Bridget Riley

Bibliographie / Bibliography

Selected Monographs and Solo Exhibition Catalogues

2019 Riley, Bridget, Kudielka, Robert, de Chassey, Eric et al.: ‘’, Edinburgh: National Galleries of Scotland Riley, Bridget and Moorhouse, Paul: ‘Bridget Riley: A Very, Very Person. The Early Years’, :

2018 ‘Bridget Riley: Recent Paintings 2014 – 2018’, London/New York: David Zwirner Books Kudielka, Robert, Tommasini, Alexandra and Naish, Natalia: ‘Bridget Riley: The Complete Paintings’, London: Thames and Hudson Ltd. ‘Bridget Riley: Painting Now’, Los Angeles: Sprüth Magers

2017 ‘About Bridget Riley: Selected Writings 1999 – 2016’, London: Ridinghouse

2016 ‘Bridget Riley: Works 1981 – 2015’, London/New York: David Zwirner Books Riley, Bridget and Moorhouse, Paul: ‘Bridget Riley: Venice and Beyond’, London: Ridinghouse Riley, Bridget, Kudielka, Robert, de Chassey, Robert and Spalding, Frances: ‘Bridget Riley: Paintings 1963 – 2015’, London: Ridinghouse

2014 ‘Bridget Riley: The Stripe Paintings 1961–2014’. London/New York: David Zwirner ‘Bridget Riley: Eight Studies 1969–1972’. London: Ridinghouse and London:

2012 ‘Bridget Riley: The Stripe Paintings 1961–2012’. London: Ridinghouse; : Holzworth Publications; and Berlin: Galerie Max Hetzler ‘Bridget Riley: Malerei/Painting 1980–2012’. Munich: Hirmer and Den Haag: Gemeentemuseum ‘Bridget Riley: Works 1960–1966’. London: Ridinghouse; London: Karsten Schubert; and London: Hazlitt Holland-Hibbert Schubert, Karsten (ed.): ‘Bridget Riley: Complete Prints 1961–2012’. 4th edition. London: Ridinghouse

2011 ‘Bridget Riley: Paintings and Gouaches 1979–80 & 2011’. London: Ridinghouse, 2011 ‘Bridget Riley: Colour, Stripes, Planes and Curves’. London: Ridinghouse and Cambridge: Kettle’s Yard, 2011 ‘Bridget Riley: Paintings and Related Work 1983–2010’. London: Ridinghouse; Berlin: Holzworth Publications; and Berlin: Galerie Max Hetzler, 2011

2010 ‘Bridget Riley: Paintings and Related Work’. London: Riley, Bridget and Moorhouse, Paul: ‘Bridget Riley: From Life’, London: National Portrait Gallery Publications

2009 ‘Bridget Riley: Flashback’. London: Hayward Publishing, 2009 Riley, Bridget: ‘The Eye’s mind Bridget Riley: Selected Writings 1965 – 2009’, London: Ridinghouse

2008 ‘Bridget Riley: Circles Colour Structure, Studies 1970/71’. London: Ridinghouse ‘Bridget Riley: Retrospective’. London: Ridinghouse and Paris: Arc/Musé e d’Art Moderne de la Ville de Paris

2005 Moorhouse, Paul: ‘Bridget Riley: New Paintings and Gouaches’. London: Ridinghouse and London: Timothy Taylor Gallery ‘Bridget Riley: Paintings and Drawings 1961–2004’. London: Ridinghouse

2004 ‘Bridget Riley: Recent Paintings’. New York: PaceWildenstein Follin, Francis: ‘Embodied Visions: Bridget Riley, and the Sixties’. London: Ridinghouse and London: Thames & Hudson

2003 ‘Bridget Riley’. London: Publishing ‘Bridget Riley’. Basel: Galerie Beyeler

2002 ‘Bridget Riley: New Work’. Ostfildern: Hatje Cantz

2000 ‘Bridget Riley: Paintings 1982–2000 and Early Works on Paper’. New York: PaceWildenstein ‘Bridget Riley: Reconnaissance’. New York: Dia Center for the Arts ‘Bridget Riley: New Paintings and Gouaches’. London: Waddington Galleries and London: Karsten Schubert

1999 ‘Bridget Riley: Paintings from the 1960s and 70s’. London: Serpentine Gallery Stecker, Raimund, Krajewski, Michael, Michael Craig-Martin et al.: ‘Bridget Riley: Selected Paintings 1961–1999’. Ostfildern: Hatje Cantz and Düsseldorf: Kunstverein für die Rheinlande und Westfalen

1998 ‘Bridget Riley: Works 1961–1998’. Kendal: Abbot Hall Art Gallery

1996 ‘Bridget Riley: Recent Paintings and Gouaches 1981–1995’. London: Waddington Galleries, and London: Karsten Schubert, 1996

1992 ‘Bridget Riley: Works on Paper 1980–1992’. London: Karsten Schubert ‘Bridget Riley: Paintings 1982–1992’. London: and Nürnberg: Verlag für Moderne Kunst

1990 ‘Bridget Riley’. New York: Sidney Janis Gallery

1985 ‘Bridget Riley: An Australian Context’. Brisbane: Queensland Art Gallery

1984 ‘Bridget Riley: Ölbilder und Gouachen’. Cologne: Galerie Reckermann ‘Working with Colour: Recent Paintings and Studies by Bridget Riley’. London: Arts Council of Great Britain

1980 ‘Bridget Riley: Silkscreen Prints 1965–1978’. London: Arts Council of Great Britain

1978 ‘Bridget Riley: Works 1959–1978’. London: The

1975 ‘Bridget Riley’. Basel: Galerie Beyeler ‘Bridget Riley’. New York: Sidney Janis Gallery

1971 ‘Bridget Riley: Paintings and Drawings 1951–71’. London: Hayward Gallery

1970 ‘Bridget Riley’. Hannover: Kunstverein Hannover De Sausmarez, Maurice: ‘Bridget Riley’. New York: New York Graphic Society

1969 ‘Bridget Riley: Working Drawings’. Oxford: Bear Lane Gallery ‘Philip King: Beelden. Bridget Riley: Schilderijen en Tekeningen’. Rotterdam: Museum Boymans Van Beuningen

1968 ‘Bridget Riley: The 34th ’. London: The British Council

1966 ‘Bridget Riley: Drawings’. New York: Museum of ‘Bridget Riley: Preparatory Drawing and Studies: June 8 to July 9, 1966’. London: Robert Fraser Gallery

1963 ‘Bridget Riley’. London: Gallery One

1962 ‘Bridget Riley’. London: Gallery One

Selected Group Exhibition Catalogues and Anthologies

2017 Constantine, Jill, Beaumont-Jones, Julia et al.: ‘A Century of Prints in Britain’, London: Hayward Gallery Publishing Rudd, Natalie and Cornish, Sam: ‘Kaleidoscope: Colour and Sequence in 1960s British Art’, London: Hayward Gallery Publishing

2014 ‘Remember Everything: 40 Years Galerie Max Hetzler’. London: Ridinghouse; Berlin: Holzworth Publications; and Berlin: Galerie Max Hetzler

2013 ‘Auf Zeit / For the Time Veing’. Cologne: Buchhandlung Walther König ‘Moving Norman Foster on Art’. Madrid: Ivorypress and Nîmes: Carré d'Art ‘Prima Materia’. Milan: Electa Delavaux, Céline: ‘The Museum of Illusions Optical Tricks in Art’. Munich: DelMonico/Prestel

2012 ‘Punkt-systeme: Vom Pointillismus zum Pixel’. Heidelberg: Wilhelm Hack Museum ‘Treasure Island: British Art from Holbein to Hockney’. Madrid: Fundación Juan March ‘New Departures: Painting and Real Space’. Berlin: Akademie der Künste Finger, Brad: ‘Modern Art: The Groundbreaking Moments’. Munich: Prestel

2011 ‘Moderne: Selbstmord der Kunst’. Graz: Neue Galerie

2009 ‘Art of Our Time: Vol. 2, 1999–2008’. Tokyo: The Japan Art Association Shanken, Edward: ‘Art and Electronic Media’. London: Phaidon Richard, Sophie: ‘Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections’. London: Ridinghouse

2008 ‘This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles’. Los Angeles: The Museum of Contemporary Art Tellgren, Anna (ed.): ‘The History Book: On Moderna Museet 1958–2008’. Göttingen: Steidl Riley, Bridget, Kudielka, Robert et al.: ‘L’Esprit de l’oeil’, France: ENSBA

2007 ‘Collecting the Past, Present and Future’. Kendal: Abbott Hall Art Gallery ‘If Everybody Had an Ocean: Brian Wilson’. London: Tate Publishing ‘Die Neuen Tendenzen’. Düren: Leopold Hoesch Museum ‘Raum: Orte der Kunst’. Nuremberg: Akademie der Künste ‘Op Art’. Colonge: Schirn Kunsthalle ‘Claude Mondet: L'art de Monet et sa postérité’. Tokyo: National Art Centre ‘Optic Nerve: Perceptual Art of the 1960s’. Columbus: Columbus Museum of Art Chadwick, Whitney: ‘Women, Art and Society’. London: Thames & Hudson

2006 ‘Super Vision’. Boston: Institute of Contemporary Art

‘The Expanded Eye: Stalking the Unseen’. Zurich: Kunsthaus Zürich ‘Transforming Chronologies: An Atlas of Drawings, Part Two’. New York: McGregor, Sheila: ‘New Art on View’. London: Scala Publishing

2005 ‘Extreme Abstraction’. Buffalo: Albright-Knox Art Gallery

2004 ‘Beyond Geometry: Experiment in Form 1940–70s’. Los Angeles: Los Angeles County Museum of Art and Cambridge: The MIT Press Elderfield, John: ‘Modern Painting and Sculpture – 1880 to the Present – at the Museum of Modern Art’. New York: Museum of Modern Art Foster, Alicia: ‘Tate ’. London: Tate Publishing Lee, Pamela M.: ‘Chronophobia: on time in the art of the 1960s’. Cambridge: The MIT Press

2003 ‘Imagination: Perception in Art’. Cologne: Walther König

2002 ‘Blast to : British Art in the 20th Century’. Wolfsburg: Kunstmuseum Wolfsburg and Osfildern: Hatje Cantz ‘Beau Monde: Toward a Redeemed Cosmopolitanism’. Santa Fe: SITE Santa Fe

2001 ‘Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990’. Tallahassee: Museum Press Gillick, Liam, Morris, Sarah, Riley, Bridget and Ritchie, Matthew: ‘Parkett #61’, Switzerland: Parkett Verlag

2000 ‘From Here’. London: Waddington Galleries and London: Karsten Schubert Krajewski, Michael, Martin, Michael-Craig et al.: ‘Bridget Riley Selected Paintings 1961 – 1999’, Berlin: Hatje Cantz

1995 ‘Colour and Nature: Patrick Heron and Bridget Riley’. Norwich: Norwich Castle Museum Lamb, Trevor and Bourriau, Janine (eds): ‘Colour, Art and Science’. Cambridge: Cambridge University Press

1993 Mellor, David: ‘The Sixties Art Scene in London’. London: Phaidon

1986 ‘British Art in the 20th Century: The Modern Movement’. London: Royal Academy of Arts and Munich: Prestel Turr, Katrina: ‘Op Art: Stil, Ornament oder Experiment?’. Berlin: Gebr. Mann

1977 ‘Recent British Art’. London: The British Council

1976 ‘Arte inglese oggi 1960–76’. Milan: Electa Editrice

1975 Alloway, Lawrence: ‘Topics in American Art Since 1945’. New York: W.W. Norton & Co.

1969 ‘Marks on Canvas’. Dortmund: Museum am Ostwall

1968 ‘Op Art und Kinetik’. Kassel: IV, 1968 ‘A Dialogue: New British Painting and Sculpture’. Los Angeles: UCLA Galleries ‘British Artists: 6 Painters, 6 Sculptors: An Exhibition / Circulated by the Museum of Modern Art, New York’. New York: Museum of Modern Art

1967 ‘Optical and ’. London: Tate Publishing

1965 ‘The Responsive Eye’. New York: Museum of Modern Art ‘London: The New Scene’. Minneapolis: Walker Art Center; Lisbon: The Calouste Gulbenkian Foundation and London: The British Council ‘Private View’. London: Thomas Nelson and Sons ‘The English Eye’. New York: Marlborough-Gerson Gallery ‘Highlights of the 1964–1965 Art Season’. Ridgefield: The Larry Aldrich Museum

1964 ‘The New Generation’. London:

Selected articles by and interviews with the artist

2019 Street, Bethan: ‘Bridget Riley | The Hermaphrodite’, Riseart, 5 March Landi, Ann: ‘Bridget Riley Review: Learning to Look’, The Wall Street Journal, 26 July Brown, Mark: ‘Artist Bridget Riley unveils huge Messenger wall painting’, , 16 January Sooke, Alastair: ‘Bridget Riley on how nature inspired her Op Art masterpieces: 'Growing up, there was no TV – we looked at the world', The Telegraph, 15 June McMillan, Duncan: ‘Art reviews: Bridget Riley at the Royal Scottish Academy | Duncan Shanks at the Scottish Gallery’, The Scotsman, 26 June

2018 Jones, Jonathan: ‘Bridget Riley review- a blast of pure psychedelic energy’, The Guardian, 17 January Gosling, Emily: ‘You have to be willing to look, and able to look, stunning, mind-bending recent works by Bridget Riley’, Creative Boom, 18 January Barry, Roberts: ‘A visceral assault on the senses’, APOLLO art magazine, 26 January

2017 Shiff, Richard: ‘An imitation, not a copy: Richard Shiff on what Bridget Riley learned from George Seurat’, The Art Newspaper, 14 September

2014 Kudielka, Robert (ed.): ‘Robert Kudielka on Bridget Riley: Essays and interviews since 1972’. 2nd edition. London: Ridinghouse, 2014 Bridget Riley interviewed by Jackie Wullschlager: ‘Space Made by Colour’, The Financial Times, 7 June

2012 Kudielka, Robert (ed.): ‘Malen um zu sehen: Bridget Riley, Gesammelte Schriften 1965– 2009’. Ostfildern: Hatje Cantz

2010 Riley, Bridget: ‘Bridget Riley: From Life’. London: National Portrait Gallery Dunn, Daisy: ‘Bridget Riley: A Biography’, The Telegraph, 23 November

2009 Kudielka, Robert (ed.): ‘The Eye’s Mind: Bridget Riley, Collected Writings 1965–2009’. London: Ridinghouse and London: Thames & Hudson, 2009 (first edition: ‘The Eye’s Mind: Bridget Riley, Collected Writings 1965–1999’. London: Thames and Hudson; London: Serpentine Gallery; and Leicester: De Montford University, 1999)

2008 Bridget Riley interviewed by Jonathan Jones: ‘The Art of Riley’, The Guardian, 5 July Bracewell, Michael: ‘Seeing is Believing’, Frieze, 1 October

2007 Riley, Bridget: ‘Production Notes: Bridget Riley’, Artforum, October, p. 343

2006 Riley, Bridget: ‘Cézanne in Provence’, The Burlington Magazine, September, pp. 621–29

2005 Kudielka, Robert (ed.): ‘Robert Kudielka on Bridget Riley: Essays and Interviews 1972– 2003’. London: Ridinghouse

2004 ‘Bridget Riley on Bridget Riley’, Artlink, December

2003 Kudielka, Robert (ed.): ‘Bridget Riley: Dialogues on Art’. London: Thames & Hudson, 2003 (first edition: London: Zwemmer, 1995) Bridget Riley interviewed by Martin Gayford: ‘Pitching opposites’, Modern Painters, vol.16, no.2, summer, pp. 32–35

2002 Riley, Bridget: ‘Making Visible’, : The Nature of Creation, London: Hayward Publishing, pp.15–19 Bridget Riley with Bernard Dod, Christopher Frayling and Michael Podro: ‘Sir ’, Tate, no. 28, spring, p. 80

2001 ‘Supposed to be abstract – Bridget Riley in conversation with Robert Kudielka’, Parkett, no. 61, May, pp. 20–51

1998 Bridget Riley interviewed by David Thomson: ‘She’s a dedicated follower of abstraction’, The Independent on Sunday, 15 November

1997 Riley, Bridget: ‘Mondrian’s quest’, Modern Painters, vol. 10, no. 2, summer, pp. 32–36 Riley, Bridget: ‘Bridget Riley on The Snail’, Magazine, 20 December

1995 Riley, Bridget: ‘Bridget Riley – Musing on Poussin’, The Independent, 20 January

1993 Bridget Riley interviewed by Andrew Renton: ‘Bridget Riley: some things near and some far’, Flash Art, vol. 26, no. 168, January–February, pp. 59–61

1992 Bridget Riley interviewed by James Roberts: ‘Bridget Riley: Visual Fabric’, Frieze, no. 6, September–October, pp. 20–23

1990 Riley, Bridget: ‘Henri Matisse, The Dance’, The Daily Telegraph Magazine, 27 October

1984 Bridget Riley interviewed by Douglas Stephen: ‘Hospital Treatment’, Building Design, 7 September

1981 Bridget Riley interviewed by Andrew Smith, Arts Review, vol. 33, no. 11, 6 June, p. 228

1980 Riley, Bridget: ‘On Travelling Paintings’, Art Monthly, vol. 5, no. 11, 5 June, p. 228

1978 Bridget Riley interviewed by John Gruen: ‘Bridget Riley’ (1978), reprinted in John Gruen, The Artist Observe: 28 Interviews with Contemporary Artists, Capella Books and Chicago Review Press, Chicago, 1991, pp. 150–59

1968 Bridget Riley interviewed by Robert Kudielka: ‘Jenseits von Op-ArtL Bridget Riley im Gespräch’, Das Kunstwerk, vol. 22, nos. 3–4, December 1968–January 1969, pp. 15–25