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Queen Guinevere
Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry. -
Echoes of Legend: Magic As the Bridge Between a Pagan Past And
Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2018 Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur Josh Mangle Winthrop University, [email protected] Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Literature in English, British Isles Commons Recommended Citation Mangle, Josh, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur" (2018). Graduate Theses. 84. https://digitalcommons.winthrop.edu/graduatetheses/84 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. ECHOES OF LEGEND: MAGIC AS THE BRIDGE BETWEEN A PAGAN PAST AND A CHRISTIAN FUTURE IN SIR THOMAS MALORY’S LE MORTE DARTHUR A Thesis Presented to the Faculty Of the College of Arts and Sciences In Partial Fulfillment Of the Requirements for the Degree Of Master of Arts In English Winthrop University May 2018 By Josh Mangle ii Abstract Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it. -
(1913). Tome II
Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Canadiana LES MABINOGION LES Mabinogion du Livre Rouge de HERGEST avec les variantes du Livre Blanc de RHYDDERCH Traduits du gallois avec une introduction, un commentaire explicatif et des notes critiques FA R J. LOTH PROFESSEUR Ali COLLÈGE DE FRANCE ÉDITION ENTIÈREMENT REVUE, CORRXGÉE ET AUGMENTÉE FONTEMOING ET Cie, ÉDITEURS PARIS4, RUE LE son, 4 1913 . x 294-? i3 G 02; f! LES MABINOGION OWEIN (1’ ET LUNET i2) ou la Dame de la Fontaine L’empereur Arthur se trouvait à Kaer Llion (3)sur W’ysc. Or un jour il était assis dans sa chambre en. (1) Owen ab Urycn est un des trois gingndqyrn (rois bénis) de l’île (Triades Mab., p. 300, 7). Son barde, Degynelw, est un des trois gwaewrudd ou hommes à la lance rouge (Ibid., p. 306, 8 ; d’autres triades appellent ce barde Tristvardd (Skene. Il, p. 458). Son cheval, Carnavlawc, est un des trois anreilhvarch ou che- vaux de butin (Livre Noir, Skene,ll, p. 10, 2). Sa tombe est à Llan Morvael (Ibid., p. 29, 25 ; cf. ibid, p. 26, 6 ; 49, 29, 23). Suivant Taliesin, Owein aurait tué Ida Flamddwyn ou Ida Porte-brandon, qui paraît être le roi de Northumbrie, dont la chronique anglo- saxonne fixe la mort à l’année 560(Petrie, Mon. hist. brit., Taliesin, Skene, Il, p. 199, XLIV). Son père, Uryen, est encore plus célè- bre. -
Summary of the Perlesvaus Or the High History of the Grail (Probably First Decade of 13Th Century, Certainly Before 1225, Author Unknown)
Summary of the Perlesvaus or The High History of the Grail (probably first decade of 13th century, certainly before 1225, author unknown). Survives in 3 manuscripts, 2 partial copies, and one early print edition Percival starts out as the young adventurous knight who did not fulfill his destiny of achieving the Holy Grail because he failed to ask the Fisher King the question that would heal him, events related in Chrétien's work. The author soon digresses into the adventures of knights like Lancelot and Gawain, many of which have no analogue in other Arthurian literature. Often events and depictions of characters in the Perlesvaus differ greatly from other versions of the story. For instance, while later literature depicts Loholt as a good knight and illegitimate son of King Arthur, in Perlesvaus he is apparently the legitimate son of Arthur and Guinevere, and he is slain treacherously by Arthur's seneschal Kay, who is elsewhere portrayed as a boor and a braggart but always as Arthur's loyal servant (and often, foster brother. Kay is jealous when Loholt kills a giant, so he murders him to take the credit. This backfires when Loholt's head is sent to Arthur's court in a box that can only be opened by his murderer. Kay is banished, and joins with Arthur's enemies, Brian of the Isles and Meliant. Guinevere expires upon seeing her son dead, which alters Arthur and Lancelot's actions substantially from what is found in later works. Though its plot is frequently at variance with the standard Arthurian outline, Perlesvaus did have an effect on subsequent literature. -
Date Night a King Arthurs Short Story by K. M. Shea
Date Night A King Arthurs Short Story by K. M. Shea Britt didn’t know what to expect when Merlin said he would pick her up for their date that night—their first date ever, really. It had crossed her mind that he could arrive in a horse- drawn carriage, a Mercedes-Benz, or anything in between. So she was somewhat surprised when he pulled up on the street in front of her apartment complex in a silver Toyota SUV. It was a nice car. It still sported the new car smell, and it had a leather interior and heated seats. But it was surprisingly...practical. “So you really have a driver’s license?” Britt asked as she buckled her seatbelt. “Indeed,” Merlin said. He waited until she was situated before shifting the car into drive. “All of us are certified citizens of the United States. We all pay taxes, and we all have our driver’s license. Well, excluding Morgan, that is. She keeps failing her driver’s test, but that’s because she drives like a maniac.” “How did you manage to get IDs?” Britt asked. “The Lady of the Lake,” Merlin said. “A number of her handmaidens work for the US government. “I don’t know if that’s reassuring or terrifying,” Britt said. Merlin made a turn, navigating through the maze of city streets. “Oh, the US is not the only pie she has her thumb in. Most of her power lays in her real estate holdings and in the great number of favors the various faerie royalty throughout the world owe her.” “I’m starting to think she would’ve made a wonderful High King of Britain,” Britt said. -
Lancelot - the Truth Behind the Legend by Rupert Matthews
Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
King Arthur and Medieval Knights
Renata Jawniak KING ARTHUR AND MEDIEVAL KNIGHTS 1. Uwagi ogólne Zestaw materiałów opatrzony wspólnym tytułem King Arthur and Medieval Knights jest adresowany do studentów uzupełniających studiów magisterskich na kierun- kach humanistycznych. Przedstawione ćwiczenia mogą być wykorzystane do pracy z grupami studentów filologii, kulturoznawstwa, historii i innych kierunków hu- manistycznych jako materiał przedstawiający kulturę Wielkiej Brytanii. 2. Poziom zaawansowania: B2+/C1 3. Czas trwania opisanych ćwiczeń Ćwiczenia zaprezentowane w tym artykule są przeznaczone na trzy lub cztery jednostki lekcyjne po 90 minut każda. Czas trwania został ustalony na podstawie doświadcze- nia wynikającego z pracy nad poniższymi ćwiczeniami w grupach na poziomie B2+. 4. Cele dydaktyczne W swoim założeniu zajęcia mają rozwijać podstawowe umiejętności językowe, takie jak czytanie, mówienie, słuchanie oraz pisanie. Przy układaniu poszczegól- nych ćwiczeń miałam również na uwadze poszerzanie zasobu słownictwa, dlatego przy tekstach zostały umieszczone krótkie słowniczki, ćwiczenia na odnajdywa- nie słów w tekście oraz związki wyrazowe. Kolejnym celem jest cel poznawczy, czyli poszerzenie wiedzy studentów na temat postaci króla Artura, jego legendy oraz średniowiecznego rycerstwa. 5. Uwagi i sugestie Materiały King Arthur and Medieval Knights obejmują pięć tekstów tematycznych z ćwiczeniami oraz dwie audycje z ćwiczeniami na rozwijanie umiejętności słucha- nia. Przewidziane są tu zadania na interakcję student–nauczyciel, student–student oraz na pracę indywidualną. Ćwiczenia w zależności od poziomu grupy, stopnia 182 IV. O HISTORII I KULTURZE zaangażowania studentów w zajęcia i kierunku mogą być odpowiednio zmodyfiko- wane. Teksty tu zamieszczone możemy czytać i omawiać na zajęciach (zwłaszcza z grupami mniej zaawansowanymi językowo, tak by studenci się nie zniechęcili stopniem trudności) lub część przedstawionych ćwiczeń zadać jako pracę domo- wą, jeżeli nie chcemy poświęcać zbyt dużo czasu na zajęciach. -
Structure, Legitimacy, and Magic in <Em>The Birth of Merlin</Em>
Early Theatre 9.1 Megan Lynn Isaac Legitimizing Magic in The Birth of Merlin Bastardy, adultery, and infidelity are topics at issue in The Birth of Merlin on every level. Unfortunately, most of the critical examination of these topics has not extended beyond the title page. In 1662 Francis Kirkman and Henry Marsh commissioned the first known printing of the play from an old manuscript in Kirkman’s possession. The title page of their version attributes the play to Shakespeare and Rowley, and generations of critics have quarreled over the legitimacy of that ascription. Without any compelling evidence to substantiate the authorship of Shakespeare and Rowley, many critics have tried to solve the dilemma from the other end. Just as in the play Merlin’s mother spends most of the first act inquiring of every man she meets whether he might have fathered her child, these scholars have attempted to attribute the play to virtually every dramatist and combination of dramatists on record. Beaumont, Fletcher, Ford, Middleton, and Dekker, among others, have all been subjected to the literary equivalent of a blood-test; analyses of their spelling and linguistic preferences have been made in an effort to link them to The Birth of Merlin.1 Unlike the hero of the drama, however, the play itself is still without a father, though it does have a birthdate in 1622, as has been demonstrated be N.W. Bawcutt.2 Debates over authorship are not particularly uncommon in early modern studies, but the question of who fathered the legendary Merlin, the topic of the play, is more unusual and more interesting. -
The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III. -
The Early Arthur: History and Myth
1 RONALD HUTTON The early Arthur: history and myth For anybody concerned with the origins of the Arthurian legend, one literary work should represent the point of embarkation: the Historia Brittonum or History of the British . It is both the earliest clearly dated text to refer to Arthur, and the one upon which most efforts to locate and identify a histor- ical fi gure behind the name have been based. From it, three different routes of enquiry proceed, which may be characterised as the textual, the folkloric and the archaeological, and each of these will now be followed in turn. The Arthur of literature Any pursuit of Arthur through written texts needs to begin with the Historia itself; and thanks primarily to the researches of David Dumville and Nicholas Higham, we now know more or less exactly when and why it was produced in its present form. It was completed in Gwynedd, the north-western king- dom of Wales, at the behest of its monarch, Merfyn, during the year 830. Merfyn was no ordinary Welsh ruler of the age, but an able and ruthless newcomer, an adventurer who had just planted himself and his dynasty on the throne of Gwynedd, and had ambitions to lead all the Welsh. As such, he sponsored something that nobody had apparently written before: a com- plete history of the Welsh people. To suit Merfyn’s ambitions for them, and for himself, it represented the Welsh as the natural and rightful owners of all Britain: pious, warlike and gallant folk who had lost control of most of their land to the invading English, because of a mixture of treachery and overwhelming numbers on the part of the invaders. -
Lancelot-Cluebook
Clue Book Designed By Kathi B. Somers Maps Drawn By Thomas J. Clement This book contains clues and maps for all three parts of the LANCELOT game. As you play the game, note on your maps where you find particular items, people, or creatures. This way, if you neglect to save your game to disk or some other disaster befalls, you'll have an easier time of retracing your steps. Lancelot game © 1988 Mandarin Software. Datasoft is a registered trademark of lntelliCreations, Inc., a Software Toolworks company. ©1988 lntelliCreations, Inc. All rights reserved. Printed in USA. LANCELOT CLUES Listed alphabetically below are most of the objects, creatures, people, and locations, in Lancelot. These clues are divided into sections corresponding with the three parts of the game: Camelot!Logris General Clues, Objects, Creatures & People; The Grail Quest General Clues, Objects, Creatures & People; and Answers for all three parts of the game. To find out about an entry in the list, look up the bracketed numbers next to the entry. Keep looking up the numbered answers until you have all the information you need about an entry. These clues are designed so you get only a small bit of information at a time, without giving away too much of the game. Example: Armour: where (751) ; details (764) . Look up entry 751, and you'll see that the Armour is Worn by Lancelot. Entry 764 tells you the Armour is Always with Lancelot, exvcept when he climbs the elm (703) or says farewell at the end (795). Look up 703 and ... well, you take it from there I A few "red herrings" have been mixed in with the real clues.