DOCSLIB.ORG

Push Pull-Compulsory Interactions in Architecture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Push Pull-Compulsory Interactions in Architecture Push Pull​ - Compulsory Interactions in Architecture A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Architecture in the Architecture of the College of Arts and Sciences by Clayton Mandly B.F..A. University of Cincinnati June 2011 Committee Chair: Michael McInturf, M.Arch. Committee Member: Aarati Kanekar, Ph.D. Abstract: As cities grow in population and density there are major crises happening that revolve around how architecture is thought of and more importantly how it is used. One key factor to the functionality and viability of a city is the interaction of its occupants. These interactions, such as the sharing of resources, certain social contracts and diffusion/ sharing of intellect all contribute to the health of communities within cities. The population in the San Francisco has increased dramatically do to the Silicon Valley tech boom. This had lead to the need for new types of work spaces as well as major housing shortages in the region. This need has paved the road for new thought processes when it comes to designing and occupying these types of spaces. A city historically resistant to architectural change and zoning variants is now learning to adapt and evolve to suite need for a higher urban density. The city is in need of an innovative approach to achieve this goal. This is a city/ large community that prides itself on the value of the individual and uniquely creative people yet is still churning out “cookie cutter” offices and housing development with a distinct lack of flexibility. This statement is of course a generality and does not define all development within the city. Larger tech companies that are located in the city are embracing new ideas about work spaces. Part of the problem is that Secondary to this goal, is exploring how these concepts can benefit not just this designated slice of the industry but how they can be applied to the rest of the pie as well. A natural antonym to the place in which you conduct your business or work is a place in which you dwell. Exploring how the concepts of transformation and interaction can also be applied to a housing portion of the project with hopefully help to maintain balance. This is about defining a culture and transforming the expectations of young creative urban professional of what work spaces and Push Pull: housing should be in the next era. Compulsory Interactions in Architecture Table of Contents Abstract Table of Contents Table of Figures 1. Site 2. Precedents 3. Moving Wall 4. Elevating Platform - One 5. Elevating Platform - Two Bibliography Table of Figures Figure 1.01 - http://www.extremetech.com/extreme/146576-san-francisco-bay-bridge-25000-algorithmically- Figure 2.21 - http://www.oma.eu/projects/2008/prada-transformer/ controlled-leds-the-largest-light-show-on-earth Figure 2.22 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 1.0 - Graphic By Author Figure 2.23 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 1.2 - Graphic By Author Figure 2.24 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 1.3 - Graphic By Author Figure 2.25 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 1.4 - Graphic By Author Figure 2.26 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 1.6 - Graphic By Author Figure 2.27 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.28 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.29 - http://www.baltimorearts.org/reading-list-public-art-2/ Figure 2.0 - http://www.busyboo.com/wp-content/uploads/modern-house-schroder-6.jpg Figure 2.30 - http://www.scb.com/apartments/55-ninth-street Figure 2.1 - https://histarq.files.wordpress.com/2013/04/21b-rietveld-schroder-house-plan2.jpg Figure 2.31 - http://www.scb.com/apartments/55-ninth-street Figure 2.2 - http://metropolism.com/reviews/ruth-buchnan-rietveld-sidesteppe/resources/the-view-from- Figure 2.32 - http://www.scb.com/apartments/55-ninth-street below.jpg?version=0537fb40a68c18da59a35c2bfe1ca554 Figure 2.33 - http://www.scb.com/apartments/55-ninth-street Figure 2.3 - http://i.telegraph.co.uk/multimedia/archive/01562/p_schroder-open-pl_1562834c.jpg Figure 2.34 - http://www.saitowitz.com Figure 2.4 - http://www.domusweb.it/content/dam/domusweb/en/news/2011/04/27/riet- Figure 2.35 - http://www.saitowitz.com veld-s-universe/big_340728_1179_RIETVELD_CasaSchroeder_interni013.jpg Figure 2.36 - http://www.saitowitz.com Figure 2.5 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.37 - http://www.saitowitz.com Figure 2.6 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.38 - http://www.saitowitz.com - With Overlay by Author Figure 2.7 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.39 - http://www.saitowitz.com - With Overlay by Author Figure 2.8 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.40 - http://www.saitowitz.com Figure 2.9 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.41 - http://www.saitowitz.com Figure 2.10 - Photographer: Benjamin Benschneider - http://www.olsonkundigarchitects.com Figure 2.42 - http://www.saitowitz.com Figure 2.11 - Photographer: Jason Schmidt - http://www.olsonkundigarchitects.com Figure 2.43 - http://www.saitowitz.com Figure 2.12 - Photographer: Jason Schmidt - http://www.olsonkundigarchitects.com Figure 2.44 - http://www.saitowitz.com Figure 2.13 - Photographer: Jason Schmidt - http://www.olsonkundigarchitects.com Figure 2.14 - Photographer: Jason Schmidt - http://www.olsonkundigarchitects.com Figure 2.15 - Photographer: Jason Schmidt - http://www.olsonkundigarchitects.com Figure 3.0 - Graphic By Author Figure 2.16 - http://www.oma.eu/projects/2008/prada-transformer/ Figure 3.1 - Graphic By Author Figure 2.17 - http://www.oma.eu/projects/2008/prada-transformer/ Figure 3.2 - Graphic By Author Figure 2.18 - http://www.oma.eu/projects/2008/prada-transformer/ Figure 3.3 - Graphic By Author Figure 2.19 - http://www.oma.eu/projects/2008/prada-transformer/ Figure 3.4 - Graphic By Author Figure 2.20 - http://www.oma.eu/projects/2008/prada-transformer/ Figure 3.5 - Graphic By Author Table of Figures Continued Figure 3.6 - Graphic By Author Figure 4.17 - Graphic By Author Figure 3.7 - Graphic By Author Figure 4.18 - Graphic By Author Figure 3.8 - Graphic By Author Figure 3.9 - Graphic By Author Figure 3.10 - Graphic By Author Figure 5.0 - Graphic By Author Figure 3.11 - Graphic By Author Figure 5.1 - Graphic By Author Figure 3.12 - Graphic By Author Figure 5.2 - Graphic By Author Figure 3.13 - Graphic By Author Figure 5.3 - Graphic By Author Figure 3.14 - Graphic By Author Figure 5.4 - Graphic By Author Figure 3.15 - Graphic By Author Figure 5.5 - Graphic By Author Figure 3.16 - Graphic By Author Figure 5.6 - Graphic By Author Figure 3.17 - Graphic By Author Figure 5.7 - Graphic By Author Figure 3.18 - Graphic By Author Figure 5.8 - Graphic By Author Figure 5.9 - Graphic By Author Figure 5.10 - Graphic By Author Figure 4.0 - Graphic By Author Figure 5.11 - Graphic By Author Figure 4.1 - Graphic By Author Figure 5.12 - Graphic By Author Figure 4.2 - Graphic By Author Figure 5.13 - Graphic By Author Figure 4.3 - Graphic By Author Figure 5.14 - Graphic By Author Figure 4.4 - Graphic By Author Figure 4.5 - Graphic By Author Figure 4.6 - Graphic By Author Figure 4.7 - Graphic By Author Figure 4.8 - Graphic By Author Figure 4.9 - Graphic By Author Figure 4.10 - Graphic By Author Figure 4.11 - Graphic By Author Figure 4.12 - Graphic By Author Figure 4.13 - Graphic By Author Figure 4.14 - Graphic By Author Figure 4.15 - Graphic By Author Figure 4.16 - Graphic By Author The Site Push Pull: Compulsory Interactions in Architecture Fig. 1.01 AVA 55 9th San Francisco Bay Area California, USA Population of San Francisco Proper: 837,442 (2013 Census) Land Area: 46.87 square miles San Francisco, CA Neighborhood: Mid Market Persons per square mile: 17,179.1 (2010 Census) Architect: Solomon Cordwell Buenz Date of Completion: 2014 Home to Tech Giants http://www.sfaqonline.com/2014/04/san-franciscos-mid-market-tango/ www.placeofmine.com www.placeofmine.com Convergence of Housing, Business and Industry www.google.com/maps http://sf.curbed.com/archives/2013/12/13/ava_rental_tower_in_midmarket_releases_pricing_floor_plans.php 1029 Natoma Street Fig. 1.0 San Francisco, CA Neighborhood: SOMA Architect: Stanley Saitowitz | Natoma Architects Inc. Date of Completion: 2007 http://www.saitowitz.com http://www.saitowitz.com http://www.saitowitz.com 1532 Harrison Street. CM San Francisco, CA Neighborhood: SOMA Architect: Macy Architecture Developer: Build Inc. Date of Completion: NA www.google.com/maps Primarily Business or Industry Mix of Housing and Business http://www.socketsite.com/archives/2013/11/big_plans_for_hightech_group_housing_on_harrison_have_b.html http://www.dbarchitect.com/ Primarily Housing CM AVA 55 9th San Francisco, CA Neighborhood: Mid Market Architect: Solomon Cordwell Buenz Date of Completion: 2014 http://www.sfaqonline.com/2014/04/san-franciscos-mid-market-tango/ www.placeofmine.com www.placeofmine.com www.google.com/maps http://sf.curbed.com/archives/2013/12/13/ava_rental_tower_in_midmarket_releases_pricing_floor_plans.php 1029 Natoma Street Primarily Business or Industry Mix of Housing and Business Primarily Housing San Francisco, CA Neighborhood: SOMA CM Architect: Stanley Saitowitz | Natoma Architects Inc. Date of Completion: 2007 http://www.saitowitz.com Neighborhood Study http://www.saitowitz.com http://www.saitowitz.com Primarily Business or Industry Primarily Business or Industry 1532 Harrison Street. Mix of Housing and Business Mix of Housing and Business Primarily Housing Primarily Housing CM CM CM San Francisco, CA Neighborhood: SOMA Architect: Macy Architecture Developer: Build Inc.
Load more

Recommended publications
  • The Dialogue of Craft and Architecture
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2015 The Dialogue of Craft and Architecture Thomas J. Forker University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Architectural Technology Commons, and the Cultural Resource Management and Policy Analysis Commons Recommended Citation Forker, Thomas J., "The Dialogue of Craft and Architecture" (2015). Masters Theses. 197. https://doi.org/10.7275/7044176 https://scholarworks.umass.edu/masters_theses_2/197 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE DIALOGUE OF CRAFT AND ARCHITECTURE A Thesis Presented by THOMAS J. FORKER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE MAY 2015 DEPARTMENT OF ARCHITECTURE THE DIALOGUE OF CRAFT AND ARCHITECTURE A Thesis Presented by THOMAS J. FORKER Approved as to style and content by: ___________________________ Kathleen Lugosch, Chair ___________________________ Ray Mann, Associate Professor ____________________ Professor Kathleen Lugosch Graduate Program Director Department of Architecture ____________________ Professor Stephen Schreiber Chair Department of Architecture DEDICATION This thesis is dedicated to my parents, for their love and support. ACKNOWLEDGMENTS I would like to thank my professors Kathleen Lugosch and Ray Mann. They have been forthright with their knowledge, understanding, and dedicated in their endeavor to work with the students in the department and in the pursuit of a masters of architecture degree with spirit and meaning.
    [Show full text]
  • The Gizmos of Tom Kundig and What They Tell Us As Creatives
    Inspiring and promoting design excellence through education and cultural exchange between the United States and Italy Il giardino che semini AIA CONTINUING EDUCATION SEMINAR 1 LU November 17, 2017 The Gizmos of Tom Kundig And What They Tell Us As Creatives DOMENICO FERRARA, from Catania Sicily, graduated from Sapienza University of Rome in architecture. He moved to Paris in 2010 for a post- master degree in Urban Design. His research was on the heritage of Roman theatres, focusing on how these urban ruins influenced the development of historical cities. After graduating, Ferrara worked on construction sites of several large-scale buildings in France and Monaco. In 2016 he completed his Ph.D. in cooperation with the UW in Seattle and the Chalmers University in Gothenburg, with support from the C.M. Lerici Foundation. His thesis is on the architecture of Tom Kundig, concentrating on a theoretical approach to Kundig's gizmos. Ferrara's research centers on the theory of the architectural scale of living buildings, large and small. His projects from several competitions have been awarded. Ferrara currently practices architecture in Rome. From his Italian cultural background, Ferrara offers an international vision of the work of Tom Kundig. He presents an overall sketch of Kundig's education and apprenticeship, focusing on a few critical moments that impacted his growth, leading him to examine Kundig's native landscape, how the architect absorbed it, and ultimately influenced his creativity and imagination. Ferrara aims to understand Kundig's work through the idea of “romantic mechanics”. This concept combines the aesthetics and the movements of the machine with an elemental naturalist sensibility.
    [Show full text]
  • ABOUT TOM KUNDIG, FAIA Olson Kundig, Seattle
    ABOUT TOM KUNDIG, FAIA Olson Kundig, Seattle Tom Kundig is an owner and design principal at Olson Kundig. He joined the firm in 1986, and has steadily diversified his range of project typologies from residential work to museums, wineries, high-rise multi-unit structures, and hotels. The geographic diversity of his projects has broadened just as much over the years; he is currently working not only all over the West Coast of the United States, but also in Australia, Brazil, Austria, Mexico, South Korea, and multiple locations on the East Coast and Canada. But no matter where he works, whether in the urban context of Manhattan or the rural landscape of Montana or Idaho, the landscape inevitably looms large, as do a consistent array of concerns related to site, scale, materials, and livability. Kundig favors materials that are appropriate to the particular context of the building, generally opting for the tough and the rustic for their ability to evoke nature and weather over time, helping the building recede into the landscape. Kundig grew up in the Pacific Northwest. His father was an architect, and during his formative years he was constantly exposed to artists, designers, and craftspeople. He initially wanted to study science, but finally decided that architecture “allowed me to have a foot in both places—the technical realm and the poetic realm—and in that magical intersection between the two.” The style may be rugged, but the effect is warm and welcoming. “And sometimes there is even an element of risk, or daring, which is desired on the client’s part and intentional on my part,” he adds.
    [Show full text]
  • Burke Museum of Natural History and Culture
    BURKE MUSEUM OF NATURAL HISTORY AND CULTURE 1 CONTENTS Museum Description 3 Galleries 6 Family Spaces 7 The New Burke Project 8 Architecture & Landscaping 11 Key Features Grand Atrium 16 Off the Rez Café 17 “Synecdoche” Mural 18 Cascade Room 19 Quotes Dr. Julie K. Stein, Executive Director 21 Tom Kundig, FAIA, RIBA, Architect 21 Shannon Nichol, FASLA, Landscape Architect 21 Project Credits 22 Visit Information 23 Off the Rez Café Menu 24 New Burke Grand Opening Sponsors 26 Press Contact 27 Photo: Mark Stone/University of Washington 2 BURKE MUSEUM OF NATURAL HISTORY AND CULTURE 3 Photo: Dennis Wise/University of Washington With working labs you can see into, one-of-a-kind objects all around you, and galleries filled with curiosity and conversation, the new Burke is a new kind of museum—and a whole new way to experience our world. 4 Experience six galleries about the people, landscape, plants and animals of the past and present that make the Pacific Northwest—and the greater world—so special. See the only real dinosaur fossils on display in Washington state alongside views of paleontologists removing rock from recently- discovered fossils. Photo: Dennis Wise/University of Washington Appreciate the diverse art of Pacific Northwest Native peoples, and see living traditions carry on with artists and Indigenous researchers studying the collections from across the globe. Every visit is unique, with people from all backgrounds asking new questions of the 16 million objects in the Burke’s collections every day. At the Burke, you see—and feel—a world alive. Photo: Dennis Wise/University of Washington 5 GALLERIES CULTURE IS LIVING FOSSILS UNCOVERED The Culture is Living gallery breaks down traditional Earth’s 4.5 billion-year history is a continuing saga museum authority and brings the expertise and of dynamic change.
    [Show full text]
  • Oral History Interview with Harold Balazs, 2012 August 13
    Oral history interview with Harold Balazs, 2012 August 13 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Transcription of this oral history interview was made possible by a grant from the Smithsonian Women's Committee. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Harold Balazs on August 13, 2012. The interview took place in Mead, Washington, and was conducted by Lloyd E. Herman for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts. Harold Balazs has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview LLOYD E. HERMAN: Make sure that I can hear my voice, and I can't hear my voice. [They laugh.] So that's — hello. This is Lloyd Herman and I'm interviewing Harold Balazs in his home in Mead, Washington, just outside Spokane, on August 13, 2012. Harold, hello. I first would like you to tell me when and where you were born and your full name please. HAROLD BALAZS: Well, I was born — oh, yeah. Harold Richard Balazs. And I was born in Westlake, Ohio, which is a suburb of Cleveland, in 1928. And that was all farm country at that time. MR.
    [Show full text]
  • Tom Kundig Houses 2: 2 Free
    FREE TOM KUNDIG HOUSES 2: 2 PDF Tom Kundig | 256 pages | 20 Sep 2011 | PRINCETON ARCHITECTURAL PRESS | 9781616890407 | English | New York, United States Read Download Tom Kundig Houses 2 PDF – PDF Download Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. Overview Our Tom Kundig Houses 2: 2 Tom Kundig: Houses was an instant critical and commercial success. Over the past five years, Seattle-based Kundig has continued his meteoric rise, collecting numerous awards, including the Cooper-Hewitt National Design Award for Architecture Design. Tom Kundig: Houses 2 features seventeen residential projects, ranging from a five hundred-square-foot cabin in the woods to a house carved into and built out of solid rock. In his new work, Kundig continues to strike a balance between raw and refined and modern and warm, creating inviting spaces Tom Kundig Houses 2: 2 a strong sense of place. The houses seamlessly incorporate his signature inventive details, rich materials, and stunning sites from the majestic Northwestern forest to the severe high desert. Product Details About the Author. Related Searches. This is the first Tom Kundig Houses 2: 2 to catalog comparative maps and tableaux that visualize the heights This is the first book to catalog comparative maps and tableaux that visualize the heights and lengths of the world's mountains Tom Kundig Houses 2: 2 rivers.
    [Show full text]
  • Hale Kaimana Kukui'ula Mauka Hillside M3 Lot 40
    HALE KAIMANA KUKUI’ULA MAUKA HILLSIDE M3 LOT 40 Kukui‘ula Realty Group, LLC. Preliminary designs, dimensions, renderings & specifications are not final and are subject to change. Fees, memberships INTERIOR COURTYARD and restrictions may apply for certain amenities. Details available. Price and availability subject to change. December 2013, Kukui‘ula Development Company (Hawaii), LLC. All rights reserved.” Kukui‘ula Realty Group, LLC. Preliminary designs, dimensions, renderings & specifications are not final and are subject to change. Fees, memberships GROTTO VIEW and restrictions may apply for certain amenities. Details available. Price and availability subject to change. December 2013, Kukui‘ula Development Company (Hawaii), LLC. All rights reserved.” Kukui‘ula Realty Group, LLC. Preliminary designs, dimensions, renderings & specifications are not final and are subject to change. Fees, memberships GREAT ROOM VIEW and restrictions may apply for certain amenities. Details available. Price and availability subject to change. December 2013, Kukui‘ula Development Company (Hawaii), LLC. All rights reserved.” HALE KAIMANA LOT 40 N Kukui‘ula Realty Group, LLC. Preliminary designs, dimensions, renderings & specifications are not final and are subject to change. Fees, memberships and restrictions may apply for certain amenities. Details available. Price and availability subject to change. December 2013, Kukui‘ula Development Company (Hawaii), LLC. All rights reserved.” Kukui‘ula Realty Group, LLC. Preliminary designs, dimensions, renderings & specifications are not final and are subject to change. Fees, memberships SOUTHWEST VIEW and restrictions may apply for certain amenities. Details available. Price and availability subject to change. December 2013, Kukui‘ula Development Company (Hawaii), LLC. All rights reserved.” Kukui‘ula Realty Group, LLC. Preliminary designs, dimensions, renderings & specifications are not final and are subject to change.
    [Show full text]
  • The Architectural League of New York Annual Report 2016/2017
    16 T h e Architectural L e a g u e o f N e w Y o r k A n n u a l R e p o r t 2016/2017 17 PHOTOS Beaux Arts Ball 2016: Tabula Rasa, installation by Wild Dogs International; held at A/D/O, Greenpoint, Brooklyn, above (Leandro Viana); Beaux Arts Ball 2016: Tabula Rasa, below (Leandro Viana) Annual Report Editors Nicholas Anderson with Frances Leslie The Architectural League’s 2016–17 program year affirmed yet again Schmidt; program associates Matt Ragazzo and Catarina Flaksman; that good ideas and important work come from everywhere. development associate Frances Leslie; executive assistant Diatre The Fall Current Work series focused on Latin America, with lectures Padilla; Urban Omnibus assistant editor Olivia Schwob; and by Alejandro Araveña (Chile), Giancarlo Mazzanti (Colombia), bookkeeper Marla Carter. Tatiana Bilbao (Mexico), and Gloria Cabral and Solano Benítez The League benefits profoundly from the work of its supportive, (Paraguay). Glenn Murcutt (Australia), Lene Tranberg (Denmark), and collegial, and accomplished board of directors, led by president Billie Kengo Kuma (Japan), along with Chicagoan Theaster Gates and Tsien. Three long-serving board members, Frank Lupo, Peter Mullan, New Yorkers Nat Oppenheimer and Nader Tehrani rounded out the and Kate Orff, stepped down from the board this year. I thank them series. In November, we collaborated with Kazi Ashraf and the for all they contributed, over many years of service, and welcome two Bengal Institute for Architecture, Landscapes, and Settlements on new board members, Nader Tehrani and Mabel O. Wilson. I note a program called Architecture and the Anxieties of Location, with deep sadness the death of our long-time board member and life which included the presentation of stunning work by Dhaka-based trustee Hugh Hardy in March of 2017.
    [Show full text]
  • Building Culture
    2015 Residential Design Forum: Unwrapping the Design Process MONDAY, JUNE 8, 2015 | SEATTLE PUBLIC LIBRARY - CENTRAL BRANCH – THE WASHINGTON MUTUAL FOUNDATION ROOM * all sessions/speakers subject to change Keynote Speaker Frank Harmon, FAIA, President of Frank Harmon Architect, designs sustainable buildings across the Southeast. His work engages pressing contemporary issues such as placelessness, sustainability, and the restoration of cities and nature. His buildings are materially specific to their region, using hurricane-felled cypress and rock from local quarries, for example, to connect the structure to its landscape. The airy breezeways, outdoor living spaces, deep overhangs, and wide lawns embody the romanticism of the South while maintaining a distinguished modernism. Mr. Harmon graduated from the Architectural Association in London and is a Professor-in- Practice at the NC State University College of Design. Frank Harmon Architect, based in Raleigh, has been named to Architect magazine’s “Top 50” list three times. His recent project, NativePlaces.org, uses sketches and short essays to illustrate the value of looking closely at buildings and places. He is a member of Activate14, an AIANC outreach initiative to strengthen the civic role of architecture and design in our community. Session Speakers (in alphabetical order) Ray Calabro, FAIA, is Principal at Bohlin Cywinski Jackson. Mr. Calabro’s work emphasizes the relationship of a building to its surrounding landscape; he believes that architecture is a thoughtful response to the culture and spirit of each place. This vision and commitment is most clearly demonstrated by the award-winning Grand Teton Discovery and Visitor in Jackson, Wyoming. Mr. Calabro’s passion for architecture comes from his lifelong interest in drawing and design.
    [Show full text]
  • Re-Defining the "Cookie-Cutter" Development: Designing the Home Through Adjustable Architecture Alexander L
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2012 Re-Defining the "Cookie-Cutter" Development: Designing the Home Through Adjustable Architecture Alexander L. Koslow University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Architecture Commons Koslow, Alexander L., "Re-Defining the "Cookie-Cutter" Development: Designing the Home Through Adjustable Architecture" (2012). Masters Theses 1911 - February 2014. 867. Retrieved from https://scholarworks.umass.edu/theses/867 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. RE-DEFINING THE “COOKIE-CUTTER” DEVELOPMENT: DESIGNING THE HOME THROUGH ADJUSTABLE ARCHITECTURE A Thesis Presented By ALEXANDER L. KOSLOW Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE May 2012 Architecture + Design i © Copyright by Alexander L. Koslow 2012 All Rights Reserved ii RE-DEFINING THE “COOKIE-CUTTER” DEVELOPMENT: DESIGNING THE HOME THROUGH ADJUSTABLE ARCHITECTURE A Thesis Presented By ALEXANDER L. KOSLOW Approved as to style and content by: _________________________ Joseph Krupczynski, Chair _________________________ Kathleen Lugosch, Member !!!!!!!_________________________ !!!!!!!Kathleen Lugosch !!!!!!!Graduate Program Director !!!!!!!Architecture+Design Program !!!!!!!Department of Art, Architecture, !!!!!!!and Art History !!!!!!!_________________________ !!!!!!!William T. Oedel !!!!!!!Chair, Department of Art, !!!!!!!Architecture, and Art History iii ABSTRACT RE-DEFINING THE “COOKIE-CUTTER” DEVELOPMENT: DESIGNING THE HOME THROUGH ADJUSTABLE ARCHITECTURE MAY 2012 ALEXANDER L.
    [Show full text]
  • Aijcfirtecture+Design
    AijcFirtecture+Design number SIX do iars Green Produ Directory AAACM GREENWARRIOn Professional Services Shade and Renewable Energy Solutions Imagination is our only Design Limitation For more information, please call: 703-865-5991 or email: [email protected] www.aaacm.net gDAVID ALLEN COMPANY TILE. MARBLE. GRANITE. AND T E R R A Z Z O holt) by IDiiviil Liuidadio North Carolina State University College of Design Raleigh. NC Designer: Hernan Marchant Let David Allen Company assist you with budget prices, technical information and specifications. For 72?ore information, call: vio^jv or /.fi'ir c^a^^,.,^ Raleigh. NC (919) 821-7100 J^^^^^^^^M Washington, DC (703) 690-4422 W p Columbia, SC (803) 926-1040 ^m^MM^WMK Miami, FL (919) 821-7100 WWWnAVinALLEN.COM ENTER the 2012 myMarvm ARCHITECT'S CHALLENGE This is your opportunity to inspire and be inspired. Submit your best residential or commercial work that includes Marvin' Windows and Doors. If your submission is singled out for excellence, it will be showcased amongst the winning entries in this prestigious annual event. Enter between March 1st and May 31st. MARVIN J4 Get details at marvin.com/inspired Windows and Doors Built around you. C'2012 M.irvin Windows arid Dooi!. All righls rescved CIReqi'.lcred Irademafk ol Marvm Windows and Door; Gain the competitive edge by improving your visibility and credibility with architects. Build a truly integrated partnership with the Virginia Society of the American Institute of Architect's Allied membership program Here a just a few of the benefits Allied members enjoy: • Invitations to special events and programs • Receive (and appear in) theVSAIA Annual Member Directory • Special discounts on advertising • Savings on ArchEx registration, code books, and AIA contract documents Contact Shanelle Calvin at (804) 237-1772 or [email protected].
    [Show full text]
  • 2012Architecture.Pdf
    NEWS RELEASE American Academy of Arts and Letters Contact: Cody Upton 633 WEST 155 STREET, NEW YORK, NY 10032 [email protected] www.artsandletters.org (212) 368-5900 THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES 2012 ARCHITECTURE AWARD WINNERS New York, March 20, 2012 — The American Academy of Arts and Letters announced today the recipients of its 2012 architecture awards. The Academy’s architecture awards program began in 1955 with the inauguration of the annual Arnold W. Brunner Memorial Prize in Architecture, which is awarded to a preeminent architect from any country who has made a significant contribution to architecture as an art. In 1991, the Academy began giving Arts and Letters Awards (formerly called Academy Awards) to honor American architects whose work is characterized by a strong personal direction. An additional award category was created in 2003 to honor an American from any field who has contributed to ideas in architecture through any medium of expression. The Arnold W. Brunner Memorial Prize in Architecture Kathryn Gustafson of $5000 recognizes an architect of any nationality who has Seattle, Washington made a significant contribution to architecture as an art. London, England Three Arts and Letters Awards of $7500 each recognize Marlon Blackwell American architects whose work is characterized by a strong Fayetteville, Arkansas personal direction. Elizabeth Gray & Alan Organschi New Haven, Connecticut Michael Maltzan Los Angeles, California One Arts and Letters Awards of $7500 recognizes an Hilary Ballon American who explores ideas in architecture through any New York, New York medium of expression. The winners were chosen from a group of 40 individuals and practices nominated by the members of the Academy.
    [Show full text]