FALL-WINTER SCHOOL 2017 EDITION FASHION ARCHIVES: HERITAGE MANAGEMENT

FALL-WINTER SCHOOL LA FONDAZIONE [ ED. 2017 ] ARCHIVI DELLA MODA 11 MASTER [ ED. 2016-17 ] DESIGN AND TECHNOLOGY FOR FASHION COMMUNICATION

THE FOUNDATION

Fashion Research is a Nonprofit Foundation founded by Cav. Alberto Masotti - former patron of the La Perla fashion group. The foundation was born with the aim of accompanying Made in Italy in its path of affirmation and innovation also through training and research activities. The proximity to professional and academic realities of international fame makes the foundation the ideal context in which to specialize to obtain an ever-innovative education and effective entry into the labor market.

THE FOUNDATION [ ED. 2017 ] FASHION ARCHIVES 3 FALL-WINTER SCHOOL FASHION ARCHIVES: HERITAGE MANAGEMENT By Fabio Massaccesi

THE COURSE the Fall Winter School intends to 48 HOURS OF LECTURES RECIPIENTS specialize professional figures quisition and archiving process A NEW PERSPECTIVE do. Through case histories, testi- The course foresees a maximum who can work in the field of bu- as a tool to support creativity The Fall-Winter School “Fashion monials from the industry, profes- 6 LABORATORY HOURS of 20 students. It is aimed at pro- siness archives and museums. and corporate communications Archives: Heritage Manage- sionals and university lecturers, ARCHIVE VISITS, fessionals working in the field of Through the course participants as well as the consulting archive ment” is a two-week full-im- the course intends to specialize a BUSINESS MUSEUMS fashion; scholars, students, gra- will have the opportunity to learn suppor mersion specialization course professional figure able to match AND FOUNDATIONS duates and graduates in the areas the specifics of archival discipli- about archives, and product ar- the standards in the archive field of archive keeping, library scien- ne applied to the fashion sector, INTERNSHIP chives, in the Fashion, Luxury with the most specific needs of 6 INTERNSHIP ce, fashion, art, management and especially the product, along with The course offers the possibility and Lifestyle industries. In a companies, and that in the valo- communication; those specialized the main technical and theoretical for six participants to take part sector in perpetual evolution as risation of their heritage find new in the same disciplines. criteria in use. They will under- in a training experience within that of fashion, and under the levers for a Modern communica- stand the importance of a figure the archives of the Fashion surge of recent market changes, tion and strengthening of one’s INNOVATION ELEMENTS that is in support of corporate re- Research Italy Foundation. All companies seem to react and reputation. Within the prestigious The archive course for fashion search for the definition of style participants will be able to hold strengthen themselves through headquarters of the Foundation, business emerges as the first to or communication strategies that an interview for the selection of profound self-rethinking. A point an area of 7,000 square meters encode and collect the experien- start from the heritage. the six candidates. The training in this sense is showing the reco- with the most modern technology, ces of cataloguing and archival experience of not more than 3 very and revision of its heritage, and called to re-qualify a former discipline in fashion as a training OUTPUT PROFILES months will take place no later the true heart of the brand and establishment of the La Perla product. It offers the opportunity AND OCCUPATIONAL than 2018 on dates that will be the true memory of the whole Group, participants will be able to encounter important compa- OPPORTUNITIES indicated by the body itself. enterprise. But, for it to be vital, to confront and network with nies operating in the industry and The course specializes in pro- the heritage must be adequately professional figures who have provides appropriate skills for fessional figures that can work organized. Knowing the archive at been operating in the industry LESSON PERIOD the training of easily absorbable in the field of business, archives its various stages or learning how for years. The course also offers 13-24 November 2017 experts in business contexts and museums and Cultural Heri- to form it, order it and catalogue the opportunity to participate in MAXIMUM STUDENT NUMBER where archiving is required. tage of the Fashion, Luxury and it to make it a strategic tool for the selection of 6 candidates for 20 Lifestyle sectors. Possible profes- business competitiveness - in de- 6 internships within the archi- EDUCATIVE OBJECTIVES sional frameworks are: historical fining thebrand identity and the ves of the Fashion Research Italy LANGUAGE The course focuses on acquiring archive expert manager, record marketing heritage – is what Foundation. Italian the fundamentals to support and manager, coordinator of the ac-

THE COURSE[ ED. 2017 ] FASHION ARCHIVES 4 STRUCTURE

FIRST WEEK MONDAY 13 NOVEMBER TUESDAY 14 NOVEMBER AND WEDNESDAY 15 NOVEMBE THURSDAY 16 NOVEMBER FRIDAY 17 NOVEMBER 10:00 - 17:15 H 10:00 - 17:15 H 10:00 - 17:15 H 10:00 - 17:15 H Greetings Archivio, Business Museum, Museum of Fashion, Visit: Salvatore Ferragamo Archives for Creativity: collections Cav. Alberto Masotti, Foundation: Models and Comparative Needs Museum and Ferragamo that start from the heritage President of the Fashion Research Italy Caterina Chiarelli, Curator of the Collections of the Museum of Fashion and Foundation, Florence; Gucci Alba Cappellieri, Ordinary Professor, Foundation (FRI), Bologna Costume at Palazzo Pitti - Uffizi Galleries, Florence Museum Jewelery and Accessory Design, Introduction - The Fashion Fabio Massaccesi, Director of Archives and Exhibition Space of FRI, Bologna Politecnico di Milano Archives Silvia Zanella, Executive Assistant to the Director of Archives Rita Airaghi, Foundation Director Fabio Massaccesi, Director of and Exhibition Space of FRI, Bologna: Gianfranco Ferré, Milan Archives and Exhibition Space of FRI, Visit to the Brandon Fund (30,000 drawings of textile design) by FRI Bologna Stefania Ricci, Director of Salvatore Ferragamo Museum Alessandra Arezzi Boza, brand and Ferragamo Foundation, Florence heritage expert, co-founder Beyond Luca Missoni, artistic director of the Missoni Archives Heritage, Professor of Theories and and Missoni spa owner, Sumirago Practices of Fashion Archives at the University of Bologna

SECOND WEEK MONDAY 20 NOVEMBER TUESDAY 21 NOVEMBER WEDNESDAY 22 NOVEMBER THURSDAY 23 NOVEMBER FRIDAY 24 NOVEMBER 10:00 - 17:15 H 10:00 - 17:15 H 10:00 - 17:15 H 10:00 - 17:15 H 10:00 - 17:15 H The Archive as a communication, Managing a Business Archive, Archives and Technologies: Visit: Missoni Archives, Sumirago Methods and techniques for marketing and brand identity tool taking into account features and problems of representation (VA), Heritage Expert; MAGA describing archives; Descriptive Simona Lumachelli, Fashion needs and dissemination in a digital Museum, (VA) software for corporate archives Researcher & Archivist, Hubert de Giorgetta Bonfiglio Dosio, ormerf environment Giorgetta Bonfiglio Dosio, former Givenchy Archive, Paris Professor of Archives, University of Padua Francina Chiara, former Curator of Professor of Archives, University of Padua Marco Montemaggi, Director of Isabella Campagnol, former Curator the Archives and Museum Foundation Marco Rubichi, Project Manager, Museimpresa of the Rubelli Archives (Venice), Professor Antonio Ratti (Como), Professor of Promemoria Srl, Turin Monica Brannetti, Heritage expert, of History of Fashion and Costume, History of Fashion and Costume, Catholic Fabio Massaccesi, Director of Archi- Bulgari Archive, Rome Istituto Marangoni, Milan and Florence University of the Sacred Heart, Brescia ves and Exhibition Space of FRI, Bologna Francesca Tomasi, Professor in Humanistic Informatics, University of Bologna

LA FONDAZIONESTRUCTURE [ ED. [ ED. 2017 2017 ] ARCHIVI ] FASHION DELLA ARCHIVES MODA 5 VISITS

FERRAGAMO GUCCI MUSEUM, MISSONI MAGA MUSEUM, SALVATORE MUSEUM Florence ARCHIVE, Gallarate (VA) AND FERRAGAMO Sumirago (VA)) FOUNDATION, Florence The Salvatore Ferragamo Mu- The Gucci Museum is housed The Missoni archive retains the The MAGA museum was founded seum is located at the historic site inside the medieval Palazzo della company’s production from the in 1966 as the Civic Gallery of of the company, the 13th century Mercanzia in Florence overlooking early sixties consisting of 17,000 Modern Art in Gallarate. Today it Palazzo Spini Feroni in Florence. the Piazza della Signoria. A clever items from Missoni men’s and wo- holds more than 5,000 works that It started in 1995 on the wishes restoration has allowed the mi- men’s collections; 10,000 acces- illustrate the main artistic orien- of the family in order to allow the nimal contemporary elegance to sories (bags, shoes, scarves, hats, tations from the mid-twentieth models of Salvatore Ferragamo dialogue with the original featu- glasses, jewellery); Almost 7000 century to today, with openings to be known as the role he has res of the palace. As the palazzo fabrics and about 1000 colour on contemporary international played in the history of footwear della Mercanzia was created in folders; Communication material; research. In the exclusive multi- and international fashion. Every support of the city’s corporations Books, catalogues of exhibitions; functional space called Sala Araz- year the museum organizes an that made Florence a promi- Photo and video material about zi, some of the most significant exhibition, starting from an episo- nent center in the Renaissance the Missoni family and the events works of are exhi- de of the founder’s life, trying to landscape, in the same way the the company took part in. It is also bited: studies for tapestries and reach today, analysing various fa- Gucci Museum is a reference the custodian of the artistic work fabrics made of felt paper and cets of the historical, artistic and for Florentine art and crafts. The of Ottavio Missoni (original tape- unique patchwork tapestries cre- cultural context. The Ferragamo museum goes back in history to stries and drawings). The chrono- ated by him personally. In Decem- Foundation was founded in 2013 the maison’ s beginning when it logical organization of the archive ber 2009, the City of Gallarate with the aim of promoting and was a company of leather goods began in 1994 through a physical formed the Foundation “Modern enhancing craftsmanship and up to it being leader in the luxury and digital reordering. The archive and Contemporary Art Gallery Sil- Made in Italy in all its perceptions. goods market. In the rooms, you is a source of inspiration to keep vio Zanella” with the task of ma- It also offers young people an op- can admire the iconic items of the the identity of the house in the naging the museum’s activities. portunity for growth and training. brand, while the archive is stored new collections. It also realizes or Since 2010, the museum has Of great importance are the pro- in the basement. provides material and costumes been named MAGA - Gallarate tection and enhancement of the to museums or organizations for Art Museum and has moved to a historical archive, in which docu- exhibitions and events where Luca more prestigious venue. ments, patents and products that Missoni is often the curator. In its bear witness to Salvatore Ferra- artistic and cultural function, it gamo’s entire career as well as often has exchanges with museu- the history of the brand are kept. ms, institutions, fashion schools, professional institutes and univer- sities.

LA FONDAZIONEVISITS [ ED. [ ED. 2017 2017 ] ARCHIVI ] FASHION DELLA ARCHIVES MODA 6 TEACHERS

Caterina Chiarelli

The course is formed by both RITA AIRAGHI ALESSANDRA AREZZI BOZA CATERINA CHIARELLI GIORGETTA BONFIGLIO DOSIO teachers from various public uni- Director of Gianfranco Ferré Foundation, Brand heritage expert, co-founder Beyond Curator of the collections of the Museum Ordinary Professor of Archives, University versities and private institutes as Milan Heritage, Professor of Theories and Practi- of Fashion and Costume at Palazzo Pitti - of Padua well as professionals from the ces of Fashion Archives at the University Galleries of the Uffizi, Florence Fashion, Luxury, Lifestyle and Ar- of Bologna chive sectors. Director of the Gianfranco Ferré Foun- Beyond Heritage Co-Founder in 2015, Director of the Museum of Fashion She has been an Archivist Profes- dation since 2008, deals with the pre- a consulting firm for management, and Costume at Palazzo Pitti since sor at the University of Padua since servation, promotion and dissemina- conservation of the Homeland and 2006, she replaced Kirsten Aschen- 2011. She is a professor of archives tion of cultural, artistic and aesthetic the enhancement of Brand Identity green Piacenti at the State Museum, at the universities of Padua, Ca ‘Fo- values that the designer has worked for fashion and lifestyle companies. director since 1983, year of the foun- scari-Venezia, Macerata and Floren- on and witnessed in his life. Her com- From 2001 to 2014 she was Director dation of the Gallery, and Carlo Sisi, ce. She has served at the Archivistic mitment is divided into a variety of of the Emilio Pucci Foundation in Flo- director from 2000 to 2006. Since Superintendent for Veneto from 1978 activities and competences ranging rence, a consultant for the Costume 2016, the offices of the Uffizi and to 1994, and led the Verona State from organizing events and exhibi- Gallery in Florence and for projects for the museums of Palazzo Pitti having Archives Department and taught at tions, publications, and participation the enhancement of archives for the been united under the direction of the State School of Archives of Bol- in conferences. All this has been Gianfranco Ferrè, Giorgio Armani and Eike Schmidt, she is the conservative zano. Between 2003 and 2007, she made possible thanks to the perso- Fendi Foundations. She has collabo- official, curator of theMuseum of Fa- directed two first-level Master’s de- nalized care of a digital database in rated with various exhibitions related shion and Costume. She cares for and grees focused on archive manage- which all the heterogeneous material to major fashion brands and has held studies the collections daily, organizes ment and archiving; she is currently that testimonies Ferré’s work is orga- several lectures on Fashion History at exhibitions related to costume and fa- deputy director of the Master in Trai- nized. Until 2005 she accompanied Institutes such as Polimoda in Floren- shion and compiles catalogues. The ning, Management and Conservation the stylist in the role of Director of ce, Politecnico and State University of museum, housed in the Palazzina del- of Digital Archives. She is director of Communication: a role that sums up Milan, Richmond University (USA), V & la Meridiana of Palazzo Pitti, collects the magazine Archives of the National a whole range of competencies and A Museum in London and from 2017 costumes and historic clothes from Archivist Association of Italy (ANAI) responsibilities across the board that she is a lecturer at the University of the XVI century (funeral costumes by of which she is a member. She is a made her part of all the activities, Bologna. She has collaborated on Cosimo I de ‘Medici, Eleonora of To- member of scientific committees of projects and successes of Ferré. the project of the Ministry of Cultural ledo and don Garzia) to this day. The numerous Academies or Scientific As- Heritage Archives of Italian Fashion contemporary section also includes sociations. She has been a member of of the twentieth century and from a substantial donation by Gianfranco the Scientific Technical Committee for 2012 to 2016 she was coordinator Ferré. He is author of several publica- Archives from 2009 to 2012 and of and director of the Communication tions related to the history of costume the Council for Cultural Heritage from Europeana Fashion Project, funded by and fashion. 2011 to 2012. the European Community.

TEACHERS [ ED. 2017 ] FASHION ARCHIVES 7 TEACHERS

MONICA BRANNETTI ISABELLA CAMPAGNOL ALBA CAPPELLIERI FRANCINA CHIARA Heritage expert, Bulgari Archive, Roma Former Curator of Rubelli Archives (Veni- Ordinary Professor of Jewellery and Ac- Former Curator of the Archives and Mu- ce), Professor of History of Fashion and cessory Design, Politecnico di Milano seum Foundation Antonio Ratti (Como), Costume, Istituto Marangoni, Milan and contract professor of History of fashion Florence and costume, Catholic University of Sacred Heart, Brescia

Specializing in Communications and A historian specializing in clothing Ordinary Professor of Jewellery De- Professor of the History of Fashion and International Relations, she has been and fashion history. Since 2015 sign and Fashion Accessory at the Costume at the Bachelor of Science in working in the Brand Heritage of the she has been lecturer in History of Politecnico in Milan where she leads Arts and Entertainment at the Brescia Maison Bulgari for 22 years as a Clothing and Fashion and Heritage the 3-year course in Fashion Desi- University of the Catholic University Historical Archive Expert Manager, Management at the Marangoni Insti- gn. Director of the Jewellery Design of the Sacred Heart. She was curator structuring and managing the Hi- tute in Milan and Florence. In the past, and Master of Advanced Accessory of the textile collections of the Fon- storical Archive. In the course of her she taught at other Italian universities. Design. She is also a member of the dazione Antonio Ratti of Como (FAR) activities she has conducted historical She is also editor of the Essence ma- Scientific Committee of Ecole Van from 2006 to 2016, where she began brand-related research, coordinating gazine. The Culture of Luxury. She Cleef & Arpels in Paris and of the working in 1995 as assistant to the numerous communication initiatives has been curator of the Historical Cologni Foundation in Milan. From curator, participating in the project of by personally being in contact with Collection and the Archive of the Ru- 2013 to 2016 she taught Design for digitizing the collections that even- major celebrities, conceiving nume- belli Collection from 2006 to 2014, Innovation at Stanford University. In tually opened to the public in 1998 rous publishing projects and contri- where she organized, catalogued and 2017 she was named Italian Design in the Fabric Studio Museum. She has buting to the realization of itinerant promoted the archive, studying the hi- Ambassador for the Italian Design been attending exhibitions and publi- exhibitions. She also contributes to story of the brand and presenting the Day in Osaka. With her students, cations, conducting research in the the development of the brand he- corporate heritage in important inter- she founded the blog www.jewel- field of fabric history and textile col- ritage collection, giving a historical national symposia. She has worked leryscape.it, coordinated many inter- lecting, extending her interest in the contribution to new acquisitions. She as a consultant with several national national researches and curated the heritage of the Diocese of Como and also cares for the company’s training and international institutions. She also main exhibitions and conferences on the Civic Collections of Applied Art of for new personel and holds lessons on catalogued clothes, accessories and jewels. From 2014 she is the director the Castello Sforzesco of Milan. She is Bulgari’s heritage for university cour- art collections at the Napoleonic Mu- of the Jewellery Museum in Palladian also a member of the Center d’Etudes ses in the field of luxury jewellery. seum in Rome, the Royal Palace and Basilica in Vicenza, the first Italian des Textiles Anciens (CIETA). the Franchetti Gallery at Ca ‘d’Oro in museum dedicated to jewellery. Venice. She is the author of numerous publications on fashion history.

TEACHERS [ ED. 2017 ] FASHION ARCHIVES 8 TEACHERS

SIMONA LUMACHELLI FABIO MASSACCESI LUCA MISSONI MARCO MONTEMAGGI Fashion Researcher & Archivist, Hubert de Director of Archives and Exhibits of Artistic Director of the Missoni Archives Councilor Museimpresa Givenchy Archive, Paris the Fashion Research italy Foundation, Artist and owner of Missoni Spa, Sumirago Bologna

Luxury and lifestyle consultant for Au- Director of Archives and Exhibition Artistic director of the Missoni Archi- Member of the Board of Directors tre Chose, the company for which she Space of the Fashion Research Italy ves, he aims to make it a communi- of Museimpresa, currently is Brand created the product and print archi- Foundation, he directs the design cation tool to enhance the company’s Identity Consultant for Diesel Spa and ve, she has conducted trend studies and cataloging project of the Renzo art and fashion heritage. He owns teacher of Heritage Marketing both and created Mood-Boards for brand Brandone Fund (archive of 30,000 Missoni spa together with his sister in Italy and Chile. In the past he has definition. Hubert de Givenchy’s Per- textile designs) and coordinates the Angela and their niece. He grew up held numerous positions for major sonal Database Consultant in Paris Fashion Photography Archive data- inside the maison, his mother Ro- Made in Italy brands including Opera- for research and updating of the de- base that embraces Emilia-Romagna sita had sent a sketch of him when tive Marketing Manager for Borsalino signer’s archive, she has also worked manufacturing companies. He is also he was nine-years-old to production. Spa, Archive Curator for Riva Yacht, as a product and brand consultant Fashion Contributor for some magazi- Over time, he has specialized in kni- Director of the Ducati Museum and for Geofashion srl in Florence, whe- nes including Io Donna of the Corriere twear textile design and has conti- Special Events Manager for Ducati re she analysed the archive of head della Sera. Graduated and specialized nued the study of new motives, trying Motor Holding Spa. He has written office Cipriani and Elaborated the in History of Art, he then attended a to express, optimize and diversify the and edited some books on Italian In- concept for the new brand “Maridò”. Master in Fashion Journalism and potential of different textile machines. dustrial Culture. She is a co-founder of WWES Com- Communication. After some expe- He follows exhibit projects and instal- munications and Events in Florence, rience in press offices of important lations of retrospective exhibits of the a company that from 2002 to 2014 fashion companies and multi-brand brand. In addition, as a photographer has been involved in marketing and agencies, he supported research and he creates personal exhibitions and communications, public relations and development of collections whilst also has created installations with Italian press office, Brand Heritage research teaching at the Marangoni Institute in artists. Photography has always been and project development, product and Milan. In the field of cultural heritage an essential part of his visual resear- print archiving, organization of Events and business archives he teaches at ch. His other passions are astronomy for several brands including Hubert de the Faculty of Culture and Techniques and flying. Givenchy and Salvatore Ferragamo. of Fashion in Rimini (UNIBO).

TEACHERS [ ED. 2017 ] FASHION ARCHIVES 9 TEACHERS

STEFANIA RICCI MARCO RUBICHI FRANCESCA TOMASI SILVIA ZANELLA Director of the Salvatore Ferragamo Project Manager, Promemoria Srl, Torino Lecturer in Humanities Informatics, Executive Assistant to the Director of Ar- Museum and the Ferragamo Foundation, University of Bologna chives and Exhibition Space of the Fashion Florence Research Italy Foundation, Bologna

Director of Salvatore Ferragamo Senior Project Manager of the Pro- Researcher in Archives, Bibliography and Assistant to the Director of Archives Museum and responsible for cultu- memoria Group, Heritage Agency Library Science at the Department of Clas- and Exhibition Space of the Fashion ral events in the brand world since that supports multinational corpora- sical and Italian Philology at the University Research Italy Foundation in Bolo- 1995. Since 2013, she is Director tions, cultural organizations and in- of Bologna, where she teaches Computer gna, has been involved in the cata- of the Ferragamo Foundation. Since stitutions in the strategic promotion Science and Humanities Informatics. She loguing and organization of the Renzo she has been director of the museum of their heritage. Since 2012 he has has recently started the Master’s Degree Brandone Foundation consisting of she has organized all the exhibitions been dealing with archives in the in Digital Humanities and Digital Knowled- 30,000 textile drawings on paper and and catalogues, including the most field of archival and digital services, ge (DHDK). She deals with humanities (di- fabric and their placement in condi- famous: Audrey Hepburn. A Woman, multimedia processing and digitiza- gital humanities) with particular attention tioned spaces. She is also responsi- Style (Leonardo Arte) in 1999, Evol- tion, exhibition and exhibition gallery, to the methods of computational modelling ble for the scientific secretariat of the ving Legend Salvatore Ferragamo brand heritage, historytelling, social and projection of humanistic data in the Fall-Winter School in question. She 1928-2008 (Skira, 2009), Greta media and integrated communica- sphere of information systems for archives held a post degree internship at the Garbo. The Mystery of Style (Skira, tion, studying solutions for historical and libraries. She is Vice President of the Salvatore Ferragamo Museum in Flo- 2010), Marilyn (Skira, 2012). In 1985, and digital archives, leading Projects Italian Association of Humanities and Di- rence where she collaborated in the she curated the first retrospective from concept to implementation. Sin- gital Culture (AIUCD) and President of the organization of the exhibition “A pala- exhibition on Salvatore Ferragamo ce 2014 he has built projects related Humanities Library (BDU) of the University ce and the city” coordinating scientific at Palazzo Strozzi in Florence and to the Luxury and Fashion sectors and of Bologna. She has participated in nu- committee meetings, researching the its various stages around the world, Heritage Projects in collaboration with merous conferences of digital humanities artwork chosen by experts, drawing starting in organize the company’s important fashion companies. and is author of five monographs and is up loan applications and facilities archive. Previously, in 1984, she col- responsible for the digital edition of the report. She also did an internship at laborated with the Costume Gallery of Letters from Vespasiano of Bisticci. the Uffizi Gallery where she ran the Palazzo Pitti and with Pitti Immagine, internal museum card, catalogued taking care of the realization of some the new arrivals and recorded all the exhibitions and their catalogues. moves of the works; she collabora- ted in organizing the exhibitions and drafted catalogues.

TEACHERS [ ED. 2017 ] FASHION ARCHIVES 10 CALENDAR

Enrolment opening June 12, 2017 Enrolment closure October 16, 2017 Provisional ranking publication October 20, 2017 Subscription fee deadline October 24, 2017 Final ranking list October 31, 2017 Lesson period 13-24 November 2017

CALENDAR [ ED. 2017 ] FASHION ARCHIVES 11 COURSE REGULATION

I. GENERAL INDICATIONS 3 months for 6 participants 12. For information on the ||. REQUIREMENTS Library Economics The selection board, on the (selection criteria are given in course you will be able to - Graduates in Conservation basis of CV assessment and 1. The course is delivered in point 7); contact the course referent at: 1. Knowledge of Italian; and Restoration of Cultural motivation letter, may admit Italian; silvia.zanella@fashionresear- Heritage participants with a qualifica- 6. The attendance of at least chitaly.org 2. Attestation, through curri- tion other than those given in 2. The course is subject to a 75% of the course is essential culum, of being a professional - Graduates in Design this section; limited number (max 20 stu- for performing the internship in the fashion industry; Scho- - Graduates in Computer dents) and access is upon training experience; lars of archival, librarianship, Methodology for Humanities 3. Completing the registration selection (selection criteria are fashion, art, management, procedure as per cap. IV; given in Chapter III); 7. The selection of participants communications; Students, - Graduates in Public Com- for the implementation of the graduates, specializing in: munication, Business and Ad- 4. Regular contributions of 3. The course is held at Fa- training experience (intern- vertising Science secretarial rights and registra- shion Research Italy’s offices ship) will be through an inter- - Graduates in Cultural Heri- - Graduates in Environmental tion fees. in via del Fonditore 12, Bolo- view to which all the members tage Economics and Culture gna; can access; - Graduates in Disciplines of - Graduates in Economics-Bu- Figurative Arts, Music, Enter- siness Sciences 4. The Foundation reserves 8. Participants may waive the tainment and Fashion the right to make changes to internship training experience; - Graduates in Art History the calendar and to the cour- - Graduates in Economics and - Graduates in Techniques se program for the best per- 9. The internship training Business Management and Methods for the Informa- formance of the courses. Any experience is activated no la- - Graduates in Communica- tion Society changes will be communica- ter than 2018 on dates to be tion Sciences ted to the students in advance; indicated by the institution; - Graduates in Communica- - Graduates in Computer tion Theories Science and Technology 5. The course consists of no. 10. The course issues a certi- - Graduates in Modern Philo- 2 modules for all participants: ficate of attendance; - Graduates in Technologies logy A. 48 hours lecture module; for Conservation and Restora- B. 6 hour laboratory; 11. For attendance certificate tion of Cultural Heritage - Graduates in Philology, Lite- rature and History of Antiquity Including a training experience attendance of at least 75% of - Graduates in Letters (internship) within the Founda- the course modules is indi- - Academy of Fine Arts tion archive not superior than spensable; - Graduates in Archives and

COURSE REGULATION[ ED. 2017 ] FASHION ARCHIVES 12 REGOLAMENTO DEL CORSO

|||. ADMISSION scholarship to cover the full 11 days of the publication of IV. ENROLMENT 6. Required documents: C. NOT ACCEPTED membership fee; The scho- the provisional ranking; A. Photocopy of a valid identity 1. The nominations will be larship is uniquely attributed 1. Log on to http://edu.fa- document; Attendees are invited to care- evaluated by an internal jud- to the top 10 participants; If 9. Each eligible participant shionresearchitaly.org; B. Motivational Letter (200 fully evaluate their ranking on ging committee at FRI which one of them retires, the same (both with scholarship and words maximum); the provisional list due to pos- will award a score between cannot be reallocated to other without a scholarship) will be 2. Fill in the form by entering C. CV (preferably europass sible re-scoring; 60 and 100 p.ti for each can- candidates; contacted by the FRI course all mandatory fields; format); didate; referent in the first few days D. Receipt of transfer order 9. In the case of admission wi- 6. Candidates placed between following the publication of the 3. At the end of the registration thout scholarship , the partici- 2. The judgment of the se- the 11th and the 20th place provisional ranking to confirm process you will receive an Uploaded files should be in jpg pants will be required to: lection board is indisputable; (included) will be admitted to adherence; email (possibly check spam) or PDF format and the maxi- A. To pay the registration fee of the course, subject to payment containing username, pas- mum size is 2 MB; 500 € in a single installment 3. Scoring is made up of the of the registration fee; 10. In the case of ex equo can- sword and link; Open the link within 5 days of the publica- following criteria: didates, the candidate with hi- to confirm the registration; 7. When Uploaded the neces- tion of the provisional ranking A. Curriculum vitae (CV) 7. 21st place candidates will gher cv score will be given pri- sary documents, the applica- indicating the following subject (max 60 p.ti); not be admitted to the cour- ority or, in the case of a further 4. Pay the fee of 50 € for tion form will be completed “course inscription; Name and B. Motivational letter se, but they can be reinserted tie, the youngest candidate. secretarial rights, indicating and evaluated by FRI staff; surname; Title of the course (max 40 p.ti) with the withdrawal of candi- the following item “course “(eg for participant Mario Ros- dates between the 11th and secretarial rights; Name and 8. On the date of the publi- si:” course registration, Mario 4. Based on the scores awar- the 20th place; the contact surname; Title of the course cation of the provisional list, Rossi, archive of fashion: heri- ded, a provisional ranking list person of the course (within “(eg for participant Mario Ros- candidates who have comple- tage management “); is published in the reserved 7 days from the publication of si:” course secretarial rights, ted the candidacy poll will be B. Upload the receipt of the area of each candidate. The the provisional ranking) will get Mario Rossi, fashion archives: able to evaluate their status in transfer order to your private best 20 candidates will be ad- in touch with individual candi- heritage management “); relation to the score obtained web area (within 5 days of the mitted to the course according dates in case of repurchase; through access to their reser- publication of the provisional to the scores described in pa- 5. Access the reserved area ved area: ranking); ragraph 3 of this chapter; 8. On the basis of member- with your username and pas- A. ADMISSION WITH ships and possible re-scoring, sword activated and choose SCHOLARSHIP; 10. The failure to recognize the 5. Applicants who rank among the final ranking list (available the Fashion archive course: B. ADMISSION (an additional registration fee entails exclu- the 1st and the 10th place at the reserved area of each heritage management to com- field will charge for transfer of sion from the course; (including) will be granted a candidate) is published within plete the registration; receipt for the registration fee);

COURSE REGULATION[ ED. 2017 ] FASHION ARCHIVES 13 REGOLAMENTO DEL CORSO

11. Both the secretarial rights V. NOTE 7. lThe Foundation assumes false or misleading statemen- (€ 50) and the registration no responsibility for the di- ts involve exposure to legal fee (€ 500) must be reco- 1. This document, in its integri- spersion of communications action by the affected parties; gnized by bank transfer to ty, forms part of the terms and due to incorrect indication by IBAN IT 39 V 03273 02400 conditions of the service; the candidate or late notifica- 10. Access to training courses 000600102764 tion of the change of address and training period may be (Credito di Romagna). 2. By registering, candidates indicated in the online regi- suspended for disciplinary re- accept terms and conditions stration, or any disagreements asons or for reasons of major of service; attributable to third parties, force. Fortuitous or force majeure; 3. Secretarial rights and regi- stration fees are non-refun- 8. All candidates are admitted dable; to the motivational interview with the reserve: the Founda- 4. If a student renounces the tion will subsequently exclu- course after having payed the de candidates who have not fee, the student will not be obtained the qualifications reimbursed; listed in this notice; 5. The tuition fee is recogni- 9. If the documentation sub- zed as a reimbursement of mitted by the candidate is expenses for participation to false or misleading, relevant courses; for the purpose of enrollment, without prejudice to the penal- 6. Secretarial rights and enrol- ties provided for in art. 76 of lment fees may be recognized Presidential Decree no. 445 of by third parties, subject to the 28 December 2000, the same correct cause of payment with candidate, declines from the reference to the student as right to subscribe and is not described in pts. 4 and 9 of entitled to any reimbursement chap. 4; of the paid installments. Any

COURSE REGULATION[ ED. 2017 ] FASHION ARCHIVES 14 INFORMATION

LESSON ADRESS

Fondazione Fashion Research Italy Via del Fonditore 12, 40138 Bologna www.fashionresearchitaly.org @fondazionefri

COSTS

Secretarial costs of 50 euros. Once admitted the cost is 500 euros. Based on the admission requirements, 10 scholarships will be provided to cover the full cost of enrolment.

ENTRY

Applications must be submitted no later than October 16, 2017 following the registation steps on the web site. The ranking will be based on the evaluation of curriculum and motivational letter. Those who have attended at least 75% of the lessons will receive a certificate of attendance.

CONTACTS

For more information: course referent Silvia Zanella - T 051220086 [email protected]

INFORMATION[ ED. 2017 ] FASHION ARCHIVES 15 LA FONDAZIONE [ ED. 2017 ] ARCHIVI DELLA MODA 16