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Phillip J. Pirages PHILLIP J. PIRAGES Catalogue 78 N e w A c q u i s i t i o N s Catalogue 78 Items Pictured on the Back Cover Items Pictured on the Front Cover Phillip J. Pirages 40 7 62 148 122 177 166 35 13 37 191 230 219 222 169 37 37 89 222 180 190 PHILLIP J. PIRAGES 172 162 Catalogue 78 N e w A c q u i s i t i o N s 23 Catalogue 78 174 37 39 131 40 176 179 77 Navigation Tips We invite you to scroll down page by page and view every item in Catalogue 77, just as you might if you were turning the pages of one of our printed catalogues. To make for easy browsing and reading, you can use the “+” and “-“ signs in the toolbar above the text to zoom in and out. To help you jump around the catalogue, we have created bookmarks that you can activate on the left-hand side of your screen (see the visual instructions below for how to activate the bookmarks). Once the bookmarks are activated, simply click on the bookmark to go to the section or item that is indicated. Additional Instructions: • Click on an image of any image on the main cover and you will be taken to that item in the catalogue • Click on hyperlinks (blue underlined text in the key, indexes, and cross-references) to go to the indicated item in the catalogue • In the text, click on an item image or the large red item number to open that item in your web browser to find additional images and a link to purchase. You can access these bookmarks in one of two ways. The easiest way is to click on the bookmark icon on the left-hand side of the screen. If that icon isn’t visible, you can also open the bookmark toolbar through the View menu (see pictures below). Option 1: Click on this icon to view the bookmarks ________ page vi Option 2: Go to View > Show/Hide > Navigation Panes > Bookmarks Here’s what it will look like when the bookmarks are displayed: ________ page vii PHILLIP J. PIRAGES Fine Books and Manuscripts 1709 NE 27th Street, Suite G McMinnville, OR 97128 P: (503) 472-0476 Toll Free: (800) 962-6666 F: (503) 472-5029 [email protected] www.pirages.com Catalogue 78: New Acquisitions Table of Contents (References are to entry numbers) (Click on the Section numbers to jump directly to that section) I. Medieval Manuscript Material 1-34 II. Complete Manuscripts - Medieval to Modern 35-41 III. Incunabula 42-57 IV. Printed Leaves 58-121 V. Books Printed Before 1800 122-162 VI. Books Printed from 1800 to the Present 163-230 Please send orders and inquiries to the above physical or electronic addresses, and do not hesitate to telephone at any time. We would be happy to have you visit us, but please make an appointment so that we are sure to be here. In addition, our website is always open. Prices are in American dollars. Shipping costs are extra. We try to build trust by offering fine quality items and by striving for precision of description because we want you to feel that you can buy from us with confidence. As part of this effort, we want you to understand that your satisfaction is unconditionally guaranteed. If you buy an item from us and are not satisfied with it, you may return it within 30 days of receipt for a refund, so long as the item has not been damaged. Most of the text of this catalogue was written by Cokie Anderson and Kaitlin Manning. Jill Mann is responsible for the photographs and layout. Essential administrative support has been provided by Tammy Opheim and Jill Mann. We are pleased and grateful when you pass on our catalogue to somebody else and when you let us know of other parties to whom we might send our publications. And we are, of course, always happy to discuss fine and interesting items that we might purchase. ________ page 1 In Memory of Dr. Edwin C. Hall Some of the books and leaves in this catalogue come from the collection of Dr. Edwin C. Hall, formerly Professor of Medieval History at Wayne State University and a longtime collector of early printing and illuminated manuscript material. From the time Ed first walked into my booth (at the Detroit Book Fair in the fall of 1978), he became my greatest benefactor, exerting a uniquely enduring and profound influence on my business. One risks overstatement when using unqualified characterizations, but Ed Hall seemed to know virtually everything about anything of importance that happened in Western Europe before the year 1700. At a time before Wikipedia, I was frequently on the telephone asking Ed about a very wide range of subjects—practices in early scriptoria, the various forms of service books in the medieval Catholic liturgy, how to express accurately the spread of certain kinds of neumes in musical manuscripts, what a difficult-to-read conventical inscription at the opening of a volume might say and where it originated, and so on. As a result, my catalogues, even the early ones, sounded as if they were written by a learned person. Ed was a very quiet man, but in his field of art history, he established a notable reputation for innovative and impeccable research and interpretation, perhaps best seen in his handsome 1994 book, The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck’s Double Portrait. This work provided a radical new reading of the painter’s depiction that he was able to document with exacting historical research. The book is now required reading for any advanced student of art history. As a scholar of early printing, Ed wrote an extremely valuable extended study of the first printers outside of Germany, as part of a project we conceived together. We used his account as the centerpiece for a leaf book entitled, Sweynheym & Pannartz and the Origins of Printing in Italy: German Technology and Italian Humanism in Renaissance Rome, which was printed by Henry Morris at the Bird & Bull Press and issued in 1991. Ed Hall, a man of great brilliance and kindness, of cultured grace and sympathy, died at 92 in October. ________ page 2 A Partial Index of Topics (References are to entry numbers) Click on the entry number to jump directly to that item in the catalogue. Americana and 123, 158, 162, 191, 192, Illuminated Manuscripts, 38-41 Early American Imprints 208, 213 Modern Art & Architecture 124, 160, 176 Leaf Books 60 Artist’s Books 190 Magic, Occult, and 47, 143, 161 Pseudo-science Bibles 57, 58, 81, 186, 201 Manuscripts, Complete 35-41 Bindings, Fine & Historic 52, 127, 128-31, 140, 142, 145, 146, 154, 157, Manuscript Leaves with 14, 16-30, 32-34 163-90, 197, 198, 202- Miniatures or Historiation 205, 207, 210-12, 218, 220, 222, 225, 226 Medicine 148, 151-53, 199, 214, 229 Bindings, Finely Bound Sets 208 Military & Naval 133, 160, 162, 228 Biography & Memoir 171, 207, 208, 226 Miniature Books 218 Books on Books & Reference 149, 157, 173, 174, 188 Modern First Editions 163, 219, 230 Botanicals, Herbals, 107, 116-21, 199 Flowers, & Gardening Music 127 Children’s Books 195, 196 Natural History 180, 202, 220 Classics, Greek & Roman 67, 92, 103, 122, 125, Orientalia 170 133, 218 Post-Incunables (1501-20) 122, 128, 154-57 Color Illustrated/Color Plates 193-200, 222, 223 Printers, Historically 43-45, 58-59, 61-63, 66, Continental Books 126, 127, 139, 161 Important 67, 69, 72, 73, 78, 81, before 1600 102, 108, 110, 111, 122, 125, 140, 168, 218 Costumes, Fashion, 136, 137, 194-97 & Grooming Private Press Books 165, 172, 177, 185, 201, 205, 206, 213, 216 Education 138, 139, 195, 196 Reformation, English: 147, 159 Emblem Books 134, 141 STC & Wing Books 110, 135, 137, 138, 147, Engravings, 133, 134, 136, 141, 142, 151-53, 158, 159 Books with Important 145, 190, 198, 215, 216, 224 Travel, Scenery, & 123, 195, 196, 213 Cartography Extra-Illustrated Books 142, 171, 181, 207, 208 Vellum, Books Printed on 112, 115, 222-26 Facsimiles 57 Women, Books by, about, 144, 169, 171, 196, 206, Fine Press (after 1945) 148, 164, 169, 190, 215, or relating to 210, 215, 219, 221, 223, 221, 222, 226 228-30 Fore-edge Paintings 144, 175, 176, 209-12 Woodcuts, Books with 78, 85, 86, 88, 89, 93- Important 107, 109, 111, 113, 155, 161, 180, 201, 221 ________ page 3 Index of Authors (References are to entry numbers) Click on the entry number to jump directly to that item in the catalogue. Adams, Jeremy Duqesnay 60 Cooper, James Fenimore 228 Aesop 86, 97 Costa, Stephanus 98 Alken, Henry Thomas 194 Cotton, Charles 168 Anslijn, Nicolaas 200 Cowper, William 210 Antoninus Florentinus 43 Crapper, Edith Bertha (Illus.) 39 Arndt, Johann 131 Crescentiis, Petrus de 65 Augustine of Hippo, St. 50, 59, 62, 63 Cunningham, Peter 172 Bacon, Sir Francis 184 Currie, Miss C. B. (Painter) 211 Baltus (Illus.) 216 Dante Alighieri 100 Bartolus de Saxoferrato 64 Darwin, Charles 203 Bede, the Venerable 126 Dassoucy (Pseud.) 140 Berchorius 74 Dawson, Captain Francis 163 Binyon, Laurence 166 Dickens, Charles 204, 205 Blackwell, Dr. Elizabeth 229 Drake, Samuel G. 208 Blégny, Nicolas 153 Duranti, Guillelmus 75, 82 Boccaccio, Giovanni 169 Eike von Repgow 87 Boileau, Jacques 137 Eusebius Caesariensis 79 Boniface VIII, Pope 19 Firmicus Maternus, Julius 111 Bote, Konrad 102 Florus 125 Bowdler, Miss Jane 144 Florus of Lyon 5 Bowdler, Thomas 211 Fludd, Robert 143 Brant, Sebastian 109 Fréart de Chambray, Roland 124 Breydenbach, Bernhard von 91 Gebhart, Émile 41 Bridges, Robert 190 Goldsmith, Oliver 146, 185 Brontë, Emily 216 Guillaume de Digulleville 114 Bullot, Maximilien 136 Hebel, Johann Peter 170 Burns, Robert 132 Heylot, Pierre 136 Busti, Bernardinus de 55 Hieronymous 60, 69, 88, 105, 106 Caesar, Gaius Julius 133 Hobson, G.
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