OWEN FARMYARD OUTSIDE STABLES

147 10.02 MONTAGE EDITS DAVEY RUNS JOHN (OOS) 10 09 06 17 FROM PADDOCK TO WALL OF Now spread out along the mouth. George, OWEN HOUSE

148 2.09 LA TILT CU DAVEY INTO SHOT meet us at the paddocks. 10 09 16 19 AT HOLE IN WOODEN WALL GEORGE (OOS) Right you are, Mr. Owen.

149 1.22 LA TILT WMS REV JOHN SITS JOHN 10 09 19 03 ONTO HORSE If those sheep get across the creek

150 1.09 WS REV MR. OWEN CLIMBS we'll not see a single one again. 10 09 21 00 ONTO HORSE

151 1.11 LA TILT CU DAVEY AT HOLE IN JOHN (OOS) 10 09 22 09 WOODEN WALL Come on, get moving.

152 5.20 LA TILT WS REV JOHN AND MR. JOHN 10 09 23 20 OWEN RIDE TOW BG WITH Now! Giddy up! GEORGE FOLLOWING

153 1.16 LA TILT CU DAVEY DUCKS OUT 10 09 29 15 OF SHOT

>> SCENE 11 INT DAY OWEN STABLES/EXTERNAL LAUNDRY

154 20.15 MONTAGE EDITS DAVEY ENTERS 10 09 31 06 STABLES AND TAKES DOWN BRIDLE MUSIC 4 ENDS 10 09 40 06

DAVEY LEADS HORSE INTO ALICE SHOT WITH ALICE AND SARAH Give it to me. I'll put it WRING OUT SHEETS IN BG

155 2.12 MS REV SARAH AND WMS ALICE on the line. 10 09 51 21

156 5.01 WMS REV ALICE HANGS CLOTH 10 09 54 08 AS DAVEY LEADS HORSE THRU BG MUSIC 5 BEGINS ... 1 MIN 26 SEC 10 09 54 23

157 1.08 LA TILT MCU PROFILE ALICE 10 09 59 09 SMILES AS SHE STANDS AT CLOTH

158 1.20 WMS PROFILE DAVEY WAVES AS DAVEY (MOUTHS SILENTLY) 10 10 00 17 HE WALKS LEFT Thank you.

>> SCENE 12 EXT MORNING BUSHLAND

159 28.23 MONTAGE EDITS DAVEY LEADS DAVEY 10 10 02 12 HORSE PAST OWEN HOME THEN Not far now, Duchess. RIDES HIM THRU BUSH PAST WATERFALL

160 4.09 LA TILT WMS PROFILE DAVEY 10 10 31 10 RIDES HORSE RIGHT THRU BUSH

161 4.02 LA TILT WS REV DAVEY MOVES 10 10 35 19 TOW BG ON HORSE

>> SCENE 13 EXT DAY BUSHLAND HIDEOUT/CAVE

162 4.18 WS HORSE AND DAVEY IN CAVE 10 10 39 21

163 7.00 LA TILT WMS DAVEY WALKS TO DAVEY 10 10 44 14 WATER IN FG AND DRINKS There’s running water if you get thirsty. And

shade if you get too hot.

164 3.06 WS DAVEY WALKS BACK TO 10 10 51 14 HORSE

165 9.12 LA TILT WMS REV DAVEY MOVES DAVEY 10 10 54 20 TO HORSE Slow down, Dutch. You'll give yourself hiccups. I'll be back Dutch, and we’ll decide what to do next.

166 6.06 WIDE MLS REV DAVEY EXITS 10 11 04 07 FROM HORSE IN CAVE

>> SCENE 14 EXT DAY OWEN PROPERTY

167 6.21 LA TILT WMS PROFILE DAVEY JOHN (OOS) 10 11 10 13 CREEPS RIGHT AT BRICK WALL You’ve been told time and again to keep all gates shut

168 2.11 LA TILT WS DAVEY RUNS TO and the stables closed. 10 11 17 09 LINE OF SERVANTS AS JOHN PACES PAST

169 6.21 LA TILT WMS REV JOHN TURNS JOHN 10 11 19 20 AND WALKS TOW DAVEY IN Hmm. LINE MUSIC 5 ENDS 10 11 21 00

170 2.23 MCU PROFILE JOHN WALKS 10 11 26 16 RIGHT PAST MARYANN AND SARAH

171 4.12 LA TILT MCU PROFILE JOHN 10 11 29 14 WALKS PAST MCU REV GEORGE

172 2.01 MHA WMS DAVEY BLINKS 10 11 34 01

173 1.24 LA TILT MCU JOHN JOHN 10 11 36 02 Was it you?

174 1.09 MS PROFILE JOHN AND WMS DAVEY 10 11 38 01 DAVEY What, sir?

175 1.19 LA TILT MCU JOHN JOHN 10 11 39 10 Left the gate open.

176 2.14 MS PROFILE JOHN AND WMS DAVEY 10 11 41 04 DAVEY CROSSING HEART No, sir. I always shut gates.

177 2.00 LA TILT MCU JOHN JOHN 10 11 43 18 And as for you,

178 9.08 TILT UP FROM DAVEY TO MCU the horses are your responsibility. 10 11 45 18 REV JOHN AND WMS GEORGE GEORGE Duchess was safely in her stall when I left her, sir. The rest of the time I was rounding up sheep with you.

179 4.08 MCU JOHN AND CU REV GEORGE JOHN 10 11 55 01 Your lot can read tracks like a book, isn’t that so?

180 1.22 MCU REV JOHN AND WMS GEORGE 10 11 59 09 GEORGE I've never read a book, sir.

181 2.18 MCU JOHN AND CU REV GEORGE 10 12 01 06

182 1.06 MCU REV JOHN GRABS GEORGE JOHN 10 12 03 24 Tell me

183 2.13 WMS RUPERT AND HAROLD who took my horse. 10 12 05 05 MOVE AS JOHN, GEORGE AND DAVEY ENTER SHOT IN FG

184 5.19 LA TILT WMS JOHN, HAROLD JOHN 10 12 07 18 AND RUPERT AS DAVEY AND Come on, come on, what can you see? GEORGE MOVE IN FG AND OTHERS STAND NEARBY

185 1.05 MS PROFILE GEORGE LOOKS 10 12 13 12 DOWN

186 4.12 WMS PROFILE GEORGE BENDS 10 12 14 17 TO DIRT

187 2.05 LA TILT MCU PROFILE DAVEY 10 12 19 04 LOOKS UP

188 5.02 HA WS HAND ON DIRT THEN GEORGE 10 12 21 09 TILT UP TO GEORGE Not a lot, sir.

189 3.06 LA TILT WMS PROFILE DAVEY JOHN 10 12 26 11 WITH JOHN BEHIND You're lying. Whose tracks are these?

190 2.16 MS PROFILE GEORGE LOOKS UP GEORGE 10 12 29 17 Ah, I don’t like to

191 2.03 LA TILT MS DAVEY WITH JOHN say, sir. 10 12 32 08 BEHIND JOHN Answer me!

192 2.00 WMS PROFILE GEORGE GEORGE 10 12 34 11 They’re yours, sir.

193 1.02 LA TILT MS PROFILE DAVEY 10 12 36 11 STRAIGHTENS WITH JOHN AT LEFT

194 1.16 LA TILT WMS JOHN WITH 10 12 37 13 PEOPLE GIGGLING BEHIND

195 7.17 LA TILT WMS GROUP GIGGLE JOHN 10 12 39 04 BEHIND JOHN Back to work, all of you. And as for you –

MR. OWEN Yes, George, I'll need you to saddle

196 2.17 WMS PROFILE GEORGE up Lightning for me straight away. 10 12 46 21 STRAIGHTENS GEORGE Straight away, Mr. Owen.

197 2.23 LA TILT WMS GEORGE, MR. 10 12 49 13 OWEN AND DAVEY EXIT FROM JOHN

>> SCENE 15 INT DAY OWEN STABLES AND TACK ROOM

198 12.15 WS GEORGE AND DAVEY ENTER DAVEY 10 12 52 11 STABLES TOW CAM Could you really not see anything?

GEORGE Mr. John’s tracks were there just like I said. But the rest was one big muddle. Except I could sort of make out these big clomp, clomp, clomp tracks

199 5.01 WS GEORGE AND DAVEY CARRY of an old horse. Right next to 'em were these 10 13 05 01 GEAR TOW HORSES IN FG little footprints going squeak, squeak, squeak.

200 12.09 LA TILT WMS REV GEORGE AND GEORGE 10 13 10 02 DAVEY WALK TO HORSE Nowhere near big enough to belong to a full grown man. More like, I don’t know, a boy. That couldn’t be right now, could it Davey?

DAVEY Don’t ask me.

201 3.02 LA TILT WMS DAVEY AND MS GEORGE 10 13 22 11 REV GEORGE SQUAT INTO SHOT I just hope whoever dragged poor old Duchess away

202 2.03 LA TILT MS REV DAVEY AND knows exactly what he’s doing. 10 13 25 13 WMS GEORGE AT UNDERSIDE OF HORSE

203 8.04 WMS DAVEY STANDS FROM MS GEORGE 10 13 27 16 REV GEORGE Knows a horse like that can get awful lonely when she’s left all by herself.

MUSIC 6 BEGINS ... 07 SEC 10 13 32 07

JOHN (OOS) She can’t have gone too far. I'll see if she’s headed toward town.

204 1.20 WMS DAVEY ENTERS SHOT MR. OWEN (OOS) 10 13 35 20 And I'll go the other way, in case

205 1.17 WMS REV GEORGE LEADS HORSE she's gotten herself lost in the bush. 10 13 37 15 PAST DAVEY WITH MR. OWEN AND JOHN OUTSIDE MUSIC 6 ENDS 10 13 39 02

206 3.12 LA TILT WMS DAVEY AS GEORGE JOHN (OOS) 10 13 39 07 LEADS HORSE THRU FG AS Get Shadow ready for me. DAVEY DISAPPEARS FROM SHOT MUSIC 7 BEGINS ... 18 SEC 10 13 41 19

GEORGE (OOS) Yes, Mr. John.

>> SCENE 16 INT DAY MY PLACE HOUSE

207 3.21 WMS REV DAVEY TURNS WITH SARAH (OOS) 10 13 42 19 BREAD If you're hungry, all you have to do is ask.

DAVEY Can I have it?

208 1.09 LA TILT WMS SARAH SARAH 10 13 46 15 Go on then.

208 1.04 WMS DAVEY EXITS WITH BREAD 10 13 47 24

210 7.06 LA TILT WMS SARAH LOOKS 10 13 49 03 AROUND AS DAVEY EXITS HOUSE THEN RETURNS AND HUGS HER

211 2.06 WMS SARAH TURNS AS MCU REV SARAH 10 13 56 09 DAVEY HUGS HER Goodness gracious, what’s this in aid of?

212 4.05 HA MCU DAVEY LOOKS UP AT CU DAVEY 10 13 58 15 REV SARAH Nothing.

MUSIC 7 ENDS 10 14 00 07

213 2.20 LA TILT MCU SARAH LOOKS UP 10 14 02 20 AS DAVEY EXITS SHOT MUSIC 8 BEGINS ... 1 MIN 13 SEC 10 14 03 02

214 1.21 WMS REV DAVEY EXITS HOUSE 10 14 05 15

>> SCENE 17 EXT DAY OWEN HOUSE/BUSHLAND/HIDEOUT

215 39.13 MONTAGE EDITS DAVEY SNEAKS 10 14 07 11 FROM OWEN HOUSE WITH SADDLE THEN RUNS THRU BUSH TO HORSE IN CAVE

216 9.19 LA TILT WMS DAVEY STEPS DAVEY 10 14 46 24 DOWN TO HORSE WITH SADDLE Alright, Dutch, this is it.

217 3.04 LA TILT WMS DAVEY SLINGS DAVEY 10 14 56 18 BLANKET OVER HORSE’S BACK We need to get away as far as we can, as fast

218 6.07 MS LEATHER PULLED THRU as we can. It won’t be easy crossing the 10 14 59 22 BUCKLE mountains, but after that we’ll be free.

219 1.13 LA TILT WMS DAVEY BITES 10 15 06 04 BREAD

220 2.04 LA TILT WS REV DAVEY LEADS 10 15 07 17 HORSE OUT OF CAVE

>> SCENE 18 EXT DAY BUSHLAND

221 61.03 MONTAGE EDITS DAVEY RIDES 10 15 09 21 HORSE THRU BUSH THEN SPIES MR. OWEN MOVING PAST ON MUSIC 8 ENDS 10 15 16 04 HORSE MUSIC 9 BEGINS ... 13 SEC 10 15 48 11

DAVEY TAKES AIM WITH TOY WEAPON THEN MR. OWEN FALLS MUSIC 9 ENDS 10 16 01 07 FROM HORSE ONTO GROUND

222 1.12 WMS BUSHRANGER STEPS BUSHRANGER (OOS) 10 16 10 24 DOWN FROM HORSE TOW MR. Got a watch on him. OWEN

223 1.09 WS BUSHRANGERS ON HORSES 10 16 12 11

224 1.10 MHA WMS REV BUSHRANGER 10 16 13 20 STRAIGHTENS

225 1.17 LA TILT WMS DAVEY ON HORSE 10 16 15 05

226 22.20 MONTAGE EDITS BUSHRANGERS DAVEY 10 16 16 22 LEAD OWEN’S HORSE AWAY Do you think he’s dead? THEN BUSHRANGER AIMS BUT DOESN’T FIRE AS HE RIDES PAST DAVEY

227 3.09 WMS PROFILE DAVEY ON HORSE DAVEY 10 16 39 17 We can’t just leave him for the crows.

228 11.05 LA TILT MS MR. OWEN IN FG AS 10 16 43 01 DAVEY RIDES HORSE FROM BG TOW HIM

229 1.21 MS REV DAVEY DROPS INTO 10 16 54 06 SHOT FROM HORSE

230 2.19 LA TILT WMS DAVEY AT HORSE DAVEY 10 16 56 02 WITH MR. OWEN IN FG Is he breathing?

231 3.01 MCU REV DAVEY IN FG AS WMS 10 16 58 21 REV MR. OWEN COUGHS

232 4.16 LA TILT WMS DAVEY TIES DAVEY 10 17 01 22 HORSE TO TREE Here goes.

233 2.15 LA TILT WS DAVEY WALKS TO DAVEY 10 17 06 13 MR. OWEN IN FG Mr. Owen?

234 2.24 HA WMS MR. OWEN ROLLS OVER MR. OWEN 10 17 09 03 Davey?

235 4.06 LA TILT WMS DAVEY TURNS DAVEY 10 17 12 02 TOW BG Yes, sir?

MR. OWEN (OOS) What are you doing here?

DAVEY Doesn’t matter. I'll go get help.

236 1.06 HA WMS MR. OWEN MR. OWEN 10 17 16 08 You'll never make it.

237 2.11 LA TILT WMS DAVEY TURNS AND MR. OWEN (OOS) 10 17 17 14 MOVES TOW CAM I'll never ...

238 1.21 WMS MR. OWEN ON GROUND 10 17 20 00

239 4.03 LA TILT WMS DAVEY STEPS TOW DAVEY 10 17 21 21 CAM I've got Duchess here, sir.

240 3.02 HA WMS MR. OWEN ON GROUND 10 17 25 24

241 1.23 LA TILT MCU DAVEY 10 17 29 01

242 4.10 HA MCU REV DAVEY LEANS MR. OWEN 10 17 30 24 DOWN TO WMS MR. OWEN What a coincidence.

DAVEY She’ll carry you back to the farm.

243 1.21 LA TILT WS DAVEY PULLS AT DAVEY 10 17 35 09 MR. OWEN Get up.

MR. OWEN Oh no,

244 1.08 HA WMS MR. OWEN I can’t. 10 17 37 05

245 2.09 LA TILT MCU PROFILE DAVEY DAVEY 10 17 38 13 What do you mean, you can’t?

MR. OWEN (OOS) I'm done for.

246 1.23 HA WMS MR. OWEN ON GROUND 10 17 40 22

247 2.09 LA TILT WMS DAVEY KICKS OUT 10 17 42 20

248 2.15 MHA WMS MR. OWEN ON MR. OWEN 10 17 45 04 GROUND Oh, you little –

DAVEY (OOS) Do you want me

249 1.23 LA TILT WMS DAVEY to kick you again? 10 17 47 19

250 2.06 LA TILT WS DAVEY PULLS MR. DAVEY 10 17 49 17 OWEN UP TO SITTING Get up!

251 12.18 LA TILT WMS DAVEY HELPS MR. 10 17 51 23 OWEN TO HIS FEET THEN TO HORSE IN BG

252 10.00 WMS DAVEY TURNS MR. OWEN MR. OWEN 10 18 04 16 AROUND AND LIFTS HIS LEG Oh Davey, it’s no use. I'm done for.

DAVEY Don’t

253 2.21 HA WMS DAVEY PLACES FOOT say that! 10 18 14 16 INTO STIRRUP

254 2.04 WMS PROFILE MR. OWEN MR. OWEN 10 18 17 12 GRIMACES AT HORSE Good boy.

255 5.07 LA TILT WMS PROFILE DAVEY 10 18 19 16 PUSHES AT MR. OWEN AS HE MOUNTS HORSE

256 3.08 WMS DAVEY PLACES FOOT IN 10 18 24 23 STIRRUP

257 3.13 WMS DAVEY RUNS AROUND TO 10 18 28 06 REIN AND UNTIES FROM TREE

258 12.01 LA TILT WMS MR. OWEN ON DAVEY 10 18 31 19 HORSE AS DAVEY LEADS THEM Come on, Dutch. Mr. Owen, AWAY

>> SCENE 19 EXT DAY BUSHLAND

259 11.12 LA TILT WS DAVEY TAPS AT MR. wake up! Mr. Owen, Mr. Owen, wake up! Mr. 10 18 43 20 OWEN’S HAND Owen! I didn’t only steal Duchess, but I let all your sheep out too so I could sneak her away.

MR. OWEN Very resourceful.

260 8.19 LA TILT WIDE MLS DAVEY LEADS DAVEY 10 18 55 07 MR. OWEN ON HORSE TOW CAM Wake up, Mr. Owen. I had to do it, sir.

261 2.00 LA TILT WMS PROFILE DAVEY DAVEY 10 19 04 01 LEADS MR. OWEN ON HORSE I'd rather you sent me to the tannery

262 1.24 WMS DAVEY LEADS MR. OWEN and turned me into tallow than her. 10 19 06 01 ON HORSE TOW CAM

263 1.14 WMS PROFILE DAVEY LEADS MR. MR. OWEN 10 19 08 00 OWEN LEFT ON HORSE That can

264 6.14 LA TILT WMS MR. OWEN be arranged. 10 19 09 14

COLLAPSES ON HORSE AS DAVEY LEADS IT TOW CAM DAVEY I think we’re too late, Dutch.

265 5.23 WIDE MLS REV DAVEY LEADS 10 19 16 03 HORSE TOW BG WITH MR. OWEN SLUMPED

>> SCENE 20 EXT LATE AFTERNOON CREEK/MY PLACE HOUSE/OWEN HOUSE

266 40.00 MONTAGE EDITS DAVEY LEADS JOHN (OOS) 10 19 22 01 HORSE OVER CREEK THEN PAST Careful. Hold her there, Davey. Someone fetch a ALICE, SARAH AND MARYANN doctor. Careful. Careful, easy with him.

PAN RIGHT OVER EXTERIOR OF GEORGE OWEN HOUSE AS WOMAN EXITS Steady, steady. I've got you sir. WITH CANDLE THEN CAM PULLS BACK AS GEORGE PULLS MR. OWEN FROM HORSE AND DAVEY STANDS NEARBY

JOHN ENTERS SHOT AS GEORGE PULLS MR. OWEN FROM HORSE

267 2.24 LA TILT WMS GEORGE CARRIES 10 20 02 01 MR. OWEN OUT OF SHOT

268 2.15 LA TILT WMS JOHN TURNS AS JOHN 10 20 05 00 MR. OWEN IS CARRIED IN BG I'll deal with you in the morning.

269 4.05 WMS DAVEY AT HORSE JOHN (OOS) 10 20 07 15 Now get that blasted animal out of my sight.

270 1.19 WMS PROFILE JOHN TURNS 10 20 11 20 AWAY AS HAROLD AND RUPERT MOVE IN BG

271 7.23 WMS DAVEY TURNS AS GEORGE GEORGE 10 20 13 14 ENTERS SHOT TO HIM It’ll be alright, mate.

No it won’t, but thanks.

>> SCENE 21 INT NIGHT MY PLACE HOUSE

272 1.06 LA TILT WMS DAVEY AT TABLE DAVEY 10 20 21 12 WITH MCU REV SARAH IN FG Duchess will still go to the tannery

273 4.12 LA TILT WMS ALICE AND CU REV and the Owens will hand me over to the police. 10 20 22 18 DAVEY MUSIC 10 ENDS 10 20 23 14

SARAH They’d better not.

MARYANN (OOS) No,

274 1.02 ELEVATED WS MARYANN, Mr. John would never do that. 10 20 27 05 SARAH, DAVEY AND ALICE AT TABLE

275 1.06 LA TILT MCU ALICE LOOKS UP 10 20 28 07

276 0.24 LA TILT WMS SARAH AND CU 10 20 29 13 REV DAVEY

277 3.18 LA TILT MCU MARYANN AND CU MARYANN 10 20 30 12 PROFILE DAVEY He’d rather whip you himself.

ALICE (OOS) Maryann!

278 1.21 LA TILT MCU ALICE ALICE 10 20 34 05 You're not helping.

279 1.15 LA TILT MCU MARYANN AND CU ALICE (OOS) 10 20 36 01 PROFILE DAVEY Eat your dinner, Davey.

280 2.05 MCU REV SARAH AND WMS DAVEY 10 20 37 16 DAVEY I'm not hungry.

ALICE (OOS) Well you'll

281 0.23 LA TILT MCU ALICE never grow up to be a bushranger if 10 20 39 21

282 2.09 MS REV SARAH IN FG AS WMS you don’t eat up. 10 20 40 19 DAVEY STANDS DAVEY I don’t want to be a bushranger

283 5.08 ELEVATED WS DAVEY EXITS anymore. 10 20 43 03 FROM MARYANN, SARAH AND ALICE AT TABLE

>> SCENE 22 INT MORNING OWEN STABLES

284 2.19 LA TILT WMS PROFILE HAROLD 10 20 48 11 AND RUPERT DANGLE WHIP LEFT

285 5.04 HA WMS DAVEY WAKES AS RUPERT (OOS) 10 20 51 05 WHIP TICKLES HIS FACE You're in for it.

286 7.15 LA TILT WMS RUPERT AND HAROLD 10 20 56 09 HAROLD AS GEORGE ENTERS Thought we’d warn you. Give you a chance to run SHOT AND SNATCHES WHIP away again. FROM THEM GEORGE JOHN ENTERS STABLES Would you like another whip lesson, lads? DOORWAY IN BG HAROLD Is grandpa alright,

287 1.12 WMS RUPERT AND HAROLD father? 10 21 03 24

RUPERT We’ve been praying for him.

288 3.23 MCU REV HAROLD AND RUPERT JOHN 10 21 05 11 EXIT PAST WMS JOHN Go up to the big house. Your grandmother is waiting.

HAROLD Yes, father.

289 2.16 WMS DAVEY 10 21 09 09

290 1.08 LA TILT WMS PROFILE JOHN 10 21 12 00 HOLDING CROP

291 6.21 LA TILT WMS REV GEORGE JOHN 10 21 13 08 WALKS TO BG FROM DAVEY AND Mr. Owen Senior has made it through the night. JOHN Thanks, his words,

292 4.06 MHA WMS DAVEY WITH HORSE not mine, to your decisive action. Furthermore, 10 21 20 04 AT RIGHT

293 5.23 LA TILT WMS PROFILE JOHN he's given me instruction that Duchess is to 10 21 24 10 WITH GEORGE IN BG remain on the farm for the term of her

294 1.15 WMS DAVEY AND MS REV JOHN natural life. 10 21 30 08

295 1.19 WMS GEORGE SMILES AS JOHN JOHN 10 21 31 23 STANDS IN FG Your

MUSIC 11 BEGINS ... 24 SEC 10 21 32 21

296 1.06 MCU PROFILE DAVEY punishment 10 21 33 17

297 1.11 LA TILT WS RIDING CROP IN 10 21 34 23 HAND

298 1.10 MCU PROFILE DAVEY 10 21 36 09

299 2.14 ECU REV DAVEY AND LA TILT is to look after her. 10 21 37 19 MCU JOHN

300 1.11 LA TILT MCU PROFILE DAVEY JOHN (OOS) 10 21 40 08 Feeding,

301 1.21 WMS GEORGE WITH JOHN IN FG grooming, exercising her daily. 10 21 41 19

302 3.19 LA TILT MCU PROFILE DAVEY DAVEY 10 21 43 15 As you wish, sir.

JOHN (OOS) It’s as Mr. Owen wishes. For

303 6.11 LA TILT ECU REV DAVEY AND myself, I will make absolutely certain you receive 10 21 47 09 MCU JOHN not one penny for your labours. The money shall go towards maintaining

304 2.14 LA TILT MCU PROFILE DAVEY that useless animal. 10 21 53 20

DAVEY Yes, sir.

305 1.23 LA TILT ECU REV DAVEY AS MCU 10 21 56 09 JOHN TURNS AWAY MUSIC 11 ENDS 10 21 56 12

306 6.15 MONTAGE EDITS LA TILT MS REV 10 21 58 07 DAVEY MOVES BEHIND JOHN AS HE EXITS STABLES MUSIC 12 BEGINS ... 12 SEC 10 21 59 16

307 0.24 LA TILT WMS REV JOHN TURNS 10 22 04 22 TO MS REV DAVEY

308 2.03 MHA WMS DAVEY AND MS REV JOHN 10 22 05 21 JOHN I hope you realise

308 2.00 LA TILT WMS REV DAVEY AND how close you came to a flogging. 10 22 07 24 WMS JOHN

310 1.22 WMS DAVEY AND MS REV JOHN 10 22 09 24

MUSIC 12 ENDS 10 22 11 07

311 2.08 LA TILT WMS REV DAVEY IN FG 10 22 11 21

AS JOHN EXITS SHOT

>> SCENE 23 INT/EXT DAY OWEN STABLES

312 20.23 MONTAGE EDITS DAVEY AND DAVEY (VOICEOVER) 10 22 14 04 GEORGE SMILE THEN DAVEY So what if I'm still Davey the stable boy, not RUNS FROM STABLE AND Davey the bushranger? CRACKS WHIP 10 22 23 24 MUSIC 13 BEGINS ... 37 SEC

DAVEY Yeah!

>> SCENE 24 EXT AFTERNOON BIG TREE

313 3.24 ZOOM IN ON LA TILT WS LEAVES DAVEY (VOICEOVER) 10 22 35 02 IN TREE I saved

314 21.00 HA WS DAVEY LAYING ON my horse, saved myself from a flogging, even 10 22 39 01 HORSE WITH MARYANN NEARBY saved an Owen from the crows. The way I see it, AND ALICE IN BG THEN SLOW only the crows missed out. ZOOM IN ON DAVEY AS HE SMILES THEN FADE TO BLACK MUSIC 14 BEGINS ... 59 SEC 10 22 58 17

315 45.21 END CREDITS RUN OVER BLACK 10 23 00 01 BG MUSIC 13 ENDS 10 23 00 22

Directed by RACHEL WARD

Written by JOHN ALSOP

Produced by PENNY CHAPMAN

Co-Producer HELEN PANCKHURST

Executive Producers BERNADETTE O'MAHONY SIMON HOPKINSON

Script Producer JOHN ALSOP

Line Producer MICHELLE RUSSELL

Casting Directors GREG APPS DANNY LONG

Director Of Photography MARTIN McGRATH ACS

Film Editor HENRY DANGAR ASE

Composer ROGER MASON

Production Designer FELICITY ABBOTT

Costume Designer XANTHE HEUBEL

Hair & Make-Up Designer REBECCA TAYLOR

History & Story Consultant NADIA WHEATLEY

Davey JOSEPH IRELAND

Rupert KARL ELBOURNE

Harold JEREMY PENNINGS

George DEREK WALKER

Mr. John Owen STEPHEN ANDERTON

Mr Owen BEN OXENBOULD

Alice KATE BELL

Sarah ALEXANDRA SCHEPISI

Maryann MATILDA BROWN

Mrs Owen KATE MULVANY

Bushranger JOSH MESSINA

Trooper GRAHAM WARE SNR

Davey Riding Double JAYDEN BLACKNER

Production Coordinator CASSANDRA SIMPSON

Assistant Prod.. Coordinator JONATHAN KENNERLY

Production Secretary MICHAEL HORVATH

Production Runners HENRY DOWNES TOM JACKSON

Extras Casting ALANNA PERRY

Dramaturg MELISSA BRUDER

Casting/Producer's Assistant KATHLEEN TAN

Production Accountant JAMES BRAMLEY

Assistant Accountant TU NHI LAM

Locations PETER LAWLESS

Location Coordinator

ADAM JESSER

1st Assistant Director TONY GILBERT

2nd Assistant Director EMMA JAMVOLD

3rd Assistant Director CHRIS EVANS

Script Supervisor MELINA BURNS

Camera Operator/ Steadicam SIMON HARDING

Focus Pullers WEI-CHING CHONG JOSIE NAGEL

Clapper Loader PATRICK SHORT

Video Split Operator KYLE MATHIS

Gaffer BEN DUGARD

Best Boy Electrics RICHARD MASON

Third Electrics CHRIS FOLLETT

Key Grip CRAIG '"JACKO'" JACKSON

Best Boy Grip AARON RAPIRA

Sound Recordist MARK BLACKWELL

Boom Operator MANEL LOPEZ

Sound Assistant NATHAN FARROW

Art Director SOPHIE NASH

Art Dept Coordinator COLETTE BIRRELL

Set Decorator TANIA EINBERG

Property Master PETER MALATESTA

Props Buyer/Set Dresser ELOISE STUART

Set Dresser FOSTER

On Set Dresser MARK HARMAN

Standby Props ANTHONY McNEIL

Draughtsman SIMON ELSLEY

Art Dept Runner ARCHER COX

Art Dept Attachments CARLY GLOVER CATHERINE SIMMONS

Construction Manager SEAN AHERN

Head Scenic Artist MATT CONNORS

Head Greensman JACK ELLIOTT

Armourer TONY GARLAND

Costume Supervisor ALISON PARKER

Assistant Costume Designer MARK CAMPBELL

Costume Buyer KATE ABERCROMBY

Costume Standby BERNADETTE CROFT

Costume Assistant LEAH GIBLIN

Art Finisher NATALIE BRACHER

Costume Cutter LEONIE GRACE COSTUMES

Hair & Make-up Artists CATHERINE BIGGS ALEXANDRA SCOTT

Unit Manager TIC CARROLL

Unit Assistant Manager AYA GERAHTY

Unit Assistants ANDREW PLAYFORD TIM DICKSON

Safety Supervisors RICHARD BOUE JONNY HALLYDAY DEAN GOULD

Unit Nurse PATSY BUCHAN

Head Horse/Animal Wrangler GRAHAME WARE JNR

Horse Wranglers GRAHAME WARE SNR TREVOR NIASS

Caterer REZA MOKHTAR

Camera Equipment LEMAC

Production Lawyers TRESSCOX LAWYERS CLARE MIRABELLO

Business Affairs Coordinator CECILIA RITCHIE

Production Insurance H.W. WOOD

Completion Bond FACB

Post Supervisor DAVID BIRRELL

1st Assistant Editor JOHN COLE

2nd Assistant Editor HANNAH CARROLL CHAPMAN

Titles Design ROCHELLE OSHLACK CATHIE BROUGHTON STUART CADZOW FSMN

Edited at SPECTRUM FILMS

HD Post Production FSM

FSM Producer PAULINE PIPER

Conform Editors DAVID BIRRELL BEN BROAD

Colourist TRISTAN LA FONTAINE

Online Editor HEATHER GALVIN

Sound Facility

Dialogue Editor PETER HALL

Sound Effects Editor LYNNE BUTLER

ADR & Foley Recordist IAN DONATO

Foley Artist NATALIE CHOO

Mixer MICHOL MARSH

Music Orchestrated & Arranged by ROGER MASON

Violin MARCUS HOLDEN

Cello MIRANDA KLEIN

Flutes PAUL JARMAN

Music Recorded & Mixed at COLLYWOOD STUDIOS

Stills Photographer MARK ROGERS

EPK Director ALEX SERAFINI

Director’s Attachment SOPHIE MILLER

Timescape Stills Photographer LUKE STAMBOULIAH

My Place Timescape BLUE ROCKET PRODUCTIONS

Produced with the assistance of the City of Sydney

Special thanks to Hero Frock Hire, Old Sydney Town Historic Houses Trust, AFTRS Carla de Jong, Tim Brooke-Hunt, Jenny Buckland

316 2.07 FADE UP FROM BLACK TO LOGO Developed and produced in association with the 10 23 45 22 BOARD OVER BLACK BG Australian Broadcasting Corporation

[LOGO] ABC 3

317 2.07 FADE UP FROM BLACK TO LOGO Developed with the assistance of 10 23 48 04 BOARD OVER BLACK BG and distributed by the Australian Children’s Television Foundation

[LOGO] AUSTRALIAN CHILDREN’S TELEVISION FOUNDATION

318 2.07 FADE UP FROM BLACK TO LOGO Produced with assistance from 10 23 50 11 BOARD OVER BLACK BG Screen Tasmania

[LOGO] Tasmania Explore the possibilities

[LOGO] screen Tasmania

319 2.07 FADE UP FROM BLACK TO LOGO Developed and produced with assistance from 10 23 52 18 BOARD OVER BLACK BG [LOGO] NSW GOVERNMENT

[LOGO] SCREENNSW

320 2.07 FADE UP FROM BLACK TO LOGO Principal Investor 10 23 55 00 BOARD OVER BLACK BG [LOGO] Australian Government

[LOGO]

SCREEN AUSTRALIA

ISAN 0000-0002-291F-0013-S-0000-0000-R

322 32582.22 THEN FADE TO BLACK MUSIC 14 ENDS 10 24 00 00

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