FREE THE OLD, WEIRD AMERICA: THE WORLD OF BOB DYLANS BASEMENT TAPES PDF

Contributor | 296 pages | 26 Apr 2011 | St Martin's Press | 9780312572914 | English | New York, United States The Old, Weird America: The World of ’s Basement Tapes - Harvard Book Store

The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to main content. About this product. Make an offer:. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Catalogue Number: Format: BOOK. See all 10 brand new listings. Buy It Now. Add to cart. About this product Product Information A Special Edition with a New Introduction and an Updated Discography This is Greil Marcus's acclaimed book on the secret music made by Bob Dylan and inwhich introduced a phrase that has become part of the culture: "the old, weird America. In honor of Dylan's seventieth birthday, this special edition includes a new introduction, an updated discography, and a cover featuring never- before-seen photographs of the legendary recording sessions. Additional Product Features The Old Edition. No previous writer has so transportingly or authoritatively revealed Mr. Dylan against receding vistas of American music and culture. Marcus draws bold freehand loops around Dylan's music, loops so wide and loose that they take in not just the breadth of American folk music, but huge chunks of American history as well. This is the best kind of history book, Weird America: The World of Bob Dylans Basement Tapes that acknowledges that mythology is sometimes the truest kind of fact. He offers his readers a breathtaking sense of freedom. But Marcus knows where Dylan is at The Old times, in his absence as well as his presence. That's because, on the haunted back roads of [The Old, Weird America], these two elusive old masters, tricksters both, have fully met their match. Nonfiction novel Weird America: The World of Bob Dylans Basement Tapes the year. He finds in [their] songs an idea of America as a place where what matters most is not the distribution of goods or the regulation of morality, but rather the way 'people plumb their souls and then present their discoveries, their true selves, to others'. This is, in many ways, his most subtle book. Marcus's love for the Weird America: The World of Bob Dylans Basement Tapes of self-creation, of the idea of infinite possibility, is tempered here by a profound awareness of the power of tradition, of the way in which the new makes sense only because of, not despite, Weird America: The World of Bob Dylans Basement Tapes old. And here it is, one heaven of a book. What Marcus brings to The Old songs is a variety of good things: fierce fervor, social convictions, a loving discrimination, never a touch of envy, and an extraordinary ability to evoke in words the Weird America: The World of Bob Dylans Basement Tapes feel throaty, threatening, thorough, thick with thought of a man's voice, of this man's voice. That's because, on the haunted back roads of [ The Old, Weird America ], these two elusive old masters, tricksters both, have fully met their match. Greil Marcus has done it again. He finds in [their] songs an idea of America as a place where what matters most is not the distribution of goods or the regulation of morality, but rather the way 'people plumb their souls and then present their discoveries, their true selves, to others' And here it is, one heaven of a book Marcus draws bold freehand loops around Dylan''s music, loops so wide and loose that they take in not Weird America: The World of Bob Dylans Basement Tapes the breadth of American folk music, but huge chunks of American history as well. That''s because, on the haunted back roads of [ The Old, Weird America ], these two elusive old masters, tricksters both, have fully met their match. He finds in [their] songs an idea of America as a place where what matters most is not the distribution of goods or the regulation of morality, but rather the way ''people plumb their souls and then present their discoveries, their true selves, to others''. Marcus''s love for the gnostic of self-creation, of the idea of infinite possibility, is tempered here by a profound awareness of the power of tradition, of the way in which the new makes sense only because of, not despite, the old. What Marcus brings to these songs is a variety of good things: fierce fervor, social convictions, a loving discrimination, never a touch of envy, and an extraordinary ability to evoke in words the very feel throaty, threatening, thorough, thick with thought of a man''s voice, of this man''s voice. Show More Show Less. Any Condition Any Condition. See all 15 - All listings for this product. No ratings or reviews yet No ratings or reviews yet. Be the first to write a review. Best Selling in Nonfiction See all. Bill o'Reilly's Killing Ser. When Women Pray Hardcover T. Jakes Christian Inspirational No ratings or reviews yet. Save on Nonfiction Trending price is based on prices over last 90 days. You Weird America: The World of Bob Dylans Basement Tapes also like. World Paperbacks. World Paperback Books. Trade Paperback Books. Weird Tales Magazines. North America Paperback Illustrated. Philosophy World Paperback Books. This item doesn't belong on this page. Be the first to write a review About this product. The Old, Weird America: The World of Bob Dylan's Basement Tapes - PopMatters

Goodreads helps you Weird America: The World of Bob Dylans Basement Tapes track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Bob Dylan. Previously published as and already considered a classic of modern American cultural criticismThe Old, Weird America is Greil Marcus's widely acclaimed book on the secret music the so-called "Basement Tapes" made by Bob Dylan and the Band while in seclusion Weird America: The World of Bob Dylans Basement Tapes Woodstock, New York, in a folksy yet funky, furious yet hilarious music that remains. Previously published as Invisible Republic and already considered a classic of modern American cultural criticismThe Old, Weird America is Greil Marcus's Weird America: The World of Bob Dylans Basement Tapes acclaimed book on the secret music the so-called "Basement Tapes" made by Bob Dylan and the Band while in seclusion in Woodstock, New York, in a folksy yet funky, furious yet hilarious music that remains as seductive and baffling today as it was more than thirty years ago. As Mark Sinker observed in The Wire : "Marcus's contention is that there can be Weird America: The World of Bob Dylans Basement Tapes in American folk a community as deep, as electric, as perverse, and as conflicted as all America, and that the songs Dylan recorded out of the public eye, in a basement in Woodstock, are where that community as a whole gets to speak. It's what Marcus calls 'the old, weird America. And his analysis of that territory "reads like a thriller" Ken Tucker, Entertainment Weekly and exhibits "a mad, sparkling brilliance" Weird America: The World of Bob Dylans Basement Tapes Remnick, The New Yorker throughout. This new edition of The Old, Weird America includes an updated discography. Get A Copy. Paperbackpages. Published September 22nd by Picador first published May 1st More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Old, Weird Americaplease sign up. Be the first to ask a question about The Old, Weird America. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. I need to make a little pile of cultural artifacts which have exactly the right idea and then proceed to do it in the wrongest, crassest or most migraine-inducing sesquipedelian manner possible. Then when my pile is completed I will dance around laughing and sprinkling petrol whilst the hi fi blasts out either The Martian Hop, or Surfin' Weird America: The World of Bob Dylans Basement Tapes or Beat on the Brat with a Baseball Bat, haven't made up my mind, and I The Old torch the whole lot. It will be the Great Bonfire of Missed Opportunities pos I need to make a little pile of cultural artifacts which have exactly the right idea and then proceed to do it in the wrongest, crassest or most migraine-inducing sesquipedelian manner possible. A recent example would be Alexander Theroux's egregious "The Grammar of Rock" - oh what a great idea, oh how awful the resulting book. I might chuck on great parts of my own life, come to think of it - good ideas done in the wrongest possible way? Yes, that was me too. Theroux is in the psychiatric division here he's taken a lot and now he's gonna dish it all out again but Marcus is in the obscurantist division, he just has too many brainsyou just can't read him. Hmmm - is he just a monstrous meretricious absurdist poseur who happens to like the same stuff as me or does he actually have some great insights which I'm too stupid to suss out? Some days I eat the Greil, some The Old the Marcus eats me. The exactly right idea GM had, by the way, was to think that when Dylan was doing he was on to something - he really was. Inscription for Greil Marcus's tombstone : A wop bop a loobop a lop bam weltenshauung. View all 14 comments. Dec 19, Jonfaith rated it it was ok Shelves: dickens-derrida- dylan Seldom is it noted that springing hope can prove a real pain in the ass. I continually harbor and hope. There are always lists and plans: prerequisites for other texts clamor for attention. This vein continues however vain. I am thinking of reading all women in April, this highlighted by reading Second Sex in Serbia. There is module on slavery I was imagining for May. We shall see. Well that treatment is tantamount to Marcus' fleetin Seldom is it noted that springing hope can prove a real pain in the ass. Well that treatment is tantamount to Marcus' fleeting placement of The Basement Tapes within the text: they remain central, yet absent. It is fitting that Marcus cited Camille Paglia as that appears to be his lodestar, though he lacks her scrutiny as well as her writing panache. Marcus establishes The Basement Tapes as a nexus for myriad paths of American expression and legacy. Tracing these routes is intriguing but The Old conclusive. I think I prefer Nick Tosches in such free association. When considering this challenge for it was obvious that reading five books by or about Bob Dylan would be much more problematic than achieving the same with Derrida and Dickens. Marcus gives us hagiography, Dylan the mystic awakened something eternal when he went electric. Again Marcus entertains without marshaling the requisite evidence. View all 5 comments. Aug 30, Geoff rated it really liked it. I have to give this four stars because of the profound influence it had on me the year or so after I read it. It's a silly book, to be honest. I was surprised that even Greil Marcus would go quite so far out on such an esoteric and wobbly premise. I myself own the exhaustive Basement Tapes collection "A Tree With Roots," and let me tell you: mostly it's drunk guys singing drunken things badly. But it's Marcus' I have to give this four stars because of the profound influence it had on me the year or so after The Old read it. But it's Marcus' wild ride into the lost, weird world of the USA--the one to which Harry Smith testified in his legendary Anthology of American Folk Music--that snags the imagination and leaves its mark. It may not actually ever have existed, mind you, but it's been the spirit possessing middle-class kids and forcing a twang into their tunes Harry Smith conjured it up back in Long story short and for better or for worse, this book made me start playing and listening to a hell of a lot more folk and country music. View 1 comment. Dec 22, Rama Bauer rated it did not like it. O' Greil Marcus! How could you so masterfully suck all of the life and enjoyment out of such profoundly The Old and spirited recordings? And what did Dock Boggs and Geeshie Wiley ever do to deserve such pretentious dribble from your pen? O' Greil Marcus, you have so much to answer for Seriously, it's shit like this that gives cultural Weird America: The World of Bob Dylans Basement Tapes a bad name. Sep 05, Ben rated it really liked it. I first read this book about two years ago, and this is what I wrote then: It was certainly very informative and Marcus made an interesting case about how Dylan and the Band drew on the old, weird America of the past Kill Devil Hills, Smithville in the summer ofwhen they recorded the famed Basement Tape Recordings. The discography is, per I first read this book about two years ago, and this is what I wrote then: It was certainly very informative and Marcus made an interesting case about how Dylan and the Band drew on the old, weird America of the past Kill Devil Hills, Smithville in the summer ofwhen they recorded the famed Basement Tape Recordings. The discography is, perhaps, more interesting than the prose. Marcus The Old fails to introduce me to old recordings that are new to me in 'Mystery Train' this was particularly true with the music of Harmonica Frank Floydin this case to the recordings of Geechie Wiley and Dock Boggs, and many of the tracks on the ever-so-hard-to-find Genuine Basement Tape recordings. Over the past couple of years much of the book had been forgotten, but some tiny details stuck with me, for they resonated with me for some reason or another. It was all a goof. But what started in the basement, what came out of it. Killing time. Beginning with the The Old of Great White Wonder inthe record that is often credited as the beginning of the bootleg industry in music, the basement tapes soon were being sold on the streets. Great White Wonder was quickly followed by many other vinyl pressings with a variety of interesting titles. And in the s and early s several CD sets were released, claiming to offer all or most of the material from these famed sessions, among them The Genuine Basement Tapes and A Tree With Roots. In Columbia released a 2LP set titled simply The Basement Tapes, which included on it 16 basement recordings, plus 8 demos by the Band. Having searched for bootleg copies of these recordings — with no success The Old for many years, I was ecstatic when I heard about this release and I had anticipated it for months before it actually hit store shelves. That was on November 4th. I listened to all of the tracks twice through. Most of them were unfamiliar to me — I knew they were out there somewhere, but I had never heard them though I searched for them determinedly — and others I had heard countless times before those that had been officially-released here and there over the years. They can begin to sound like an experiment, or a laboratory. Greil Marcus - Wikipedia

Seldom is it noted that springing hope can prove a real pain in the ass. I continually harbor and hope. There are always lists and plans: prerequisites for other texts clamor for attention. This vein Weird America: The World of Bob Dylans Basement Tapes was a completely fascinating account of the continuum Greil MarcusBob Dylan. Previously published as Invisible Republic and already considered a classic of modern American cultural criticismThe Old, Weird America is Greil Marcus's widely acclaimed book on the secret music the so-called "Basement Tapes" made by Bob Dylan and the Band while in seclusion in Woodstock, New York, in a folksy yet funky, furious yet hilarious music that remains as seductive and baffling today as The Old was more than thirty years ago. As Mark Sinker observed in The Wire : "Marcus's contention is that there can be found in The Old folk a community as deep, as electric, as perverse, and as conflicted as all America, and that the songs Dylan recorded out of the public eye, in a basement in Woodstock, are where that community as a whole gets to speak. It's what Marcus calls 'the old, weird America. And his analysis of that territory "reads like a thriller" Ken Tucker, Entertainment Weekly and exhibits "a mad, sparkling brilliance" David Remnick, The New Yorker throughout. This new edition of The Old, Weird America includes an updated discography. He lives in Berkeley, California. Are We There Yet?