Protoculture Addicts # 64

Total Page:16

File Type:pdf, Size:1020Kb

Protoculture Addicts # 64 Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF NEWS ANIME & MANGA NEWS ........................................................................................................ 5 Claude J. Pelletier [CJP] — Publisher / Manager ANIME & MANGA RELEASES ................................................................................................. 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES ............................................................................................................ 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 11 MODEL NEWS ...................................................................................................................... 50 Contributors Aaron & Keith Dawe, Kevin Lillard James S. Taylor, Mario Tessier REVIEWS LIVE-ACTION ........................................................................................................................ 15 Layout MODELS .............................................................................................................................. 50 The Safe House MANGA .............................................................................................................................. 51 Cover PA PICKS ............................................................................................................................. 52 ANIME ................................................................................................................................. 53 Cover art courtesy of Bandai Entertainment, Inc. Angel Links © Morning Star / Sunrise / ANIME CAPSULES .................................................................................................................. 56 WOWOW-TV / Bandai Entertainment Proofreading & Editing SPOTLIGHTS The Safe House, Dominique Durocher LIVE-ACTION TV SERIES: SALARYMAN KINTARO (Manga, TV Series Overview & Synopses) .......... 21 Aaron & Keith Dawe ANGEL LINKS (Overview, Character & Mecha Files, Synopses) ................................................ 25 CREST OF THE STAR .............................................................................................................. 28 Color Separation & Linotronic STREET FIGHTER ALPHA ......................................................................................................... 36 Typo Express, Inc. GATE KEEPERS (Overview, Character & Mecha Files, Synopses) ............................................... 38 ORDIAN (Overview, Character & Mecha Files, Synopses) ........................................................ 41 Printing Payette & Simms, Inc. ANIME WORLD Special Thanks to Fantasia 2000 (Part 3: More Japanese and Asian Movies!) ..................................................... 16 Jerry Chu (BEI), Pierre Corbeil (Fantasia), Julien Fonfrède Fantasia 2000: Anecdotes From Mr. Mitsuhisa Ishikawa .......................................................... 17 (Fantasia), Jean-François Fortier (DP9), Chad Kime (Pioneer), Mi-Jeong Lee (Fantasia), Michael Liu, Nikaku MontrealSample World Film Festival file(Part 2: More Japanese Movies Reviews) ........................................... 18 Animart, Danielle Opyt (Manga), Pierre Ouellette (DP9), Convention Reports: AWA, NanDesuKan, NekoKon .................................................................... 45 Mee-Lise Robinson (CPM), Nene Tamaki, Maki Terashima The Modern Japanese Music Database (Part 8) ...................................................................... 48 (I.G.-USA), Ken Wiatrik (ADV), Vincent Wilson, Nobu Yamamoto (BEI), Yui Yuasa ANIME STORIES A.D. POLICE ........................................................................................................................ 57 SUBSCRIPTION ANGEL'S EGG (TENSHI NO TAMAGO) ..................................................................................... 58 One year (6 issues): $30 US/Can (in Canada: add GST), or INU-YASHA (THE DOG DEVIL) ................................................................................................ 59 $45 US overseas. Send check/money-order to: Protoculture, LOVE HINA .......................................................................................................................... 60 P.O. Box 1433, Station B, Montreal, Qc., Canada, H3B 3L2. SEIKAI NO SENKI (WAR FLAG OF THE STAR) ............................................................................ 61 DISTRIBUTORS LETTERS ................................................................................................................................. 62 In Canada: Anime Universe ((905) 212-9719), Snap! ((416) 588- 4006). In U.S.A.: Anime Nation ((727) 796-7561), Berkley Dist. (North: (510) 845-9851 or South: (310) 632-8448), Complete PROTOCULTURE ADDICTS #64. January / February 2001. The Anime & Manga magazine. Published bimonthly Strategist ((212) 685-3880), Diamond ((410) 560-7100), FM In- by PROTOCULTURE Enr., P.O. Box 1433, Station B, Montreal, Quebec, Canada, H3B 3L2. FAX: (514) 527-0347. ternational ((608) 271-7922), HKT ((914) E-mail: [email protected]. Web: http://www.protoculture.qc.ca/PA. 296-1236), Kinokuniya (NY: (212) PROTOCULTURE ADDICTS is ©2001 by Protoculture Enr. The copyrights and trademarks mentioned herein are the 765-7766, SF: (415) 567-7625, property of their respective owners. PROTOCULTURE ADDICTS acknowledges the creators and copyrights holders of the Seattle: (206) 587-2477), materials mentioned or pictured herein, and does not seek to infringe on their rights. All rights to articles/artwork revert Mangamania ((800) 626-4277), to their respective writers/artists upon publication. Contributors are responsible for their views which are not Nikaku Animart ((408) 971- necessarily those of PROTOCULTURE ADDICTS. No part of this magazine can be reproduced without permission from 2822), Planet Anime ((713) 523- the publisher — except for review purposes. Spoiler Warning: This magazine contains important plot details about 7122), RPV ((714) 671-1270). several Japanese animation. Reader discretion is advised. In England: Esdevium (011 44 125226116). Legal deposit at the National Library of Quebec & National Library of Canada Printed in Canada ISSN 0835-9563 4 PRESENTATION ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ The Mainstream Anime Culture and the 21st Century. First of all, Happy New Year 2001 to you all from the staff Protoculture Addicts Magazine! And we are now officially living in the 21st Century! Right now, Japanimation is CREDITS really literally spreading all over the world very rapidly (with the exception, maybe, of the Islamic Middle East), Agent Aika © Studio Fantasia/ Bandai Visual. English Version © Central Park Media, Co. Amazing Nurse Nanako © 1999 GENCO/ thanks to the Internet, and it has surely become a part of the mainstream entertainment pop culture. Japan has Pioneer, LDC. Angel Link © Morning Star/ Sunrise/ WOWOW-TV/ Bandai Entertainment. Angel’s Egg/Tenshi No Tamago © Mamoru many great cinema directors, actors, singers, etc., but they are not as popular as Pikachu, because anime, the Oshii/ Ten Production/ Tokuma Shoten/ Tokuma Japan Communica- moving drawn pictures, charms almost all citizens of this planet! tions. Blood: The Last Vampire © 2000 Production I.G./ SVW/ SCE/ IG Plus/ IPA. Cowboy Bebop © 1998 Sunrise. English Version © 1999 AnimeVillage.com. Crest Of The Star/Seikai No Monshou © It has been 40 years since anime showed up in Japan (the first TV anime, Astroboy, arrived in 1963) and the Hiroyuki Morioka/ Hayakawa Shoten/ Sunrise. Demon Warrior Koji anime culture keeps rising and rising without any apparent decline. So, the question is, “What kind of anime work © 1999 Toshio Maeda/ Sepia Corporation. English Version © 2000 A18 Co. Dr. Akagi © 1998 Imamura Productions/ TOEI/ Tohoku will be popular in the 21st Century?” Anime, as well as cinema, is the true reflection of our time. Shinsha/ Kadokawa Shoten. English Version © Kino Video. Dual! © 1999 AIC/ Pioneer LDC, Inc. English Version © Pioneer Entertain- In this issue, PA#64, we are introducing you to many high-quality new anime shows like Ordian, Gatekeepers, ment (U.S.A) L.P. Fushigi Yügi OVA #1 © 1996 Yu Watase/ Shogakukan/ Bandai Visual/ Studio Pierrot/ MOVIC. English Version Angel Links and Crest Of The Stars. Compared to the heroes & heroines of the past (who used to be goody-goody © 2000 Pioneer Entertainment (USA) L.P. Fushigi Yügi © 1995 Yu characters who fight against the evil forces), all the characters in those shows are now portrayed as humans who Watase / Shogakukan • TV Tokyo • Studio Pierrot. All Rights Re- served. Licensed by Fuji Creative Corporation. English Version pack- can make mistakes and have “Dark Sides”. Ruriko, one of the main characters of Gatekeepers, is most human, aging © Pioneer Entertainment (USA) L.P. Gasaraki © Sunrise. Eng- lish Version © 2000 A.D. Vision, Inc. GateKeepers © GONZO/ for she gets used by an evil doctor, who takes advantage of her dark side and weak personality. Those shows tell Kadokawa Shoten/ GK Project. Gundam Wing: Endless Waltz (Movie us that we, Humans, are the source of evil, because we have destroyed a large part of Earth’s nature. Also, many Version) © Sotsu Agency/ Sunrise, Inc.
Recommended publications
  • Meta-Con-2014-FINAL.Pdf
    Convention Operations and Answers General Rules Weapon and Large Prop Rules Our convention has a number of rules, policies, and regulations All weapons and large props must be inspected and approved by our that help make the convention run smoothly and be as fun as operations or security staff at the convention. We will then “peace mark” possible for everyone. We encourage you to read our rules to un- them, by affixing a ribbon or mark that indicates we have checked them, and, if necessary “peace bond” them by using ribbon or ties to keep derstand what is expected to help make the best, most success- your weapon from being drawn or used (for example, by someone who ful, and most fun weekend possible. In addition to these general doesn’t know the rules and sneaks up behind you and grabs it). Attend- conduct policies, we also have rules and guidelines for cosplay, ees must realize that it is a privilege to bring large props and weapons press, exhibitors, and others. Violations of these rules and respon- to the convention, and everyone must take great care to be careful not sibilities can result in loss of privileges, up to and including ejec- to damage things, whack people, or otherwise do anything that seems tion without refund, legal action, or involvement of the authorities. dangerous. We allow certain specific prop weapons and large prop items, but anything not listed below is not allowed. Please understand that due Rule Number One: Do not do anything that could make the to crowding, space, or safety issues, we may have to change the rules mid-convention at any time.
    [Show full text]
  • Notes for Chapter Re-Drafts
    Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 Jonathan Wroot PhD Thesis Submitted to the University of East Anglia For the qualification of PhD in Film Studies 2013 1 Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 2 Acknowledgements Thanks needed to be expressed to a number of people over the last three years – and I apologise if I forget anyone here. First of all, thank you to Rayna Denison and Keith Johnston for agreeing to oversee this research – which required reining in my enthusiasm as much as attempting to tease it out of me and turn it into coherent writing. Thanks to Mark Jancovich, who helped me get started with the PhD at UEA. A big thank you also to Andrew Kirkham and Adam Torel for doing what they do at 4Digital Asia, Third Window, and their other ventures – if they did not do it, this thesis would not exist. Also, a big thank you to my numerous other friends and family – whose support was invaluable, despite the distance between most of them and Norwich. And finally, the biggest thank you of all goes to Christina, for constantly being there with her support and encouragement. 3 Abstract The thesis will examine how DVD distribution can affect Japanese film dissemination in the UK. The media discourse concerning 4Digital Asia and Third Window proposes that this is the principal factor influencing their films’ presence in the UK from 2008 to 2010.
    [Show full text]
  • Seven Seas Entertainment Manga
    SEVEN SEAS ENTERTAINMENT Just added to August 2017 Nirvana, vol. 1 Story by Jin x Sayuki (ZOWLS) Art by Sayuki Faith and heroism will take on fate in this brand new action fantasy series! itose Yachiyo has always strived to be Hhelpful, volunteering and sacrificing her time and energy in respect of her late Mother’s memory. When the opportunity arises to travel overseas as a relief volunteer, Hitose is quick to accept. But when her plane crashes, she suddenly awakens to find herself in a strange world of magic and mysticism. In a realm where reincarnations and fate dictate the lives of those with in it, Hitose must discover how to get home, and why a mysterious keepsake from her Mother may be more important than she ever imagined. • COORDINATED DEBUT: English edition is scheduled within months of the original in Japan NEW SERIES Jin is a Japanese author best known for Nirvana and his submission to the Trinity Seven MANGA Comic Anthology. Trade Paperback ISBN: 978-1-626926-39-4 Sayuki is a Japanese manga artist best known for Gekka no Hazure Gedou and Nirvana. Rated: Teen (13+) On Sale: August 8, 2017 5” x 7.125”/ 180 pages $12.99/US | $14.99/CAN SEVEN SEAS ENTERTAINMENT October 2017 Captain Harlock: Dimensional Voyage, vol. 1 Story by Leiji Matsumoto Art by Kouichi Shimahoshi An all-new series featuring a contemporary take on one of the most revered and recognizable characters in science fiction history! hen Tadashi Daiba’s father is murdered Wby invaders known as the Mazon, he becomes frustrated in the face of the Earth government’s flippant attitude.
    [Show full text]
  • Protoculture Addicts
    PA #88 // CONTENTS PA A N I M E N E W S N E T W O R K ' S ANIME VOICES 4 Letter From The Publisher PROTOCULTURE¯:paKu]-PROTOCULTURE ADDICTS 5 Page 5 Editorial Issue #88 (Summer 2006) 6 Contributors Spotlight SPOTLIGHTS 98 Letters 25 BASILISK NEWS Overview Character Profiles 8 Anime Releases (R1 DVDs) Story Primer 10 Related Products Releases Shinobi: The live-action movie 12 Manga Releases By Miyako Matsuda & C.J. Pelletier 17 Anime & Manga News 32 URUSEI YATSURA An interview with Robert Woodhead MANGA PREVIEW An Introduction By Zac Bertschy & Therron Martin 53 ES: Eternal Sabbath 35 VIZ MEDIA ANIME WORLD An interview with Alvin Lu By Zac Bertschy 73 Convention Guide 78 Interview ANIME STORIES Hitoshi Ariga 80 Making The Band 55 BEWITCHED AGNES 10 Tips from Full Moon on Becoming a Popstar Okusama Wa Maho Shoujo 82 Fantasia Genre Film Festival By Miyako Matsuda & C.J. Pelletier Sample fileKamikaze Girls 58 BLOOD + The Taste Of Tea By Miyako Matsuda & C. Macdonald 84 The Modern Japanese Music Database Part 35: Home Page 19: Triceratops 60 ELEMENTAL GELADE By Miyako Matsuda REVIEWS 63 GALLERY FAKE 86 Books Howl’s Moving Castle Novel By Miyako Matsuda & C.J. Pelletier Le Guide Phénix Du Manga 65 GUN SWORD Love Hina, Novel Vol. 1 By Miyako Matsuda & C.J. Pelletier 87 Live-Action Lorelei 67 KAMICHU! 88 Manga Kamisama Wa Chugakusei 90 Related Products By Miyako Matsuda CD Soundtracks 69 TIDELINE BLUE Otaku Unite! By Miyako Matsuda & C.J. Pelletier 91 Anime More on: www.protoculture-mag.com & www.animenewsnetwork.com 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ LETTER FROM THE PUBLISHER A N I M E N E W S N E T W O R K ' S PROTOCULTUREPROTOCULTURE¯:paKu]- ADDICTS Over seven years of writing and editing anime reviews, I’ve put a lot of thought into what a Issue #88 (Summer 2006) review should be and should do, as well as what is shouldn’t be and shouldn’t do.
    [Show full text]
  • Anime Expo Lite 2021 Sweepstakes Official Rules
    ANIME EXPO LITE 2021 SWEEPSTAKES OFFICIAL RULES 1. Official Rules. The Anime Expo Lite 2021 Sweepstakes (the “Promotion”) is subject to these Official Rules, except as expressly stated otherwise. No purchase necessary. A purchase does not improve your chances of winning. Void where prohibited. The Sweepstakes is sponsored by Society for the Promotion of Japanese Animation, 1522 Brookhollow Dr. Suite 1, Santa Ana, CA 92705 (the “Sponsor”). 2. Eligibility. The Sweepstakes is open to legal residents of the United States (but excluding U.S. military installations in foreign countries and all other U.S. territories and possessions), who are 18 years of age or older at the start of the Promotion (“Entrant”). By participating in the Sweepstakes, Entrant agrees to be fully and unconditionally bound by these Official Rules and the decisions of Sponsor. 3. Privacy. The information you provide in your entry will be used for administering this Promotion and for marketing purposes in accordance with Sponsor’s privacy policy found here: http://www.anime-expo.org/plan/policies/. 4. Sweepstakes Period. The Sweepstakes begins at 12:00 p.m PDT on June 25, 2021 and ends at 12:00 p.m. PDT on July 16, 2021 (the "Promotion Period"). 1. How to Enter the Sweepstakes. During the Sweepstakes Period, you can enter the Sweepstakes through the following methods: a. Purchase: You may purchase an online pass for Anime Expo Lite 2021 from https://www.tixr.com/groups/animeexpolite/events/anime-expo-lite-2021- benefitting-hate-is-a-virus-23015 (“Website”); Note: All online passes purchased prior to the Sweepstakes Period are also eligible to enter.
    [Show full text]
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • Archiving Movements: Short Essays on Materials of Anime and Visual Media V.1
    Contents Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui ………… 2 Utilizing the Intermediate Materials of Anime: Royal Space Force: The Wings of Honnêamise Ishida Minori ………… 17 The Film through the Archive and the Archive through the Film: History, Technology and Progress in Royal Space Force: The Wings of Honnêamise Dario Lolli ………… 25 Interview with Yamaga Hiroyuki, Director of Royal Space Force: The Wings of Honnêamise What Do Archived Materials Tell Us about Anime? Kim Joon Yang ………… 31 Exhibiting Manga: Impulses to Gain from the Archiving/Unearthing Anime Project Jaqueline Berndt ………… 36 Analyzing “Regional Communities” with “Visual Media” and “Materials” Harada Ken’ichi ………… 41 About the Archive Center for Anime Studies in Niigata University ………… 45 Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui presumably, the majority are in various storage Background of the Project places after their production cycles. It is not The exhibition “A World is Born: The uncommon that they are forgotten, displaced or Emerg­­ing Arts and Designs in 1980s Japanese eventually discarded due to the expenses incurred Animation” (19-31 March 2018) hosted at DECK, for storage. In many ways, these materials an independent art space in Singapore, is encompass an often forgotten yet significant part of an ongoing research collaboration research resource essential for understanding between the researchers from Puttnam School key aspects of Japanese animation production of Film and Animation in Singapore and the cultures and practices. Archive Center for Anime Studies in Niigata “A World is Born” was an exhibition focusing University (ACASiN).
    [Show full text]
  • Protoculture Addicts #68
    Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF NEWS ANIME & MANGA NEWS: Japan / North America ............................................................... 5, 10 Claude J. Pelletier [CJP] — Publisher / Manager ANIME & MANGA RELEASES ................................................................................................. 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES ............................................................................................................ 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 11 Contributing Editors Aaron K. Dawe, Asaka Dawe, Keith Dawe REVIEWS Kevin Lillard, James S. Taylor MODELS: ....................................................................................................................... 33, 39 MANGA: ............................................................................................................................. 40 Layout FESTIVAL: Fantasia 2001 (Anime, Part 2) The Safe House Metropolis ...................................................................................................................... 42 Cover Millenium Actress ...........................................................................................................
    [Show full text]
  • Boogiepop in the Mirror: Pandora (Light Novel 4)
    Table of Contents Color Inserts Copyrights and Credits Prologue 1 The Six - Our Gang 2 Kazumiya Mitsuo - Baby Talk 3 Nanane Kyoko - Aroma 4 Tenjiki Yuu - Stigma 5 Heart of the World 6 Koumoto Kouji - Whispering 7 Tsuji Nozomi - Automatic 8 Mikage Kasumi - Into Eyes 9 Blood Afterword About the Author and Illustrator Newsletter Prologue Two girls talked on their way home from school at sunset, taking a road that ran by the river. “Oh, really?” “Yes! There's absolutely nothing about that in the Bible.” “So how come everyone writes about it like it’s a big deal?” “Kirima-san! You know Kirima Seiichi always said not to believe what ‘everyone’ says!” “Fair, but… my dad wrote about this somewhere, right?” “No, he never did. I read this in a book by Malet.” “Kazuko, I swear you’re way smarter than my dad ever was.” “Th-that’s not true at all. But the point is, Cain may have killed his brother Abel, but he never felt guilty for it, and God forgave him. That’s all it says in the Bible. There was no lifelong burden like in the movie East of Eden.” “Wasn’t there a…sign? I thought he was marked in some way.” “Yeah, that part is from the Bible.” “So didn’t that lead to everyone pointing fingers at him? You’d think it would.” “That’s where everyone’s got it wrong. The mark God put on Cain was to prevent anyone from harming him because of his crime. Any injury inflicted on Cain would be paid back sevenfold.
    [Show full text]
  • Bandai June New Product
    Bandai June New Product ZZ II "Gundam Build Fighters", Bandai HGBF 1/144 Launching alongside the release of a new Gundam Build Fighters Try episode, the popular Z II is now available! Capable of transforming into its Wave Rider form, the model kit also comes with powerful large-scale weaponry. Set includes a large beam rifle, transformation replacement parts, and interchangeable hand. Runner x12. Foil Sticker x1. Instruction manual x1. Approximately 5.5" Tall Package Size: Approximately 12.2"x7.8"x3.1" MSRP: $27.99 Gyancelot "Gundam Build Fighters", Bandai HGBF 1/144 From the Gyan family, comes a new model kit featuring Gyancelot! With expert detailing on the shield and weapons, the color scheme and textures accurately reproduces the look from the anime! The large lance appears in the shape of the crest of the Principality of Zeon, and its blades can be opened or closed through the use of replacement parts. Set includes large lance, beam saber, shield, and interchangeable hands. Runner x11. Foil sticker x1. Instruction manual x1. Approx. 5" Tall Package Size: Approx. 11.7"x7.4"x3.0" MSRP: $19.99 Gya Eastern Weapons "Gundam Build Fighters", Bandai HGBC 1/144 This is a kit focusing on parts for hand-held weapons from the Build Custom series! The parts can be used to customize existing models from various 1/144 series. The large rifle from the HG 1/144 ZZ II can be combined with a newly molded clay bazooka and optional parts for the lance from the Gyancelot can be customized as well.
    [Show full text]
  • Protoculture Addicts #61
    Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF WHAT'S GOING ON? ANIME & MANGA NEWS .......................................................................................................... 5 Claude J. Pelletier [CJP] — Publisher / Manager VIDEO & MANGA RELEASES ................................................................................................... 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES .............................................................................................................. 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 10 MODEL NEWS ...................................................................................................................... 47 Contributors Aaron Dawe Kevin Lilliard, James S. Taylor REVIEWS Layout LIVE-ACTION ........................................................................................................................ 15 MODELS .............................................................................................................................. 46 The Safe House MANGA .............................................................................................................................. 54 Cover PA PICKS ............................................................................................................................
    [Show full text]
  • Continuing to Innovate with a Focus on Global Business Initiatives Aligned with Changes in Our Markets
    NEWSLETTER September 2018 BANDAI NAMCO Holdings Inc. BANDAI NAMCO Mirai-Kenkyusho 5-37-8 Shiba, Minato-ku, Tokyo 108-0014 Mitsuaki Taguchi Interview with the President President & Representative Director, BANDAI NAMCO Holdings Inc. Continuing to innovate with a focus on global business initiatives aligned with changes in our markets Under the Mid-term Plan, the Group announced a mid-term vision of CHANGE for the NEXT — Empower, Gain Momentum, and Accelerate Evolution, and launched a five-Unit system. In the first quarter, the Group achieved record-high sales. In these ways, the Mid-term Plan has gotten off to a favorable start. In this issue of the newsletter, BANDAI NAMCO Holdings’ President Mitsuaki Taguchi discusses the future results forecast and the situation with each of the Group’s Units. How were the results in the first What is the outlook for the future? for the mature fan base, BANDAI SPIRITS quarter? Taguchi: In our industry, the environment is CO., LTD., a new company that consolidates Taguchi: In the first quarter of FY2019.3, in undergoing drastic changes, and it is difficult the mature fan base business of the Toys and comparison with the same period of the previous to forecast all of the future trends based on Hobby Unit, started full­scale operation. With year, each business recorded favorable overall three months of results. Considering bolstered a separate organizational structure and a clarified progress with core IP* and products/services, marketing and promotion for businesses mission, the sense of speed in this business despite differences in the home video game recording favorable results; recent business has increased.
    [Show full text]