August Strindberg

     .

  Er.    ------       .            .             .        MIG - II A 287 (VUDA Colony), Vinayak Nagar ,  PEDA GANTYADA (PO), Visakhapatnam-530 044  Res. Ph. (0891) 2516758.Cell No. 934 72 688 60  .       .  (Experimental Theatre Centre)    .    Er.   

 Er.  AUGUST STRINDBERG JEAN GIRAUDOUX OSCAR WILDE JOHN MILLINTON SYNGE MAXIM GORKY JOHN GALSWORTHY JEAN-PAUL SARTRE EMILE ZOLA GOGOL, NIKOLAI KONSTANTIN STANISLAVSKY ADOLPHE APPIA GORDON CRAIG JACQUES COPEAUE MAX REINHARDT LEOPOLD JESSNER MEYERHOLD ALEXANDER TAIROV ERWIN PISCATOR EUGENE VAKHTANGOV ANTONIN ARTAUD NIKOLAI OKHLOPKOV JERZY GROTOWSKI     AUGUST STRINDBERG   AUGUST STRINDBERG   EXPRESSIONISM  .        .  UPSALA UNIVERSITY        STOCKHOLM.       XVKING CHARLES XV      1) & 2) (THE DANCE OF DEATH) BY A. STRINDBERG

   . . EXPRESSIONISM THE FATHERMISS JULIE CREDITORSTHE DREAM PLAY THE GHOST SONATA .         THE FREETHINKER(1870)THE OUTLAW(1871)THE SE- CRET OF THE GUILD(1880) IN THE YEAR FORTY-EIGHT (1881) SIR BENGT'S WIFE(1882)THE WANDERINGS OF LUCKY PER(1882) THE STRONGER(1889)- with only one speaking part.COMRADES(1886- 7)PARIA(1890)SAMUM(1890)THE KEYS TO THE KINGDOM OF HEAVEN(1892)FACING DEATHTHE FIRST WARNINGDEBET OCH  1) THE DREAM PLAY

KREDITMOTHER-LOVEDAS BANDDAS SPIEL MIT DEM FEUER 1892-3  THE FOLKUNG'S SAGA (1899)GUSTAF VASA (1899)ERIK XIV (1899)GUSTAV ADOLF(1900)EASTER(1901)CARL XII(1902)THE BRIDE WITH THE CROWN (1902) SWANWHITE (1902) ENGELBREKT(1901)KRISTINA(1903)KRISTINA (1903)GUSTAV III (1903) THE NIGHTINGALE OF WITTENBERG (1903) THE THUNNDERSTORM (1907) THE SITE OF THE BURNT HOUSE (1907)THE SPOOK SONOTA(1907)PELIKANEN(1907)THE LAST KNIGHT(1908)THE SLIPPERS OF ABU CASEM(1908)THE REGENT (1909)THE EARL OF BJALBO(1909)THE BLACK GLOVE(1909) THE GREAT HIGHWAY(1909)   .  TO DAM- ASCUS.  1) DANCE OF DEATH 2) THE DREAM PLAY

.    THE DANCE OF DEATH1901 THE DREAM PLAY  .         .  IN 1907 STRINDBERG, TOGETHER WITH AUGUST FALCK, FOUNDED THE FAMOUS "INTIMATE THEATER" (A SMALL THE- ATER) IN STOCKHOLM. THIS BROUGHT THE INDEPENDENT THE- ATER MOVEMENT TO SWEDEN AND PRODUCED HIS INTENSE AND OFTEN SYMBOLIC SERIES OF "CHAMBER PLAYS", INCLUDING "THE GHOST SOMATA"(1907), AND "THE PELICAN"(1907). HE HAD BECOME NOT ONLY THE MOST SIGNIFICANT LITERERY AND THE- ATRICAL FIGURE IN SWEDISH HISTORY, BUT ALSO A MAJOR IN- FLUENCE ON THE COURSE OF MODERN DRAMA. 

End of Preview. Rest of the book can be read @ http://kinige.com/book/Paschatya+Nataka+ Pramukhulu

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