The Story of E.A.T.: Experiments in Art and Technology, 1960-2001

PRESS RELEASE FOR IMMEDIATE RELEASE Contact: March 8, 2017 Jayna Swartzman-Brosky Mills College Art Museum, Program Director (510) 430-3340 or [email protected] E.A.T., Pepsi Pavilion, 1970, Osaka, Japan. The Story of E.A.T.: Experiments in Art and Technology, 1960-2001 Organized by Mills College Art Museum and Presented at Mills College Slide Space 123 March 16-April 2, 2017 March 8, 2017 --The Story of E.A.T. presents the history of Experiments in Art and Technology, a foundation started in 1966 by engineers Billy Klüver and Fred Waldhauer, and artists Robert Rauschenberg and Robert Whitman. E.A.T. provided artists with access to new technologies through the collaboration of artists, engineers, and scientists. The exhibition traces the ground- breaking activities of E.A.T., beginning with Klüver’s first collaboration with artist Jean Tinguely on Homage to New York in 1960, the machine that destroyed itself in the garden of the Museum of Modern Art. The Story of E.A.T. highlights major projects of E.A.T. including 9 Evenings: Theatre & Engineering, Some More Beginnings at the Brooklyn Museum, the Pepsi Pavilion at Expo '70 in Osaka, Japan, the 1970s Projects Outside Art, as well as present day activities. The exhibition demonstrates the historical importance of E.A.T.'s work to promote collaborations between artists and engineers, collaborations that not only made it possible for artists to incorporate new technology into their work, but also provided a means for artists and engineers to play a more active role in many areas of contemporary society. E.A.T. activity has entered the canons of performance art, experimental noise music and theater, bridging the gap from the early 20th century eras of Dada, Fluxus and the Happenings/Actions of the 1960s, through the current generation of digital artists for whom multimedia and technology are the norm. The Story of E.A.T.: Experiments in Art and Technology, 1960-2001 was designed by Billy Klüver. The presentation of the exhibition at Mills is supported by the Music Department and Mills College Art Museum. ******* About Mills College Art Museum Founded in 1925, Mills College Art Museum is a forum for exploring art and ideas and a laboratory for contemporary art practices. Through innovative exhibitions, programs, and collections, the museum engages and inspires the intellectual and creative life of the Mills community as well as the diverse audiences of the Bay Area and beyond. mcam.mills.edu Museum hours are Tuesday-Sunday 11:00 am-4:00 pm and Wednesday 11:00 am-7:30 pm. Admission is FREE for all exhibitions and programs unless noted. About Slide Space 123 Slide Space 123 presented by the Art Department is located on the campus of Mills College in the Jane Baerwald Aron Art Center. During the week, the gallery is accessible through the entrance of the Art Department offices. Gallery Hours: Monday - Friday, 9:00 am - 5:00 pm Mission Statement: Slide Space 123: A Space for Art and Ideas is a new gallery at Mills College that aims to provide a space to pose new problems, working with and against the grain of the exhibition format. Slide Space 123 is a site to exchange ideas and for conversations, a venue to connect the Mills community (students, faculty, and alumnae) with currents across multiple disciplines. ### .

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Press Release E.A.T.—Experiments in Art and Technology
Press Release E.A.T.—Experiments in Art and Technology July 25–November 1, 2015 Mönchsberg [3] & [4] The Museum der Moderne Salzburg presents an international premiere: a Presse comprehensive survey of the groundbreaking projects of E.A.T.—Experiments Mönchsberg 32 in Art and Technology, an evolving association of artists and technologists 5020 Salzburg who wrote history in the 1960s and 1970s with projects between New York and Austria Osaka. The show is on view on the Mönchsberg. T +43 662 842220-601 F +43 662 842220-700 Salzburg, July 24, 2015. The Museum der Moderne Salzburg mounts the first-ever comprehensive retrospective of the activities of Experiments in Art and Technology [email protected] www.museumdermoderne.at (E.A.T.), a unique association of engineers and artists who wrote history in the 1960s and 1970s. Artists like Robert Rauschenberg (1925–2008) and Robert Whitman (b. 1935) teamed up with Billy Klüver (1927–2004), a visionary technologist at Bell Telephone Laboratories, and his colleague Fred Waldhauer (1927–1993) to launch a groundbreaking initiative that would realize works of art in an unprecedented collaborative effort. The Museum der Moderne Salzburg dedicates two levels of its temporary exhibition galleries on the Mönchsberg with over 16,000 sq ft of floor space to this seminal venture fusing art and technology; around two hundred works of art and projects ranging from kinetic objects, installations, and performances to films, videos, and photographs as well as drawings and prints exemplify the most important stages of E.A.T.’s evolution. “In the past smaller exhibitions have highlighted the best-known events in E.A.T.’s history, but a comprehensive panorama of the group’s activities that reveals the full range and diversity of E.A.T.’s output has long been overdue.
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Big in Japan at the 1970 World’S Fair by W
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The Museum of Modern Art: the Mainstream Assimilating New Art
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Robert Whitman 61
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Juliette Hueber and Antonio Mendes da Silva (ed.) Keys for architectural history research in the digital era Handbook Publications de l’Institut national d’histoire de l’art The Experiments in Art and Technology Datascape Christophe Leclercq and Paul Girard DOI: 10.4000/books.inha.4926 Publisher: Publications de l’Institut national d’histoire de l’art Place of publication: Publications de l’Institut national d’histoire de l’art Year of publication: 2014 Published on OpenEdition Books: 5 December 2017 Serie: Actes de colloques Electronic ISBN: 9782917902592 http://books.openedition.org Electronic reference LECLERCQ, Christophe ; GIRARD, Paul. The Experiments in Art and Technology Datascape In: Keys for architectural history research in the digital era: Handbook [online]. Paris: Publications de l’Institut national d’histoire de l’art, 2014 (generated 18 décembre 2020). Available on the Internet: <http:// books.openedition.org/inha/4926>. ISBN: 9782917902592. DOI: https://doi.org/10.4000/books.inha. 4926. This text was automatically generated on 18 December 2020. The Experiments in Art and Technology Datascape 1 The Experiments in Art and Technology Datascape Christophe Leclercq and Paul Girard EDITOR'S NOTE This paper is based on the talk given by Christophe Leclercq and Paul Girard at the REWIRE conference, September 29, 2011, the FACT, Liverpool. AUTHOR'S NOTE We would like to thank the Rewire committee for selecting our project, without which we would have never initiated this work. 1 The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert Rauschenberg and Robert Whitman, in association with the engineers Billy Klüver and Fred Waldhauer.
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