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Ágora. Estudos Clássicos Em Debate 21 (2019) l ) ll'' llll\l. .· , ..', 1 ':,,lll.ll .. ') 1 t.1,\ l)bl\,\ll 2019 Ágora Estudos Clássicos em Debate N.º 21 2019 Ficha Técnica Título: Ágora. Estudos Clássicos em Debate 21 (2019) Editor‐Chefe: João Manuel Nunes Torrão ([email protected]) Editores Associados: António Manuel Andrade ([email protected]); Carlos de Miguel Mora ([email protected]) Carlos Manuel Morais ([email protected]); Maria Fernanda Brasete ([email protected]). Design da capa: Gabinete de Imagem da Fundação João Jacinto de Magalhães Edição: UA Editora — Universidade de Aveiro Impressão: Empresa do Diário do Minho, L.da — Braga Tiragem: 400 exemplares Depósito legal: 136497/99 ISSN: 0874‐5498 Contactos: Ágora. Estudos Clássicos em Debate Departamento de Línguas e Culturas; Universidade de Aveiro; 3810‐193 Aveiro — Portugal DLC‐[email protected] / tel: + 351 (2)34 370 358 / fax: + 351 (2)34 370 940 URL: http://www2.dlc.ua.pt/classicos/agora.htm; http://revistas.ua.pt//index.php/agora Preço: € 20.00 Aceitam‐se permutas — We accept exchanges Os textos publicados são da responsabilidade dos respetivos autores. Comissão Científica Maria de Fátima Sousa e Silva, Francisco São José de Oliveira, Maria do Céu Grácio Zambujo Fialho, Nair de Nazaré Castro Soares, Delfim Ferreira Leão, Carlos Ascenso André e Frederico Maria Bio Lourenço (Univ. de Coimbra); Aires Augusto do Nascimento, Arnaldo do Espírito Santo, Maria Cristina Pimentel e Paulo Jorge Farmhouse Simões Alberto (Univ. de Lisboa); Virgínia Soares Pereira (Univ. do Minho); Andrés Pociña Pérez, José Antonio Sánchez Marín (Univ. de Granada); Carmen Morenilla Talens, Carmen Bernal Lavesa (Univ. de Valência); Ana Isabel Martín Ferreira, Miguel Ángel González Manjarrés (Univ. de Valladolid); César Chaparro Gómez, Eustaquio Sánchez Salor, Luis Merino Jerez, Pedro Juan Galán Sánchez (Univ. de Extremadura); Francisco García Jurado (Univ. Complutense de Madrid); José María Maestre Maestre, María Violeta Perez Custodio (Univ. de Cádiz); Francesco De Martino (Univ. di Foggia); Giovanni Salanitro (Univ. di Catania); Jacyntho Lins Brandão (Univ. Federal de Minas Gerais); Maria das Graças de Moraes Augusto (Univ. Federal do Rio de Janeiro); José Antonio Alves Torrano, Wilson Alves Ribeiro Júnior (Univ. de São Paulo); Brunno Vinicius Gonçalves Vieira (Univ. Estadual Paulista); Gerardo Ramírez Vidal, Martha Patricia Irigoyen Troconis (Univ. Nacional Autónoma de México); Carlos de Miguel Mora (Univ. de Aveiro e Univ. de Granada), António Manuel Andrade, Carlos Manuel Morais, João Manuel Nunes Torrão e Maria Fernanda Brasete (Univ. de Aveiro). Traduções Responsáveis pela tradução e/ou revisão linguística dos resumos e palavras‐chave: Espanhol: Carlos de Miguel Mora; Francês: Maria Eugénia Pereira; Inglês: Paulo Alexandre Pereira. Indexação A revista Ágora. Estudos Clássicos em Debate está indexada em: Arts and Humanities Citation Index — ISI Web of Knowledge; C.I.R.C.; DIALNET; DOAJ; ERIH PLUS; L’ANNÉE PHILOLOGIQUE; LATINDEX; MIAR; QUALIS; REDALYC; SJR. EBSCO Publishing Índice Artigos 9 Aida Míguez Barciela, El bosque y la polis / The woods and the polis 11 Tatiana Alvarenga Chanoca, O lugar do mito de Pandora nos poemas de Hesíodo: Teogonia 570‐612 e Os trabalhos e os dias 54‐104 / The Place of the Pandora Myth in the Poems of Hesiod: Theogony 570‐612 and Works and Days 54‐104 21 Alejandro Abritta, Especulaciones rítmicas sobre un epodo de Arquíloco / Rhythmic speculations on an epode by Archilochus 43 Giuliana Ragusa, De bodas e jogos: uma análise do proêmio da Olímpica 7, de Píndaro / Of weddings and games: a reading of the proemium to Pindar’s Olympian 7 59 M. Carmen Encinas Reguero, Vivir con honor o con honor morir. La reelaboración de una disyuntiva heroica en el Heracles de Eurípides / Nobly to live or nobly to die. The re‐elaboration of an heroic dilemma in Euripides’ Heracles 83 Henrique Modanez de Sant’Anna, Agátocles de Siracusa e o nascimento da Basileia helenística na Sicília Grega / Agathocles of Syracuse and the birth of the Hellenistic Basileia in Greek Sicily 103 Natan Henrique Taveira Baptista & Leni Ribeiro Leite, Recusatio e encômio a Domiciano nos proêmios épicos de Estácio (Theb. 1.1‐45; Ach. 1.1‐19) / Recusatio and praise to Domitian in Statius’ epic proemia (Theb. 1.1‐45; Ach. 1.1‐19) 117 Carlos Heredia Chimeno, La figura del “antisenado” (ἀντισύγκλητος) en Plutarco: ¿una narrativa del declive? / The Figure of the “Antisenate” (ἀντισύγκλητος) in Plutarch: A decline narrative? 137 Regla Fernández‐Garrido, Novela y Progymnasmata: el ejercicio del relato en Leucipa y Clitofonte / Novel and Progymnasmata: the exercise of narration in Leucippe and Clitophon 155 Julieta Cardigni, La obscuritas como estrategia discursiva en dos comentarios tardoantiguos latinos: Macrobio y Calcidio / Obscuritas as a discursive strategy in two Late‐Antique commentaries: Macrobius and Calcidius 177 Victoria Recio Muñoz & Ana Isabel Martín Ferreira, La transmisión de los “Secretos de mujeres”: de Salerno al siglo XIV / The transmission of “Womenʹs secretsʺ: from Salerno to the 14th Century 199 Bartolomé Pozuelo Calero, Un adelantado del neoestoicismo en España: Pedro Vélez de Guevara y sus Selectae sententiae (1557) / An anticipation of Neostoicism in Spain: Pedro Vélez de Guevara and his Selectae Sententiae (1557) 223 María Luisa Harto Trujillo, La Elucidata grammatica Latina de J. García de Vargas y su reacción contra la gramática racional / The Elucidata grammatica Latina by J. García de Vargas and its reaction against rational grammar 249 Pablo Ozcáriz Gil, The Very Old Folk. Roman Provincial Administration, Vascones, and Epigraphy in H. P. Lovecraft / The Very Old Folk. Administração provin‐ cial romana, Vascones e epigrafia em H. P. Lovecraft 273 Jesús Ángel y Espinós, El poemario Tristia de Ósip Mandelstam y la génesis de su título: Ensayo en torno a sus fuentes grecolatinas y su recepción / The poetry‐ collection Tristia by Osip Mandelstam and the origin of its title: essay on its Greek and Latin sources and its reception 297 Fabrício Lemos da Costa & Maria Elizabeth Bueno de Godoy, Duelo, de Guimarães Rosa: moira em interface com a violência do Sertão / Guimarães Rosa’s Duelo: Moira’s interface to the Backwoods’ violence 321 Nuno Simões Rodrigues, Eneias no cinema / Aeneas at the cinema 339 Maria do Céu Fialho, Tiago Rodrigues: esquecimento e resgate. Ifigénia, Agamémnon, Electra ou o poder do mito em cena / Tiago Rodrigues: oblivion and rescue. Iphigenia, Agamemnon, Electra or the power of myth on stage 361 Recensões e notícias bibliográficas 389 Andrés Pociña Pérez, Aurora López, Carlos Ferreira Morais, Maria de Fátima Silva and Patrick Finglass (eds.), Portraits of Medea in Portugal during the 20th and 21st Centuries (Maria Fernanda Brasete) 391 Abel N. Pena, Eco e Narciso. Leituras de um mito (Maria Fernanda Brasete) 396 Rui Carlos Reis Fonseca, Epopeia e Paródia na Literatura Grega Antiga (Maria Fernanda Brasete) 399 Pseudo‐Sexto Plácido, Liber medicine ex quadrupedibus. Magos y doctores. La medi‐ cina en la Alta Edad Media (Emília Maria Rocha de Oliveira) 402 Armando Senra Martins, Cidades europeias nas Cartas de Enea Silvio Piccolomini (Emília Maria Rocha de Oliveira) 407 N. W. Bernstein, Silius Italicus, Punica 2 (Everton da Silva Natividade) 419 Sophia Xenophontos, Ethical Education in Plutarch. Moralising Agents and Contexts (Joaquim Pinheiro) 425 Publicações recebidas 431 Livros recebidos 433 Revistas recebidas 434 Normas de aceitação de textos 437 Artigos El bosque y la polis The woods and the polis AIDA MÍGUEZ BARCIELA1 (Universidad de Vigo – España) Abstract: This paper reconsiders the relation between ‘nature’ and the foundation of a Greek polis. In order to elucidate this question, I examine some relevant problems in the interpretation of the Odyssey, particularly the nostos of Odysseus from the depths of the sea and the forest. This reading is completed with two classical textual references (to the Hebrew Bible and to the Epic of Gilgamesh), in which the issue of knowledge as loss is of paramount importance. Keywords: Odyssey; Genesis; Gilgamesh; polis. Empezaremos recordando la disposición de la trama de la Odisea. Desde el principio del poema, los oyentes/lectores saben que el varón que hay que cantar es el único de los guerreros del ejército de Agamenón que, tras la toma de Troya, todavía “carece de retorno y de mujer” (1.13)2. Sin em- bargo, este comienzo no se limita simplemente a los aspectos negativos del problema, sino que continúa así: “la señora ninfa Calipso, divina entre las diosas, lo retenía en las cuevas huecas, deseando hacerlo su esposo” (14-15). Este dato, junto con algunos otros que Atena proporciona en el consejo de los dioses que sigue luego, presenta lo fundamental de la situación de Odiseo, a saber: que no-está, está desaparecido o está ausente. Nosotros, la audiencia, sabemos que se encuentra retenido en la isla de Calipso, pero en Ítaca nadie sabe con certeza si Odiseo vive todavía o está muerto. Para superar esta igno- rancia, Atena, la diosa de los grandes planes y las ideas lúcidas, proyecta dos grandes líneas de acción: por un lado, Telémaco convocará una reunión en Ítaca y emprenderá un viaje cuyo propósito es precisamente despejar las in- cógnitas en torno a Odiseo; por otro, Hermes viajará hasta la isla para comu- nicarle a Calipso la resolución del consejo de los dioses: Odiseo tiene que volver por fin3. Texto recibido el 18.01.2018 y aceptado para publicación el 11.12.2018. 1 [email protected]. 2 Cito por la edición de T. W. ALLEN (Oxford 1908/1917-1918). 3 MÍGUEZ BARCIELA (2014). Ágora. Estudos Clássicos em Debate 21 (2019) 11-20 — ISSN: 0874-5498 Aida Míguez Barciela 12 Nos encontramos ante una compleja técnica de presentación de prota- gonista: el poema nos conduce hacia el lugar donde Odiseo no-está a través de las diversas constataciones de que, en efecto, nadie sabe dónde está. Esto ocurre en los relatos que Telémaco escucha contar acerca de su padre en Pilos y en Esparta.
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