TED" Story by Seth Macfarlane Screenplay by Seth Macfarlane and Alec Sulkin & Wellesley Wild
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Activision Publishing and Twentieth Century Fox Consumer Products Family Guy: Back to the Multiverse in Retail Stores Today
Activision Publishing And Twentieth Century Fox Consumer Products Family Guy: Back To The Multiverse In Retail Stores Today MINNEAPOLIS, Nov. 20, 2012 /PRNewswire/ -- Universes are about to collide as Activision Publishing, Inc., a wholly owned subsidiary of Activision Blizzard, Inc. (NASDAQ: ATVI), and Twentieth Century Fox Consumer Products announced today that Family Guy: Back to the Multiverse is now available at retail outlets nationwide. The console video game takes the source material from the Family Guy series, including its hilarious sense of humor and outrageous spirit, to offer fans an unforgettable, interactive third-person action experience. Family Guy: Back to the Multiverse introduces an all-new original story written and voiced by Family Guy talent and influenced by the famous Family Guy season eight episode, "Road to the Multiverse", where Stewie and Brian travel on an out- of-this-world journey through Quahog's bizarre parallel universes. Gamers will travel through all-new settings on a mission to save Quahog and stop the destructive schemes of Bertram, Stewie's nemesis. Playing as either Stewie or Brian, each equipped with unique special weapons and abilities, gamers will encounter an array of Family Guy characters, references and gut-busting jokes. Additionally, fans can share this hilarious experience and invite friends and family to jump into the wild Family Guy world through drop-in/drop-out co-op multiplayer mode and competitive multiplayer challenges. Family Guy: Back to the Multiverse is now available for the Xbox 360® video game and entertainment system from Microsoft and PlayStation®3 computer entertainment system for a suggested retail price of $59.99, and is rated M (Mature) by the ESRB. -
The Court of International Trade Holds Fantasy Toys Eligible for Duty-Free Status Under the Generalized System of Preferences
NORTH CAROLINA JOURNAL OF INTERNATIONAL LAW Volume 13 Number 2 Article 10 Spring 1988 How E.T. Got through Customs: The Court of International Trade Holds Fantasy Toys Eligible for Duty-Free Status under the Generalized System of Preferences Patti L. Holt Follow this and additional works at: https://scholarship.law.unc.edu/ncilj Part of the Commercial Law Commons, and the International Law Commons Recommended Citation Patti L. Holt, How E.T. Got through Customs: The Court of International Trade Holds Fantasy Toys Eligible for Duty-Free Status under the Generalized System of Preferences, 13 N.C. J. INT'L L. 387 (1988). Available at: https://scholarship.law.unc.edu/ncilj/vol13/iss2/10 This Note is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of International Law by an authorized editor of Carolina Law Scholarship Repository. For more information, please contact [email protected]. How E.T. Got Through Customs: The Court of International Trade Holds Fantasy Toys Eligible for Duty-Free Status Under the Generalized System of Preferences E.T., the extraterrestrial character in the Stephen Spielberg movie of the same name, I recently appeared in a new role as the star of an international trade case. The plot involved the economic de- velopment of third world countries and the growing importance of the United States as the world's biggest consumer of stuffed toys. In order to advance both of these interests, the Court of International Trade (CIT) overruled previous trade cases and redefined a tariff classification in order to allow stuffed figures of E.T. -
Ted 2 – Pressbook Italiano
Ted 2 – pressbook italiano 1 Ted 2 – pressbook italiano UNIVERSAL PICTURES e MRC Presentano Una Produzione FUZZY DOOR / BLUEGRASS FILMS Un film di SETH MACFARLANE MARK WAHLBERG, SETH MACFARLANE, AMANDA SEYFRIED in con GIOVANNI RIBISI, JOHN SLATTERY, JESSICA BARTH e MORGAN FREEMAN Sceneggiatura di SETH MACFARLANE & ALEC SULKIN & WELLESLEY WILD Prodotto da SCOTT STUBER SETH MACFARLANE JASON CLARK JOHN JACOBS Produttori Esecutivi ALEC SULKIN e WELLESLEY WILD Direttore della Fotografia MICHAEL BARRETT Uscita Italiana: 25 Giugno 2015 Durata del Film: 119 minuti Il materiale fotografico è disponibile sul sito www.upimedia.com http://www.ted2-ilfilm.it/ twitter.com/TedRiviene Facebook: https://www.facebook.com/tedilfilm Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Simone Raineri – [email protected] 2 Ted 2 – pressbook italiano Note di Produzione Nel 2012 un adorabile - seppur incredibilmente sboccato - orsacchiotto ha avuto un successo travolgente in tutto il mondo. Dietro l’aspetto del classico e dolce peluche, ha mostrato una spavalderia senza pari ed un umorismo con espliciti riferimenti alla droga e al sesso, diventando l’indiscusso protagonista che ha catapultato la small comedy della Universal Pictures e Media Right Capital incentrata su un tipo vizioso ed il suo miglior amico, in cima alla classifica dei più alti incassi di una commedia vietata ai minori di tutti i tempi. Quest’ estate, SETH MACFARLANE torna in veste di autore, regista e protagonista vocale in Ted 2, il follow-up del film campione d’incassi che ha lanciato la carriera dell’orsacchiotto più scandaloso del mondo. -
1.1 Background of the Study
CHAPTER 1 INTRODUCTION This chapter presents the background of the study, the research problem, the purpose of the study, scope and limitation, and also the definition of key terms. 1.1 Background of the Study Language, a framework of ordinary talked, manual, or composed images by implies of which human creatures, as individuals of a social bunch and members in its culture, express themselves. By utilizing the language, individuals could pass on their thought, their excitement, and all kind of the emotions (Wardhaugh, 2006). The capacities of the language incorporating with communication, the expression of personality, inventive expression, and enthusiastic discharge with others. Each person or a gather individuals has differentiating way and language utilize in their everyday discussion. The distant foundation such a social structures and an environment make them diverse with each other. In contempt of they have a few contrast class structure and atmosphere, English as an worldwide dialect acts joining together dialect between nations. English gets to be one of the foremost basic dialects to be examined as numerous magazines, song, objective books, novel, and indeed motion pictures are all design in English. The basic highlights that could be learned in English is about Sociolinguistics. How the language can influence the social perspective. Viewpoints that are included such as social standards, suspicions, setting, how the dialects is utilized, what are the feedbacks of the language within the society. The concerned of the sociolinguistics which are exploring the trade between the language and society with the objective being an improved understanding of the structure and how the language obligation in communication achieve the proportionate objective within the human science, beside attempting tp recognize how the social structures can be superior caught on throught the 1 study about language, how the exact phonetic highlight serve to characterize specific social arrangements (Wardhaugh, 2006). -
108 Kansas History “Facing This Vast Hardness”: the Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film
Premiere of Dark Command, Lawrence, 1940. Courtesy of the Douglas County Historical Society, Watkins Museum of History, Lawrence, Kansas. Kansas History: A Journal of the Central Plains 38 (Summer 2015): 108–135 108 Kansas History “Facing This Vast Hardness”: The Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film edited and introduced by Thomas Prasch ut the great fact was the land itself which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy’s mouth had become so “ bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness” (Willa Cather, O Pioneers! [1913], p. 15): so the young boy Emil, looking out at twilight from the wagon that bears him backB to his homestead, sees the prairie landscape with which his family, like all the pioneers scattered in its vastness, must grapple. And in that contest between humanity and land, the land often triumphed, driving would-be settlers off, or into madness. Indeed, madness haunts the pages of Cather’s tale, from the quirks of “Crazy Ivar” to the insanity that leads Frank Shabata down the road to murder and prison. “Prairie madness”: the idea haunts the literature and memoirs of the early Great Plains settlers, returns with a vengeance during the Dust Bowl 1930s, and surfaces with striking regularity even in recent writing of and about the plains. -
PAUL Mccartney Auf Neuem CLAPTON-Album
Montag, 22. April 2013 Auch telefonische Info und Bestellung ist möglich: Di. - So. tagsüber Ab 50,00 Euro Bestellwert übernehmen wir die Portokosten. 22. April - IT WAS MANY YEARS AGO TODAY: Dienstag, 22. April 1969: Namensänderung von JOHN WINSTON LENNON in JOHN WINSTON ONO LENNON auf Apple-Haus-Dach. Freitag, 22. April 1977: BEATLES-LP LIVE AT THE STAR CLUB IN HAMBURG, GERMANY 1962 in West-Deutschland. Freitag, 22. April 1977: PERCY „THRILLS“ THRILLINGTON alias PAUL McCARTNEY-Single UNCLE ALBERT-ADMIRAL HALSEY in England. Dienstag, 22. April 2003: RINGO STARR-Album RINGO RAMA in Europa und USA. Hallo M.B.M., hallo BEATLES-Fan! PAUL McCARTNEY auf neuem CLAPTON-Album: Dienstag, 12. März 2013: Doppel-LP (180 Gramm) mit Download Card OLD SOCK. 29,90 € Brushbranch Records (Produktion) und Surfdog Records (Vertrieb) 1-18016, USA. Freitag, 22. März 2013: CD OLD SOCK. 15,90 € Universal Records 3733098, Europa. LP 1, Seite 1: CD: Track 1: Eric Clapton: Further On Down The Road. Track 2: Eric Clapton & J. J. Cale: Angel. Track 3: Eric Clapton: The Folks Who Live On The Hill. LP 1, Seite 2: CD (Fortsetzung): Track 4: Eric Clapton & Chaka Khan: Gotta Get Over. Track 5: Eric Clapton: Till Your Well Runs Dry. Track 6: ERIC CLAPTON & PAUL McCARTNEY (Gesang, Bassgitarre): All Of Me (3:22). LP 2, Seite 1: CD (Fortsetzung): Track 7: Eric Clapton: Born To Lose. Track 8: Eric Clapton & Steve Winwood: Still Got The Blues. Track 9: Eric Clapton: Goodnight Irene. LP 2, Seite 2: CD (Fortsetzung): Track 10: Eric Clapton: Your One and Only Man. -
LICENSING: from Tae-Bo to Teddy Ruxpin
LICENSING: From Tae-Bo to Teddy Ruxpin Many ideas grow better when transplanted into another mind than in the one where they sprang up. -Oliver Wendell Holmes, Sr. Developer of the stereoscope and American writer LENDING: HOW TO BECOME A LICENSOR Becoming an inventor or licensor is the lowest-cost and least time-intensive method of becoming an entrepreneur, but it also has the lowest percentage return. In a typical licensing agreement, the inventor will receive 3-10% of the wholesale price of his product and may or may not receive an advance against royalties (cash upfront) or minimum guarantees1. There are quite a few successful examples that still make this worth the effort. Remember Tae-Bo? It seemed to come out of nowhere to the mainstream, but Billy Blanks had taught it in his Los Angeles studio for more than a decade before Thane Direct licensed it and sold more than $500-million worth of video tapes. Even at the more typical 2-4% for informercial products, how did Billy’s royalties look? Quite outstanding for a few days of filming the videos and commercials. Let Thane do the leg work and cash checks. Let’s use another example to take a closer look at the math, which can get a bit fuzzy (as can the products). Teddy Ruxpin was the first commercially-available animatronic teddy bear. It was invented by Ken Forsse, Larry Larsen and John Davies, but it was licensed to a small company called Worlds of Wonder (WOW) who brought it to market in 1985. Let’s calculate, using invented but not unrealistic numbers, how these three inventors might have done: Retail price: $50 US Wholesale price (the price that stores paid to WOW before reselling the product to end users): $30 US (40% discount) Per unit royalty: $1.50 (5% of the wholesale price) Copyright © 2007 Timothy Ferriss Royalties from 600,000 units pre-sold in 19852 $ 900,000 Royalties from 7MM units3 total sold $10,500,000 Not bad for a robotic bear. -
Area Lends Helpful Hand to the Needy
86 .- - 4, AkL{WL: IN NEARLY EVERY church during the Christmas season special musical programs TfA (iawHOn Library) ~~~~~ highlight services. One of them was presented Sunday evening at the Trinity United Springport, MI 49284 ’ Methodist Church, Cass City. Performing were the combined choirs of Trinity and Salem ’ Methodist Churches. CASS CITY CHRONICLE Twenty-fivecents SECTION 1, PAGES 1-14 26 PAGES PLUS 2 SUPPLEMENTS VOLUME 79 NUMBER 37 CASS CITY, MICHlGAN -TUESDAY, DECEMBER 24,1985 - I. .-.~-----_“I Village Briefs die in Mm46crash petitions filed 2 teens injured in d BULLETIN: Tom Herron announced Monday that he is withdrawing from the race For village president. Hesaid stolen car cra Sh that he entered because as a property owner and Two 16-year-old Decker onto the road surface, and youth told Wilson he was byBrief Pamela and hisJ. Stadler.wife, Nellie, businessman he has a sub- youths were injured when a struck an eastbound Road told the vehicle was the stantial interest in seeing stolen vehicle they were in Commission truck. other youth’s sister’s car. Cass City prosper, collided with a Tuscola MyronDriver A. ofFisher, the 48,truck, 7224 The information has been 70, were killed in the acci- However, after his pti- County Road Commission turned over to the Tuscola dent. Stadler, 19,204 W.Col- tions were submitted he said snow plow truck Thursday Daus Rd., Cass City, said County Probate Court for a umbia Rd., Pontiac, and many persons told him that at 10:45 a.m. he saw the vehicle ap- decision. passenger Tara Flores, 3, they thought that hrryDavis proaching, and moved to The police report states COUPLE KILLED 93 E. -
A Million Ways to Die in the West
1 A Million Ways to Die in the West A review by Garry Victor Hill A Million Ways to Die in the West. Produced by Seth MacFarlane, Scott Stuber and Jason Clarke. Directed by Seth MacFarlane. Screenplay by Seth MacFarlane, Alec Sulkin and Wellesley Wild. Photography by Michael Barrett. Music by Seth Linn. Length: 116 minutes. Production Company: Media Rights Capitol and Fuzzy Door Productions. Bluegrass Films. Universal Pictures Distribution. Cinematic Release May 2014. Available on DVD. Rating *** 30% 2 All images are taken from the Public Domain using Google requested permission steps and are legal for review purposes. CAST Albert Stark: Seth MacFarlane Anna: Charlize Theron Louise: Amanda Seyfried Clinch Leatherwood: Liam Neeson Edward: Giovanni Ribisi Ruth: Sarah Silverman Foy: Neal Patrick Harris Lewis: Evan Jones Sherriff: Rex Linn Millie: Alex Borstein Old Time Miner: Matt Clark Cochise: Wes Studi Albert’s Father: Christopher Hagen The Pastor: John Alword Dan: Ralph Garman Abraham Lincoln: Gilbert Gottifried Django: Jamie Foxx Usually this reviewer is a pushover for Hollywood westerns, not this time. If only three adjectives could be applied to this film they would be puerile, crass and disappointing. 3 A Million Ways to Die in the West begins promisingly. We are faced with the action straight away as a sheep farmer Albert Stark (played by director/ star/ co-producer/ co-writer Seth MacFarlane) reluctantly faces a main street gunfight. The smiling crowds are gathered hopefully expecting a bloody shootout and are disappointed when Albert chickens out. He loses his girlfriend Louise (Amanda Seyfried) over this and when in the bar with his friends Ruth (Sarah Silverman) and Edward (Giovanni Ribisi) reveals that he hates the West and wants a city life in San Francisco. -
Mbmbam 526: Why Not a Wizard? Published on September 7Th, 2020 Listen Here on Themcelroy.Family
MBMBaM 526: Why Not a Wizard? Published on September 7th, 2020 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he’s a sexpert, but if there’s a degree on his wall, I haven’t seen it. Also, this show isn’t for kids, which I mention only so the babies out there will know how cool they are for listening. What’s up, you cool baby? [theme music, “(It’s a) Departure” by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I’m your oldest brother, Justin McElroy. Travis: I’m your middlest brother, Travis McElroy. Griffin: [low voice] I’m the mystical, magical illusionist entertainer, David Blaine. Justin: David, so happy to have you here! Wow, what an honor. Griffin: Sorry, I got—I got delayed by some crosswinds over Milwaukee. Justin: Yeah. Griffin: So it delayed me coming into the studio today. Justin: Just a few days after your dramatic ascent holding a—[laughs] holding a lot of balloons. Travis: Yeah. Up—upping yourself, is what the kids call it. Griffin: Yeah, I did an up, and it uh, was an exhilarating journey that brought the country together, and it was an illusion, and also I liked... doing it a lot and I had a lot of fun doing it. Justin: So that’s the only means of conveyance you’re using. Griffin: So now I do it all the time. -
Guantanamo Gazette
Guantanamo Gazette Vol. 43 -- No. 243 -- U.S. Navy's only shore-based daily newspaper -- Monday, December 21, 1987 /N Local divers relieved MCX air compressor is back on-line W E Bay News By JOSH J.D. Parks "With the compressor being used so be conducted in January to determine heavily, the circuit didn't work, the need for an equipment update for Recreational divers around the allowing the filters in the system the MCX. base breathed a sigh of relief with to burn-up and contaminate four He said, "Friday, Jan. 15, a the Instruction revised word that the Marine Corps tanks." study will be conducted, and if a Exchange (MCX) compressor was back According to Bueno, some new rules need is determined, we will add a The Emergency Procedures on-line. are in effect for use of the com- new compressor, and two 3,500 Instruction, COMNAVBASEGTMOINST The wait lasted nearly a month, pressor to insure that it keeps pounds-per-square-inch (psi) holding 3050.4E, has been revised. with all the recreational canpres- working. tanks, and will be able to fill more Designated hurricane shelters sors shut down. First, there are specific hours tanks during the day." have been changed. Housing According to 1st Lt. Leo Bueno, that it can operate. It will begin Bueno added, "Until then, divers MCX Officer in occupants must come to the Charge, the breakdown operating at 9:30 a.m., and close- will have to bear with us, and housing office to pick up a copy was caused by running the compressor down at 11:30 a.m., then the hopefully these new guidelines will too of this instruction from 8:30 heavily, causing a filter con- compressor will be back in use at 2 keep the compressor operating for a a.m. -
PHIL WOODS NEA Jazz Master (2007)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. PHIL WOODS NEA Jazz Master (2007) Interviewee: Phil Woods (November 2, 1931 - ) Interviewer: Marty Nau and engineered by Ken Kimery Date: June 22-23, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 66 pp. Marty Nau [MN]: Okay, this is Marty Nau here with the Smithsonian interviewing Phil Woods, a certain dream of mine come true. And Phil for the national record … Phil Woods [PW]: Yes, sir. [MN]: … for the Smithsonian they’d like to have you state your full name. [PW]: Gene Quill [laughs]. No, I’m, I’m Phil Woods. I was born in uh 1931. Uh, November second, which means today I’m 78 but I’m very happy to say I have the body of a 77-year-old man. [MN]: I noticed that immediately. [PW]: I was born in Springfield, Massachusetts. I have one brother, seven years older. And uh, any other facts you’d like to have? [MN]: Well, uh could you talk about your parents? [PW]: My parents. Well, my dad was reported to be a violin player when he was a kid. Um, music was very important in our family. My mom loved music. Uh [mumbles] there were four or five sisters and on my father’s side there was an uncle who played saxophone and one of my mother’s sister’s husbands played saxophone and that’s how I, I was given the sax in the will when he died.